Ornamental Prints and Drawings

Intricate ornamental prints depicting historical figures and allegorical scenes, characterized by decorative borders and detailed illustrations.

Zenteprent with the capture of Hugo de Groot, Ornament print with bust portrait of Hugo de Groot and underneath the coat of arms of the person portrayed. In the middle a six-line poem in Dutch with above it a representation of the escape of Hugo de Groot from Loevestein in a book chest, flanked by Athens and Mercury., (Story of) Minerva (Pallas, Athena), (story of) Mercury (Hermes ), Hugo de Groot, Cornelis de Jonker (mentioned on object), Gorinchem, 1791, paper, h 378 mm × w 219 mm

Ornament print with a bust portrait of Thomas Erpenius and there are coat of arms. In the middle a six-line poem in Dutch about the exile of Caecilius Metellus Numidicus from Rome with a representation of the Exposure of Hugo de Groot, flanked by Athens and Mercury.

Zenteprent with the capture of Hugo de Groot, Ornament print with bust portrait of Hugo de Groot and underneath the coat of arms of the person portrayed. In the middle a six-line poem in Dutch with above it a representation of the escape of Hugo de Groot from Loevestein in a book chest, flanked by Athens and Mercury., (Story of) Minerva (Pallas, Athena), (story of) Mercury (Hermes ), Hugo de Groot, Cornelis de Jonker (mentioned on object), Gorinchem, 1791, paper, h 378 mm × w 219 mm

Kunz kills Huldreich. Selinde and Huldreich are attacked by Kunz in the forest. Left in the foreground lies the murdered Huldreich with arrows in his chest. Selinde is in an open carriage and is robbed by Kunz and his consequence. Around the show a framing with rocaille ornaments. A four-line German text in the undermarge.

A pencil drawing by an anonymous artist showing Parcos from behind on a wall with Maria and two angels, emphasizing figures and arrangement.

Two women with floral basket; A ve suite d'Arabesques. Two standing women with a floral basket on the head, at the bottom Arabes with vases.

Round Cartouche, worn by two putti and a female Herme, Anonymous, After Jacques Androuet, 1520 - 1584 print There are two putti on either side of an animal skull on the cartouche. From series of 32 sheets. The cartouches are partly derived from the prints of Antonio Fantuzzi after the decoration of the gallery of François 1er by Giovanni Battista Rosso. The series is also known under the title Petits Cartouches de Fontainebleau. France (possibly) paper etching

Grotesk Ornament with landscape in the middle, Anonymous, After Antonio Tempesta, 1624 - 1679 print print maker: Italyafter print by: Italypublisher: Antwerp paper etching ornaments ~ art. landscapes

Louis XIV (King of France), Paris, Mariette, Pierre (II), France, Loir, Nicolas Pierre, Alexis (I), Drawings to embellish the chaises roulantes, Title page: Drawings to embellish the chaises roulantes, Pedestal of leaf tendrils and masks with the title above., print, ornament print, title page, prints, ornament prints, height 202 mm, width 180 mm, French, 1640 - 1713-04-15, print maker, printmaker, 1680 - 1693, fourth quarter 17th century, paper, engraving, engraving (printing process), Work conception, 1624 - 1679-05-06, after design by, Publication (Event), Publication, 1634 - 1716, publisher, 1638-09-05 - 1715-09-01, granter of privilege

Bound Print, Plate 5, Vénus ou La Coquetterie (Venus or Vanity), Arabesques (Arabesques); Designed by Jean Démosthène Dugourc (French, 1749-1825); Published by Jacques-François Chéreau (French, 1742 - 1794); France; etching on paper; 26 x 18.5 cm (10 1/4 x 7 5/16 in.) Platemark/repeat: 15.9 x 11.5 cm (6 1/4 x 4 1/2 in.)

Mirror with the five wise and five foolish virgins, Johann Sadeler (I), 1583 - 1587

The arms of the Amsterdam Chamber of Rhetoric "The Eglantine", The Netherlands, Jacob Cornelisz van Oostsanen, 1528.

