Ornamental Prints from the 17th Century

Detailed engravings of decorative panels and floral motifs, highlighting the intricate design elements typical of the baroque period.

Paris, Mariette, Pierre (II), France, Loir, Alexis (I), Nouveaux desseins d'Ornemens de Paneaux, Lambris, Carosse &c., Rectangular panel with a river goddess, On the lower left and right lies a siren., print, ornament print, prints, ornament prints, height 179 mm, width 240 mm, French, 1640 - 1713-04-15, print maker, printmaker, 1670 - 1680, third quarter 17th century, fourth quarter 17th century, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, 1634 - 1716, publisher

Paris, Mariette, Pierre (II), France, Loir, Alexis (I), Nouveaux desseins d'Ornemens de Paneaux, Lambris, Carosse &c., Rectangular panel with a river goddess, On the lower left and right lies a siren., print, ornament print, prints, ornament prints, height 179 mm, width 240 mm, French, 1640 - 1713-04-15, print maker, printmaker, 1670 - 1680, third quarter 17th century, fourth quarter 17th century, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, 1634 - 1716, publisher

Watch case, two flower baskets and a strip, anonymous, after jacques vauquer, after 1631 - before 1676 print Watchcase with the holy family, a servant and the child Johannes the Baptist. First edition, second edition. France (possibly) paper engraving

Nicoletto da Modena (Italian, active 1500-1512), Ornament Panel with Orpheus and the Judgment of Paris, c. 1507, engraving

Ceiling, from 'Grands Carts de Plafons', Jean Le Pautre, French, 1618-1682, Etching on paper, France, 1661, Print, Print

Ornaments and in the center putti with a cornucopia in the hand. Ornaments and two putti in the center with a cornucopia in the hands. At the top of a motto: Ubertas Ex FEEDER ET PACE.

Allegory on peace with three putti in cartouche. Allegory on peace with three putti in landscape in cartouche with coat of arms.

Watch case between two bouquets; Watch cabinets: lids and sides. Watch case with the worship of the shepherds.

Plate 4, from Bullarum Inaurium etc. Archetypi Artificiosi Pars Altera (Pendants, Earrings, etc. Designs of the Most Skillful Nature, Part Two), Hans Collaert the Elder, Flemish, ca. 1530 - 1581, Adriaen Collaert, Flemish, ca. 1560 - 1618, Philips Galle, Flemish, 1537 - 1612, Engraving on paper, laid and gilded, A pendant in the form of a ferocious sea monster perched on a strapwork base is suspended from a bow knot. The base is composed of faceted gems, a mask and dragons, and is hung with three drop pearls. Riding on the monsters back are Poseidon with a triton and two merman with bulrushes., Antwerp, Belgium, 1582, ornament, Print, Print

Medusa Onthoofd Door Perseus, Virgil, 1569 print Perseus with the beheaded body of Medusa at his feet. On the left the winged horse Pegasus that sprouted to her dead body. print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Perseus beheading Medusa, with Pegasus, and possibly also Chrysaor, the warrior with the golden sword, springing from the blood of Medusa's head

Ornament with pan and syrinx. .

Portrait of Agostino Barbarigo and the Personifications Guardianship and Alms; Numismata virorum illustrium ex Barbadica Gente. Pedestal in the shape of a cartouche. Then a medallion with the portrait of Agostino Barbarigo with stola on the front. A stole and two olive branches on the back. In addition, the text: Purpurae Reduci. The pedestal is flanked by the personifications of guardianship and alms. Guardianship is left. She holds her hand on a book on which a scales lies. She covered a sleeping child with her skirt and a rooster behind her. On the right is a woman with covered face. Also the hands with which they give two children a beaten. On her head an olive wreath and a small burning oil lamp. The print is part of an album.

