Ornate Architectural Designs

Etchings of intricate architectural elements, featuring adorned chimneys and decorative niches, showcasing classical and baroque influences.

Graveside of William I, Prince of Orange-Nassau, Jacobus Buys, after Hendrick de Keyser (I), c. 1734 - c. 1801, Design for a print., draughtsman: Jacobus Buys, Hendrik de Keyser (I), c. 1734 - c. 1801, paper, pen, brush, h 151 mm × w 90 mm

Square cartouche, flanked by two female hermen; Ceilings and cartouches in a picture frame with grotesken, garlands and mascarons; Small cart shower to example in Fontainebleau. Along the top edge, garlands hang from fruits, ceased by six figures. From series of 32 sheets. The cartouches are partly derived from the prints of Antonio Fantuzzi to the decoration of François gallery by Giovanni Battista Rosso. The series is also known under the title Petits cartouches the Fontainebleau.

Garden vase with monogram on base with monogram; The second part new T together Name of Arts made by Gerrit Visscher to Amsterdam on the Singel at the Beulingslijs. .

Graftombe by Gerrit van Assendelft and Beatrix van Dalem, Pieter van Cuyck (i), after Gerrit van Giessen, 1730 - 1736 print Graftombe by Gerrit van Assendelft and Beatrix van Dalem in the Van Assendelft Chapel in the Grote- or Sint-Jacobskerk in The Hague. Above the tomb the weapon of Gerrit, under the tomb a shield with the weapons of Gerrit and Beatrix. On the right eight coats of arms with regard to Gerrit, left eight coats of arms with regard to Beatrix. Three spectators for the tomb, one of which is drawing. paper engraving / etching grave, tomb Big church

Study for a Ceiling Quadratura Frame. Italy, Bologna, 17th century. Drawings. Pen and brown ink and brown and green wash

Design for a Frame Decorated with a Shell Motif 1652-1725 Giovanni Battista Foggini Italian. Design for a Frame Decorated with a Shell Motif 349831

Water pump in garden; Johann Jacob Schüblers Fünffzehende Ausgab Seines Vorhabenden Werchs, Worons Vergestellet became Sechserley Neu-Façonirte Wasser-Plummen (...). There is a water pump in a garden with yuccas. A four-line German text in the undermarge.

Plafphon decoration design with Putts and Sphinxes; Le Pautre, Jean (1618-1682), Le Blond, Jean (Ca 1594-1666); around 1660-OK. 1670 (1601-00-00-1700-00-00);

In the center of the retable is a niche with a group of the Deposition of Christ, laterally framed by a projecting column and a strip with two panels and a pilaster outside; above is a triangular pediment supported by a pedestal with an inscription in a wreath at the front and two angels sitting laterally upon its base. In front of the socle stands the mensa. In the panels below the pilasters are panels with a prelat's escutcheons. The socle is elongated and two groups of a saint with angles stand upon the pedestals at the outsides. The apsis is outlined. Pen and brown ink, brush and brown wash on lined off-white laid paper. Date: 1780-1783. Museum: Cooper Hewitt, Smithsonian Design Museum.

Title page: Vasses de la Maison Royal de l'oo; Vasses de la Maison Royal de l'oo. Vase on a pedestal, decorated with a bass relief and crowned with a bust. Series of 6 blades with garden vases from Palace Het Loo.

Monument of Stephen Báthory at the Krakow Cathedral. Krygier, J. (fl. ca 1870-1886), photographer, Nieokreślony grafik, graphic artist, Podkowiński, Władysław (1866-1895), draughtsman, cartoonist

Noordelijke Nederlanden, Marot, Daniël (I), Manefieke carosse van syn Majesteyt van Groot Bretagnie gemaekt in de Haegh de 20 July 1698, Koets maken voor koning Willem III in Den Haag, 1698, Northern Netherlands, Side of the coach made for king Willem III in Den Haag on 20 July 1698. On the door the coat of arms of the English King. Title plate with a group of five smaller plates., print, prent, prints, Frederik Muller History plates, height 223 mm, width 250 mm, 1663 - 1752-06-04, print maker, printmaker, 1698 - 1698, paper, papier, etching, etsen

Design for a wall chandelier consisting of five candle holders, between which a faun., Design for a wall-light Design for a Wall-light, draughtsman: Gilles Marie Oppenort, draughtsman: François Antoine Vassé, (rejected attribution), Paris, c. 1717, paper, pen, brush, h 425 mm × w 177 mm

A left side. A garden pavilion, the back wall of which is decorated with a trophy of arms hanging from a head. Framing line except at right. Pen and bistre on paper. Date: ca. 1675 - 1690. Museum: Cooper Hewitt, Smithsonian Design Museum.

