Ornamental Prints and Etchings

A collection of intricate ornamental prints featuring nature, mythological figures, and decorative frames in traditional styles, showcasing etchings from various periods.

Zürich, Meyer, Dietrich, Pear-shaped pendants, Pendant with winged herm flanked by two peacocks, At the top two foxes are running, at the bottom lie the lion, the fox and the donkey who went hunting together. One of 8 unnumbered sheets from a series of 12., print, ornament print, prints, ornament prints, height 76 mm, width 72 mm, Swiss, 1572-02-26 - 1658-12-12, print maker, printmaker, 1600 - 1600, first quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, The elements, The Earth, Terra, Earth, verso - stamped, In a rocaille frame the element earth, flowers and two putti. Publisher number 108., print, ornamental print, prints, ornamental prints, height 302 mm, width 200 mm, print maker, printmaker, 1731 - 1775, paper, etching, etchings, Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Zürich, Meyer, Dietrich, Pear-shaped pendants, Pendant with winged herm flanked by two peacocks, At the top two foxes are running, at the bottom lie the lion, the fox and the donkey who went hunting together. One of 8 unnumbered sheets from a series of 12., print, ornament print, prints, ornament prints, height 76 mm, width 72 mm, Swiss, 1572-02-26 - 1658-12-12, print maker, printmaker, 1600 - 1600, first quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Medallion with the personification of history, Bernard Picart (workshop or), After Bernard Picart, 1728 print Medallion with the personification of history at a writing table surrounded by Putti with the different editions of the work of Boileau. Around the show The motto: Dum Lego Colligo. Around ornaments. Amsterdam paper etching / engraving ornaments ~ art. 'History'; 'History' (Ripa). Book

Cartouche de forme écrasée, contenant un écusson vide., 1610 - 1664, Etchings, 7 5/16 x 9 5/8 in. (18.5 x 24.5 cm), Paper / Sheet 7 3/4 x 10 1/16 in. (19.7 x 25.5 cm), Cream laid

Rectangular Cartouche with a putto die a four -in -hand ment, 1565 - 1571 print At the bottom left and bottom right is a centaur with a club. From series of title page + 16 magazines with cartouches or architecture fantasies with a performance in a frame of grotes' with fable being, animals, garlands, trophies and mascarons. Netherlands (possibly) paper etching ornament ~ cartouche. Triumph of Venus; 'Carro di Venere' (Ripa)

Print, Decorations of LeBrun and Mignard at the Palace of Versailles; engraving on paper; 1901-28-58

Jonas Haas (1721-1775); C.A. Wagner (1729-1850), Vignet, 1720 - 1775

Utrecht, Schoonhoven, Johannes van, Gravelot, Hubert François, Huyser, Carel Jacob de, Vignette with allegory of the Middle East, verso - stamped, Vignette with two men with shells in their hands. In the background a landscape with pyramids. Around a rocaille frame with trees and animals such as a lion, a camel, and a crocodile., print, book illustration, prints, etchings, ornamental prints, height 101 mm, width 180 mm, 1743-03-24 - 1804-09-15, print maker, printmaker, 1770 - 1770, paper, papier, etching, engraving, engraving (printing process), letterpress printing, Work conception, French, 1699-03-26 - 1773-04-19, after a design by, Publication (Event), Publication, publisher

Plate Five from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie. Culture: French, Paris. Dimensions: sheet: 7 1/4 x 5 1/4 in. (18.4 x 13.3 cm). Engraver: C. Jacquinet (French, Paris, active mid-17th century). Publisher: Thuraine (French, Paris, active mid-17th century); Le Hollandois (French, Paris, active mid-17th century). Date: ca. 1660.Little is known about the royal gunmakers, Thuraine and Le Hollandois, who published the pattern book from which this sheet comes. It remains a rare and important document of Parisian gunmaking and the leading style of firearms ornament early in the reign of Louis XIV. Museum: Metropolitan Museum of Art, New York, USA.