Campania Caserta Carditello Plazzo Reale0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Print (France)

Ornaments and Female Jager, Melchior Rein, After Gottfried Rogg, 1714 - 1730 print A trophy with attributes belonging to hunts surrounded by two rocaille ornaments with leaf motifs, an owl, vases and garlands. Below that a female hunter with lance, arrow sleeve on her back and a dog. Left and right of her oval frames with hunting scenes. paper etching trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. hunting, chase. hunter - CC - female hunter, huntress. rocaille ornament

Two figures are next to a river in a mountain landscape, a third figure fishes a basket from the river. Surrounding the scene is a frame with shell motifs, Landscape with Fishermen Figures in Landscapes 4 D Morceaux de Caprices a divers usages , print maker: Carl Albert von Lespilliez, (mentioned on object), François de Cuvilliés (Sr.), (mentioned on object), Keizerlijk hof, (mentioned on object), Germany, 1745, paper, etching, h 185 mm, w 230 mm

Print (France)

Plate 20, from Grotteßco in diverßche manieren (Various Grotesques), Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Lucas van Doetechum, Dutch, after 1584, Gerard de Jode, Flemish, 1509 - 1591, Etching on laid paper, Grotesque panel. In center, a putto with a whip is pulled in a chariot by four horses. On either side, an eagle on a platform below crossed arrows in a wreath. At left, an elephant with a castle on its back. At right, a camel with a tower. Below, centaurs, dogs and trophies., Antwerpen, 1564, ornament, Print, Print

Adoration by the Kings, Simon Fokke, 1742 print The worship by the kings in a frame with putti with trumpets, smoking vessels and scenes from the New Testament. Amsterdam paper etching / engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Frisian with a shield between two putti, Anonymous, After Heinrich Aldegrever, 1529 - 1610 print Frisian with a shield between leaf vines that are held on either side with one hand by putti. They each wear a horn in their other hand. The putto on the right is seen on the back. Germany paper engraving foliage, tendrils, branches ~ ornament. cupids: 'amores', 'amoretti', 'putti'

Ornament with centaurs and vase ..

Cartouche with empty compartments and naked women; Cartouches Différentes Inventions (...). A landscape with trees and buildings can be seen in the large compartment in the middle.

Jupiter fed by Amalthea, Anonymous, 1700 - 1799 print paper etching Amalthea, the nymph, usually in the shape of a goat, suckles the new-born Jupiter

Coat of arms with a pan flute on a tree. Coat of arms with a pan flute hanging on a tree in the middle. At the bottom of a river god and the wolvin with Romulus and Remus.

Print (France)

Wolf and Justice, 1721 - 1756 print A wolf sits on a throne in a rocaille ornament. On the left next to him is a figure with two snakes, a frog and a candle. To the right of the wolf are an old man with a hat and a child on his arm and an old man with beard, a spring in his hair, a bundle and a key. In the foreground, a personification of justice with a sword and a scale falls to the ground. Two columns with a three -line German text in the lower margin. Print number 349. paper etching Beasts of Prey, Predatory Animals: Wolf. Animals acting as human beings. Justice; 'Strength to the justice subject', 'justice', 'Recto justice', 'rigorous justice', 'pity and violence subject to justice' (Ripa)

Bacchus under a pergola; Gods and Goddesses. At the bottom is a Latin text. From later edition of series with flat decorations of gods and goddesses in a picture frame of grotesken with fantastic beings, animals, garlands and mascarons.

Picart, Bernard, Amsterdam, Two loving putti under a canopy, verso - stamped, print, ornamental print, prints, height 62 mm, width 72 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1725 - 1725, second quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman

Bliżej Kultury unknown

Cartouche with Christ in the middle as the good shepherd, c. 1589 - c. 1590 print Between the cartouches are winged, female fantasy bows on the tails of fishing. One of 3 sheets from a series of 4 Frisians with a whole cartouche in the middle and two half cartouches on both ends paper engraving Christ as Good Shepherd. the good shepherd (Christ) defending his sheep against wolves; 'I am the good shepherd' (John 10:1-16)

Decorations by Lebrun and Mignard at the Palace of Versailles, Engraving on paper, before 1901, Print, Print

Arabesque with medallions; 9ME CAHIER; Nouvelle Collection d'Arabesques, Propres a la Décoration des Apartenens. Arabesken with a feminine semi-detached figure with wings and a male half-luck with horse legs and a thyrsus on either side of a round medallion with a seated woman and putto. Including arabes with a face with winged helmet and two lions on either side of a medallion with men's portrait and profil.

