Ornamental Prints and Etchings

A collection of intricate ornamental prints featuring nature, mythological figures, and decorative frames in traditional styles, showcasing etchings from various periods.

Zürich, Meyer, Dietrich, Pear-shaped pendants, Pendant with winged herm flanked by two peacocks, At the top two foxes are running, at the bottom lie the lion, the fox and the donkey who went hunting together. One of 8 unnumbered sheets from a series of 12., print, ornament print, prints, ornament prints, height 76 mm, width 72 mm, Swiss, 1572-02-26 - 1658-12-12, print maker, printmaker, 1600 - 1600, first quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Group picture.

Kołacz królewski, czyli alegoria rozbioru Polski w 1772 r.. Chaillot, graphic artist, Le Mire, Noël (1724-1801), graphic artist, Moreau, Jean Michel le Jeune (1741-1814), draughtsman, cartoonist, Vernier, Paul-Barthélémy (1830-1861), draughtsman, cartoonist

Engraving depicting a pastoral scene looking into a valley. The illustration is set within an ornate frame.

A rocaille ornament with the as a fantasy coffee and tea house with four figures On the left, a boy in a hat smokes a pipe and a boy in Chinese clothing stands next to a bale of tea In the center are a man and a woman holding a coffee pot To the left behind the scene a view through to the next sheet in the series, Coffee and tea house Caffe The und Tobac Zierathen on object, print maker: Johann Esaias Nilson, (mentioned on object), Johann Esaias Nilson, (mentioned on object), publisher: Johann Esaias Nilson, (mentioned on object), Augsburg, 1731 - 1788, paper, etching, engraving, h 183 mm, w 262 mm

Brown and black ink drawing by Straßburger Meister showing a coat of arms with reddish accents, created circa 1510-1540.

Illustration for 'The Labor of Mars' by Allain Manesson Mallet. Floor plan of part of a fortress, fortress or reinforcement. In this way soldiers are hunted from a city or fortress. In the top right of the number 42 (= the number of the page in the book to which the illustration is placed).

Design for a Wall Decoration with Grotesques and Color Indications ca. 1545-60 attributed to Andrés de Melgar Spanish. Design for a Wall Decoration with Grotesques and Color Indications. attributed to Andrés de Melgar (Spanish, documented S. Domingo de la Calzada, died after 1554). ca. 1545-60. Pen and dark brown ink

Landschap met piramide / Zwevende adelaar boven regalia; Augusti Optimi Principi / Nihil Humana Moror Dum Super Astra Feror; Symbola Divina et Humana Pontificum Imperatorum Regum.An emblem with two performances. Above a landscape with a pyramid on which the text: Animae Aeternae. Under an eagle in a cloud flying above a sword, scepter, crown and rich apple. The inventions of Emperor Maximilian II.

Print (France)

Three doves with a dovecote and church in the distance, all surrounded by bay tree branches entwined in an ornate border. Engraving by H. Terasson after F. Barlow.

Epitaph of the PERRAULT family in Saint-Etienne-du-Mont. Anonymous. Epitaph of the PERRAULT family in Saint-Etienne-du-Mont. Pencil, feather, brown ink, shist lavis.

Floating car with the elephant, 1582, 1582 Float with the elephant on which a battle tower is built. Plate VIII in the description of the entry of the Duke of Anjou in Antwerp, February 19, 1582. Netherlands paper etching Antwerp Float with the elephant on which a battle tower is built. Plate VIII in the description of the entry of the Duke of Anjou in Antwerp, February 19, 1582. Netherlands paper etching Antwerp

The Zodiac, Pen and brown ink, traces of graphite on off white laid paper, A circle with enthroned Zeus at the center. Framing him is a laurel wreath. Surrounding this are symbols of the zodiac., Italy, ca. 1800, interiors, Drawing, Drawing

Two oval ovals with rabbits; Oval cartouches in a frame of curl work with animals in landscapes.Other left with a rabbit, oval right with bunnies under a ruin. From series of 12 sheets.

Ten motifs; Plusieurs Pieces et ornements DarqueBuzerie. Roermakers pieces, including with the award-winning French royal weapon and the weapon of Louvois. Leaf 2 from series of 8 sheets.