Vuur, Unknown, after Franz Xaver Habermann, 1731 - 1756 print Allegory of the element of fire with three putti with mockery, fire pot and smoking vessel, surrounded by rocaille ornaments. Print number 595, publishing number 135. Augsburg paper etching fire (one of the four elements). cupids: 'amores', 'amoretti', 'putti'

Zürich, Meyer, Dietrich, Pear-shaped pendants, Pendant with winged herm flanked by two peacocks, At the top two foxes are running, at the bottom lie the lion, the fox and the donkey who went hunting together., print, ornament print, prints, ornamental prints, height 76 mm, width 72 mm, Swiss, 1572-02-26 - 1658-12-12, print maker, printmaker, 1600 - 1600, first quarter 17th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, publisher

. Minerva, with a crowned coat of arms in her hand, surrounded by three putti.

Mask and medallion flanked by leaf raft. Upper leaf refinters and a mask of leaf rights, underneath a large oval medallion flanked by leaf raft and children playing.

Cartridge Met Pilaar; Cartridges in Rocaillemotieven.four Rocaille ornaments and a Rocaille Cartridge with Pillar and Lis Dods in Landscape. Publisher Number 72.

Three coats of arms, c. 1611 - c. 1625 print On the left the 'Comté d'Welenberg', in the middle the 'Grand-Maréchal de l'Empire' and right weapons that display the 'Droits de Régale'. paper engraving

Minerva and Mercury on either side of a medallion with Venus Marina, 1729 print Books and measuring instruments are on the ground. paper engraving / etching / letterpress printing (story of) Mercury (Hermes). Venus, standing on a shell, sails with her veil over the water (alternatively she is riding on a dolphin): Venus Marina. (story of) Minerva (Pallas, Athena). vignette. book

Plate 8, from Bullarum Inaurium etc. Archetypi Artificiosi Pars Altera (Pendants, Earrings, etc. Designs of the Most Skillful Nature, Part Two), Hans Collaert the Elder, Flemish, ca. 1530 - 1581, Adriaen Collaert, Flemish, ca. 1560 - 1618, Philips Galle, Flemish, 1537 - 1612, Engraving on paper, laid and gilded, A pendant in the form of a sea monster perched on a strapwork base is suspended from a bow knot. The base is composed of faceted gems, a mask, dragons and cornucopia, and is hung with three drop pearls. Riding on the monsters back is a nude youth seated on a shell, an older man with an oar, and a merman with a shell., Antwerp, Belgium, 1582, ornament, Print, Print

Two Quarters of a Ceiling, Nouveau Livre de Plafonds (New Book of Ceilings), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on paper, Design for two quarters of a ceiling in the Rococo style with alternate suggestions divided by a central rosette., Munich, Germany, 1740-68, albums (bound) & books, Bound print, Bound print

Drawing for a Frieze with Rinceau and Grotteschi. Artist: Anonymous, Italian, 17th century. Dimensions: sheet: 10 1/4 x 16 1/16 in. (26 x 40.8 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for ceiling decoration, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, Design for ceiling decoration., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Woman with a winch, faced in a frame decorated with olive branches.

Seed beads. Four rocaille ornaments. Publisher number 140.

Coat of arms with a pan flute on a tree, Francesco Villamena (attributed to), c. 1576 - 1624 print Coat of arms with a pan flute hanging on a tree in the middle. At the bottom of a river god and the Wolvin with Romulus and Remus. Italy paper engraving panpipes. river-gods. musical instruments; group of musical instruments. Romulus and Remus are washed ashore and suckled by a she-wolf; 'Lupa Romana'

À gauche, une femme ailée dont le corps se termine en queue de serpent., 1601 - 1700, Etchings, 3 3/8 x 6 15/16 in. (8.6 x 17.7 cm), Paper / Sheet 3 3/8 x 6 15/16 in. (8.6 x 17.7 cm), Material Cream laid

Two Quarters of a Ceiling, Nouveau Livre de Plafonds (New Book of Ceilings), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on paper, Two quarters of a ceiling in the Rococo style, with a central rosette. and ornamental borders., Munich, Germany, 1740-68, albums (bound) & books, Bound print, Bound print

Cartouches with three figures; Cartouches Modernes Avec des Difterentes figures. Between two rocaille cartouches in a landscape a man and a woman with a walking stick. The man beside them donates a glass of wine for the man. In the underwear two columns with two-legged German text. Publisher number VIII.