Polishing Poins Jean Charles debhopher, 1768 - 1771 print An ornamented console with leaf motifs, above it grapes, branches, a weapon with a crowned eagle, a crown, a snake and a round medallion with three beehives and an angel sitting on lances and shields with a cross. Print number 48. paper etching / engraving other architectural details (CONSOLE). Poland

Vignette with the appointment of Maria van Hungary to governor of the Netherlands, Jan Wandelaar, 1733 print Karel V hands over the scepter to Maria van Hungary, who kneels for him. The figure behind him crowns Karel V with a laurel wreath. With them, Hercules and Minerva stand behind a putto with a Putto with a money -filled horn of abundance as personifications. The building on the left is decorated with the weapons of the various regions. In it lies the Generality Lion with a bundle of arrows. In the middle is a woman with a coat of arms and above her fame flies with a trumpet. On the right is a dog as a symbol of loyalty to a woman with a emperor crown, a rich apple and a staff with a Chi-Rho symbol as a personification of the Holy Roman Empire. In addition to her, Mercurius floats with a money pouch. Around the show a ornamental frame with two trumpets and a spell band with a Latin text. At the bottom a medallion with the emblem of Karel V. North Netherlands paper etching coronati

Judgment of Midas. King Midas points to Pan as the winner in the music competition between Pan and Apollo. The linked Apollo gives Midas for punishment donkey ears. The show is caught in an ornamental list.

Leaf from the episode "Wall signs, frieze, tabletop and table for driven silver work". Fries-shaped fillings made of foliage and tape work, leaf from the episode "wall signs, frieze, table top and table for driven silver work

Print, Unterschiedlich Augspurgische Goldschmidts Arbeit, "Ver", Plate 1; Designed by Abraham Drentwet (1647 - 1727); Printed by Georg Heinrich Schifflen (German, 1666 - 1745); Published by Jeremias Wolff (German, 1663-1750); Germany; engraving; 31.2 x 95.7 cm

Design for Tapestry, Charles-Nicolas Cochin the elder, French, 1688 - 1754, Gilles-Marie Oppenord, French, 1672-1742, Etching on paper, A lofty central arch is flanked by two lower and narrower ones. A statue of Venus holding an apple accompanied by puttos and birds, is shown under Flora and Zephyr upon clouds, in the center. Cybele and a girl holding a cornucopia and accompanied by a dragon are seated in the foreground beside an anvil with a smith's tools and weapons. At left: Pluto rides in a chariot drawn by dragons over a representation of Autumn, Bacchus as a boy and satyr children. At right: Neptune riding over the sea, over a representation of Winter, an old man warming himself at a fire., France, 1720-1750, Print, Print

Cadmus Doodt de Draak, Virgil, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Cadmus slays the dragon

Design for paneling with children at a fountain, Jean Moyreau, After Jean Antoine Watteau, 1726 - 1735 print Numbered below: 2. publisher: Parispublisher: ParisFrance paper etching / engraving panelling. trade games, imitative games, imitating adults. garden fountain

Two Designs for Cieling, from 'Plafons à la Romaine', Jean Le Pautre, French, 1618-1682, Etching on paper, Somewhat more than quarters are shown. Two putti flying in the central medallion hold a scroll. A fantastical griffin and a medallion portrait of a Roman emperor are shown in the left design, two children and a displayed eagle in the right one., France, 1665, Print, Print

Octagonal panel with orpheus and eurydice; Nouveaux Dessseins d'Orgenens de Paneaux, Lambris, Carosse & C .. Left and bottom right a kneeling Sater holding a garland. Leaf from first edition.

Trademark with Mercury and Neptune and the coat of arms of Amsterdam, print maker: Johannes Arnoldus Boland, (mentioned on object), anonymous, Amsterdam, c. 1860 - c. 1900, paper, etching, engraving, h 178 mm × w 145 mm

Neptunus, Cherubino Alberti (Possibly), After Polidoro da Caravaggio, After Cherubino Alberti, c. 1590 - c. 1600 print Neptunus is sitting on his car that is drawn by hippocampuses. The show is caught in a round list. Italy paper engraving (story of) Neptune (Poseidon)

Pilaster VIII; Volpato, Giovanni (1740-1803), Rafael (1483-1520); 1775 (1775-00-00-1775-00-00);

Medallion with a man on a car drawn by a rider, Hans Sibmacher, after Jacques Androuet, c. 1525 - 1594 print Leaf from series with architecture fantasies and grotes' with fable areas, garlands, candelabers and mascarons. print maker: Germany (possibly)after print by: France (possibly)publisher: Netherlands (possibly) paper etching