Expressions of the passions of the soul, Jean Audran, After Charles Le Brun, 1727 print Paris paper etching morphology of facial expression

Cartouche Topped by Rococo Crown, Livre de Cartouches Reguliers (Book of Regular Cartouches), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Franz Xaver Andreas Jungwierth, German, 1720-1790, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on paper, Cartouche topped with a Rococo crown and a pair of wings. Two putti at either side, floral vegetation and ornament., Munich, Germany, 1738, albums (bound) & books, Bound print, Bound print

Antwerp, Jode, Gerard de, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Historia Josephi Somniatoris : per . M. Michaelem fol :, History of Joseph, Cartouche with scroll work, Title in cartouche with scroll work. Title print for a series of prints about the history of Joseph. Print is part of an album., print, title print, album page, prints, height 96 mm, width 133 mm, print maker, 1579 - 1579, fourth quarter 16th century, paper, engraving, engraving (printing process), Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Cartouche Surrounded by four putti, Crispijn van de Passe (I), 1599 print Cartouche with a motto in Greek, an assignment and an eight -line text, in Latin. In the edge of the frame, a Bible quote from PS. 90 in Latin. The cartouche is surrounded by four putti that symbolize the four seasons; who may be connected here with the life course of man. Title print for a series of six with the ages of man. Cologne paper engraving the ages of man

Round cartouche, worn by two putti and a female herme; Ceilings and cartouches in a picture frame with grotesken, garlands and mascarons; Small cart shower to example in Fontainebleau. There are two putti on both sides of an animal skull on the cartouche. From series of 32 sheets. The cartouches are partly derived from the prints of Antonio Fantuzzi to the decoration of François gallery by Giovanni Battista Rosso. The series is also known under the title Petits cartouches the Fontainebleau.

Lente, Johann Christoph Steinberger, after Jean Antoine Watteau, 1708 - 1727 print In an oval medallion a performance of a garden with figures in a gondola. A tree and garlands above the medallion. Rocailles, garlands and a winged head that blows. Publishing number 51. paper etching spring, 'Ver'; 'Primavera' (Ripa)

Antwerp, Plantin, Christoffel, Maes, Joseph, Frontispiece, XVIe Siècle, Reproduction of a title page with grotesques, recto - stamped, photomechanical print, page, reproduction, photographs, photographically illustrated books, FRONTISPICE du second, recto - printed, LITT. F. - PL. 7, JJvY, height 363 mm, width 230 mm, photographer, 1875 - 1880, paper, papier, photolithography, fotolithografie, Belgian, 1838 - 1908, clichémaker, Work conception, after a print by, 1514 - 1589-07-01

Print (France)

Wall panel with oval frame resting on mask, 1647 print A landscape is depicted in the list. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper engraving

Portrait of Agostino Barbarigo and the personification of ambition, Robert van Audenaerd, 1673 - 1743 print Pedest in the form of a cartouche. Then a medallion with the portrait of Admiral Agostino Barbarigo on the front. On the back are bust on a pedestal. The pedestal is flanked by two kneeling Turkish men with trophies, victory signs consisting of captured weapons. On the pedestal is the personification of ambition (Amor di Fama). It is a naked boy with a laurel wreath on the head on which the laurel berries are still hanging. In the right hand he has a ship's crown, in the left hand an army crown. On a pedestal a wall crown, a crown of sprinkles (of grass) and a civilian crown (of oak leaves). The print is part of an album. paper engraving medal (considered as a piece of sculpture, regardless of its specific function). military clothing and other equipment (uniforms, cap, armour, helmet, etc.). Ambition; 'Ambitione', 'Amor di Fama' (Ripa)

Bound Print, Title Page; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Franz Xaver Andreas Jungwierth (German, 1720-1790); Germany; etching and engraving on paper; 27.5 × 18.2 cm (10 13/16 × 7 3/16 in.)

Woodcut depicting the coat of arms of Duke Johann the Constant of Saxony by Lucas Cranach the Elder, 1509, part of the Wittenberg Healing Book.

Coat of arms of Godfried Steeghius, Aegidius Sadeler (II), 1606 print Coat of arms of Godfried Steeghius with Latin caption. Prague paper engraving armorial bearing, heraldry

Bound Print, Cartouche with Valley Landscape; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Franz Xaver Andreas Jungwierth (German, 1720-1790); Germany; engraving on paper; 24.2 × 14.8 cm (9 1/2 × 5 13/16 in.)