Print (France)

Portugal in denemarken, Etienne Claude Voysard, Charles le Père & Pierre -Michel Avaulez, After Jean Charles Delafosse, 1772 - 1779 print Two trophies with shields. Left with weapons, a lion sheet, a mask and shields with lions and a smoking vessel. On the right with a cross, a grapesros, a book, flower wreaths and shields with a column, a lion and several coats of arms. Paris paper etching / engraving trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. Portugal. Denmark

Book Illustration, Liber artificiosus alphabeti maioris, oder, Neu inventirtes Kunst- Schreib- und Zeichenbuch; plate 37

Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie, Plate 2. Artist: Alexis Loir (French, 1640-1713). Dimensions: Plate: 6 1/4 × 9 3/16 in. (15.9 × 23.3 cm)Sheet: 7 11/16 × 10 15/16 in. (19.6 × 27.8 cm). Publisher: Pierre Mariette le fils (French, Paris 1634-1716 Paris). Date: 1660-1713.Plate 2 of a series of designs for braziers, tables and other silverware works. The main design on the left side is supported by a sphinx holding a garland of leaves. Other designs on the same side feature a faun, upper design, and a salamander, lower design. On the right side, the main design features a goat's head and leg. The other designs feature a male half figure holding a garland, upper design, and an eagle, lower design. Finally, there are three grotesques masks at the top of the plate. Museum: Metropolitan Museum of Art, New York, USA.

Cartouche with Two Lions and a Cipher, Livre de Cartouches à divers usages (Book of Cartouches for Different Uses), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Franz Xaver Andreas Jungwierth, German, 1720-1790, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on paper, Cartouche framed with two lions at top, banners, military regalia (helmet, ax), a scale, crown, flowers, and a hand. At left, a holy figure in drapery carrying a wooden cross. Within cartouche, a cipher of the letters 'C' and 'A' in Rococo style., Munich, Germany, 1738, albums (bound) & books, Bound print, Bound print

Vignette with tableware, a mascaroon, leaf raft and flowers ..

Scholar with globe and geometric instruments, Caspar Luyken, 1705 print The image of the scholar is caught in an ornamental frame with floral motifs and objects that relate to science. Amsterdam paper etching scholar, philosopher. measuring-instruments

Putto with crossbar on scale. Detail of a card possible from Poland.

Germany, Jamnitzer, Christoph, page of the 'Neu Grotesken Buch' 1610, Das Neuw Grottesken Buch Nürnberg 1610, Four horizontal ovals with putti on sea creatures, Top left a putto on a seahorse, wearing a helmet, top right a putto with a bow and arrow, bottom left a putto with a torch and bottom right a horn-blowing putto with a branch in his hand. Page from a series of surface decorations with grotesques, cartouches, ovals, mascarons, putti and fantastic creatures. The series consists of three title pages, two text pages with the dedication and the preface and 60 pages, divided over three books., print, ornament print, prints, ornament prints, height 148 mm, width 190 mm, 1563-05-12 - 1618, print maker, printmaker, 1573 - 1610, third quarter 16th century, fourth quarter 16th century, first quarter 17th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, publisher

Oval with mating deer, c. 1600 - c. 1699 print There is a flower on the oval on either side. From series of 12 magazines. Germany (possibly) paper

Hunter and jagons; Caffe The und Tobac Zierathen.in a landscape lies a piping hunter on a Rocaille ornament. On the left is a hunter with two hunting dogs.

Triumphag with flow god, drawn by two saters; Triumph trolleys of grotesken and rollerwork; Ornament, a victory car with sitting flow god, on the front part of above a woman with a mask in hand; nameless. The front Sater runs between two plates. Sheet from series of 8 blades with triumph trolles of grotesken and rollerwork with saters, animals and various other creatures, decorated with trophies, garlands and leaf refines.