Three Corinthian columns and two balusters, Anonymous, After Rutger Kasemann, 1622 print Columns and balusters with fantasy decorations. print maker: Germany (possibly)after design by: Germany (possibly)publisher: Paris paper etching

Print (France); Manufactured by Jean Léon Decloux (French, 1840-1929)

Opened door to an art room with images of the personifications of the genius and work on either side, 1693 Opened door to a room with an art collection. On either side images of the personifications of the genius, with flame of inspiration on the head, and work with a hammer and passer. Print is part of an album. Amsterdam paper etching / engraving Opened door to a room with an art collection. On either side images of the personifications of the genius, with flame of inspiration on the head, and work with a hammer and passer. Print is part of an album. Amsterdam paper etching / engraving

Design for an ornamental ceiling, Pierre Chenu, Juste Aurèle Meissonnier, 1738 - 1749 print This print is part of an album. paper etching (decorated) ceiling. ornaments ~ art

Design for a Monument, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, Obliquely shown from the left front corner. Three steps lead up to a square base of two sections. A circular pedetal stands upon it. It is shaped like a lower part of a fluted column and is surrounded by a band with a relief representing a sacrifice. On top is a woman, similar to that in 1938-88-1274, seated upon a crouching lion. The left hand lies upon his head. The stone parts which are connected by a bar are shown in front of the right side. Slightly colored background., Rome, Italy, ca. 1795, architecture, Drawing, Drawing

Ereboog op de Herengracht bij de Leidsestraat, 1816. Tekeningen van de decoraties te Amsterdam bij het bezoek van de prins en prinses, 1816 (series title). Draughtsman: anonymous. Dating: 1816. Place: Netherlands. Measurements: h 245 mm × w 194 mm. Museum: Rijksmuseum, Amsterdam.

Pedimis with halfiguren, Anonymous, After Charles Joseph Dominique Eisen, 1749 print Pedestment with two female semi -figures on either side of a cartouche with text AM / ID. EI / 1749. On the right in the landscape is a man next to a vase on a column. paper etching pedestal of a piece of sculpture (perhaps in the form of a herm). ornament ~ cartouche

Fireplace in the king’s apartments in the castle of Fontainebleau, vintage engraved illustration. Industrial encyclopedia E.-O. Lami - 1875.

Composite order from the Arch of Titus, Rome. Richly ornamented frieze, capital with Corinthian acanthus and Ionic Echinus, cornice with Corinthian modillions and Ionic dentils. Copperplate engraving from Francis Fitzgeralds The Artists Repository and Drawing Magazine, Charles Taylor, London, 1785.

Grafmonument, Auguste Blanchard, After René Duchemin, 1776 - 1832 print At the top two portrait medallions of a man and a woman. On the medallion with the woman is an eagle who picks up the medallion with the man. At the top right state: n ° .xlvi. Pl. 4. p. 27. France (possibly) paper engraving / etching

Design for a Mantlepiece, Jean Le Pautre, French, 1618-1682, Etching on paper, Two sphinxes with a garland crouch upon a pedestal over the opening. The wall panel is framed on three sides with mouldings, and an entablature on top., Europe, France, ca. 1675, Print, Print

Monument in memory of the synod of Dordrecht, Pieter Hendrik Jonxis, after Willem Kok, 1818 print Monument in memory of the Synod of Dordrecht, which was held from November 13, 1618 to 29 May 1619 in the Kloveniersdoelen in Dordrecht. The monument is decorated with performances that relate to the synod and awarded by a portrait of Johannes Calvin. North Netherlands paper etching / engraving other memorial structures

Monument with attributes of Amsterdam, the purchase and the arts.

PortraT van Sigismund by Kollonitsch Met Allegory, Jeremias Jakob Sedelmayr (II), 1727 - 1761 print Vienna paper etching Father Time, man with wings and scythe. armorial bearing, heraldry

Design for a fountain.

