Ornate Architectural Designs

Detailed prints of intricate ornamental designs, including confessionals, vases, and architectural elements, showcasing baroque styles and delicate engravings.

The Elevation of an Altar Retable and The Plan for an Altar Retable, Black chalk, pen and black ink, brush and grey and black watercolors on laid paper., Vertical rectangle showing elevation. At the top, a tabernacle, showing the Annunciation at its door, stands in the center of a ledge and at the base of the retable. It has the shape of an aedicula with four embedded columns. On each side, there are two rows of seven ovoidal frames. A saint stands at the left. A putto, carrying an oivoidal medallion with a saint, sits at the right. A circular pediment is on top, flanked by two urns containing fire. Two putti sit upon it and support a crown. At the bottom is a scale and a plan of a retable in pavilion shape. On verso: pencil plans with scale in the opposite direction., Italy, 1770-1800, architecture, interiors, Drawing, Drawing

Imperial court, Paris, Poilly, Cuvilliés, François de (Sr.), Germany, Lespilliez, Carl Albert von, 19me Livre T Livre de decorations de Lambris, Wall decorations, Stove in niche, verso - stamped, An ornamented stove with putti in a semicircular niche, panels on both sides., print, ornament print, prints, ornament prints, height 357 mm, width 229 mm, 1723 - 1796-02-10, print maker, 1745 - 1745, paper, etching, engraving, engraving (printing process), Work conception, 1695 - 1768-04-14, after design of, seller, vendor, granter of privilege

Graf monument with a Rhyton, Giovanni Battista Piranesi, 1778 print A burial monument with a Rhyton with a head of a wild boar. Assignment above performance. Text in STUDMARGE. Rome paper etching monument, statue. drinking-vessels. animal-shaped drinking-vessel

Graftombe van Hugo de Groot, died in 1645, 1786 print Graftombe van Hugo de Groot, died August 28, 1645, in the Nieuwe Kerk in Delft. Monument Founded by the family of the deceased in 1781. print maker: Netherlandspublisher: Delft paper etching / engraving grave-building, monumental tomb new church

Coat of arms with two allegorical figures and putti, Giovanni Volpato, after Stefano Tofanelli, 1750 - 1803 print Italy paper etching armorial bearing, heraldry. cupids: 'amores', 'amoretti', 'putti'

An ornate garden obelisk with a battle scene carved in relief on the base. Etching by J. Schynvoet after S. Schynvoet, early 18th century.

Monument to Johann Christian Bach March 10, 1782 Francesco Bartolozzi Italian. Monument to Johann Christian Bach. Agostino Carlini (Italian, Genoa () ca. 1718-1790 London). March 10, 1782. Etching and engraving; fourth state of four. Agostino Carlini (Italian, Genoa () ca. 1718-1790 London). Francesco Bartolozzi (Italian, Florence 1728-1815 Lisbon). Johann Christian Bach (German, 1735-1782). Prints

Design for a casement with three playing children ..

John Flaxman, Design for the Tomb of Dr Joseph Warton, probably c 1804 Design for the Tomb of Dr. Joseph Warton

. The gate of the Innergasthuis at the end of the Grimburgwal in Amsterdam. The images on the gate, who flank from the city's arms of Amsterdam, refer to the sick who were taken care of here. Two women in the gate.

Lord Darcies monument in St. Botolphs church, Aldgate. Lord Thomas Darcy, 1st Baron Darcy, depicted wrapped in a shroud. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1798.

Design for a Fountain. Artist: Anonymous, French, 19th century. Dimensions: sheet: 14 7/8 x 9 5/8 in. (37.8 x 24.5 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Allegorical figure

Augsburg, Nilson, Johann Esaias, Interior decorations, La Cheminee, Fireplace with putti, verso - stamped, A winged putto warms itself by the fire of a hearth. The rocaille mantelpiece is decorated with floral motifs, grapevines and three putti. The four putti symbolize the four seasons. Left spring as Flora with flower tendrils, above summer with sheaves of corn, right autumn as Bacchus with grapes and a goblet, below winter with Janus' head., print, embossing, ornamental print, prints, ornamental prints, height 265 mm, width 198 mm, German, 1721-11-02 - 1788, print maker, printmaker, 1731 - 1788, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Drawing, Project for a Fountain at a Wall; Italy; pen and brown ink, brush and gray wash, white heightening, traces of graphite on off-white laid paper ; 41 x 22.8 cm (16 1/8 x 9 in.)