Wall panel with two saters under octagonal table; Livre de Diverses Grotesques, Peintes Dans Le Cabinet de la Reine Régte, Au Palais Royal. A landscape is depicted in the list.

Cartouche with grotesques, bottom center is a child, print maker: Johannes or Lucas van Doetechum, Hans Vredeman de Vries, Hieronymus Cock, c. 1555 - c. 1560.

Print, Set of Trophies, from "Trophey a l'Antique"; Print Maker: Jean Le Pautre (French, 1618-1682); France; etching on paper; Plate: 32.4 × 22.8 cm (12 3/4 in. × 9 in.) Paper: 35.7 × 28.6 cm (14 1/16 × 11 1/4 in.); 1919-32-1-1

Coat of arms on the reign of Louis XIII

Netherlands, Perpetual Almanac, Almanach Perpetuel, Design for a clock, verso - stamped, Design for a 'perpetual' clock. Completely above the clock with putti on either side: one with the attributes of Mercury, the other with the attributes of Neptune. In medallions a representation of Father Time and of the Day with sunflower and the sleeping Night. At the bottom on the basement the days of the week., print, ornamental print, prints, height 247 mm, width 174 mm, print maker, printmaker, 1797 - 1797, fourth quarter 18th century, paper, papier, etching, etchings

Heinrich the proud, Duke of Bavaria.

Vignet with Minerva and Amor.Minerva sits as a pattern of science on a cloud and shows an open book. She has conquered death, which lies under her feet in the form of a skeleton. In addition to her, amor sits with a circular hose that takes its tail in the mouth: a symbol for eternity. On the left in the background putti those books. The show has been caught in an ornamental picture frame with, among other things, horns of abundance with books. In the middle of the motto: Vivitur Ingenio, Cetera Mortis erunt.

Frisian with a double drum; Panoplia SEV Armamentarium .... Frisian with a harness behind which crossed lanes hang between a helmet, a shield and crossed muskets (left), and a double drum with crossed wind instruments. From series, consisting of a title page and 16 sheets.

Double cartouche, in the upper cartouche is a weapon; AccensaM LV = / Cernam Nem (...); Compertimenta Pictoriis Flocculis Manubiisque .... There is a coat of arms of a St. Lucas-Guild in the upper cartouche, awarded a helmet and an hourglass in a frame of leaf reflection. The lower cartouche contains a Latin text. At the bottom are two rages, two hoods and two skulls. Shaded background. Belongs to series of 14 sheets cartouches with rollerwork, grotesken, trophies and friezes. The title sheet is missing.

Vase and standing women; A Premier Cahier d'Arabesques.Nonder a vase with flowers are two women with laurel circuits with a floral basket.

. Decoration on the house of Mr Frans van Lelijveld on the Nieuwe Rhine, between the Herengracht and the Langestaart in Leiden on March 8, 1766 on the occasion of the majority of Prince Willem V. Three separate scenes with inscription: Eendracht Makes power. At the top of the bundle arrows as a symbol for unemtra, middle a garden with the upstone sun, at the bottom of the Dutch lion. Numbered at the top: VI.

Het Vaderlandsch throwing game, Jan Oortman (Sr.), After J. Voeman, 1786 print. gameboard Patriotse board game with medallions as boxes with national allegories and emblems. The starting position is the empty generality greenhouse in which all players have to put in a penny or eight tokens. On the magazine under the plate the rules of the throwing game. print maker: Northern Netherlandspublisher: Amsterdam paper letterpress printing goose-game

Title print with putti and two muses at Cartouche, Julien-Léopold Boilly, After Pierre Prud'Hon, 1851 print This print is part of a cover with seven prints. Paris paper (story of) Apollo (Phoebus). cupids: 'amores', 'amoretti', 'putti'. (story of the) Muses; 'Muse' (Ripa)

Panel (Furnishing Fabric) Made 1820 Lyon. Silk, warp-float faced satin weave; copperplate printed . H. Brunet et Cie. (Producer)

November; Last six months of the year. A man a pig in a Rocaille cartouche. In the background a landscape with houses. Around the show Rocaille ornaments, griffins, an archer and the corresponding sign of the zodiac. Publisher number 75.