Charlot, Claude, Anthoine, Poirel, Dominique, Deruet, Leclerc, Sébastien (I), Monuments and festivities during the entry of Charles IV into Nancy, 1641, Frieze with a flower basket, A frieze with a flower basket flanked by women carrying fruit., print, engraving, ornament print, book illustration, prints, engravings, ornament prints, height 51 mm, width 185 mm, French, 1637-09-26 - 1714-10-25, print maker, printmaker, 1664 - 1664, second quarter 17th century, paper, papier, etching, etchings, Work conception, 1588 - 1660-10-20, after a design by, Publication (Event), Publication, publisher

Copper engraving by Alessandro Specchi from 1689 showing the rear view of the Triumphbogen for the Duke of Parma in Rome during the procession to San Giovanni in Laterano by Pope Alexander VIII.

Tombstone (page 14) in the album: Various Drawings of Deposits O'Sepulcri Invented by Bernardino Rada from Cartona, in Rome the Year 1619 Fulcaro, Sebastiano (fl. 1612 1640), Radi, Bernardino (1581 1643)

Underbreaks, shaft decorated with knight on horseback. At the top right state the number 6, the bottom right of the number 17.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), the real plan and portrait of the House of the Blessed Virgin. Northern elevation. (A. de Vesme 950; Dutuit 143) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

"Woodcut by Albrecht Dürer workshop from 1515 depicting the Golden Fleece and dragon, crowning the right portal of the honorary gate of Emperor Maximilians I."

Theater with the glorification of agriculture, 1599, 1599 The stage with the glorification of agriculture, December 1599. Theater with Jupiter surrounded by personifications related to agriculture. On top of the stage, the abundance feeds a crowd of children. Set up on the Mechelseplein during the entry in Antwerp. Part of: Historica Narratio Profectionis et Inaugurationis Serenissimorum Belgii Principum Alberti et Isabellae Austriae Archiducum, the description of the entry of the couple in Brussels, Antwerp, Ghent and Valenciennes, 1599. print maker: Southern Netherlandspublisher: Antwerp paper etching Antwerp The stage with the glorification of agriculture, December 1599. Theater with Jupiter surrounded by personifications related to agriculture. On top of the stage, the abundance feeds a crowd of children. Set up on the Mechelseplein during the entry in Antwerp. Part of: Historica Narratio Profectionis et Inaugurationis Serenissimorum Belgii Principum Alberti et Isabellae Austriae

Bookcase; Pour Une Bibliotheque; 50th Cayer Modèles Pour des Trupeaux à l'Usage des Apartemens; Cinquième Volume, Recueil élémentaire d'Architecture (...). An ornamented bookcase with medallions with portraits and garlands on the lower doors. Above the cupboard a panel with figures around a globe, flanked by images of standing figures. Print number 300.

Design for a Wall Tomb or Monument (Recto); Smaller Variant Version with Half Length Madonna & Child on Crescent Moon (Verso). Artist: Attributed to Giovanni Francesco Penni (Italian, Florence ca. 1496-after 1528 Naples). Dimensions: sheet: 14 x 9 1/8 in. (35.6 x 23.2 cm). Date: 1496-1528. Museum: Metropolitan Museum of Art, New York, USA.

Proyecto para las sepulturas de León X y Clemente VII. Date/Period: Ca. 1533-1535. Drawing and watercolor. Author: Bartolommeo Bandinelli.

Monument On the occasion of the wedding of Jonas Witsen and Elisabet Basseliers, Jan Goeree, After Simon Schijnvoet, 1701 print A niche with a monument decorated with ornaments. To the left of the monument the personification love. On the right the personification faithfully. To the left of the monument is Apollo, on the right Minerva. The print was made in honor of the wedding of Jonas Witsen and Elisabet Basseliers Amsterdam paper engraving cupids: 'amores', 'amoretti', 'putti'. (story of) Minerva (Pallas, Athena). (story of) Apollo (Phoebus). ornamenting, decorating ~ applied arts (+ monumental art). monument, statue. Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues. Frankness, Loyalty; 'Lealtí', 'Realtí' (Ripa)

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for Ceiling Decoration., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Toilet board; Johann Jacob Schütler's four-end issue of his projecting Werck, what's presenting re-inventive write tables (...). Een toilet board MET mirror onder Een Baldakijn. In De Odermarge Een Twereailige Dutse Tekst.