Barry, Jean. Hotel of Holland -Panneau du Grand Salon. "View of a painted panel decorated with camel, large lounge, Hotel de Holland, Paris". Silver gelatin-bromide draw. in 1905-10-1905-10. Paris, Carnavalet museum. 144163-13

Elisabeth, Princess of Württemberg.

Cooke's monument.. 1880. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Cooke, George Frederick, 1756-1812

Fantastic Architecture Structure with Strapwork and Two Pergolas and a Small Scene with Vulcan's Forge at the Top 1557 Cornelis Floris II Netherlandish. Fantastic Architecture Structure with Strapwork and Two Pergolas and a Small Scene with Vulcan's Forge at the Top 397362

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Nouvelle Iconologie Historique Ou Attributs Hierogliphyques, F Vases en hauteur, La Hongrie, Hongarije, verso - stamped, An ornamented vase with two female half-figures and rams' heads. Below a square frame with weapons, a stream of water, a sword, a cornucopia, the papal tiara and burning hearts. Print number 49., print, ornamental print, prints, ornamental prints, height 362 mm, width 215 mm, French, 1734 - 1791-10-11, print maker, printmaker, 1768 - 1771, paper, etching, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Wellington, Arthur Wellesley Duke of .

Drawing, A Window Case; Italy; pen and black ink, brush and gray wash, traces of graphite on off-white laid paper

Speculum Romanae Magnificentiae: Interior and ground plan of an ogtagonal temple 16th century Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set o

Ministère d'État (Escalier de la Bibliothèque); Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; about 1868; Heliogravure; Sheet: 31.5 x 45 cm (12 3,8 x 17 11,16 in.)

Design for a painting, Garden sculpture on pedestal in a niche of shaved hedge., draughtsman: Elias van Nijmegen, 1677 - 1755, paper, brush, pen, h 326 mm × w 205 mm

Albert Memorial in London. A fragment of a hairstyle of musicians and groups Figuraln "Agriculture"; unknown, Marshall, William Calder (1813-1894), London Stereoscopic and Photographic Company (London; Photographic Company; 1854-1922); 1872-1876 (1872-00-00-1876-00-00);

Dahlberg, Erik Jönssen, Suecia Antiqua et Hodierna, Insigne Ducatus Dalkarliae, Coat of arms of Dalarna, The print is part of an album., print, album sheet, prints, height 244 mm, width 150 mm, print maker, printmaker, 1696 - 1696, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

A. Pianta di una fabbrica sepolcrale fuor di Porta Magg.re dentro una vigna accanto a Torre Pignatara , Archaeological sites, Tombs & sepulchral monuments. The Antonio Cardinal Tosti Collection

Burial monument and medal in honor of Jan Nieuwenhuyzen, Noah van der Meer (II), after Jacques Kuiper, after Charles Joseph François Sigault, after Hendrik Lageman, in or after 1806 print Graf monument for Jan Nieuwenhuyzen, who died on February 24, 1806, founder of the Society for Nut van 't Alguur, in the Grote Kerk of Monnickendam. On the epitaph an urn and the snake Ourobouros. Below that two sides of a medal with a tomb and the snake Ourobouros. paper etching / engraving grave-building, monumental tomb. coin Big church

Dom in Utrecht

Time verses at the General Meeting of the Oily Branch of the Society of Sciences in Haarlem, 1778. Column with a pedestal on which a period of time at the general meeting of the new economic branch of the Society of Sciences in Haarlem, held on September 15, 1778 in the room from the Diaconie house in Haarlem. On the front of the column, the medal beaten on the occasion of this meeting, on top of attributes of the practiced sciences.

