Ornate Architectural Designs

Etchings of intricate architectural elements, featuring adorned chimneys and decorative niches, showcasing classical and baroque influences.

Graveside of William I, Prince of Orange-Nassau, Jacobus Buys, after Hendrick de Keyser (I), c. 1734 - c. 1801, Design for a print., draughtsman: Jacobus Buys, Hendrik de Keyser (I), c. 1734 - c. 1801, paper, pen, brush, h 151 mm × w 90 mm

Antwerp, Ertinger, Franz, Lepautre, Jean, Paris, Quarts de plafons, Quarter of a ceiling with two men leaning over a balustrade, Quarter of a ceiling with two men leaning over a balustrade. From a series of 6 sheets with opposite-sided copies after a series of Quarts de plafons by Jean Lepautre. Print is part of an album., print, ornamental print, album page, prints, height 217 mm, width 145 mm, 1640, print maker, printmaker, 1644 - 1710, paper, papier, etching, etchings, Work conception, Frans, 1618-06-28 - 1682-02-02, after print by, after design by, Publication (Event), Publication, publisher

Operatical reform, or La dance à l'évêque. Gillray, James, 1756-1815. Prints. 1798-03-14. Jerome Robbins Dance Division. Didelot, Marie Rose Paul, d. 1803, Dance , Caricatures and cartoons, Ballet , 18th century, Ballet , England , 18th century

Drawing, Memorial Panel Depicting Painting and Music; Made by Bernard Picart (1673-1733); France; pen and black ink, brush and brown wash and white gouache, black chalk; 37.9 × 29.5 cm (14 15/16 × 11 5/8 in.)

Drawing, Antique Chair with Bacchic Themes; Italy; pen and gray ink, brown wash, over graphite on white laid paper; 26.9 x 20.2 cm (10 9/16 x 7 15/16 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.)

Design for a mantelpiece, Giovanni Battista Piranesi, 1836 print An ornamental mantelpiece with, among others, Egyptian lions, birds, guards and hieroglyphs. Numbered below: 5. print maker: Romeafter own design by: Romepublisher: Paris paper etching open hearth, fire-place. ornaments ~ art. ornament ~ cartouche. Egyptian hieroglyphs. statues, paintings, etc. ~ objects of worship (Egyptian religion)

Print (France)

Print (France)

Arcade en pierre, ouvrage de la fin du XIIe. siècle, .... Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Antiek Altar, Giovanni Battista Piranesi, 1778 print A marble altar on a sculpted base with putti and a garland. The altar comes from the Villa Adriana in Tivoli, the basis comes from Palazzo Barberini in Rome. Assignment above performance. Text in STUDMARGE. Rome paper etching altar. altar ~ non-Christian religions

Two Designs for French Alcove, Jean Le Pautre, French, 1618-1682, Etching on paper, Three classical persons are shown against a mountainous landscape. The opening is rectangular. A figure supports a curtain. A right half: two persons stand behind the balustrade, one of them busy with a cloth. Wooded landscape in the rear., Europe, France, ca. 1650, Print, Print

Furniture design, Design for an aisle bench with a portrait medallion, draughtsman: Elias van Nijmegen, 1677 - 1755, paper, pen, brush, h 210 mm × w 235 mm

Design for a Baptismal Font, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Below are two plinths and a moulding with leaves. The circular bowl is decorated with festoons, supported by bowknots, and the rim with leaves. The rim has the shape of a short onion cupola, with, above visible, two cherubim supporting a chalice with a host hovering above it. Two angels sit beside the cupola. Usual background., Rome, Italy, ca. 1775, architecture, Drawing, Drawing

Johann Evangelist Holzer, German (1709-1740), The Arts and Powers Pay Homage to Emperor Charles VI, 1732, pen and brown ink with gray wash, heightened with white, and blue-gray oil paint on brown laid paper

Drawing, Section of wall, Gallery Francis I, Palace of Fontainebleau, France; Frederick Marschall; USA; brush and watercolor, tempera on heavy paper; 56 x 34.9 cm (22 1/16 x 13 3/4 in.)