Design for a corner piece of a ceiling with Jason and Medea, Mattheus Terwest, after Augustine Terwest (I), 1680 - 1757 drawing Corner piece of a ceiling with Jason and Medea in a round cartouche; On the left half of a representation of Venus mourning at the body of Adonis. paper. chalk Venus mourning Adonis. cupids: 'amores', 'amoretti', 'putti'. acanthus ~ ornament. Jason and Medea at the altar of Hecate (or Diana): Medea gives him a magic herb or ointment. (decorated) ceiling

Choir gate with a bust at the top and two children; Choir gates. With a variant for the right half. From third edition.

Drawing (France & Italy)

Design for a Wall Elevation. Artist: Simon Schijnvoet (Dutch, The Hague 1653-1727 Amsterdam). Dimensions: sheet: 8 1/2 x 3 7/8 in. (21.6 x 9.8 cm). Date: late 17th-early 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Sibillen around a niche in the Santa Maria della Pace, Claude Marie François Dien, After Rafaël, 1838 print print maker: Franceafter drawing by: Francepublisher: Paris paper etching / engraving sibyls Santa Maria della Pace

Spanish triumph port (rear), 1594; Scheme Frontis Adversae Portae Hisp .. The Spanish triumph port (rear), 1594. Founded in the long Gasthuisstraat. Part of the description of the arrival of Aartshertog Ernst in Antwerp, July 18, 1594, by Joannes Bochius, Descriptio Publicae Gratulationis, Spectaculum et Ludorum, in Adventu Sereniss. Principis Ernesti Archiducis Austriae, ex officina Plantiniana, Antwerp 1595.

Drawing, Stage Design; Palace Court; Manufactured by Follower of Antonio or Carlo Galli Bibiena; Italy; pen and bistre and sepia on paper

Pavilion. A pavilion decorated with sculptures, right fountains and a staircase at the front. Around a rocaille frame.

History of Germany 1820-50 Carl Heinrich Hermann German. History of Germany. Carl Heinrich Hermann (German, Dresden 1802-1880 Berlin). 1820-50. Pen and black ink. Drawings

Drawing, Design for a Capital; Léonard Chailleat (Italian, active 1640 - 1650); France; pen and brown ink, brush and wash on cream laid paper; 17.8 x 12.2 cm (7 in. x 4 13/16 in.)

Design for a Wall Elevation ca. 1770-80 Etienne de Lavallée-Poussin French This detailed wall design by the artist Étienne de Lavallée-Poussin is a very beautiful example of how elements from Classical Antiquity were adapted to fit a modern-day 18th-century interior. The overall scheme of his design - a fireplace in the center, combined with painted wall panels and the torchères - goes back to 17th-century French examples, but the individual parts are all attuned to the latest taste for neoclassical design. He combines stern architectural elements with a light sculptural relief and playful decorations to form a very original scheme. Several mythological themes are introduced in the décor. The wall panels portray the Venus and Adonis (left) and Diana, goddess of the hunt (right), while in the sculptural details we find Leda and the Swan and Venus and Cupid. The partially applied washes indicate that many elements were to be gilded. The artist also added an alternate view for the firepla

James Thornhill pencil and brown ink draft for a salon decoration depicting Hercules with the spider skirt at Omphale's feet and the robbery of Deianira, showing figures, gestures, and mythological scenes.

Architectural painting of a vestibule. The columns have Ionic capitals but no bases, and the cornice has ornamental corbels and triglyphs closer to the Doric. Below are two vignettes showing Egyptian gods: Osiris and priest and snake, and Osiris and Isis. Copperplate engraved by Tommaso Piroli from his own "Antichita di Ercolano" (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.

The welcome theater; Entry from Ferdinand in Antwerp in 1635 (no. 6) (left half); Adventus Seren.m Principis Gratulatio. The welcome stage. Theater made up of three main performances. Overall picture of the stage in two sheets (unassembled). Leaf no. 6 (left half) In a set of 43 plates that illustrate the issue of the description of the arrival of the Cardinal Infant Ferdinand in Austria in Antwerp on April 17, 1635 as the new governor for the Spanish Netherlands.