Drawing, Design for a Candlestick; Italy; graphite on paper

Memorial to George Keated from Isleworth Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm), architectural subject, church, memorial, All Saints Church, England, Greater London, Isleworth, London, United Kingdom

Memorial to Loilliam and Ann Frohock from Stoke Newington Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 3/8 × 11 1/8 inches (39.1 × 28.3 cm), architectural subject, church, memorial, England, Greater London, London, St Marys Church, Stoke Newington, United Kingdom

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Judith Bell also to John Crosse from Hendon Church, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

Burial monument with mourning angel, Jean Bernard, 1799 print Burial monument with mourning angel. On the monument a plaque with the monogram l.m.phz. (Louis Metayer Phz.). In front of the grave there is a book with a drawing on the ground a painting palette. Amsterdam paper etching grave-building, monumental tomb

Tomb of John Merick from Norwood Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 3/4 inches (37.8 × 27.3 cm), architectural subject, church, memorial, tomb, England, Greater London, London, United Kingdom

Chaos (), Jean Charles Delafosse, 1768 - 1771 print A bow of a boat between two columns on rocks. Above that a round medallion with putti and high waves. Two vases on their side at the top. Print number 1. Paris paper etching / engraving ornamental fountain. Disorder, Confusion, Derangement, Disorganization, Chaos

Wetten; Diverses Loix; O Monumens divers; Nouvelle Iconologie Historique Ou Attributs Hierogliphyques (...).A monument with a blindfolded half-line with wings on a pedestal, above a round medallion with angels on a tomb and the stone tablets. At the top a smoke vessel, the lamb on the book with the seven stamps, a globe and a chalice. Print number 65.

Drawing (Italy); brush and brown ink with and traces of graphite support: off-white laid paper

Detail of the Arc de Triomphe; Hippolyte Bayard (French, 1801 - 1887); Paris, France, Europe; about 1847; Salted paper print; 23.1 x 17.4 cm (9 1,8 x 6 7,8 in.)

Schmitz Bruno (1858-1916), weather column for the Schlossplatz in Berlin. Monthly competition November 1886 (11,1886): Riss front view; Scale bar. Light pressure on paper, 24.2 x 20.4 cm (including scan edges) Schmitz Bruno (1858-1916): Wettersäule für den Schlossplatz, Berlin. Monatskonkurrenz November 1886

Friedrich, Duke of Mecklenburg-Grabow.

Nöhring Johannes (1834-1913), photographs of medieval monuments from Germany (without date): View. Photo on cardboard, 54.8 x 44.7 cm (including scan edges) N.N. : Elisabethkirche, Marburg

Rohscan

Antonio Lafreri, 1512-1577, French, Speculum Romanae Magnificentiae, 1546-1590. Line engraving on medium, slightly textured, cream laid paper.

Design for a Fountain 19th century Anonymous, French, 19th century French. Design for a Fountain 362250

Monument for an Amsterdam pharmacist, Reinier Vinkeles (I), 1751 - 1816 print Monument for an unknown Amsterdam pharmacist in the form of a stone on which two portraits, one of Theophrastus by Eresus. In the middle of the stone a pharmacy symbol, with chalice and a snake. For the stone a mortar, alambic and a tobacco plant. The city coat of arms of Amsterdam is on top of the monument. Amsterdam paper etching / engraving pharmacist, druggist, apothecary; pharmacy, drugstore, dispensing chemist. tools and implements of pharmacist. armorial bearing, heraldry

Grave monument for Petrus Camper; Monument to Petrus Camper in the St. Pieters Church in Leijden.niche with Bust or Petrus Camper. Tomb monument in the Pieterskerk in Leiden.

Elevation of a Fountain, Black chalk, pen and ink, brush and watercolor on paper, From a three octagonal steps, upon a high pedestal, rises an obelisk, crowned with eagle wings upon a spire. Water pours from gargoyle-like masks into four basins standing at the lowest part of the pedestal., Italy, ca. 1790, architecture, Drawing, Drawing

A variation of 1938-88-1301, having curved walls at the corners, stressing the height and with somewhat less details. The front is laterally not subdivided and without festoons. Date: ca. 1795. Pen and brown ink, brush and brown wash on lined off-whtie laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Design for Frame ca. 1843 Edouard ? Bouvenne French. Design for Frame. Edouard ? Bouvenne (French). ca. 1843. Tempera and graphite

Print, Detail of the Call to Arms Statue on the Dewey Arch; USA; photographic print on paper; Sheet: 18 x 11.8 cm (7 1/16 x 4 5/8 in.)