Antwerp, Plantin, Christoffel, Netherlands, Vredeman de Vries, Hans, Hooghe, Cornelis de, Doetechum, Johannes or Lucas van, Exercitatio alphabetica nova et utilissima, Oval cartouche with calligraphy, on either side a seated woman with a laurel wreath and palm branch, Sheet XII . Cartouche with text Kloeckheyt is een leeft fonteyne.... In the middle at the bottom are two frogs in front of a mascaron. From a series of 21 numbered cartouches with calligraphy in a frame of scroll and fittings with grotesques, garlands and mascarons., print, ornament print, prints, ornament prints, height 215 mm, width 284 mm, print maker, printmaker, 1569 - 1569, third quarter 16th century, paper, engraving, engraving (printing process), Northern Netherlands, 1541 - 1583-03-29, Work conception, Southern Netherlands, 1527 - 1607, after a design by, Publication (Event), Publication, 1514 - 1589-07-01, publisher

Adelaar met lauwerkrans / Hand in de wolken met armillarium; Imperii Spes Alta Futuri / Nil Sine Deo; Symbola Divina et Humana Pontificum Imperatorum Regum.An emblem with two performances. Above an eagle with spread wings and a laurel wreath in its mouth. Under a hand in the clouds. An armillaire with zodiac hangs on a chain. The inventions of Hendrik V and Edward VI of England.

Cartouche with James Balfour or Denmiln's arms. Cartouche surrounded by shepherds with sheep and awarded the coat of arms of James Balfour or Denmiln. Design for a print.

Drawing (Italy); pen and brown ink with gray wash and traces of graphite support: off-white laid paper

Portrait of Agostino Barbarigo and the Personification of Ambition; Numismata virorum illustrium ex Barbadica Gente. Pedestal in the shape of a cartouche. On top of it a medallion with the portrait of Admiral Agostino Barbarigo. On the back are bust on a base. The pedestal is flanked by two kneeling Turkish men with trophies, victory marks consisting of flooded weapons. The personification of ambition (amor di fama) is on the pedestal. It is a naked boy with a laurel wreath on the head to which the laurel berries still hang. In the right hand he has a ship's crown, in the left hand a floating crown. On a base a wall wreath, an investment crown (of grass) and a civilian wreath (from oak leaves). The print is part of an album.

Drawing, Design for a Vase; Italy; pen and ink, brush and wash on paper

Theodor de Bry, Ornament Ornament

Weapon held by two lions. Weapon with motto per aspera ad astra, held by two lions

Spring stones with helmets and lion's head, Jean Pelletier, After Juste Nathan François Boucher, 1772 - 1779 print Two closing stones with a lion's head, helmets and weapons and under with leaf motifs and ribbons. Print number 254. Paris paper etching / engraving keystone ~ architecture. lion's head ~ ornament. helmet. weapons. foliage ~ ornament

Bedstee, Nicolas Dupin, after just Nathan François Boucher, 1772 - 1779 print An ornamented box bed with striped draperies. Print number 6. Paris paper etching / engraving built-in bedstead (Dutch: 'bedstee')

Three Knife Heften, Michiel Le Blon, 1626 print The middle lang has been awarded a button. At the top left is as a series designation: n ° k. Amsterdam paper etching table-knife

Dahlberg, Erik Jönssen, Suecia Antiqua et Hodierna, Insigne Comitatus Nericiae, Coat of arms of Närke, The print is part of an album., print, album sheet, prints, height 244 mm, width 152 mm, print maker, printmaker, 1696 - 1696, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

Silhouette portrait of Wilhelmina van Pruisen, Jan Gerritsz. Visser, 1785 print Silhouette portrait of Wilhelmina in an oval with edge. There are a number of allegorical objects around. In the middle above her weapon. Four lines of Dutch text on a pedestal. Amsterdam paper engraving / etching

Emblem over the wind trade, 1720; Bombario promotionist and the spirit of Esopus; The great scene of foolishness. Emblem over the wind trade with Bombario in a picture frame with the devil and goat paws, awarded a basket full of fools. Numbered 1. Printed from a large album to which all four performances numbered 1-4 are etched. Print 26/1 in the series The great scene of foolishness with cartrents on the wind trade or action trade of 1720.