An ornamented garden house with cartouche showing the all-seeing eye and a Japanese sunshade To the right and front, the house is surrounded by water and fountains In the lower margin a four-line German text, Garden house with sunshade Johann Jacob Sch, print maker: Johann Matthias Steudlin, (mentioned on object), Johann Jakob Schübler, (mentioned on object), publisher: erven Jeremias Wolf, (mentioned on object), print maker: Augsburg, Neurenberg, publisher: Augsburg, in or after 1724, paper, etching, engraving, h 295 mm × w 181 mm

Half ceiling, 1634 - 1716 print In the middle and empty surface, the edge is subdivided by a profiled list. From the second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Diana in Actaon, Claude Augustin Duflos, After Eustache Lesueur, 1740 print Grisaillle, with the presentation of the hunter Actaeon, who finds Diana and her nymphs bathed, in the corner of the ceiling of the Chambre des Bains in the Hôtel Lambert. The show is flanked by a power god and a power goddess, each with a water jug. Around the show ornaments and in the middle of two putti with coral. Print is part of a series of prints to the paintings in the Hôtel Lambert in Paris. Paris paper etching / engraving ornament ~ festoon, garland. Diana bathing with her nymphs. Actaeon changed into a stag: as punishment for seeing her bathe, Diana changes Actaeon, the hunter, into a stag (Ovid, Metamorphoses III 193) (+ variant). coelenterata: coral Lambert Hotel

Design for part of a ceiling painting in sham architecture, Design for ceiling painting in sham architecture, draughtsman: Angelo Michele Colonna, 1665 - 1668, paper, pen, brush, h 246 mm × w 385 mm

Louis XIV (king of France), Paris, Mariette, Pierre (II), France, Lepautre, Jean, Lambris a la Romaine, Title page: Lambris a la Romaine, recto upper right, outside the plate edge - handwritten in pen in brown ink, The title is at the bottom of the pedestal of a statue of Victoria., print, ornament print, title page, prints, ornament prints, 49, height 227 mm, width 152 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1661 - 1661, third quarter 17th century, third quarter of the 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher, 1638-09-05 - 1715-09-01, granter of privilege

The temple of the elevated honor to the glory of Louis Le Grand. / Fireworks designer drawn up in front of the Paris City Hall, ... (IT)

Verbruggen, Hendrik Frans, Southern Netherlands, Bouttats, Gaspar, At the request of his Highness the Bishop of Antwerp, with the Lords of the Chapter of Our Lady's Women in front of their Church, Triumphal Gate erected by the Bishop of Antwerp in front of the Cathedral of Our Lady, 1685, Triumphal Gate erected by the Bishop of Antwerp and the Chapter in front of the Cathedral of Our Lady in Antwerp. Part of the illustrations of the decorations erected in Antwerp at the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1585., print, prent, prints, prenten, Frederik Muller Historieplaten, height 171 mm, width 138 mm, 1640 - 1695, print maker, prentmaker, 1685 - 1685, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etchings, Work conception, 1655 - 1724-12-12

Gardens of Venus; Les Jardins de Cyther / Die Gärten der Venus. A garden with recreating men and women. In the middle is a fountain with a Meerman and snakes. Around the show an ornamented frame with draperies, seed beads, sidewalks, helmets and shields, musicing monkeys, dolphins, horns of plenty and a bust of Venus. In the undermaster a two-year French and German text.

One Half Design for a Painted Ceiling with Central Oval Left Blank 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. One Half Design for a Painted Ceiling with Central Oval Left Blank 340392

Study after a Funeral Monument and Study after Frieze, Felice Giani, Italian, 1758-1823, Graphite on gray-green wove paper, Study of funeral monument with personification of poetry, urn and dog; frieze of base of funeral monument; study of funeral monument with female figure and dog., Italy, Italy, early 19th century, figures, Drawing, Drawing

Medallions with portraits of Phocion, Tiberius and Gaius Sempronius Gracchus. Medallions with portraits of the Athenian Staatsman Phocion, the Roman principos Tiberius Claudius Nero and the Roman politician Gaius Sempronius Gracchus, against stones pedestals.

Erepoort with fireworks on the occasion of the marriage between Maria Theresia of Austria and French Stefanus, 1736. Erepoort or temple with bonfires and fireworks on the occasion of the marriage between Maria Theresia of Austria and French Stefanus, 12 February 1736. In the underpass an amor A fire arrow. The temple decorated with allegorically and mythological scenes and images.