Born, Jakob Stecher: Mentzel, Johann Georg (1677)

Drawing (Italy)

Design for an altarpiece with five compartments.

Triumphal arch founded on the occasion of the anniversary of the Sacred Sacrament of the Wonder, 1720.Triumphal Arch With Banners and Justo, Founded in 1720 on the Place de la Chancellerie in Brussels on the occasion of the 350-year Anniversary of the Sacred Sacrament of the Miracle from 1370.

. Allegory of approx. 1787 with a porch of a temple in which portraits hang from prominent patriots as front fighters of freedom: Hendrik Hooft Danielsz., George Hendrik de Wilde, Baron of Pallandt, Isaac of Goudoever, Joan Derk van der Capellen to Den Pol and Mj Eyck. Links a statue of Hercules, in the middle Minerva as the freedom and right Mars. At the top of the Pediment a sculpture group with the city of Amsterdam. At the bottom of the title in calligraphy.

The triumphant gate erected in Gdańsk on the occasion of the LUBIN W Adys Ava IV with Ludwik Mari Gonzag in 1646; western side view; Hondius, Willem (post 1597-1652), Boy, Adolf (1612-Post 1686), Münch, Georg (Fl. CA 1638-non Post 1656); 1646 (1646-00-00-1646-00-00);Gdańsk (Pomeranian Voivodeship), Ludwika Maria (Queen of Poland - 1611-1667), Ludwika Maria (Queen of Poland - 1611-1667) - iconography, Witke -Jeżewski, Dominik (1862-1944) - collection, Władysław IV (Polish king - 1595-1648), Władysław IV (Polish King - 1595-1648) - iconography, occasional architecture, triumphal gates, gift (provenance), portraits of rulers, wedding

Malesherbes of Lamoignon, Chrétien Guillaume de.

Design for a Wall Decoration: Representations of the Ascension and of the Conversion of the Ethiopian Eunuch ca. 1600 Giovanni de' Vecchi Italian In the scene at left Christ ascends into a bank of clouds, having left his footprints on the summit of the Mount of Olives. At right of center Saint Philip has joined the Eunuch in his chariot and explains the passage of Isaiah the Ethiopian is reading, while in the background Saint Philip is seen baptizing his convert (Acts 8:26-40). The "bretessed bend" and the stars of the Aldobrandini arms that appear above the figure of Saint Philip could identify this project as a never-executed scheme commissioned by or proposed to Pope Clement VIII Aldobrandini, who reigned from 1592 to 1605. The convincing attribution to Giovanni de' Vecchi for this large, vibrant design for a wall decoration was first proposed by Philip Pouncey in 1965.. Design for a Wall Decoration: Representations of the Ascension and of the Conversion of the Ethiopian Eunuch 340

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Rooms with furniture, Interior with bench and chairs, Interior with panels with painting or tapestry, a bench, two tables and two chairs. All decorated with rocaille ornaments. Publisher number 165., print, ornament print, prints, ornament prints, height 192 mm, width 301 mm, print maker, printmaker, 1731 - 1775, paper, etching, etchings, engraving, engraving (printing process), Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Print, Rococo Ornament; England; 1988-102-47

Bliżej Kultury Kunstwerlag Anton Schroll & Co., Vienna, Unknown Sculptor

Pyramid that had been raised in 1595 on the site of the house of Jean Chatel, vintage engraved illustration. Magasin Pittoresque 1843.