Ceiling painting in the Grande Gallery of Versailles with Louis XIV, King of France, surrounded by allegorical and mythological figures, Nicolas-Gabriel Dupuis, After Jean Baptiste Massé, After Charles Le Brun, 1752 print Numbered in the bottom right: No. 2. paper etching / engraving historical persons. (story of) Minerva (Pallas, Athena) Versailles

Grotesque Design, Charcoal, pen and ink on paper, A strapwork escutcheon decorated with scrolling acanthus leaves and military trophies. Below, a winged mask and groups of bearded soldiers., Italy, early 17th century, grotesques, Drawing, Drawing

Paris, Jombert, Charles-Antoine, Babel, Pierre Edme, Vignette with four putti in a cartouche, verso - stamped, Four putti sit with various measuring instruments in a rocaille cartouche with flowers. Planche LX., print, engraving, ornamental print, book illustration, prints, engravings, ornamental prints, height 124 mm, width 154 mm, 1720 - 1775, print maker, printmaker, 1750 - 1750, paper, papier, etching, etchings, Work conception, after own design of, Publication (Event), Publication, French, 1712 - 1784, publisher

Three decorative paintings: putta and vase with flowers; unknown, Marot, Daniel (1661-1752; st.); around 1712 (1663-00-00-1752-00-00);Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, decoration - design, French (culture), flowers, ornaments, Panneaux, projects, Putta (iconogr.), Supportorts, vases, interior

Putti en rookvat, Jean Pelletier, after just Nathan François Boucher, 1772 - 1779 print Two Dessus-de-Portes. Upstairs with garlands and two putti on either side of a mask, below with a smoking vessel in a round medallion and two horns of abundance. Print number 259. Paris paper etching / engraving ornament ~ festoon, garland. cupids: 'amores', 'amoretti', 'putti'. mask, mascaron ~ ornament. incense-burner ~ scents, perfumes. 'Cornucopia', Horn of Plenty

Medalion Napoleona, pomysł na transparent. Plersch, Jan Bogumił (1732-1817), draughtsman, cartoonist

Etching by Pietro del Pò showing the adoration of the shepherds, created between 1640 and 1692, illustrating the Nativity scene with biblical figures and animals.

Designs for decorations of snuff boxes: four allegorical performances, Willem Kok, 1771 - 1807 drawing Design for a print. paper. ink pen / brush

Design for a print, Designs for snuffbox decorations: four allegorical representations, draughtsman: Willem Kok, 1771 - 1807, paper, pen, brush, h 105 mm × w 410 mm

Ornament with bacchus and a kneeling woman. In the middle a two-headed monster, which sings from a music book, placed on a kneeling woman. She looks up to Bacchus, who has a glass. On the right a seated man who holds a music book with both hands.

Cartouche with two winged putti, Daniel Rabel, 1634 print In the middle there is a landscape with a city on the horizon. Page 2 from series of 13 sheets with cartouches in French lobe style. From the first edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper engraving

Print, Decorations by Lebrun and Mignard at the Palace of Versailles; engraving on paper; 1901-28-70

Amsterdam, Visscher, Gerrit, Latona and the Lycian Peasants, verso - stamped, Landscape with Latona and her children Apollo and Diana, who stop at a lake in Lycia after a long journey to quench their thirst. When the Lycian peasants stop them, Latona changes them into frogs as punishment. The oval representation is set in an ornamental frame decorated with leaf tendrils., print, ornamental print, prints, height 82 mm, width 120 mm, print maker, printmaker, 1690 - 1710, paper, papier, etching, engraving, engraving (printing process)

Print (France)

Two Quarters of a Ceiling, Nouveau Livre de Plafonds Irréguliers (New Book of Irregular Ceilings), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on paper, Design for two quarters of a ceiling in the Rococo style with alternate suggestions divided by a central rosette., Munich, Germany, 1740-68, albums (bound) & books, Bound print, Bound print

S Monogram with Apollo in hisChariot. Artist: Sébastien Le Clerc the Younger, French, 1637-1714 After: Francois Chauveau, French, 1613-1676

Oval with pailing deer; Oval cartouches in a frame of curl work with animals in landscapes. On the oval a flower hangs on either side. From series of 12 sheets.

