Ornate Architectural Designs

Detailed prints of intricate ornamental designs, including confessionals, vases, and architectural elements, showcasing baroque styles and delicate engravings.

The Elevation of an Altar Retable and The Plan for an Altar Retable, Black chalk, pen and black ink, brush and grey and black watercolors on laid paper., Vertical rectangle showing elevation. At the top, a tabernacle, showing the Annunciation at its door, stands in the center of a ledge and at the base of the retable. It has the shape of an aedicula with four embedded columns. On each side, there are two rows of seven ovoidal frames. A saint stands at the left. A putto, carrying an oivoidal medallion with a saint, sits at the right. A circular pediment is on top, flanked by two urns containing fire. Two putti sit upon it and support a crown. At the bottom is a scale and a plan of a retable in pavilion shape. On verso: pencil plans with scale in the opposite direction., Italy, 1770-1800, architecture, interiors, Drawing, Drawing

Leopold I., Prince of Anhalt-Dessau.

Vilquin, France, Moreau, Jean-Charles-Alexandre, Fragmens Et Ornemens D'Architecture dessinés A Rome, D'Après L'Antique, Trépied d'Apollon, Museum du Vatican, Tripod of Apollo, verso - stamped, Design for a tripod of Apollo on lion's paws. Decorated with floral motifs and a frieze with griffins. The bowl rests on a pedestal decorated with acanthus leaves and a snake., print, engraving, ornament engraving, prints, engravings, ornament engravings, height 335 mm, width 172 mm, 1762 - 1810, print maker, printmaker, 1772 - 1810, paper, papier, crayonmanier, Publication (Event), Publication, French, publisher

Triple of Apollo, 1772 - 1810 print Design for a three -foot from Apollo on lion's legs. Decorated with floral motifs and a frieze with griffins. The bowl rests on a pedestal decorated with acanthus leaves and a hose. France paper the tripod (Delphi). griffin (lion/eagle); 'Griffo' (Ripa). acanthus ~ ornament. snakes

Relief on the terrace of the Shiva Temple on the Prambanan temple complex, Kassian Céphas, After Anonymous, 1889-1890 photograph Java paper. cardboard albumen print sculpture. temple, shrine ~ Hinduism, Buddhism, Jainism Prambanan

Drawing, Capital; Designed by Felice Giani (Italian, 1758-1823); Italy; graphite, pen and ink, brush and watercolor on paper

Vignette with the personification of truth; Virtues and vices. Vignet with the depicting of the personal truth in an architectural frame in which an open book and two globes have been processed. The truth keeps a mirror and a branch with leaves in her hands, on her chest the sun is shown in the shape of a radiant disk. The print is part of a series of book illustrations about virtues and vices.

Louis Émile Durandelle, Ornamental Sculpture from the Paris Opera House (Column Detail), 1865 1874 Ornamental Sculpture from the Paris Opera House (Column Detail)

Allegorical grave monument for Jan Nieuwenhuyzen, 1806, Anonymous, 1807 - 1808 print Allegorical grave monument for Jan Nieuwenhuyzen, who died on 24 February 1806, founder of the Society Tot Nut van 't Alguur. Tomb with pyramid with six burning oil lamps. For the monument two children with a garland. Netherlands paper etching grave-building, monumental tomb

Michelangelo's Tomb of Lorenzo de' Medici, Florence. Fratelli Alinari (Italian, founded 1852)

The architectural setting is drawn correspondingly to the lower part of that in 1938-88-1339. The sarcophagus stands upon a pedestal, whose front panel is decorated with a relief. Two putti sit in the front of the sarcophagus, raising the central part of a garland. The inscription is intended for the front of the sarcophagus, which is mostly covered by a fringed cloth. On top is a medallion with the bust portrait of a bearded man, supported by two crowned female allegories. The left is sitting, the right kneeling. The latter helps with her right hand; the putti support the crown. Date: 1793. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Het Volksbewind Located, Decoration on the Amstelveld, 1795, Anonymous, 1795 print The popular regime established, allegorical decoration founded on the Amstelveld in Amsterdam at the Alliantiegeest on June 19, 1795. Zuil awarded freedom hat and the flags of the Netherlands and France. Chassinet in which the Dutch Virgin welcomes seven children who present the seven provinces. Part of a series of ten records. Netherlands paper etching festivities on events of national importance (+ festive decoration ~ festive activities). personifications of countries, nations, states, districts, etc. Amsterdam. Amstelveen

Proposed Statue of St. Michael for St. Patrick's Church, Dumbarton. Artist: Eric Gill (British, Brighton, Sussex 1882-1940 Uxbridge, London). Dimensions: sheet: 10 3/8 x 7 in. (26.3 x 17.8 cm)mount: 13 5/16 x 9 3/4 in. (33.8 x 24.8 cm). Date: ca. 1917. Museum: Metropolitan Museum of Art, New York, USA.