Four poses: Saturn, La Terre, Apollo, Diane; unknown, Marot, Daniel (1661-1752; st.); after 1703 (1663-00-00-1752-00-00);Apollo (Mitol.), Artemida (Mitol.), Diana (Mitol.), Kronos (Mitol.), Magdalenaea (Collection), Saturn (Mitol.), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, antique deities, French (culture), statues, projects

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Reproduction of a print of a triumphal arch for Ferdinand of Austria by Peter Paul Rubens, Anonymous, After Peter Paul Rubens, after Elzevier, c. 1875 - in or before 1880 photomechanical print Antwerp paper photolithography triumphal arch

A Reliquary for Three Skulls, Carlo Marchionni, Italian, 1702-1786, Black crayon, brush, sepia, and gray water color., The image is in a horizontal rectangle. A box with a pediment is shown, whose general shape is that of a triangle. The front consists of a base and two angels at the corners and two gaines of empty armors inside. In the centre is a skull with a miter upon a base supported by two small angels, beside are two skulls with helmets, standing together with bones upon bases. The big angels at the corners are lifting a curtain. On top of the pediment are two angels with miter and palm branches; below them two cherubim above a festoon; below it, a monogram of a chi rho; above an escutcheon. Construction is lined with pencil., Italy, ca. 1770, Drawing, Drawing

The wooden chair of the Order of the Garter, with on the back Saint George and the dragon, Wooden chair of the Order of the Garter Attributes of the Order of the Garter , print maker: Wenceslaus Hollar, London, 1672, paper, etching, letterpress printing, h 109 mm × w 60 mm

Door crowning with the figures of War and Peace, draughtsman: Paolo Farinati, Verona, 1535 - 1606, paper, pen, brush, h 190 mm × w 266 mm

Reliefs above the entrance of Musée Lorrain in Nancy, Anonymous, c. 1891 - In or Before 1896 photomechanical print This print is part of a cover with 103 prints on 101 sheets and a title page. NancyPublisher: Paris paper collotype sculpture (+ relief ~ sculpture). gate, entrance Lorraine Museum

Title print with architectural frame and putti with a garland, Unknown, Abraham Bosse, 1641 print Antwerp paper etching / engraving architectural representations in general. cupids: 'amores', 'amoretti', 'putti'. ornament ~ festoon, garland

Zes scenes puts Arabesken, Kollmann, after just Nathan François Boucher, 1746 - 1800 print Six scenes with arabesks, standing and sitting women and vases. Paris paper etching ornament ~ arabesque. postures of the human figure - AA - female human figure. vase ~ ornament

Anaxarete turned to stone. Temple of the muses. Plate from Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates Sophistes Grecs, by Blaise de Vigenère, Paris, 1615. Engraving circa 1615, by Leonard Gaultier. Gaultier, or Galter, was a French engraver, born at Mainz about 1561, and died in Paris in 1641. In Greek mythology, Anaxarete was a Greek maiden who refused the advances of a shepherd named Iphis. Sometimes he hung garlands on her doorpost wet with his tears, and lay with his soft flank on the hard threshold, complaining at the pitiless bolts barring the way. Anaxarete spurned him and mocked his feelings until he cried in despair and hanged himself on her doorstep. Anaxarete was still unmoved. When she mocked his funeral, calling it pitiful, Aphrodite turned her into a stone statue.

Study for the 'Essequie' Conducted in San Lorenzo, Florence, in 1637 in Honour of Holy Roman Emperor Ferdinand II, 1637. Alfonso Parigi (Italian, 1606-1656). Pen and brown ink and brown wash with graphite and accents of pink, purple-grey and deep blue-black wash; sheet: 48.5 x 65.8 cm (19 1/8 x 25 7/8 in.).

Richard Earlom, 1743-1822, British, The West Window of the Chapel, New College Oxford, 1785. Stipple engraving on thick, moderately textured, cream, laid ppaer.

The design of the monument in the pyramid; Carrier-Belleuse, Albert Ernst (1824-1887); before 1887 (1801-00-00-1900-00-00);Lubomirski, Henryk (1905-1986 - Jesuit), Lubomirski, Kazimierz (1869-1930), Pierre L'Eremeite (1050-1115), Vente Carrier Belleuse (auction - Paris - 1887), pyramids, monuments, projects, sculpture projects, French drawings, purchase (provenance)

Drawing, Design for brooch with seated man (Moses); Italy

A Plinth Surmounted by the Arms of the King of France. Dimensions: sheet: 11.9 x 8.2 cm (4 11/16 x 3 1/4 in.) support: 27.9 x 19.9 cm (11 x 7 13/16 in.). Medium: graphite, incised for transfer on laid paper; laid down. Museum: National Gallery of Art, Washington DC. Author: Hubert François Gravelot.