Proposal for Engraving by Subscription From an Original Picture Painted by Zuccarelle 1756 William Austin This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as tradesmen’s cards,” tradesmen’s bills,” or shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.. Proposal for Engraving by Subscription From an Original Picture Painted by Zuccarelle. William Austin (British, London 1721/33-1820 Brighton). 1756. Engraving

bekend, Augsburg, Engelbrecht, Martin, Baur, Johann, Degmair, Philipp Andreas, De vier werelddelen, Europa, unknown, verso - stamped, The horse stands under an arch of rocailles. Next to it are cannonballs and a barrel, possibly a powder keg. The arch is surrounded by various birds, flowers and weapons. Numbered top center 33 and top left 161., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 186 mm, width 238 mm, 1711 - 1771, print maker, printmaker, 1719 - 1749, paper, papier, etching, etchings, German, 1701 - 1800, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1684-09-16 - 1756-01-18, publisher, uitgever van privilege

Cartouches Modernes orné avec des diferentes Figures (Plate VI-1 from the set), etching counterproof with drawing in pen and black ink and gray wash, on laid paper incised with grounding in red chalk for transfer on verso, sheet (cut within platemark): 14.8 x 26.7 cm (5 13/16 x 10 1/2 in.), Schuster 1936, no. 58, State counterproof of proof state, Johann Esaias Nilson (artist) German, 1721 - 1788

Bound Print, Two Quarters of a Ceiling; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Carl Albert von Lespilliez (German, 1723 - 1796); Germany; etching and engraving on paper; 19 × 27.8 cm (7 1/2 × 10 15/16 in.)

Augsburg, Kilian, Philipp Andreas, Huber, Joseph, Cartouches, Cartouche with winged head, verso - stamped, Rocaille cartouche with leaf motifs and a winged head of a putto., print, ornament print, prints, ornament prints, height 152 mm, width 218 mm, 1737-07-22 - 1815-10-26, print maker, printmaker, 1747 - 1759, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, German, 1714-10-20 - 1759-01-18, publisher

A Vignette, Referring to the Arts, in Two States, Vincenzo Franceschini, Italian, 1680 - ca. 1750, Giovanni Domenico Campiglia, Italian, 1692 - 1775, Etching on paper, A brush, a modeling stick, a compass form a triangle, around which a ribbon is wound, showing the inscription 'AEQVA POTESTAS.' The sky forms the background. Framed by two laurel branches and by an oblong moulding., Italy, ca. 1730, Print, Print

Antwerp, Zuccaro, Mitelli, Agostino, Rabel, Daniel, Galle, Cornelis (II), Image of the first century of the Society Iesv presented before the eyes by the Duyts-Nederlantsche Province of the Self-employed Society., Scroll cartouche with child in front of the fireplace, From the series of 38 cartouches, decorated with masks, garlands of fruit and flowers, shells and animals., print, picture, ornamental print, prints, pictures, ornamental prints, height 104 mm, width 137 mm, South Netherlands, 1615 - 1678-10-18, print maker, printmaker, 1640 - 1640, second quarter 17th century, paper, engraving, engraving (printing process), Work conception, after a design by, 1578 - 1637-01-03, inspirator, 1609 - 1660-08-02, Publication (Event), Publication, publisher

Ster en maan weggeblazen / Chimaera ziet zwaard en schild; Wie Goth Wil / Tu Ne Cede Malis; Symbola Divina et Humana Pontificum Imperatorum Regum.An emblem with two performances. Upstairs the wind blows away a star and cradle. Below a shield and sword appears in the clouds on a chimera, a liony being with the tail of a snake. The inventions of Emperor Rudolf II.

Design for a two -armed girandole van porcelain and gold, Gabriel Huquier, Juste Aurèle Meissonnier, 1738 - 1749 print This print is part of an album. paper etching chandelier, candelabrum. work of applied art

Boom weerstaat de wind / Schip op zee; Nu Undas Ni Vientos / Velum Ventis; Symbola Divina et Humana Pontificum Imperatorum Regum.An emblem with two performances. Above a tree in the wind. Under a ship at sea. The inventions of Alfons III and Alfons IV of Portugal

Bound Print, Title Page; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Carl Albert von Lespilliez (German, 1723 - 1796); Germany; etching and engraving on paper; 19 × 27.8 cm (7 1/2 × 10 15/16 in.)