Lazio Roma Rome S. Maria di Monserrato3. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, stucco coffers. Fourteen views of exterior; 68 prints show interior. Initiated on project of Sangallo the Younger in 1518, the church istoday the national Spanish church in Rome. Altered by Camporese in 1821; restored in 1929. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for a Long-Case Clock in a Niche, Charles-Nicolas Cochin the younger, 1715 - 1790, Antoine François Vassé, French, 1681 - 1736, Etching on paper, Frontal view of a tall clock. The top decorated with globe and allegorical figures around it. In foreground, groundplan of the clock. Inscribed, lower left: 'A. Vassé invenit, et deli'; lower right: 'C.N. Cochin Filius Sculp.', France, ca. 1734, Print, Print

Tomb with weapons and cariatides; U Tombeau antique; Iie Volume de l'oeuvre de J. Ch. Delafosse (...). A tomb with weapons, two cariathides, two smoke barrels and a Bucranium.

Speculum Romanae Magnificentiae: Octagonal Temple with a dome, surmounted by a domed turret, crowned with an eagle. Artist: Anonymous. Dimensions: sheet: 19 x 13 3/8 in. (48.2 x 33.9 cm)plate: 12 1/2 x 9 5/16 in. (31.7 x 23.6 cm). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 16th century.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title 'Speculum R

Schmalz Otto (1861-1906), hereditary burial of the Gustav Selve family in Altena (1890-1890): Longitudinal section. Ink on paper, 72.8 x 50.9 cm (including scan edges) Schmalz Otto (1861-1906): Erbbegräbnis der Familie Gustav Selve, Altena

Drawing, Elevation of a Dome, Design for a Mask, and Caricature; Designed by Carlo Marchionni (Italian, 1702-1786); Italy; graphite, brush and gray watercolor on paper

The elevation of a sepulchral tower. Below are some steps. The door case is projecting and it is laterally elongated by parapets with urns with flames at their ends. Above the entablature sits upon a base. Faith or Religion, supporting with her right hand a medallion standing in her lap, raising with her right hand a monstrance. Beside her is the continuation of the wall shaped like a pedestal. Above it stands a kind of sepulchral urn, with on top a fleur-de-lis upon a base. Usual background. Date: ca. 1795. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Statue of Coster in Haarlem, 1856. The Statue of Laurens Coster on the Grote Markt in Haarlem, Revealed July 15-17 1856.

Vault of Helen and William Gates, Mrs. Helen Gardnor, Mr. Lewis Combrune and Mrs. Helen Combrune, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm), architectural subject, church, memorial, England, Greater London, Hampstead, London, St John-at-Hampstead Church, United Kingdom

The French / grateful nation / to the brave citizens / city of Paris ... (IT)

Glimpse of a vestibule of a temple with dolphin and a column in the form of a man; on the right, a sort of flabellum with a winged sphinx, Herculaneum, Campania, Italy, engraving by de Grado from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume III, plate 59, 1757-1787, Naples.

Oramamentated outside of the sermon of the Santa Croce in Florence, c. 1860 - c. 1900 photograph Part of photo album with recordings of sights in Italian cities and artworks. Florence photographic support albumen print pulpit, ambo, chancel. sculpture (+ relief ~ sculpture) Holy Cross

Design for a casement with three children playing. Draughtsman: Anthony Ziesenis (mentioned on object). Dating: 1769. Measurements: h 190 mm × w 90 mm. Museum: Rijksmuseum, Amsterdam.