Amsterdam, Valck, Gerard, France, Vauquer, Jacques, Watch cases: lids and sides, Watch case among bouquets and flower vases, Watch case with the Presentation of Christ in the Temple., print, ornament print, prints, ornament prints, height 135 mm, width 177 mm, Work conception, French, 1621-10-11 - 1686-08-31, after a design by, 1661 - 1726, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1652 - 1726-10-21, publisher

Cartouche: Phineus disrupts the wedding of Perseus and Andromeda, Abraham de Bruyn, 1584 print Oval cartouche in ornament frame with grotesken and two winged horses, against an shaded background. In the Cartouche the marriage meal of Perseus and Andromeda, which is disturbed by Phineus. Netherlands (possibly) paper engraving ornament ~ grotesque. ornament ~ cartouche. the wedding-feast of Perseus and Andromeda is interrupted by Phineus, a former suitor; a fight ensues

Pencil drawing by Johann Peter Nepomuk Geiger from 1852 depicting scenes representing different levels of life.

Designs for two sarcophages, Gilles Marie Oppenort (Possible), 1682 - 1742 drawing paper. chalk sarcophagus. bucranium ~ ornament

Medallion with mars of jupiter, 1551 - 1650 print Medallion with an image of a harnessed man, possibly intended as the God Mars or Jupiter. The print is part of an album. paper etching (story of) Jupiter (Zeus). (story of) Mars (Ares)

Two angels with a cardinal hat, Robert van Audenaerd, 1673 - 1743 print A console with two angels on a pillow. The angels keep a gallero or cardinal hat above their heads. The print is part of an album. paper engraving insignia of cardinal, e.g. hat, mantle. angels

Portrait of Marcantonio Barbarigo and the Personifications of politeness, kindness and meekness; Numismata virorum illustrium ex Barbadica Gente. Pedestal in the shape of a cartouche. On top a medallion with the portrait of Cardinal Marcantonio Barbarigo on the front. On the back, the Cardinal kneels for the pope and is named. The base is surrounded by three female personifications. Links The personification of politeness (Humanita). She loves a dog. The woman in the middle is the female personification of kindness or rude. Right gives gentleness: a woman with a laurel wreath on her head and her hand on the cup of an elephant. The print is part of an album.

Fronton with weapons; Frontispices et trophées. Design for a hemisphere frontone with shield, helmets, bazuinen, bullets, a smoke vessel and lances. Left and right a drum, rifle, lances and a gun. Publisher number XXXII.

Quarter of ceiling with decorations; Nouveau Liure De Placfond. Ceiling with Mercury surrounded by figures in the middle, around it a wide edge with panels. On the left Appolo and Daphne, in the corner a medallion with children and a goat above which a caesarean bust is placed. From series of 6 sheets with designs for ceilings.

Picart, Bernard, Amsterdam, Ornament with a vase in the middle flanked by sphinxes, verso - stamped, print, ornament print, book illustration, prints, height 84 mm, width 185 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1683 - 1733, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), letterpress printing, Noord-Nederlands, intermediary draughtsman

Emblem: Lier, Jan Goeree, 1722 print Ornamental cartouche with above two putti that keep medallions in the air with left -wing nymphs, on the right portraits of religious dissidents (John Wycliffe, Jan Hus, Hiëronymus of Prague and Magister Parisiensis). In the middle of the Cartouche a medallion with Saul who throws a spear to David, who tries to cheer him up with Liert music. print maker: Amsterdampublisher: Amsterdampublisher: Dordrecht paper engraving Saul casts his spear at David when the latter is playing his harp before the king (1 Samuel 18:11). cupids: 'amores', 'amoretti', 'putti'. nymphs (in general); 'Ninfe in commune' (Ripa). lyre, cithara, psaltery

Juno Verandert Callisto in Een Beer, Virgil, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Callisto changed into a bear: Juno changes Callisto, who is attending the young Arcas (her son by Jupiter), into a bear

Józef; Collette, Alexandre Desire (1814-1876), Bertin, C. (Paris; Printing house; Fl. 18 ..- 18 ..), Companred, Alfred (18 ..- 18 ..); around 1850 (1840-00-00-1860-00-00);