Kapiteeel, decorated with acanthus leaves, 1510 - 1550 print The basement is decorated with a braided edge and an egg list. 1 leaf of 4 sheets. Germany (possibly) paper engraving

Cœnotaphiorum (18) 1563 Hans Vredeman de Vries Netherlandish Freestanding tomb characterized by telamons with the heads of bearded men. On top of the tomb the effigy of a deceased, naked man is visible. By his feet, a blank panel in a strapwork frame is placed. Below the image a Latin inscription is added, consisting of four lines divided over two columns.. Cœnotaphiorum (18) 402146

Design of Antique-Style Ornament ("Grotteschi"). Artist: After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome); Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550-1580). Dimensions: 13 x 8-7/8 in. (33.0 x 22.5 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Gast meal of Levi. .

Engraving depicting a palatial scene of opulence; a grand staircase leads up to a bridge. The illustration is set within an ornate frame.

Design for a ceiling in Baroque style with a central panel in trompe l'oeil 19th century Jules-Edmond-Charles Lachaise French. Design for a ceiling in Baroque style with a central panel in trompe l'oeil 385989

Two capitals in the Santa Constanza in Rome; Archaeological finds in and around Rome; Le Antichità Romane. Two corinthian capitals in the Santa Constanza, a church in Rome built as a mausoleum for the daughter of Constantijn the Great. Other antique remains lie next to it. Numbered at the top right: Tom. II XXIII. Caption and explanatory list with letters in undermarge.

A 1510 Clair-obscur woodcut by Hans Burgkmair showing Death overturning a couple of lovers, emphasizing dramatic gestures and early 16th-century German print style.

Design for the Tomb of Dr. Joseph Warton. Dated: probably c. 1804. Dimensions: overall: 11.8 x 7 cm (4 5/8 x 2 3/4 in.). Medium: graphite. Museum: National Gallery of Art, Washington DC. Author: JOHN FLAXMAN.

Sjšstrand, Carl Eneas, work, Proposal for book title page, certificate of honor, etc., 1871, pŠŠcategory: drawing, 50 cm x 38.5 cm

Sepulcro de Fernando VI, en el Convento de las Salesas Reales, encargado por Carlos III a Francesco Sabatini y al escultor Francisco Giménez. Grabado de 1870.

Design for a Decorated Ceiling with Putti and Garlands and a Forshortening of a Balustrade Around an Oculus. Artist: Workshop assistant of Michelangelo Colonna (Italian, Ravenna/Como 1604-1687 Bologna). Dimensions: sheet: 5 1/2 x 7 1/2 in. (14 x 19.1 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Eleazar and Matthan in a half roundel. Engraving by A. Cunego after A. de Angelis after Michelangelo.

Michelangelo's Tomb of Lorenzo de' Medici, Florence; Fratelli Alinari (Italian, founded 1852); Florence, Italy; 1850s; Albumen silver print

Cherubs with a coat of arms. Three cherubs hold a round coat of arms with the spell "Felisitas Publica".

Stone of a Nehalennia altar, 1713 - 1717 print Fragment of a Nehalennia altar. Netherlands paper etching other foreign deities included in the classical Pantheon (with NAME)

Drawing, Section of a wall showing groups of painted panels, Oval Chamber, Salon Louis XIV, Palace of Fontainebleau, France; Designed by Frederick Marschall; USA; brush and watercolor, tempera on heavy paper; 44.8 x 28.7 cm (17 5/8 x 11 5/16 in.)