Allegorical figure with a bust of Washington.. Smirke, Robert (1752-1845). Prints. 1796. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Washington, George, 1732-1799

Champs Elysees October 6, 1896

Drawing, Monument in honor of the soldiers, sailors, and marines; Architect: Christian Francis Rosborg (1881 - 1953); USA; pen and black ink, brush and wash on paper

Spieker Paul (1826-1896), monument in Hakenberg near Fehrbellin (1875): View. Pencil on transparent, 41.7 x 29.2 cm (including scan edges)

Arthur-Joseph Guéniot (1866-1951). Monument project in memory of the first ascent of free ball. Graphite pencil. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

Fountain with sphinxes and woman with cornucopia; Plan et elevation d'Une Fontaine Dance Le Fons d'Un Jardin; 1er Cahier Élévations de Fontaines. Front view and map of an ornamented fountain with two sphinxes and two lying naked women. On a pedestal there is a half-naked woman with a cornucopia and corners in her hands on a jug where water is out of water, a naked woman is seen on the back.

The monument to Caesar Rodney erected at Dover, Del. by the Rodney Club. Stauffer, David McNeely (1845-1913). Drawings. 1889. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Equestrian statue of Willem V, Prince of Oranje -Nassau, Barent de Bakker, after Antoni Zürcher, 1775 - c. 1805 print Equestrian statue of Willem V. in his right hand a command staf. There are several allegorical objects around. On a banderole a rule of Dutch text. On a pedestal eight lines of Dutch text and its weapon with a crown, decorated with the garter and the motto of the order of the garter. Amsterdam paper engraving / etching knighthood order (GARTER) - insignia of a knighthood order, e.g.: badge, chain. equestrian statue

Plaster model for a keystone of the Palais du Louvre by Pierre Edouard Charrier, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 4. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts. keystone ~ architecture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Dettaglio della Cassa del Monumento Cartagni. dell'Emilia Fotografia (Italian, active Bologna, Italy 1860s - 1870s)

Seeling Heinrich (1852-1932), fallen in Mühlhausen. Monthly competition August 1878 (08.1878): Perspective view. Photo paper on cardboard, 41.3 x 37.2 cm (including scan edges) Seeling Heinrich (1852-1932): Gefallenendenkmal, Mühlhausen. Monatskonkurrenz August 1878

Lange Ludwig (1808-1868), war memorial in Freising (without date): View. Pencil over a break on the box, 89.7 x 54 cm (including scan edges)

Giertmann Hans, bank. (From: Prints of seminar works by the Royal Technical University of Berlin, Vol. II) (July 18, 1901): Side view. Print on paper, 33.5 x 24.3 cm (including scan edges)

Royer, Louis, Netherlands, Groningen, Popko van, Statue of Rembrandt Harmensz. van Rijn on the Rembrandtplein in Amsterdam, verso center bottom - stamped, print, prints, height 485 mm, width 308 mm, 1822-04-15 - 1888-11-01, print maker, printmaker, 1852 - 1888, paper, wood engraving, letterpress printing, 1793-08-02 - 1868-06-05, after image by

Excerpt of the design for the National Monument, Maurits Verveer, 1864 photograph Fragment of the award-winning design for the National Monument 1813-1863 motto Eben-Haezer in The Hague, of J.Ph. Koelman and W.C. Van der Waeyen Pietersen The Hague paper. photographic support. cardboard albumen print piece of sculpture, reproduction of a piece of sculpture. monument, statue The Hague

Relief with angels next to a medallion, together they hold a fruit garland., C. 1878 - 1881 photograph Paris photographic support albumen print

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Christopher Clitherow, Rachel Clitherow and Six of her 19 Children from Brentford, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Projet de Deux Toiletes 1775-90 Jean François Forty French. Projet de Deux Toiletes 349931

Study for Vauxhall Garden. Augustus Charles Pugin (English, born France, 1762-1832); Thomas Rowlandson (English, 1756-1827). Date: 1807-1809. Dimensions: 257 × 198 mm. Pen and brown ink and graphite, on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Plate IV; Thomas Annan (Scottish,1829 - 1887); Glasgow, Scotland; 1897; Photogravure; Plate: 15.1 × 10 cm (5 15,16 × 3 15,16 in.)