Bas-relief with the proserpina roof; Galleria Giustiniana del Marchese Vincenzo Giustiniani II. Bas-relief with the proserpina roof. Pluto, the king of the underworld drags Proserpina on his car. Minerva tries to stop Pluto. Mercury leads the horses from the car. The companions of Proserpina are left behind. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Square ceiling with Hercules and Minerva, Daniël Marot (I), 1712 print Square ceiling with round panel with coronation of Hercules by Minerva. In the corners four arches with putti and weapon trophies flanked by sitting figures. On the sides a wide beam with rosettes and medallions with putti. From series of 6 (possibly 12) sheets. print maker: Netherlands (possibly)after own design by: Netherlands (possibly)publisher: Amsterdam paper etching

Ornamental design with Grotesques 19th century Anonymous, German, 19th century German. Ornamental design with Grotesques. Anonymous, German, 19th century. 19th century. Pen and black ink, brush and blue, brown and green wash. Inlaid, along with 48.148(58b), on paper mount with pink and black framing lines. Squared with incised lines.

Watchlet between bouquets and flower vases, Anonymous, After Jacques Vauquer, 1661 - 1726 print Watchcase with the presentation of Christ in the temple. after design by: France (possibly)publisher: Amsterdam paper engraving

Picart, Bernard, Medallions with the portraits of Phrynicus and Alexander the Great, verso lower left - stamped, print, prints, height 73 mm, width 137 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1683 - 1733, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman

Portrait of Gregorio Barbarigo and the personification contempt for the world and desire for God, Robert van Audenaerd, 1673 - 1743 print Pedest in the form of a cartouche. Then a medallion with the portrait of Gregorio Barbarigo on the front. A laurel wreath on the back. To the left of the pedestal a harnessed man. His head crowned with a laurel wreath and facing heaven. In his hands a skewer and palm branch. A laurel wreath on his head. He is the symbol for contempt for the world. Kneeling on the pedestal is longing for God: an angel from whose chest a flame is getting along. She turned the face to heaven. On the right a deer drinks water from a source. It refers to Psalm 42: "Like a Hinde yearn for running water, my soul years for you, o God." The print is part of an album. paper engraving medal (considered as a piece of sculpture, regardless of its specific function). angels. hoofed animals: deer. martyr(s) (often with palm-branches). Fides (faith) as Roman personification. the bo

Appetent of Turin, 1706; Ergebung der Auf Dem Mittelländischen Lake Balearic Insel Majorica. Eilnad Mallorca intake by an English fleet, September 24, 1706. The central representation of the fleet in a richly decorated ornamental picture frame with a cartouche at the top of the island. At the bottom of a cartouche with the description of the events in German. Leaf in the bound set of plates released under the title: RepraesTatio Belli ... of the Spanish Successions-Krieg CA. 1720.

Circe Drinkend, Antonio da Trento (Possibly), After Parmigianino, 1568 - 1629 print Circe drinking from a bowl and on the right the men of Odysseus on a ship. Italy paper Ulysses on the island of Circe (Homer, Odyssey X). Circe. drinking

Landscape with Ornamental Frame ca. 1543 Antonio Fantuzzi Italian. Landscape with Ornamental Frame 336741

Cartouche with a weapon trophy in a frame of rolling work, above two sphinxes, 1564 print Cartouche with a weapon trophy in a frame of rolling work. On the cartouche there is a sphinx on the left and right. Between them in a large vase with flowers and fruit. At the bottom a coat of arms with bow and a coat of arms with an arrow. Left and right thereof a turtle and a lobster. Antwerp paper engraving ornament ~ cartouche. sphinx (lion/woman); 'Sfinge' (Ripa) - AA - female human figure. trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. tortoises, turtles. crustaceans: lobster

Wood engraving, England, by Thomas Bewick.

Print, Plate 27, from Grotteßco: in diverßche manieren; Designed by Hans Vredeman de Vries (Dutch, 1527 - ca. 1606); Published by Gerard de Jode (Flemish, 1509 - 1591); Etched by Jan van Doetechum the Elder (Netherlands), Lucas van Doetechum (Dutch, after 1584); France; etching on laid paper

Drawing, Sketch of Victory holding Bowknot and Trumpet; sketches of Wall Section and Stool; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and dark brown ink, brush and gray-brown wash over black chalk on laid paper; 21.1 x 19.8 cm (8 5/16 x 7 13/16 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.)