Putto, driving on a dolphin, 1573 - 1610 print The dolphin has a tail that runs into a bird head with a semi -open beak, where a turtle crawls out. Leaf from a series of flat decorations with grotesken, cartouches, oval, mascarons, putti and fantastic creatures. The series consists of three title magazines, two text magazines with the assignment and the preface and 60 magazines, spread over three books. Germany (possibly) paper etching

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, Design for Ceiling Decoration., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Ravensburg, Gradmann, Johann, Hauer, Johann Thomas, Platfonds, Ceiling with putti, verso - stamped, Design for a ceiling with laurel and flower garlands and wreaths in the frame. In the middle two winged putti with flowers and the horn of plenty. Publisher number 33., print, ornamental print, prints, ornamental prints, height 171 mm, width 224 mm, Hungarian, 1748 - 1820, print maker, printmaker, 1758 - 1820, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, seller

Landschap met ster / Zwaard met twee harten; Monstrat Iter / Cur Nom Utrunque; Symbola Divina et Humana Pontificum Imperatorum Regum.An emblem with two performances. Above a landscape with an island in the sea above which one star. Under a sword with two hearts. Lilies or grain cords come from the hearts. The inventions of Peter I and Ferdinand I of Portugal.

Drawing (Italy); pen and brown ink with traces of graphite support: off-white laid paper

Basin in Mobiele Waterfontein in Cartouche, Jean Lepautre, c. 1657 - C. 1661 print The Waterfontein has the shape of an urn and rest on four squeezing saters. From a third edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Pillement, Jean Baptiste, Cooper, Robert, Les cinq sens de nature, Le Touché, Touch, verso - stamped, Personification of the sense of touch. In a landscape a man walks with a (machete) knife in his right hand. Surrounded by a rocaille frame., print, ornament print, prints, ornament prints, height 195 mm, width 132 mm, - 1839, print maker, printmaker, 1758 - 1774, paper, papier, etching, etchings, Work conception, French, 1728-05-24 - 1808-04-26

Maria Theresia, Roman-German Empress Triumphannt with Maria Theresia and her children, surrounded by allegorical figures and beige. Copper engraving by Johann Baptist Klauber after design by Willem Jacob Herreyns

Scenography, or geometrically perspect illustration, Kayl, Königl, Haupt, Residenz Stadt, Wienn, in Austria, on the highest command and drawn, from May Monots, to the last October , City of Vienna and their suburbs original parts in leaves, Joseph Daniel von Huber -

Six vases in a row, the third of links with two saters and a ram head; Ornamental vases; Raccolta di Vasi Diversi ..

Still life of cheese and fruit with an ornament edge, Joseph Kling, 1668 - 1680 print At the back a group of three figures, in front draperies around columns and a man at the still life. The performance is due to a wide ornamental edge consisting of flowers, fruit and vegetables. paper engraving still life of related objects. (non-fruit) products of plants or trees. plants; vegetation. ornament derived from plant forms

Design, perhaps for two fronts of the sky of a four-poster bed. Draughtsman: anonymous. Dating: c. 1670 - c. 1700. Place: North Italy. Measurements: h 176 mm × w 213 mm. Museum: Rijksmuseum, Amsterdam.

Slee with a double -headed eagle, 1666 - Before 1678 This print is part of an album. after design by: Wemdingpublisher: Neurenberg paper engraving auricular ornament, lobe style ~ ornament. double-headed eagle. sleigh, sledge (non-sport)

The fish spits Jonah on the land; History of Jonah. After surviving three days and nights in the belly of the fish, the Vis Jona spits out on the land. The performance is caught in a circular picture frame with a Bible quote from Jona in Latin.