Portrait of Frans I Stefan in Allegorical Framing, Jacob Andreas Fridrich (II), Jacob Andreas Fridrich (I), 1718 - 1765 print Print maker: Augsburg print maker: Augsbugal Roman Empire paper engraving / etching historical persons. armorial bearing, heraldry. ornament ~ medallion. rocaille ornament. insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral). knighthood order of the Golden Fleece - insignia of a knighthood order, e.g.: badge, chain (with NAME of order)

The Charmer (LEnjoleur). Engraver: Pierre-Alexandre Aveline, French, 1702-1760 After: Jean-Antoine Watteau, French, 1684-1721

Vignette with portrait medallion by Queen Christina van Sweden, Pieter Tanjé, 1736 - 1761 print Vignette with the portrait medallion of Queen Christina van Sweden on the left. In the middle a shield with lightning bolts. On the medallion on the right Minerva and an owl, symbols of wisdom. Amsterdam paper etching / engraving (story of) Minerva (Pallas, Athena). attributes of Minerva: owl

This 1847 wooden stitch book illustration by Eduard Duller, based on Moritz von Schwinds design, depicts Archduke Carl of Austria, highlighting 19th-century Austrian portraiture and illustration techniques.

Coat of arms of the Nassau house. .

Wolff, Jeremias.

Etching by Hubertus Quellinus from 1665 serving as the title page depicting the head of the establishment and the Court of Amsterdam, with ornamental and allegorical details.

Coats of arms flanked by justice and faith. Two coats of arms, depicted on a cartouche, are flanked by the personification of the cardinal virtue justice (Justitia) and to the right the personification of the Divine Virtue (FIDES).

Depicts Carl von Hasenauer's design for a flag stick attachment for the Schubert Federation on transparent paper using black spring technique.

Joris Hoefnagels drawing depicts a grotesque scene with mythological figures, executed in brown pen, watercolor, gold, and cover colors on prepared brownish paper with gold framing lines.

Design for Four Knife Handles with Title 1580-1600 Johann Theodor de Bry Netherlandish Panel with four different knife handle designs, with the title in a wreath at bottom center. The design at upper left shows Jesus and Mary in the house of Martha in an oval.. Design for Four Knife Handles with Title 424976

Netherlands, Wish letter with musicians, recto - handwritten in brown ink, Wish letter with described cartouche within a decorative frame with representations of musicians. Handwritten message in calligraphy (kermis letter) by Bakker to a nephew and niece. Numbered lower right: 55., print, popular print, letter of greetings, prints, popular prints, verso - stamped, Fairground letter to my, honored, Cousin and nigt, Honored friend now the stalls ..., height 417 mm, width 328 mm, print maker, printmaker, 1763 - 1763, paper, ink, inkt, etching, etchings, calligraphy, pen, Publication (Event), Publication, publisher

Print, Page Six from "Toisieme Livre Contenant Des Frises ou Paneaux en Longueur Inventés Par G. M. Oppenort Architecte du Roi et Gravés par Huquier"; Designed by Gilles-Marie Oppenord (French, 1672-1742); Etched by Gabriel Huquier (French, 1695-1772); France; etching on paper; 41.3 × 28 cm (16 1/4 in. × 11 in.); 1959-85-18

Richard Greene's armorial tradecard ?. Line engraving.

Design for stained glass eleven in Kerk in Oudshoorn, Pieter Jansz, 1663 - 1666 drawing Above Spes surrounded by putti, in the middle the alliance weapon of Gerard Andriesz. Bicker and Cornelia Bicker. paper. ink. chalk pen / brush Hope, 'Spes'; 'Speranza divina e certa' (Ripa) ~ one of the Three Theological Virtues. armorial bearing, heraldry. church-window, e.g. rose-window

Allegory at old age, Anonymous, 1634 print Germany paper engraving title-page. Old age, 'old'; "Vecchiezza '(Ripa)

Wapen van Haarlem with two angels, Jan van de Velde (II), 1628 print Two angels with a laurel wreath flank the city coat of arms of Haarlem. Under the weapon a human skeleton. Haarlem paper etching / engraving coat of arms (as symbol of the state, etc.) (+ city; municipal). angels. (human) skeleton Haarlem

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Square Cartouche with two musician Saters, 1595 Square rolling cartouche from a Palestine map. In the middle of a vase of rolling work and at the bottom a female and male music -making satin. The print is part of an album. Antwerp paper engraving Square rolling cartouche from a Palestine map. In the middle of a vase of rolling work and at the bottom a female and male music -making satin. The print is part of an album. Antwerp paper engraving

Etching by Giuseppe Maria Mitelli serving as the frontispiece for L'Enea Vagante, produced in 1663.