Design for a Trompe L'Oeil Ceiling ca. 1750-60 Attributed to Flaminio Innocenzo Minozzi Italian. Design for a Trompe L'Oeil Ceiling. Attributed to Flaminio Innocenzo Minozzi (Italian, Bologna 1735-1817 Bologna). ca. 1750-60. Pen and brown ink, brush and brown, gray, rose, green and blue wash, over traces of black chalk or leadpoint

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Four statues: Neptune, Venus, Mars, Minerve. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Petrus and Paul. Design for a window of stained glass with Petrus and Paul. Design for a glass window.

Artist: Charles Louis Simonneau, French, 1645-1728, Tomb ofTurenne, Etching, sheet: 30 × 35.1 cm (11 13/16 × 13 13/16in.), French, 17thcentury, Works on Paper -Prints

France, Baugin, J., Beuf, Jean, Corniche du grand arc soustenant son Timpan, Chapiteau des Colomnes, Friezes and a capital on the Roman triumphal arch in Orange, 1639, Various friezes and a capital on the Roman triumphal arch in Orange. Marked lower right: Pag. 28. troisiesme., print, prent, prints, prenten, Frederik Muller Historieplaten, height 212 mm, width 296 mm, print maker, prentmaker, 1637 - 1640, second quarter 17th century, paper, papier, engraving, engraving (printing process), French

Sarcophagus found in the Christian basilica, Roman ruins of Tebessa. Oran Province, Algeria. Africa. Drawing by Georges Moynet (1849 - 1908) Tébessa and its monuments by Antoine Héron de Villefosse (1845 - 1919) Le Tour du Monde 1880

Amsterdam, Yver, Pieter, Tomb of Edward III of England and Philippa of Hainaut, verso - stamped, The tomb of Edward III of England and Philippa of Hainaut in Westminster Abbey. In the middle below the coat of arms of Edward III., print, prent, prints, height 363 mm, width 231 mm, Noord-Nederlands, 1712 - 1787-06-06, print maker, printmaker, 1735 - 1735, paper, papier, etching, etchings, engraving, engraving (printing process)

Window with curtains, Anonymous, 1878 - in or after 1904 print A window with draped curtains. Print from 77th Livraison. paper window. hangings and drapery

Stone of a netalennia altar. Fragment of a netalennia altar.

Attributed to Daniel Lysons, 1762-1834, British, Memorial of Mrs. Elizabeth Jessop and Mrs. Elizabeth Cobden and Epithaph of Mrs. Codben from Acton Church, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

Sir Philip Crampton's memorial in Dublin

Charles Grignion, 1717-1810, British, Title Sheet for a Series of Views of Middlesex Villages dedicated to W. Pultney by J. Rocque. Engraving.

Astronomical Clock in the Cathedral in Strasbourg 1574 Tobias Stimmer Swiss. Astronomical Clock in the Cathedral in Strasbourg 384927

Etching by Hans Lautensack from 1559 depicting a Roman tombstone featuring a rider, showing equestrian figure and funerary architectural details.

Vignette with the personification of reason, Jacob Folkema, after Johannes de Bosch, 1723 - 1767 print Vignette with the image of the personalized speech in an architectural accompaniment in which a cartouche with a scale is placed at the bottom. Reason kicks two diabolical figures to the ground with her foot, she holds reins and a whip in her hands. The print is part of a series of book illustrations about virtues and vices. paper etching / letterpress printing Reason; 'Reason' (Ripa)

Monument in honor of Lodewijk XIV in the town hall of Troyes, Sébastien Leclerc (i) (attributed to), after François Girardon, 1687 print France paper etching ornament ~ medallion. monument, statue Troyes

music instruments organ Trinity Church Ulm coloured engraving by von Matth_us Merian the Elder Frankfurt am Main 1643 private collection,

unknown artist, eighteenth century, The Tomb of Sir Nicholas Throkmorton Kt. in the Church of St. Catherine Cree, 1793. Engraving.

The painting depicts the temple of Juno on the Aventine. Juno Regina was an Etruscan goddess who was ritually invoked by the Roman general Lucius Furius Camillus to bestow her protection on Rome, historical Rome, Italy, 1625, Rome, digital reproduction of an 18th century original, original date not known, Europe

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