Triumph of Maximilian Artist's working dates 1493-1531 Germany. Woodcut in black on ivory laid paper . Hans Burgkmair, the elder

Flower basket, Jean Baptiste Monnoyer, c. 1680 - c. 1695 print Flower basket in which flowers. Print is part of an album. paper etching flowers in a vase

Louis XIV (king of France), Paris, Langlois, Nicolas (I), France, Ducerceau, Paul Androuet, Nouveau Livre D'Ornemens Pour Les Brodeurs, Title page: Nouveau Livre D'Ornemens Pour Les Brodeurs, Two horizontal borders with foliate scrolls and scrollwork combined with leaves and foliate scrolls, with the title in between. Sheet from a series of 6 sheets with ornaments for embroiderers., print, ornament print, prints, ornament prints, height 183 mm, width 257 mm, French, 1630 - 1710-02-01, print maker, printmaker, 1670 - 1685, third quarter 17th century, fourth quarter 17th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, 1640 - 1703, publisher, 1638-09-05 - 1715-09-01, granter of privilege

Gilles Demarteau, the Elder and Jean Baptiste Hüet, I, Two Pastoral Vignettes, Two Hunting Vignettes, and a Trophy, 1774 Two Pastoral Vignettes, Two Hunting Vignettes, and a Trophy

Oval with putto surrounded by birds, butterflies and insects; Modern groteskes in the form of black ornaments. Copy to a print of a series of 6 sheets designed and published by Mathias Beitler in 1612.

Paris, Firens, Pierre, Bolten, Arent van, From a series of fruits and festoons, Garlands of fruits and masks surrounded by a frame line, Mask under a garland, Two bunches of fruit hang from the garland. Sheet is part of a series of 3 sheets. At the bottom are fruits., print, ornamental print, prints, ornamental prints, height 148 mm, width 204 mm, print maker, printmaker, 1604 - 1616, first quarter 17th century, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1573 - 1633, after a design by, Publication (Event), Publication, Southern Netherlands, French, 1580 - 1638-12-24, publisher

A copper engraving by Monogrammist WH from the last quarter of the 15th century depicting the coat of arms of the cathedral chapter in Eichstätt and Bishop Wilhelm von Reichenau, showing heraldic design and composition.

Rome, Piranesi, Giovanni Battista, Italy, Barbault, Jean, Le Antichità Romane, Archaeological finds in and around Rome, Fragments of painted walls from the Pyramid of Cestius in Rome, verso - stamped, Fragments of painted walls from the Pyramid of Cestius in Rome. Explanatory list with letters in bottom margin. Numbered top right: Tom. III., XLVI., print, prent, prints, prenten, height 395 mm, width 514 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1756 - 1757, paper, etching, French, 1718 - 1766, Work conception, after own design of

DESENGANYS DE L`APOCALIPSIS MORT. Author: JOAN JOLIS. MAGÍ CASES.

Étienne Delaune drawing of an Egyptian emissary delivering the head and ring of Pompey to Julius Caesar, executed in pen, ink, and bister wash on parchment.

Last judgment, Jan van Vianen, 1700 print paper etching / letterpress printing Last Judgement

Print (France)

. The ninth sled in the procession. A slide with the personification of justice, drawn by a horse. Part of a series of twelve plates (etching pressure before the number and other paper) of the sledevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude on the occasion of the second centenary of the Leiden (October 3, 1574) and the establishment from the University of Leiden (8 February 1575).

Lazio Viterbo Bagnaia Villa Lante64. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Drawing, Designs for Cartouches; Designed by Carlo Marchionni (Italian, 1702-1786); Italy; pen and sepia ink on laid paper; verso: pen and ink, graphite

Fantasy of an Antique Tomb with Fragments of Architecture and Sculpture. Dated: 1770/1780. Dimensions: plate: 14 x 9.5 cm (5 1/2 x 3 3/4 in.) sheet: 14.6 x 10.2 cm (5 3/4 x 4 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Carl Schütz.

Charles James Fox. .

Cartouche surrounded by a man and two putti. Draughtsman: Pieter Jansz.. Dating: 1657 - 1662. Measurements: h 111 mm × w 121 mm. Museum: Rijksmuseum, Amsterdam.

Design for a Rocaille Cartouche with the Figure of a Putto, Plate 3 from an untitled series with architectural cartouches and allegorical figures. Artist: After Jeremias Wachsmuth (German, 1712-1771). Dimensions: Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm). Engraver: Jacob Gottlieb Thelot (German, Augsburg 1708-1760 Augsburg). Publisher: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Date: Printed ca. 1750-56.Ornament print with a design for the right half of a large cartouche with the figure of a putto holding up a crown, bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. Museum: Metropolitan Museum of Art, New York, USA.