Jacques Callot (1592-1635). "The paintings of Rome, Sainte Marie near the column or the Virgin in the column: second number of a suite of 30 pieces" (Lieure 17, Meaume 168). Chisel. 1608-1611. Museum of Fine Arts of the City of Paris, Petit Palais. 99593-15 Burin, Gravure

. Vignet with the portrait medallion of Sweden portrait medallion. In the middle a shield with lightning bolts. On the medallion right Minerva and an owl, symbols of wisdom.

Savoy's coat of arms flanked by two lions.

Rubens, Peter Paul, Southern Netherlands, Galle, Cornelis (I), Printer's mark of Johannes van Meurs, verso - stamped, Printer's mark of the Antwerp printer Johannes van Meurs. In the middle a hen is sitting on eggs, the hen is a reference to the sign of Van Meurs' printing house 'De Vette Henne'. On a band of sayings his motto: Noctu incubando diuque., print, printer's mark, prints, height 133 mm, width 168 mm, 1576 - 1650-03-29, print maker, printmaker, 1631 - 1631, paper, papier, engraving, engraving (printing process), 1577-06-28 - 1640-05-30

Allegorical title page with History, Jan Caspar Philips, 1751 print History writes in her book. A woman shows her a sheet on which the nations written in the book are listed. Putti, one in hand, sits with a medallion with the portrait of Totila, king of the Ostrogoten. In the background people from different continents. print maker: Amsterdampublisher: Utrecht paper etching / engraving 'Historia'; 'Historia' (Ripa). Chinese. Native peoples of the Americas. Africans. Asiatic races and peoples. white races and peoples

Bliżej Kultury Minheymer, Jan (1808 1879), Gerson, Wojciech (1831 1901), Stwosz, Wit (Ca 1447 1533)

The First Shilling Day-Going In. Artist: George Cruikshank (British, London 1792-1878 London). Dimensions: Plate: 5 1/2 × 8 11/16 in. (14 × 22 cm)Sheet: 12 1/2 × 19 11/16 in. (31.8 × 50 cm). Publisher: David Bogue (British, active London, 1807/8-1856). Series/Portfolio: Mayhew's Great Exhibition of 1851. Date: 1851. Museum: Metropolitan Museum of Art, New York, USA.

Man and his profession , The Architect etc, Carl Josef Geiger -, Drawer, Dre Twer Dreyer, Lithographer, Matthias Rudolph Toma -, Printer, Publisher

Corner piece of a book binding (1566). Jewellry.. Drawings, Design drawings. 1880 - 1883. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Patterns (Design elements), Decoration and ornament, Silverwork, Victorian, Goldwork

Scepter gevormd van ring, obelisk en kroon / Ineengeslagen handen met graanhalmen en caduceus; Volo Solidum Perenne / Felicitas Temporum; Symbola Divina et Humana Pontificum Imperatorum Regum.An emblem with two performances. Above a scepter formed by a ring with an obelisk and crown on it. Under two hands with two grain cords and caduceus. The inventions of King Louis IX.

Business card of printing company Blanchet-Blanchet in Kortrijk, c. 1846 - c. 1851 print. porcelain card Frame with four allegorical figures, including Mars and Mercury. At the top a face on a square with the Sint-Maartenskerk in Kortrijk, at the bottom a still life with a globe and an open book, among other things. . specific aspects, allegorical aspects of Mars; Mars as patron. specific aspects, allegorical aspects of Mercury; Mercury as patron. lithographer Kortrijk

An etching by Battista Agnolo del Moro created between 1515 and 1573 depicting an allegorical representation of death, showing symbolic figures and composition.