Antwerp, Maes, Joseph, Nivelles, Monument commémoratif, XVIe Siècle, Memorial in the St. Gertrude Church in Nivelles, recto - stamped, photomechanical print, page, photos, photographically illustrated books, MONUMENT COMMÉMORATIF and, recto - printed, MONUMENTS COMMÉMORATIFS. PL. 4., JJvY, height 341 mm, width 236 mm, photographer, 1881 - 1889, paper, collotype, photoprint, photolithography, Belgian, 1838 - 1908, cliché maker, Work conception

Sketch sheet by Rudolf Weyr using pencil, brown spring ink, and watercolor on transparent paper, showing figure and compositional studies

Charles Heathcote Tatham, 1772-1842, British, Design for a Naval Monument: Elevation, 1799. Pen and black ink, brown and gray wash on slightly textured, moderately thick, cream wove paper bar scale of 1/4 inch to 10 feet.

Grave monument from Steven van Welderen in the Grote or Sint-Maartenskerk in Tiel, Anonymous (Monumentenzorg) (attributed to), 1893 photograph Thus photographic support. cardboard albumen print grave-building, monumental tomb Large or Sint-Maartenskerk

Greek tombstones. Reproduction of tombstones with human figures and Greek inscription. Right above III numbered.

Title print with architectural frame and putti with a garland; TheOLOGICARU AC CARDINALIUM VIRTUTUM ICONES.; Les Vertus Théologales et Cardinales; Persons of virtues ..

Seated man surrounded by four standing figures with attributes. .

Nohl Maximilian (1830-1863), tomb in Montmartre, Paris (06.05.1858): View. Pencil on paper, 18.7 x 13.3 cm (including scan edges) Nohl Maximilian (1830-1863): Grabmal in Montmartre, Paris

Destruction of city harvesting, decoration in the plantation, 1795; Illuminatie in the Plantage, in Amsterdam 1795; Thirteen decorations at the Alliance party in Amsterdam in 1795. The destruction of city harvester, allegorical decoration established in the plantation in Amsterdam at the Allianty party on June 19, 1795. Pyramid with a foot piece on which a chassinet with a bataf and a Frenchman who is the orange tree chop down. Part of a series of thirteen plates.

Bliżej Kultury Ernst Wasmuth, A. G. Berlin, unknown sculptor

Portrait of Hendrik van Eyl Sluyter, Reinier Vinkeles (I), 1814 print Portrait of the Amsterdam art collector Hendrik van Eyl Sluyter, on a grave monument with three putti. paper etching / engraving needle, obelisk (marking grave). art collector. cupids: 'amores', 'amoretti', 'putti'

Grave Monument, Pillar Topped with a Vase, No. 911 Alexander Maxwell American 1840-80 Alexander Maxwell designed and made grave monuments for New York area clients in the mid-nineteenth century (a fine example is a Butterfield family mausoleum of ca. 1875 at Woodlawn Cemetery in the Bronx). They likely were related to the marble and granite suppliers Alexander Maxwell & Co. of East Canaan, Connecticut, who provided marble for New York City Hall in 1838, and for a hundred columns used in an extension of the United States Capitol, Washington DC in 1860. This drawing comes from a group of designs for private memorials. View more. Grave Monument, Pillar Topped with a Vase, No. 911. Alexander Maxwell (American, active 1838-80). 1840-80. Pen and ink and wash on onion skin paper. Drawings

Skrel in a river landscape; Faces along the Rhyn. A base from vines flanked in a river landscape. On top of the base there are two coats of arms, a fishing net and vines. Title print of an eleven-part series of prints with faces along the Rhine.

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstwäwer, Vienna, Kirmer, Michel (Ca 1560 1589)

Seeling Heinrich (1852-1932), falling over in Mühlhausen (08.1878): View. Ink, pencil watercolor on the box, 34.8 x 28.4 cm (including scan edges) Seeling Heinrich (1852-1932): Gefallenendenkmal, Mühlhausen

Bohnstedt Alfred (1854-1906), Art Academy in Kassel (1908): Torpeiler. Ink on transparent, 59.7 x 38.3 cm (including scan edges) Bohnstedt Alfred (1854-1906): Kunstakademie, Kassel

, Graben - Baroque house altar, Verlag or k, University bookstore R, Lechner Wilh, Müller, photographer, publisher

Grave monument on Via Cassia, 1558 print Roman grave monument for Publius Vibius Marianus, also known as Nero's grave, on the Via Cassia in Rome. A sarcophagus on a pile of large marble blocks. Slightly overgrown with weeds and surrounded by a snail, frog and lizard. Italy paper engraving grave, tomb Rome