Netherlands, Jode, Gerard de, Vredeman de Vries, Hans, Doetechum, Johannes of Lucas van, Panoplia sev armamentarium, Two vertical trophies with armor, spears and shields, Two vertical compartments containing trophies with armor, spears and lances and shields. From a series consisting of a title page and 16 sheets., print, ornamental print, prints, ornamental prints, ., height 185 mm, width 249 mm, print maker, printmaker, 1572 - 1572, third quarter 16th century, paper, etching, etchings, Work conception, South Netherlands, 1527 - 1607, after a design by, Publication (Event), Publication, North Netherlands, 1509 - 1591-02-05, publisher

Starter, Jan Janszoon .

Design for ceiling painting with putti with basket. Putti with basket with vineyards.

United States (s. XVIII). Guerra de Independencia (1783). Paz de Versalles (3 de septiembre de 1783). Tratado firmado entre Francia y Gran Breta-a que pona fin a la guerra y donde se reconoca la independencia de las trece colonias norteamericanas. Grabado. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

First day of creation: God creates heaven and earth. In medallion inscribed with a Latin Bible text from Genesis 1, within rectangular frame, First day of creation: God creates heaven and earth From creation to expulsion from paradise (series title), print maker: Nicolaes de Bruyn, (mentioned on object), Maerten de Vos, (mentioned on object), Netherlands, 1581 - 1656, paper, engraving, h 134 mm × w 122 mm

Siege of Breda, The Netherlands, sheet with portrait of Frederik Hendrik, 1637, Jan Gerritsz. van Bronchorst, 1637.

Defense implements made by King Uzziah (2. Chron. 16: 15), print maker: Georg Lichtensteger, (mentioned on object), Neurenberg, 1710 - 1781, paper, engraving, h 320 mm × w 209 mm

Abraham on the way to Canaan, Unknown, after Hans Bol, c. 1560 - c. 1570 print Abraham goes with his wife Sara and with his family to Canaan. God, floating in a cloud, shows them the right way. The group walks in a rolling landscape with an occasional farm or a village. Print from a series of six prints that represent the life story of the patriarch Abraham. paper etching Abraham starts out for the land of Canaan with Sarah, Lot and his belongings

Horizontal Cartouche with two compartments, Anonymous, After Lucas Kilian, After Melchior Tavernier, 1657 - 1685 print The compartments are flanked by three female upper bodies. Paris paper engraving

Florence, Cort, Cornelis, Family tree of the Medici family, verso - stamped, Family tree of the Medici family from Florence. Some medallions are filled with coats of arms or portraits. The background shows the influence of the family in the region. Back left a view of the city of Florence. Front left the river god of the Arno. Right a meeting of the Liberal Arts at a fountain. Directly behind the tree the army of the Medici's., print, prints, height 555 mm, width 427 mm, Northern Netherlands, 1533 - 1578, print maker, printmaker, 1569 - 1569, paper, engraving, engraving (printing process), Work conception, after a design by

Putto with pierced heart Putti depicting God's word (series title) Verbum Dei (series title), Medallion in which a putto with a heart pierced by an arrow. In the background the paradise with Eve offering the forbidden fruit to Adam. With a Latin inscription. The print is part of an album, angel (s) represented as child (s), heart symbolism, Eve simultaneously offers some of the fruit to Adam and takes some more from the serpent (or the tree), Crispijn van de Passe (I) (mentioned on object), Keulen, 1594, paper, engraving, h 126 mm × w 81 mm

Design for a Framing Motif. Artist: Attributed to Francesco Guardi (Italian, Venice 1712-1793 Venice). Dimensions: 16-1/4 x 17 in. (41.2 x 43.2 cm). Date: 1712-93. Museum: Metropolitan Museum of Art, New York, USA.

Print, Genius with Alphabet; Designed by Hans Sebald Beham (German, 1500-1550); Germany; engraving on off-white laid paper support: white laid paper; Platemark/repeat: 4.5 x 8 cm (1 3/4 x 3 1/8 in.) Mat: 55.9 x 40.6 cm (22 x 16 in.)