Zeeman, Abraham, Amsterdam, Allegorical representation about music around the portrait of Tubal-Cain, verso - stamped, Organ with in the middle above a portrait of Tubal-Cain, blacksmith and ancestor of all who work bronze and iron. (According to Gen. 4:22.) In the middle of the organ a painting of the dance around the golden calf. On the organ putti with musical instruments, which are made of metal, and at the bottom three trophies of musical instruments., print, prent, prints, prenten, height 159 mm, width 204 mm, Dutch, 1696 - 1754-10-25, print maker, printmaker, 1724 - 1724, paper, papier, etching, engraving, engraving (printing process), Work conception, after own design by

Human life, 1745 print Allegory of human life, surrounded by rocaille framing. On the left is a woman with a chalice with host, a sword, a laurel wreath and an anchor. Her foot rests on a book with image of the moon. In the landscape behind her, a man with two faces, the god Janus. Twice a four -line German and Latin text in the lower margin. Publishing number 28. paper etching Human Life; 'Humana life', 'restless life', 'life and soul' (Ripa). (story of) Janus

Gloves with a lion as a handle; Vasi Fatti Al Moderno. The can have a foot in the shape of two tied slaves, the handle is formed by a lion that stands on a console. Copy to a print in the Vases à la Mod series. Print is part of an album.

Saint Denis en France. Dated: probably 1665. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: François Le Febvre.

Amsterdam, Picart, Bernard, Amor standing on a shell surrounded by ornament, verso - stamped, print, book illustration, prints, height 72 mm, width 153 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1683 - 1733, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, papier, etching, etchings, letterpress printing

Rocaille omraming met jonge man.Rocaille framing with young man with flute, hat and staff in landscape. Publisher number 109.

Drawing, Design for the Rear of a Carriage with Valor Victorious over Vice and Arrogance; Designed by Ciro Ferri; Italy; black chalk, pen and ink, brush and wash on paper

Scale with Triumph from Galatea, Jacob Neefs, After Peter Paul Rubens, after Theodoor Rogiers, 1630 - 1660 print A bowl belonging to a water jug of Charles I, king of England. An oval scale with the triumph of Galatea or the birth of Venus in the middle: a naked woman surrounded by sea emphins and tritons. Around the show shell motifs and an edge with sea creatures and aquatic animals. Antwerp paper etching jug and basin; wash-basin. triumph of Galatea. Venus, standing on a shell, sails with her veil over the water (alternatively she is riding on a dolphin): Venus Marina

Ludwig XV., King of France.

Plate 2 from Neu inventierte Vasi auf die neueste manier. Artist: After Carl Pier (German, active Augsburg, ca. 1750); Johann Gottlieb Thelot (German, active Augsburg, 1708-1760). Dimensions: Plate: 9 13/16 × 7 1/4 in. (24.9 × 18.4 cm)Sheet: 11 1/8 × 7 5/8 in. (28.2 × 19.3 cm). Publisher: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Date: ca. 1750. Museum: Metropolitan Museum of Art, New York, USA. Author: After Carl Pier. Johann Gottlieb Thelot.

Anatomical study of De Hip, Pieter van Gunst, After Gerard de Lairesse, 1685 print Anatomical study of the hip. At the top right numbered T. 99. Amsterdam paper etching / engraving pelvis

Drawing, Two escutcheons, decorative vase and a scroll; Filippo Marchionni (Italian, 1732-1805); Italy; pen and ink, brush and gray watercolor on paper; 26.9 x 17.8 cm (10 9/16 in. x 7 in.)

Right half of a large cartouche, with a hose on the left; Compertimenta Pictoriis Flocculis Manubiisque .... On the rollerwork there is a representation of a man and a woman, sailing on fish. Shaded background. Belongs to series of 14 sheets cartouches with rollerwork, grotesken, trophies and friezes. The title sheet is missing.

Trol fees Memoves Mariden, a Medalon, Pierre François Tardiu to resiereu, association Defenseske, in 1771 print On the left a trophy with weapons, a shield with pigeon as a symbol of the Holy Spirit, a crucifix, a monstrans and chalices. On the right a trophy with a lantern, grape vines, a medallion with an elephant, a smoking vessel, a candlestick and stolas. Paris paper etching / engraving trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. (liturgical) equipment of church

History Temen with sitting Minerva, 1574, 1721 - 1723 print Penning of the States of Holland as a reward for merit at the University of Leiden. Minerva sitting on the front at Boom with weapons of Holland, Prince of Orange and Leiden. Reverse is blank and intended for inscription. History medal of 1574. Netherlands paper etching medal (considered as a piece of sculpture, regardless of its specific function) Leiden

Brown pen and brush drawing by Adam van Vianen depicting a candelabrum with grotesque jewelry motifs over black chalk.