Allegorical grave monument for Prince Willem V, 1806, Christian Forsssell, 1806 print Face through a gate with curtains on the Allegorical burial monument for Prince Willem V, died on April 9, 1806. On either side of the tomb with portrait of the prince, the standing figures of truth and steadfastness (right) and immortality (left). Sitting at the basis of the monument on the right the writing history, on the left a mother with three children. In the caption an eight -line verse. print maker: Netherlandspublisher: Amsterdam paper etching Grave-building, monumental tomb. 'History'; "History" (Ripa). Eternity, 'eternity'; 'Eternitã' 'Eternita o perpetuití' (Ripa)

Catafalque of Maria-Theresa of Austria, Notre Dame, Paris, Jean Bérain, the Elder, French, 1640 - 1711, Daniel Marot, French, active in the Netherlands and England, 1661-1752, Engraving in black ink on paper, Vertical rectangle. The catafalque is shown supported by mourning figures standing on a high platform. Ermine-trimmed curtains are supported by a balduchin. A group of figures stand at the left. Below, artists' names., France, September 4, 1683, Print, Print

Sticker key of the Duke of Ossuna, 1713; Deriere du Premier Carosse Doré; Premier des Magnifoques Carosses de Monsignor Le Duc d'Ossuna Ambassador Extraordinaire et Premier Plenipotentiaire de sa Majesté Catholique Philippe: V. Pour La Paix Faits Pour L'Entreé Publique de Son Excellence A Utrecht MDCCXIII. Back of the golden carriage with a panel on which an allegorical figure of the abundance brings peace. Part of a series of 7 plates with the Stickers' test of the Spanish envoy The Duke of Ossuna, used at his public entry in Utrecht for the peace negotiations in 1713. Numbered at the bottom right: 3.

Design for ceiling painting in sham architecture. Design for a part of a ceiling painting in sham architecture.

Underbooling with variant for right half; Underbools. Above the tablet of the chimney attempt is a frieze, above it is an oval painting with two men and a woman with a water gun in the foreground and a burning city in the background.

Paris, Daumont, Jean-François, Delafosse, Jean Charles, Canu, Le, Chapelle Sepulcrale, Monument with portico, pediment and obelisk, verso - stamped, A monument with a portico with vases, a staircase and a triangular pediment with figures and death as a winged skeleton with a scythe. Above it are four statues on either side of an obelisk. Two tombs can be seen to the left and right of the monument., print, prent, ornamental print, prints, ornamental prints, height 408 mm, width 297 mm, print maker, printmaker, 1745 - 1775, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, Frans, 1734 - 1791-10-11, after a design by, Publication (Event), Publication, Frans - 1775, publisher

Clermont, Claude-Catherine de.

Fontein with Buste van Ceres, Georg Lichtensteger, after Johann Jakob Schübler, in or after 1724 print In a garden under a round arch between two hedges, there is a fountain with a bust of Ceres, a sickle, a scoop, corn and a snake. A five -line German text in the lower margin. Augsburg paper etching / engraving garden fountain. (story of) Ceres (Demeter)

Design for a sepulchral monument; verso: Design for a monument. Artist: Pieter Verbruggen the Younger (Flemish, Antwerp 1648-1691 Antwerp). Dimensions: sheet: 8 1/4 x 6 1/8 in. (21 x 15.5 cm). Former Attribution: Formerly attributed to Anonymous, Flemish, 17th century; Formerly attributed to Michiel van der Voort (Flemish, 1667-1737) (). Date: late 17th-early 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Landscape in a Frame. Artist: Anonymous, French, School of Fontainebleau, 16th century. Dimensions: Plate: 7 7/8 x 9 7/16 in. (20 x 24 cm)Sheet: 8 1/16 x 9 1/2 in. (20.5 x 24.1 cm). Date: ca. 1542-45. Museum: Metropolitan Museum of Art, New York, USA.

Retable. Leaf 14 Verso, loosely mounted leaf from an album consisting of a bond with two sheets, a blade and seventeen separately stuffed sheets.