Ornament Panels with Birds Plate 3 1617 Netherlands. Engraving in black on paper . Adrian Muntink

Boy with a skull and hourglass in a landscape. Vanitas performance. A boy is located at the foot of a tree, next to him a skull and an hourglass. In the background a village along a river. In the air a devil flies with a paper on which: "Omnia Tempvs Habent SVVM". From the clouds a hand appears with a plate on which the signature of the manufacturer and dating of the print. In the oval frame a peripheral in Latin.

Jupiter; Gods and goddesses involved in the judgment of Paris. Landscape with Jupiter and his attribute the eagle. Jupiter bears a crown and throws a lightning bolt. In the frame a peripheral in Latin that refers to the role Jupiter played in Paris's judgment. He does not want to talk about the goddesses and believes that Paris has to make a judgment. This print is part of an album.

. A farmer, sitting on a wooden bucket, drinks from a jug. He holds his hat in his other hand. The performance is caught in a shell-shaped cart shower. Print is part of a series of scenes from farming life.

Decorated Roman alphabet. Dimensions: Sheet: 9 in. × 11 1/8 in. (22.8 × 28.2 cm). Publisher: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Conquest of Wesel, 1629. Card with the conquest of Wesel on the Rhine by surprise by the State Army among Colonel Otto van Gent, in the night of August 19, 1629. At the top right the cartouche with the legend already in German and hand of God which slips the chain with which the Spaniard had chained Wesel.

Study sheet with drawing examples: portraits, animals, insects, c. 1640 - c. 1660 print Nineteenth print from a series of drawing examples of unknown size. Study sheet with heads, animals and insects. In the middle two portraits, from left to right: Frederik III De Wise (Elector of Saxony) and Quinten Massijs (the last with his name, place of death and year). Two peaches in between. Various animals and insects around the portraits including a toucan (after illustration in Gesner), Vos, Haas (after Aegidius Sadeler) and Elephantskever and Vlinder (after Hoefnagel). paper engraving head (human). model-books ~ implements of painter. insects. fruits: peach. other birds: toucan. insects: beetle. beasts of prey, predatory animals. goat. flowers: tulip

Satirical sheet for the conflict of Joseph II with the southern Netherlands, The traitor of the emperor, Unknown

Drawing, Autumn and Winter: Eight Muses in Pairs set in Octagons.; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash over traces of black chalk on cream laid paper; 44.7 x 27.5 cm (17 5/8 x 10 13/16 in.)

The Arminian serpent; Regtspleging Van Oldenbarnevelt. Watercolor on which sea monster with carved head. On the monster 13 circles containing portraits. In the background left a gallows field and on the right two angels under tree with plates with inscription. With handwritten explanation. Associated with series of watercolors in book.

Astroscopium. Whitehead vom Textende aus: Erhard Weigelii, P.P. Cosmology / The core of astronomy, and & the Geography, and as also the use of the globes, as well as of the common, as well as with new adornationibus & as by a short instructed in love, whom ye removed thence thou hast said, Granadoes Corrector & Perpetuos, briefly and succinctly, and delivered him / Cosmology. 1680 Dresden SLUB Coll.diss.B.89, misc.19

17th Century tarot cards by Giuseppe Maria Mitelli (1632-1718). Originating from Bologna.

Hearing; Udire. Sense hearing. PRENT Numbered 2 in a booklet with sign examples around personifications about the five senses.

Design for the painting of a vault with figures, putti, animals and ornaments. Draughtsman: Bernardino Poccetti (attributed to). Dating: 1558 - 1612. Measurements: h 218 mm × w 353 mm. Museum: Rijksmuseum, Amsterdam.

Vanitass symbols, Daniel Nikolaus Chodowiecki, 1770 print paper etching skull as symbol of 'Vanitas'. oil-lamp (+ extinguishing; extinguished light, lamp, candle). book. other allegories of Time, e.g. 'Tempo' (Ripa)

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), vignettes for the book Les Triomphes de Louis le Just XIII by the name by Jean Valdor. Three rounds with Latin legend. Twenty-eighth issue of a suite of 34 pieces. (A. de Vesme 952-957. Incomplete; Dutuit manuscript, Italian school, page 83. n ° 166) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Li Tre Trattai. Author: Written by Mattia Giegher. Dimensions: Overall: 5 3/4 x 8 3/16 x 11/16 in. (14.6 x 20.8 x 1.7 cm). Published in: Padua. Publisher: Published by Paolo Frambotto , Padua. Sitter: Portrait of Mattia Giegher. Date: 1639. Museum: Metropolitan Museum of Art, New York, USA.