Wilde leeuw neergeschoten / Roofvogel bij de zon; Fortiter Resistendum / Perfero; Symbola Divina et Humana Pontificum Imperatorum Regum.An emblem with two performances. Above a wild lion. Two spears and a firearm are directed to him. A bullet is shot with the firearm. Under a bird of prey at the sun. The regions of Willem de Conqueror and Willem II of England.

Ornamental family tree with man planting a tree and garden beyond 18th century Attributed to Anonymous, German, 18th century German. Ornamental family tree with man planting a tree and garden beyond 383122

Collignon, François (n.1610-D.1687-01-18), the triumphal tank devoted to the glory of Louis XIV after della Bella (A. de Vesme 1058. Dutuit 96) (Main title), 1645. Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Title print for the De Batavian Uprising series, 69-70, Antonio Tempesta, After Otto van Veen, 1611 print Round allegorical performance in which personifications Roma and Batavia on the battlefield shake hands. Title print for the series of prints about the Batavian rebellion: Batavorum Cum Romanis Bellum / à Corn. Tacito Lib. IV & V.: Hist. Olim Descriptum, Figuris Nunc Aeneis Expressum, Auctore Othone Vaenio Lugdunobatava = the Batavian or old Hollandtsche Warhe Teghen de Romeynen. Otto Vaenius, Antwerp 1612. Without text on the back. Italy paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). personifications of countries, nations, states, districts, etc. Netherlands

Lunette with putti, lions and horns of abundance in the eastern gallery of the town hall on the Dam. Lunette with two putti, two lions and two reverse horns of plenty (partly hidden behind the lions) in the northern part of the eastern gallery of the town hall on Dam Square in Amsterdam. This is the Lunette to the right of the image of Cybele, above the door to the sideboards. Signed in the middle: R (crossed out). Numbering at the bottom right of hand Added: XCI.

Bound Print, Cartouche with Cornucopia and Sun; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Balthazar Sigismond Setlezky (German, 1695 - 1774); Germany; etching and engraving on paper; 28 × 18.8 cm (11 × 7 3/8 in.)

Suggestion for the Decoration of the Lower and Top Right of a Frame, Plate 1 from: 'Unterschidliche Auszierungen zu Thüren und Fenster, etc. etc. sehr nutzlich zu gebrauchen'. Artist and engraver: Jeremias Wachsmuth (German, 1712-1771). Dimensions: Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm). Publisher: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Date: Printed ca. 1750-56.Ornament print with suggestions for the decoration of the lower right of a frame of a pier glass or altar, and the top right corner of an altar or door, bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. Museum: Metropolitan Museum of Art, New York, USA.

Sun and Moon and a man who balances the four elements, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing spirit of the air, sylph. earth (one of the four elements). fire (one of the four elements). water (one of the four elements). sun represented as face, wheel, etc.. waxing moon represented as face

Tomb Design. Artist: Ignaz Günther (German, Altmannstein 1725-1775 Munich). Dimensions: 12 1/8 x 7 25/16 in (30.8 x 20.2 cm.) (image)16. 3/8 x 12 9/16 in. (41.6 x 31.9 cm.) (mount). Date: 1740-75. Museum: Metropolitan Museum of Art, New York, USA.