De Pigna Te Vaticaanstand, Giovanni Maggi, After Bartolomeo Rossi, 1651 print The Brozen Pigna, who was once part of the Fontana della Pigna, but today adorns the Cortile della Pigna in Vatican City. Text in Italian in the lower margin. The print is part of an album. print maker: Romeafter design by: Italypublisher: RomeRome paper etching piece of sculpture, reproduction of a piece of sculpture Vatican CITY

Ceiling and Cove Designs for Stairway, Hôtel Rothschild, Vienna 1850-1910 Jules-Edmond-Charles Lachaise French. Ceiling and Cove Designs for Stairway, Hôtel Rothschild, Vienna. Jules-Edmond-Charles Lachaise (French, died 1897). 1850-1910. Graphite, pen and gray ink, brush and gray wash, on tissue paper mounted on cardboard. Drawings

Steering clock on a wide pedestal, leaf from a sequence. .

Design for One-Quarter of a Ceiling Decoration 1730-97 Workshop of Leonardo Marini Italian. Design for One-Quarter of a Ceiling Decoration 343247

Altar, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing, Drawing

Photo production of a fresco representing a standing man in Pompeii, Italy, Anonymous, 1851 - 1900 photograph Pompeii cardboard. paper albumen print wall-covering. picture, painting Pompeii

Unknown architect, table card for the Schinkelfest March 13, 1867. Monthly competition December 1866 () (03.1867): View. Ink on paper, 16 x 10.6 cm (including scan edges)

Retable. Leaf 16 Verso, loosely mounted leaf from an album consisting of a bond with two sheets, a blade tray and seventeen separately stuffed sheets.

Design for a Fountain with River Gods and Nymphs 1511-74 Giorgio Vasari Italian. Design for a Fountain with River Gods and Nymphs. Giorgio Vasari (Italian, Arezzo 1511-1574 Florence). 1511-74. Pen and brown ink, brush and brown wash, over traces of leadpoint. Drawings

Wall Elevation with Three Arches. Artist: Anonymous, French, 18th century. Dimensions: 7 3/8 x 9 5/8 in. (18.7 x 24.4 cm). Former Attribution: Formerly attributed to Sébastien Le Clerc, le Jeune (French, Paris 1676-1763 Gobelins). Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Design for a Table Clock; Designed by Richard de Lalonde (French, active 1780-96); France; pen and black ink, brush and wash, graphite on white laid paper; 25.5 x 15.2 cm (10 1/16 x 6 in.)

Ereboog for William III, at the Place in The Hague, 1691. Draughtsman: Jacob van der Ulft (rejected attribution). Dating: 1690 - 1691. Place: Northern Netherlands. Measurements: h 207 mm × w 275 mm. Museum: Rijksmuseum, Amsterdam.

Project for a Sepulchral Monument. Date/Period: 1600-1625. Drawing. Pen and ink, brush and watercolor on paper. Author: UNKNOWN.

Umbria Perugia Norcia Madonna della Neve3. Hutzel, Max 1960-1990 Views of surrounding countryside; exterior views with details capitals; interior views of octagonal cupola, altars, and details frescoes by the Angelucci brothers. General Notes: There are no negatives for this monument sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for a Wall Decoration of a Conservatory or Grotto with Statues and Vases in Niches 1800-1900 Anonymous, Italian, 19th century Italian. Design for a Wall Decoration of a Conservatory or Grotto with Statues and Vases in Niches 390129

Design for One-Quarter of a Ceiling Decoration. Artist: Workshop of Leonardo Marini (Italian, Piedmontese documented ca. 1730-after 1797). Dimensions: 8 1/2 x 10in. (21.6 x 25.4cm). Date: 1730-1997. Museum: Metropolitan Museum of Art, New York, USA.

Pets with vases and fountains; Inventions Nouveaux The Differents Vase (...); Dessoints de la fashion Neuve au Gout Antique (...). Three pedestals with vases and four fountains, three with vases and one in the form of an obelisk.

Woodcut by Albrecht Dürer depicting the triumphal procession of Emperor Maximilian I, including the small triumphal car representing the Burgundian marriage, created in 1526.

Corner of a Loggia with Female Statue Artist's working dates 1703-1742 Italy. Pen and brown ink, with brush and brown wash, over traces of graphite, on ivory laid paper, laid down on ivory laid paper . Pietro Righini

Chalk and feather drawing by an anonymous artist depicting the sarcophagus of Kaiser Konstantin, featuring a resting couple on the lid and reliefs along the side walls, executed in gray washes.

Design for the layout of a wall plane, with images of Mars and Venus, and Jupiter and Saturn (), draughtsman: Lelio Orsi, (attributed to), 1521 - 1587, paper, pen, brush, h 337 mm × w 248 mm

Print (France)

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