Semi -round cartouche with two incense barrels, 1594 - 1595 Semi -round cartouche with four masks and two incense barrels. At the bottom of a ribbon with bows and fruit bunches. The Cartouche is a fragment of a map of the Netherlands. The print is part of an album. Antwerp paper engraving Semi -round cartouche with four masks and two incense barrels. At the bottom of a ribbon with bows and fruit bunches. The Cartouche is a fragment of a map of the Netherlands. The print is part of an album. Antwerp paper engraving

Vignet with the coat of arms of the city of Bern. .

unknown, Terzio, Francesco, Italy, Oselli, Gaspare, Austriacae gentis imaginum, Portraits of members of the Austrian House, Frontispiece of volume 5 of Austriacae gentis imaginum, Frontispiece with text, coat of arms, ornament and putti fighting over a palm branch, verso - stamped, print, frontispiece, prints, height 518 mm, width 387 mm, Italian, 1536, print maker, printmaker, 1569 - 1569, paper, engraving, engraving (printing process), 1523 - 1591, intermediary draughtsman, after a drawing by, after the image of, granter of privilege

Design for a Cartouche, Plate 1 from 'Neu Inventierte auf die artigste Facon Sehr nutzliche Schild.' Printed ca. 1750-56 Johann Georg Pintz Page from an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. The binding describes the content as cartouches (after the first series in the album) but it is much more varied, ranging from rocaille ornament and cartouches to designs for altars and pulpits, as well as allegorical compositions in which rococo ornament is featured, all by well-known Rococo designers working in Augsburg.. Design for a Cartouche, Plate 1 from 'Neu Inventierte auf die artigste Facon Sehr nutzliche Schild.'. After Johannes Rumpp (Central European, active Augsburg ca. 1730-1750). Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Johann Georg Pintz (German, 1697-1767)

Wish letter with winter activities and interiors, 1789 print Wish letter with described cartouche within a decorative framework with performances of winter activities and interiors. Handwritten message in calligraphy (Christmas letter) by L. Oosterhoorn to his godfather. Numbered in the top left: No. 42. Netherlands paper. ink etching / pen skates (winter sports). sleigh, sledge (non-sport). interior of the house

Firescreen. Dated: c. 1938. Dimensions: overall: 30.8 x 23.2 cm (12 1/8 x 9 1/8 in.) Original IAD Object: 12" high; 18" wide. Medium: watercolor, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Vincent P. Rosel.

Sièges et ornemens sic tirés d'un MS. grec du IXme. siècle, ... Étoffe tissue de soye sic et d'or, trouvée dans un tombeau .... Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Two coats of arms, depicted on a cartouche, are flanked on the left by the personification of the cardinal virtue justice Justitia and on the right by the personification of the divine virtue faith Fides, Coats of arms flanked by Justice and Faith, print maker: Jacob Folkema, intermediary draughtsman: Johannes de Bosch, 1723 - 1767, paper, etching, h 101 mm × w 127 mm

Joseph with the Christkind, Isabella Hertsens, 1747 - 1757 print Joseph with the Christ child on an arm with a palm branch in their hands. Standing on a sphere with clouds and three cherubs. Antwerp parchment (animal material) engraving

Utrecht, Caramelli & Co., Rotterdam, Collings & van den Hout, A., Netherlands, Hove Bz, Huib van, Plates of the celebration of the second centenary of the Utrecht University, 1836, Remembrance of the Second Centenary of the Utrecht University, Title print for the series of plates of the celebration of the second centenary of the Utrecht University, Representation in the form of a painting partly covered by an overhanging curtain. De Faam blows the trumpet and partly lifts the curtain. Part of the historical procession held on 13 June 1836, with Prince Maurits on horseback accompanied by pages. Title plate to the series of six unnumbered plates of the festivities at the celebration of the second centenary (1636-1836) of the Utrecht University, 12-17 June 1836., print, prent, prints, Frederik Muller Historieplaten, height 567 mm, width 395 mm, Dutch, 1814-05-13 - 1867-11-14, print maker, printmaker, 1836 - 1836, paper, papier, lithografie (techniek), printer, drukker, Publication (Event)

. Links Two memorial tensions for the naval battle at Cadiz on May 30, 1781 in an ornamental frame. On the top medal the damaged Dutch and English ships. On the lower medal three coats of arms and a trident. At the bottom of a four-line text. On the right two memorial tensions in an ornamental picture frame for Willem Crul, schout at night, died in 1781. On the upper medal are portrait. On the lower medal the ignorive Mercury at a burial monument. At the bottom of a four-line text.

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