Augsburg, Nilson, Johann Esaias, Le Jardin Magnifique, Das edle Gartenwerck, Man buying flowers for his beloved, A man buys flowers for his beloved from the boy on the right in front of them. The representation is in a round frame resting on a rocaille ornament, in a garden with putti and a fountain., print, ornament print, prints, ornament prints, height 164 mm, width 185 mm, German, 1721-11-02 - 1788, print maker, printmaker, 1731 - 1788, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Cartouche with Plumetted Helm, Livre de Cartouches Irréguliers (Book of Irregular Cartouches), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Balthazar Sigismond Setlezky, German, 1695 - 1774, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on paper, Asymmetrical cartouche in Rococo style topped with a plumetted helm and surrounded by armorial trophies. A putto figure wearing an animal skin at upper left; lion skin draped across cartouche at center., Munich, Germany, 1738, albums (bound) & books, Bound print, Bound print

Parijs, Mariette, Pierre (II), Tavernier, Melchior, Kilian, Lucas, Differents Conpartimens et Chapiteaux, Horizontal cartouche with two children and a bouquet, Paris, From a series of 22 or 29 sheets with cartouches in Italian lobe style, fourth edition., print, ornament print, prints, ornament prints, height 105 mm, width 164 mm, Work conception, German, 1579 - 1637, after a design by, 1657 - 1685, third quarter 17th century, fourth quarter 17th century, paper, papier, engraving, engraving (printing process), Zuid-Nederlands, 1564 - 1641, print maker, printmaker, Publication (Event), Publication, 1634 - 1716, publisher

Vis in een schelp / Dolfijn en schip; Serena Celsa Favent / Uber Et Tuber; Symbola Divina et Humana Pontificum Imperatorum Regum.An emblem with two performances. Above a shell with a fish. Above a moon and stars. Under a ship at sea with a dolphin in the foreground. The inventions of Sebastiaan I and Hendrik I of Portugal.

The letter T, sheet from the episode "Nova Alphati Effictio Historiis". The letter T from Schweigwerk, with the apostle of Thomas and grotesques elements, leaf from the episode "Nova Alphati Effictio Historiis ad Singulas Brynaeo Artificiosis in Aes Incisis Illustrata: Nejw artificial alphabet, taught with Schören Figns, whose Iede find his letter accomodirt; novel JN Kupffer stung through the Brye, even with Latin's verses and teutsch rasmen funny. Fr. Ad Moe. A °. MDXCV.

Jewelry Design. Dated: 1582. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: HANS COLLAERT.

Birdbook, B�cassine (Robert-Dumesnil 408, Bartsch 87) Albert flames (1620-1674). Books of Agenex. B Bertashesine (Robert-Dumpees Vile 408, Barban 87). Eau dictionary fora, xvie peirate. Museums of the City of the City of Paris, Petit palace.

Allegorical performance with Prudentia and Minerva as patroness of Art and Science, two children as personifications of Africa and America, Allegorical performance with Prudentia, Minerva and two children, draughtsman: Isaac Lodewijk la Fargue van Nieuwland, 1736 - 1805, paper, pen, brush, h 85 mm × w 147 mm

Paris, Tavernier, Melchior, France, Rabel, Daniel, Cartouches de Differantes Inventions, Cartouche with monster heads and elephant trunks, In the middle a river landscape with buildings is depicted. Sheet 1 from a series of 13 sheets with cartouches in French lobe style. From first edition., print, ornament print, prints, ornament prints, height 138 mm, width 195 mm, 1578 - 1637-01-03, print maker, printmaker, 1634 - 1634, second quarter 17th century, paper, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, South Netherlands, 1564 - 1641, publisher

The Four Seasons mid to late 17th century Abraham Bosse French. The Four Seasons 371590

Paris, Moncornet, Balthazar, Le Mersier, Balthasar, Goldsmith's bouquets above landscapes, Goldsmith's bouquet sprouting from a dragon's mouth, verso lower left - stamped, Lower left a river landscape and the ruins of a house. From a series of 6 sheets with goldsmith's bouquets in legume style., print, ornamental print, prints, ornamental prints, height 176 mm, width 131 mm, French, 1600 - 1668-08-11, print maker, printmaker, 1626 - 1626, second quarter 17th century, paper, engraving, engraving (printing process), etching, Work conception, after a design by, Publication (Event), Publication, publisher

Illustration for 'The Labor of Mars' by Allain Manesson Mallet, Romeyn de Hooghe, 1672 print Part of a ramparts to build on a hilly site. Below that, as on a canvas, a floor plan for part of a fortress, fort or reinforcement. In the corner at the top right the number 170 (= the number of the page in the book on the other hand the illustration has been placed). Amsterdam paper etching / engraving fortifications, military engineering. city-view, and landscape with man-made constructions. landscapes in the temperate zone

Horse, with Other Animals and Ornaments. Paul Gauguin; French, 1848-1903. Date: 1899-1900. Dimensions: 235 × 253 mm (image and sheet). Wood-block print in black ink on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Drawing (Italy)

Cartouche with a man with a pine trunk. Cartouche with a man with a dennestam in the hand; The cartouche is crowned by a miter and staff. Design for a print.