Cast Iron Heater Stove. Dated: c. 1940. Dimensions: overall: 51.2 x 40.9 cm (20 3/16 x 16 1/8 in.) Original IAD Object: 22" deep; 22" wide; 22" high. Medium: watercolor, pen and ink, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Dolores Haupt.

Unknown authors, draft a grave monument: Upper. Pencil watercolored on paper, 25.1 x 35.1 cm (including scan edges)

Attributed to Daniel Lysons, 1762-1834, British, Memorial to James Impey, Elijah Impey, Michael Impey, Martha Impey and Jane Sarah Impey, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Ruiterstandbeeld bij de Portugese Synagoge, 1816. Tekeningen van de decoraties te Amsterdam bij het bezoek van de prins en prinses, 1816 (series title). Draughtsman: anonymous. Dating: 1816. Place: Netherlands. Measurements: h 250 mm × w 190 mm. Museum: Rijksmuseum, Amsterdam.

Bee cupboard; Honey bye. Bee cupboard with three honeycombs in a park-like landscape. In the foreground is one with magnified.

Eagle with festoon and painting depicting sea, boats and fishermen, Herculaneum, Campania, Italy, engraving from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume V, plate 77, 1757-1787, Naples.

Memorial to Thomas and Elizabeth Moore and their daughter Elizabeth, from Chiselhurst Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 1/8 × 10 3/4 inches (35.9 × 27.3 cm), architectural subject, church, memorial, Bromley, Chislehurst, England, Greater London, London, St. Nicholas' Church, United Kingdom

Attributed to Daniel Lysons, 1762-1834, British, Memorial to George Oldmixon, his Wife Jane and Child George from Ealing Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Memorial to her Grace Charlotte, Duchess of Somerset from Chiswick Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm), architectural subject, church, memorial, Chiswick, England, Greater London, London, St. Nicholas Church, United Kingdom

Klingholz Fritz (1861-1921), Kandelaber (1907-1907): View (variant for Inv.No. 19613). Ink on transparent, 37.1 x 21.8 cm (including scan edges) Klingholz Fritz (1861-1921): Oberleitungsmast

Scamozzi, Vincenzo .

Reproduction of a design of a monument for the release of the Scheldt, by Jean-Jacques Winders, Römmler & Jonas, After Jean-Jacques Winders, c. 1888 - in or before 1893 photomechanical print This print is part of a cover with 110 prints on 90 sheets and 18 text magazines. Dresden paper collotype exterior ~ architectural design or model. monument, statue

The Barnaan Cuilawn.

D o m / den Armen faithful / Adriaen Beyer has fonded us / Alit Jans / daughter his house woman / ao 1597

Erwin of Steinbach.

Wall relief Hennig of HaynMeissen. Wall relief Hennig of Hayn

Window with curtains, midart, after désiré guilmard, c. 1860 - c. 1880 print Cross window with draped curtains in the Louis XVI style. Print from 235th Livraison. paper hangings and drapery. window

Statue of Hendrik Tollens, Sebastiaan Theodorus Voorn Boers, 1860 print The statue stands on a pedestal with a fence around it. paper monument, statue

Memorial to Sir John Laurence, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 5/8 × 10 1/2 inches (37.1 × 26.7 cm), architectural subject, church, memorial, England, Greater London, London, United Kingdom

Luik, Claesen, Charles, Motifs de sculpture décorative, Relief with organic elements, sculpted by Jean Herman, recto - printed, This print is part of a cover with 28 prints and a title page., photomechanical print, photographs, photographically illustrated books, Jean Herman, Sculptor., 2, height 194 mm, width 257 mm, maker, manufacturer, 1875 - 1880, paper, papier, collotype, printer, Publication (Event), Publication, publisher

Medallions with portraits of Thesis and Romulus, Reinier Vinkeles (I), After Jacobus Buys, 1789 print Medallions with portraits of the Athenian hero Thoseus and the Roman king Romulus, against stone pedestals. In addition to the portrait of theseus, bat and at the portrait of Romulus are another medallion with the Wolvin that sits Romulus and Remus. Amsterdam paper etching (story of) Theseus. Romulus as king of Rome. weapons for striking a blow: club. base (~ column, pillar)

Etching by Hans Lautensack from 1560 depicting a Roman tombstone with a standard carrier, showing military figure and funerary architectural details.

Daniel Lysons, 1762-1834, British, Memorial to Henry Flitcroft from Teddington Church, between 1796 and 1811. Pen and black and watercolor over graphite on medium, slightly textured, cream wove paper.