Myrrha slaapt met Haar Vader Cinyras, Virgil, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. after her father Cinyras had been made drunk, Myrrha is led by her nurse into his bed. when Cinyras discovers the incest, he attempts to kill his daughter

Print, A parade float in Reggio, Italy: "Carro trionfale della Compagnia di S. Rocco" (The Triumphal Carriage of the Company of St. Roch). Plate 2b from A. Isacchi, "Relatione di Alfonso Isachi intorno l'origine, solennità, traslatione, et miracoli della Madonna di Reggio ..." published by Flaminio Bartoli, Reggio.; Print Maker: Giovanni Luigi Valesio (Italian, 1561 - 1650); Italy; engraving and etching on cream laid paper; Platemark: 20 x 30.9 cm (7 7/8 x 12 3/16 in.) Sheet: 23 x 32.7 cm (9 1/16 x 12 7/8 in.)

Thiry, Léonard, Fiorentino, Rosso, Milan, Pierre, Boyvin, René, Tableware, Three trays and two salt cellars, verso lower left - stamped, Three trays, decorated with foliage, garlands and mascarons. Lower left and lower right a salt cellar decorated with scrollwork, children and putti. On the foot of the left barrel are two eagles, on the foot of the right two fire-breathing dragons., print, emboss, ornamental print, prints, embossed prints, ornamental prints, height 139 mm, width 180 mm, French, 1525 - 1598, print maker, printmaker, 1542 - 1580, second quarter 16th century, third quarter 16th century, fourth quarter 16th century, paper, engraving, engraving (printing process), 1500 - 1557, Italian, 1494-03-08 - 1541-11-14, intermediary draughtsman, after a drawing by, South Netherlandish (before 1775), 1500 - 1550, intermediate draftsman

Britannia.Britannia in a laurel wreath with a opened book on either side.

List of Venus and Cupid and table with naked woman; Neues Romanisches Laubwerck Büchlein. Two lists, each with two variants for the right half. In the left list, Venus and Cupid, seen a naked woman from behind in the judge, with Roman buildings in the background. Leaf 2 from series of 6 blades with German copies, two compositions per leaf.

Four puts, leaf from the "Neuw Grottensken book". .

Wall panel with man and woman under octagonal table; Livre de Diverses Grotesques, Peintes Dans Le Cabinet de la Reine Régte, Au Palais Royal. Aurora and Phoebus can be seen in the list.

Allegory on Cosimo III de 'Medici in monumental frame, François Spierre, After Ciro Ferri, 1649 - 1681 print Cosimo III as a Jupiter and three men sitting on clouds. Putti offer Cosimo III a staff and crown, and another man the attributes of Hercules. This print consists of four parts. paper engraving / etching historical persons. (story of) Jupiter (Zeus). attributes of Hercules. cupids: 'amores', 'amoretti', 'putti'. sea (seascape). (story of) Minerva (Pallas, Athena). weapons

Title card: Frizes Feuillages Ou Tritons Marins Antiques et Modernes Nouvellent Dessignées et Grauées Par and Le Pautre Ce Vendent a Paris Chez P. Mariette Rue St. Iacques a l`espertance aeec privil. du Roy., B.R.; Le Pautre, Jean (1618-1682), Mariette, Pierre (1634-1716; m.); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Print, Two Male Figures, One playing the Triangle, accompanied by a Zoomorphic Figure and a Dragon; Designed by Alexis Peyrotte (French, 1699-1769); Engraved by Gabriel Huquier (French, 1695-1772); France; etching on paper; Platemark: 15.9 × 23.1 cm (6 1/4 × 9 1/8 in.) 31.9 × 23.1 cm (12 9/16 × 9 1/8 in.)

Narcissus, Georges Reverdy, 1536 - 1569 print paper engraving / etching Narcissus, gazing in a fountain, falls in love with his own reflection; possibly the nymph Echo peeps at the scene. Narcissus changed into a narcissus: when Narcissus is pining away for the love of his image reflected from the water, he is changed into a narcissus (Ovid, Metamorphoses III 510). ornament ~ cartouche

Perseus frees Andromeda, 1584 print Cartouche with Perseus who, seated on the Pegasus horse, fights the sea monster. On the right andromeda chained on the rock. Oval cartouche in frame of figures and sea monsters against shaded background. Netherlands (possibly) paper engraving Perseus kills the sea monster (or turns it into stone by showing it the Gorgon's head) to release Andromeda; sometimes her parents Cepheus and Cassiopea watch the scene. ornament ~ cartouche. sea-horse, hippocamp, 'hippocampus', (horse/fish) (mythological hybrid monster)

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