Rocaille and fantasy animals; Q Neu Inventierte Vorstellunge von Stein und Muschel Werck Mit Chinesischen figures, quartersirty theil / quatriema livre de Formes Rocailles et Cartels Ornés the Figures Chinois. Left on a Rocaille is an oriental man with a big hat. In the middle and right under three fantasy animals.

Leszno, Balzer, Jan, Evening and night, verso - stamped, Two rocaille cartouches in a landscape. Above with a scene at setting sun of a resting hunter and two dogs, a woman brings him a drink. Below with a scene of two women and a man with a torch. Below both cartouches two columns with two-line German text. In the middle numbered AA., print, ornamental print, prints, ornamental prints, height 202 mm, width 158 mm, 1738 - 1799-12-14, print maker, printmaker, 1748 - 1799, paper, etching, etchings, Publication (Event), Publication, publisher

Bilderdijk, Willem, Amsterdam, Vignette with architrave and medallion with star and garland of oak leaves, verso - stamped, Vignette with architrave and medallion with star and inscription decorated with garland of oak leaves and crowned with pen and paper., print, vignette, prints, ornamental prints, height 58 mm, width 84 mm, Dutch, 1756-09-07 - 1831-12-18, print maker, printmaker, 1777 - 1777, paper, papier, etching, etchings, Nederlands, intermediary draughtsman

Composition with Antiquities, 1784, Recueil de Desseins à la plume (Collection of Pen Drawings), etching on laid paper, sheet (trimmed to plate): 19.5 × 27.9 cm (7 11/16 × 11 in.), Baudicour, no. 51, State i/ii, Jean Jacques Lagrenée II (artist) French, 1739 - 1821

Study for En Tête Vignette in Tacitus Tibère, ou Les Six Premiers Livres des Annales , Book II 1758-1773 France. Graphite, on gray laid paper, incised for transfer, and perimeter mounted on ivory laid paper . Hubert François Gravelot

Funereal Cartouche with Inscription and Sketches of Skeletons and Ornamental Details. Baccio del Bianco; Italian, 1604-1656. Date: 1628. Dimensions: 321 x 262 mm. Pen and brown ink, over red chalk, on ivory laid paper, tipped onto cream wove paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Illustration for 'The Labor of Mars' by Allain Manesson Mallet, Romeyn de Hooghe, 1672 print Floor plan for part of a fortress, fort or reinforcement. Below that a face on a fortress in a mountainous area ('Salce', probably a fort in Spain). In the corner at the top left the number 43 (= the number of the page in the book on the other hand the illustration has been placed). Amsterdam paper etching fortifications, military engineering. mathematics. fortress. landscape with tower or castle. mountains Spain

Ornament tailpiece, 1701 - 1800, Engravings, 4 3/4 x 5 11/16 in. (12 x 14.5 cm), Paper / Sheet 4 3/4 x 5 11/16 in. (12 x 14.5 cm), Cream laid

Germany, Zündt, Mathis, Design for jewellery, Design for part of a chain, Gemstones set in scrollwork to which pearls are attached to hang. The links are formed by satyrs captured in scrollwork., print, ornament print, prints, ornament prints, height 32 mm, width 67 mm, print maker, printmaker, 1508 - 1572, first quarter 16th century, second quarter 16th century, third quarter 16th century, paper, engraving, engraving (printing process), Work conception, German, 1498 - 1572-02-25, after a design by, Publication (Event), Publication, publisher

Preparatory Study for Plate 34 in "Maisons de plaisance" Vol. II 18th century Jacques François Blondel French. Preparatory Study for Plate 34 in "Maisons de plaisance" Vol. II 334900

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