Back of the Medici Fountain, vintage engraved illustration. Paris - Auguste VITU 1890.

Monument to the late Rev. D. Butler, in Harrow Church, 1854. Memorial plaque of George Butler, Headmaster of Harrow School and Dean of Peterborough, in St Mary's Church, Harrow on the Hill, London. 'Monument - executed in marble, by Mr. Richard Westmacott...within a moulded recess of Caen stone...On either side of the tablet bearing the inscription is a small statue. One represents a female reading an unfolded MS manuscript, and having at her feet the scrinium, filled with rolls of MSS., and who may be considered to impersonate Classical Literature. The other...female figure, is represented

Pietas et Fides. Collection de tombeaux, sarcophages, Montferrand, Auguste, de (1786-1858)

Destruction of aristocracy, decoration on the Westermarkt, 1795; Illuminatie on the Westermarkt, in Amsterdam 1795; Thirteen decorations at the Alliantiestief in Amsterdam in 1795. The destruction of aristocracy, allegorical decoration established on the Westermarkt in Amsterdam at the Alliance party on 19 June 1795. Hercules (the Dutch people) beats seven-member Hydra (aristocracy and family provision). Part of a series of thirteen plates.

Epitaph to Richard Candish from Hornsey Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 × 11 inches (35.6 × 27.9 cm), architectural subject, church, epitaph, memorial, England, Greater London, Hornsey, Hornsey Parish Church, London, United Kingdom

Bliżej Kultury Fajans, Maksymilian (1827 1890), Matuszkiewicz, Alfons (1822 1877), Litography of Maksymilian Faupans

Monument in honor of Johannes Rutgers, Anonymous, After Levi Michiel Bendix, After 1834 print Landscape with a memorial monument with a putto in front that points to the plaque with the text on it: "The earth are covered ... His godliness happily in front." Above that a medallion with a silhouette portrait by Johannes Rutgers. Under the image the text: "Dedicated to the memory of the late honor, very scholars Lord Johannes Rutgers since the year 1798 supposed teacher of the reformed municipality in Groningen, died April 15, 1834, in the age of 75 years. paper. other memorial structures. grave-building, monumental tomb

Pieczęć i berło Uniwersytetu Wileńskiego. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Levié, Adolphe (fl. ca 1860), lithographer, Wilczyński, Jan Kazimierz (1806-1885), publisher

. Memorial for N.F. E. Baron van Gumoëns established in The Hague on April 28, 1834. On the basis an image of the Citadel of Antwerp, above an obelisk with a wreath and two reverse torches. In the middle of the show the weapon of Baron van Gumoëns between a thirteen-line text in Latin and a four-line text in Dutch.

Commerce and Seavaart, Decoration on the Nieuwmarkt, 1795, Anonymous, After Johannes van Dregt, 1795 print Commerce and Zeevaart, Allegorical Decoration Founded in the Nieuwmarkt in Amsterdam at the Alliance Festival on 19 June 1795. Huge model of a merchant ship on a pedestal with chassinet with a representation of Neptunus and Mercury who shake hands with each other while the French and Batavian sailor the British flag tear on pieces. Part of a series of ten records. Netherlands paper etching festivities on events of national importance (+ festive decoration ~ festive activities). ship-model (+ propulsion of vehicle, ship, etc. by wind) Amsterdam. New market

Lithograph by Josef Habel from 1846 showing a memorial sheet commemorating the lifting of the Bohemian Jewish tax by Emperor Ferdinand I, printed in black and bronze on paper.

Equestrian statue of the Emperor Joseph II, Vienna, 18th century. Based on the statue of Marcus Aurelius in Rome, Franz Anton Zauner's statue depicts him as a Roman general with breastplate, sandals and cloak. Handcoloured copperplate engraving from Bertuch's "Bilderbuch fur Kinder" (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Lazio Roma Rome S. Maria in Aquiro79. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, religious artifacts (reliquaries), decorative arts (tapestries, furniture). From Counter-Reformation, built in 1590 and finished in 1774. A picture gallery exists in the former convent, which also houses offices. Located on Piazza Capranica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Honoré Daumier, Le couronnement de son édifice, 1870 Le couronnement de son édifice

Grave monument of Joost van den Vondel, Reinier Vinkeles (I), After Cornelis Ploos van Amstel, After Anthony Zijnsenis, 1772 print Memorial placed above the grave of Joost van den Vondel, in the Nieuwe Kerk in Amsterdam. Amsterdam paper etching / engraving grave-building, monumental tomb new church

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