Differents Desseins de Sallieres Various Designs for Salt Dishes, pl. 63 in Oeuvre de Juste-Aurele Meissonnier, Juste-Aurèle Meissonnier, French, b. Italy, 1695-1750, Gabriel Huquier, French, 1695-1772, Gabriel Huquier, French, 1695-1772, Etching on off-white laid paper, Five designs for open salt cellars, each has asymmetrical arrangement with predominantly shell motifs, placed on three levels of platforms., Paris, France, 1748, metalwork, Print, Print

A man holds in his hand a so-called pimp stick, which can be used for fishing. He tells the woman sitting next to him that he is better at fishing than catching birds. She advises him to 'pimp' quickly then, an ambiguous way of inviting him to make love. In the edge inscription an ambiguous text in Dutch and French: Tis best dat ick visse, tvogelen me niet en dient, Maeckt u dan aent poeyeren, sou ick u raeyen vrint., Visser en een vrouw Medallions with ambiguous edge inscriptions (series title), print maker: anonymous, Southern Netherlands, 1550 - 1610, paper, engraving, d 153 mm

Study sheet with sign examples: Hands and portrait of Hendrick Goltzius; Drawing examples. Third print from a series of sign examples of unknown size. Study magazine with hands, including with writing spring. Links portrait from Hendrick Goltzius to the engraving of Robert de Baudous. A dog's head in the middle.

St. Dympna; St. Peregrinus; St. Restituta; St. Dioscorus. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Study sheet with drawing examples: portraits, animals, insects; Drawing examples. Nineteenth Prent from a series with drawing examples. Study sheet with heads, animals and insects. In the middle three portraits, from left to right: Frederik III the way (Keurvorst van Saxes), Anthony van Dyck and Quinten Massijs (the last with his name, death and year). Surrounding various animals and insects including a toucan (to illustration in Gisser), fox, hare (to Aegidius Sadeler) and elephant beetle and butterfly (to Hoefnagel).

Design for Ceiling Decoration. Pen and brown ink, brush and brown wash on off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Leaf C: Fourth and Fifth Povernot, 1767, Lieven Wouters, 1767 Leaf C with the fourth and fifth floats and the third and fourth animals. Third triumphal wagon with the H. Macarius and the city -killing of Ghent who mourn the victims of the plague. Third animal: Pelikaan. Fifth triumphal wagon with the lighting of the relics from the grave of St. Macarius. Fourth animal: unicorn. Marked: C / 6-9. Part of the parade at the celebration on 30 May 1767 of the 700-year anniversary of Saint Macarius, pattern of the city of Ghent and patron saint against the plague. Ghent paper etching / engraving Ghent Leaf C with the fourth and fifth floats and the third and fourth animals. Third triumphal wagon with the H. Macarius and the city -killing of Ghent who mourn the victims of the plague. Third animal: Pelikaan. Fifth triumphal wagon with the lighting of the relics from the grave of St. Macarius. Fourth animal: unicorn. Marked: C / 6-9. Part of the parade at the celebration on 30 May 1767 of the 7

Augsburg, Hertel, Johann Georg (I), Nilson, Johann Esaias, Wangner, Jakob, Ornements Modernes, Saturnus en Venus, verso - stamped, Two rocaille cartouches with busts of gods. On the left Saturnus with wings, scythe, snake, hourglass and book. On the right Venus with floral motifs and blindfolded Amor with a burning heart in his hand. Publisher number 54., print, embossing, ornamental print, prints, ornamental prints, height 191 mm, width 295 mm, German, 1703 - 1781, print maker, printmaker, 1731 - 1775, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1721-11-02 - 1788, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Lazio Roma Grottaferrata Museo3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Beleg van Saint Martin op het Île de Ré, juli-november 1627 (randwerk, deel rechtsboven); Secours envoyee a la Citadelle.Sixteenth part (central map, part at the top right) of a print of the siege of the Citadel Saint Martin on the Île de Ré in 1627, which was conducted by English troops led by the Duke of Buckingham and ended by French troops led by Cardinal Richelieu. On this leaf right the coat of arms of Louis XIII and middle / links a show (surrounded by military attributes) from French boats that try to reach the besieged Saint Martin on the Île de Ré. Left and in the middle of the letters 'Martinianae', part of the inscription of the print.