Nehalennia altar, Hendrick Danckerts, After Hendrik van Schuylenburgh, 1647 print Altar of the Roman goddess Nehalennia. paper etching / engraving other foreign deities included in the classical Pantheon (with NAME) Walcheren

Allegorian memorial for Gerard Johan Nahuys and his wife Catharina Walburg van Mansvelt. Allegorian memorial for Gerard Johan Nahuys and his wife Catharina Walburg van Mansvelt with at the foot of the monument Personifications of faith, hope and love. For a needle, the images of Minerva and the truth with shields with family arms are on a foot with a stroking poet. The death dates are on the needle, 6 and 9 October 1781.

Daniel Lysons, 1762-1834, British, Memorial to William, Robert and Mary Dyer, from Sudbury Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Médaillons - Tympans des arcades du rez-de-chaussée (facade principale). Louis-Émile Durandelle (French, 1839 - 1917)

Shows Carl von Hasenauer's study of Hermesvilla, Vienna XIII, using ink and feather on paper.

View of the column of Igel, Anonymous, 1786 print Numbered in the top right: pl. Xcix paper etching / engraving column (marking grave) Hedgehog. Hedgehog column

Bijenkorf, Bernard Picart (workshop of), after Bernard Picart, 1730 print A Bijenkorf made by people in the Medicine Garden of Amsterdam. On the right one in full size. Amsterdam paper etching / engraving bee-hive. insects: bee

Graf monument with image, Johann Thomas Hauer, 1785 - 1786 print Design for a grave monument with four columns and a dome. In the middle an image of a woman with an urn or a vase. Augsburg paper etching / engraving grave, tomb. sculpture

The Cooke Monument in St. Paul's Churchyard (from Scenes of Old New York) 1876 Henry Farrer American. The Cooke Monument in St. Paul's Churchyard (from Scenes of Old New York) 380991 Artist: Henry Farrer, American, London 18441903 New York, The Cooke Monument in St. Paul's Churchyard (from Scenes of Old New York), 1876, Etching, plate: 6 1/8 x 4 in. (15.6 x 10.1 cm) sheet: 6 9/16 x 4 5/16 in. (16.7 x 11 cm). The Metropolitan Museum of Art, New York. The Edward W. C. Arnold Collection of New York Prints, Maps and Pictures, Bequest of Edward W. C. Arnold, 1954 (54.90.929)

Design for a Coffee Urn, Joseph Anton Seethaler II, German, 1799-1868, Pen and black ink, brush and gray, black wash on wove paper, Side view; spout is at right. Body and cover have twelve corners and tapered bottom. Sides of body are alternately decorated with a void with a genius and lozenge with a woman's head. A snake sits atop the cover. Stand formed by four angular poles., Augsburg, Germany, ca. 1820, metalwork, Drawing, Drawing

Unknown architect, coat of arms (without date): coat of arms with Justitia and goddess with a mirror in the hand, snake on the arm, pigeon at feet, dimensions. Photo on paper, on cardboard, 25.6 x 32.1 cm (including scan edges) N.N. : Stadtwappen

Memorial to William Ravenscroft and his wife Margaret, also two children of Mrs. Frances Ball from West Ham Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 5/8 × 10 3/4 inches (37.1 × 27.3 cm), architectural subject

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Elizabeth Askew from Fulham Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Maidstone Drinking Fountain, Maidstone, Kent. Wood engraving by J.M. Williams, 1862.

Grafschrift op prinses Anna van Hannover, 1759; Graf-Schrift Op Wyle Haare Koningl. Hoogheyt, Anna, Princesse Douariere Gouvernante (...).Graphics with verses in the form of a grave monument built up from book print ornaments with symbols of death. Following the death of Princess Anna van Hanover on January 12, 1759.

Oeuvre, vol.1, suites 1-16, Juste-Nathan Boucher, French, 1736 - 1782, Etching of off white laid paper, France, ca. 1775, Print, Print

Louis Plogsted, Newel Post, 1938 Newel Post

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