Seascape by Ornamental Wapen, Albert Flamen, 1664 print A ornament with two palm branches between which the weapon of G. Tronson. Above it a cartouche with French text with series title and manufacturer names. A seascape in the background. Title print for the second of five series with different fish species and other marine animals. print maker: Parispublisher: ParisFranceParisParis paper etching sea (seascape)

Square basin with semicircular bulges; Architectura Curiosa Nova. The basin contains a pedestal with Justitia sitting for a weapent trophy with chained slaves on both sides. Above hair hangs the coat of arms of Bourbon's house and at the top is a picture of the young Louis XIV, dressed as a Roman emperor. Leaf 109 from part III of a series consisting of 226 sheets, spread over four books, each with its own title sheet.

Bound Print, Altro spaccato per longo della stessa bottega, ove si vedonofra le aperture del vestibolo le immense piramide, from Diverse Maniere d'adornare i cammini; Giovanni Battista Piranesi (Italian, 1720-1778); Italy; etching on paper

Coronation Procession of Charles II Through London (from John Ogilby's "The Entertainment of...Charles II," London, 1662) 1662 Wenceslaus Hollar Bohemian. Coronation Procession of Charles II Through London (from John Ogilby's "The Entertainment of...Charles II," London, 1662) 361495

Vignet with portrait of Rembrandt. Vignet with portrait of Rembrandt in oval, surrounded by painting utensils and some of his etchings. To the right of the portrait a laurel wreath hangs on a stick.

Germany, Jenichen, Balthasar, Memorial print for the counts of Egmond and Horne, 1568, Memorial print for the executed counts of Egmond and Horne, 1568. On the left the Count of Egmond, standing in armor, half-length, next to his coffin with two burning candles. On the right the Count of Horne standing in armour, next to his coffin, without candles. In the background the stakes on which their heads were impaled. At the top a banderole with text in German., print, prent, prints, Frederik Muller Historieplaten, height 182 mm, width 346 mm, German - 1621, print maker, printmaker, 1569 - 1569, third quarter 16th century, paper, papier, etching, etchings

Engraving depicting the Montgolfier balloon making its ascent at the Chateau de la Muette. Invented by Joseph-Michel Montgolfier (1740-1810) and Jacques-Étienne Montgolfier (1745-1799). Dated 18th century

Frisian with an allegorical representation of summer and winter, Anonymous, Hans Weiditz (II) (Possible), 1510 - 1560 print paper Winter, 'Hyems'; "INVERNO '(RIPE). summer, 'summer'; 'Estate' (Ripa)

Nurnbergische Hesperides: La Luchetta Imoperiale, 1714. Joseph de Montalegre (Hungarian). Etching;

A view of the obelisk erected under Liberty-Tree in Boston on the rejoicings for the repeal of the Stamp Act , Politics & government, Government officials, Obelisks, United States, History, Revolution, 1775-1783, Barré, Isaac, 1726-1802, Beckford, William, 1709-1770, De Berdt, Dennys, 1694-1770, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Conway, Henry Seymour, 1721-1795, Copley, John Singleton, 1738-1815, Dartmouth, William Legge, Earl of, 1731-1801, George III, King of Great Britain, 1738-1820, Sackville, George Germain, Viscount, 1716-1785, Camden, Charles Pratt, Earl, 1714-1794, Pitt, William, Earl of Chatham, 1708-1778, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Wilkes, John, 1725-1797

Václav Hollar (1607-1677). "Views of Germany, Prague". Etching. Museum of Fine Arts of the City of Paris, Petit Palais. 112276-29 Eat, XVIIth XVIIth XVII 17th 17th 17th century, engraving

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