Ornate Decorative Panels

Engravings of intricate ornamental designs including coats of arms and grotesque decorations, featuring elaborate scrolling and mythical figures.

February Children at school - not always behaving as they ought Date: 1523

Cartouche in shape of standing oval; Cartouches in a picture frame with grotesken, mascarons and garlands. The cartouche is framed by rollerwork in the form of a landscape oval. Mascarons hang in the mid top rights and right. From series of 17 sheets.

William Blake, The Creation, 1825 The Creation

On pedestal with title enthroned personification of Southern Netherlands, Belgica, seated between symbols of trade, arts and sciences. On either side two obelisks. Below a base with two figures symbolizing war and dove with olive branch symbolizing peace. Title printed with separate plate, Allegory of the History of the Netherlands Title page for: Historie der Neder-landscher ende haerder na-buren wars en geschiedenissen, tot den iare M.VI.XII., 's-Gravenhage 1614, print maker: Willem Jacobsz. Delff, (mentioned on object), publisher: weduwe en erven Hillebrant Jacobsz. van Wouw (I), (mentioned on object), Staten-Generaal, (mentioned on object), print maker: Delft, publisher: The Hague, 1614 and/or 1623, paper, engraving, h 319 mm × w 200 mm

Quote: MAGIS NECESSARIVM EST MEDERI ANIMAE, QVAM CORPORI . MORI ENIM MELIVS EST QVAM MALE VIVERE in carouche. Top left and right a bird-like creature sits on the cartouche. Bottom left and right a fruit cluster hangs from a ribbon. Shaded background. From a series of title page and 12 sheets of cartouches with quotations from classical writers in a frame of scrollwork with grotesques, mascarons and garlands, Cartouche with a quotation from Epictetus Variarum protractionum (...) (series title), print maker: Frans Huys, Hans Vredeman de Vries, publisher: Gerard de Jode, Netherlands, (possibly), 1555, paper, etching, h 128 mm × w 174 mm

Robert Nanteuil (French, 1623 - 1678), Arms of Charles II, Duc de Mantoue, engraving

This circa 1503 woodcut by Albrecht Dürer depicts the proclamation, showing figures, gestures, and narrative devotional composition.

Cologne, Halver, Johann von, Germany, Zierhat boichilgen, Your salvation in disser zeit mit fleis nachstel, Two of the labours of Hercules, verso lower left - stamped, On the left Heracles and the horses of King Diomedes, on the right Hercules with the apples of the Hesperides. Sheet from a series consisting of a title page and eight unnumbered sheets., print, ornamental print, prints, ornamental prints, height 100 mm, width 149 mm, Work conception, after a design by, 1600 - 1630, first quarter 17th century, second quarter 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, publisher

Monsieur Piperoux, Directeur der grossen Companie Tabak Negotiaten in Virginien und Brasilien, Pl. 27. Baeck, Elias, 1679-1747. Prints. 1710 - 1719. Spencer Collection. Caricature and comic art, German, Dwarfs (Persons) in art, Engraving, German

The Creation 1825-26 William Blake British. The Creation 371141

Artist: Hieronymus Wierix, Flemish, 1553-1619, Title Page from The Life of theInfant, before1619, Engraving, sheet: 10 × 6.5 cm (3 15/16 × 2 9/16in.), Made in Flanders, Flemish, 16th-17thcentury, Works on Paper -Prints

ESCUDO DE ESPAÑA DE LA EPOCA DE CARLOS V. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Metal cut by Hans Holbein the Younger after 1524 depicting the symbol of Saint Mark, representing the evangelist and author of the Gospel of Mark.

Diana of Ephesus. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jean Mignon.

The coat of arms of Don Pedro Lasso, woodcut by Albrecht Duerer, historical, digitally improved reproduction of an old woodcut

The coat of arms of the city of Amsterdam. Print no. 1 from the series of 16 representations of The Miracle of Amsterdam, after the events of March 15, 1345. Below the image two six-line verses in Latin and Dutch, Arms of Amsterdam, 1 The Miracle of Amsterdam, 1345 (series title) Amstelredams eer en opcomen door de denckwaerdighe miraklen aldaer geschied aen en door het H. Sacrament des Altaers Anno 1345 (series title on object), print maker: Boëtius Adamsz. Bolswert, publisher: Hendrik Aertssens (II), Southern Netherlands, 1639, paper, engraving, h 130 mm × w 82 mm

Minerva and Hercules and Stamwapen van Lynden; Title page for: Christophorus Butkens, Annales Genealogiques de la Maison de Lynden, 1626. Hercules with clubs and lion skin and minerva with spear and shield with medusakop and a ribbon with portraits or stamps flank a cartouche with title. Above the stamewapen of the gender of Lynden with a woman with palm branch and scepter and fama.

Kaiser Maximilians I. Triumph

Cartouche with title, flanked by Hercules with celestial globe and Minerva. Above coats of arms, globe and trumpets, Hercules and Minerva standing on either side of cartouche with title, surmounted by coats of arms, globe and trumpets Title page for: Tooneel der keyseren en coningen van christenryck, Delft 1615, print maker: Willem Jacobsz. Delff, (mentioned on object), publisher: Nicolaes de Clerck, (mentioned on object), Delft, 1615, paper, engraving, h 263 mm × w 178 mm

A 1504 woodcut by Thomas Anshelm depicting the third scene related to Matthew, illustrating biblical figures and traditional iconography in detailed engraving.

The Celestial Ladder of St. Bonaventura. Artist: Lucas Cranach the Elder (German, Kronach 1472-1553 Weimar). Dimensions: Sheet: 16 1/4 × 11 5/8 in. (41.2 × 29.5 cm).Added printed text accross the top of the block. DAS HIMLISCHE LETTERLEIN S. BONAVENTURA. Museum: Metropolitan Museum of Art, New York, USA.

The Ship of Fools by Sebastian Brant, 1494, late medieval moral satire. All power comes to an end, the wheel of fortune is based on the changeability of earthly rule, historical, digitally restored reproduction from a 19th century original

EY children sees the tamboers so fast / zu hit each other on the drum very bright / zy hit the mars on the drum very clean / see how wonderful dees gang show her, 1725 - 1780 print Leaf with 2 performances of tamboers. The whole is caught in a decorative frame with tendrils, animals and flowers. Numbered at the top right: 7. print maker: Netherlandspublisher: Amsterdam paper letterpress printing floral interlace ~ ornament. drum (musical instrument) - CC - out of doors

Empty coat of arms, anonymous, jost amman, 1579 print Frankfurt am Main paper letterpress printing armorial bearing, heraldry

Ludwig IV., The Bayer Kaiser.

Family tree of the Habsburg house, leaf three; Family tree of the Habsburg House. One sheet of twenty, together form a pedigree. In the tree sitting on a clovis I throne, king of the francs. On his right hand three medallions with names of his three sons and cartouch with text in French. Angels and medallion with his own baptism in his left hand.

Hans Burgkmair (1473-1531). "The triumph of Maximilien, Char with the representation of three kings and a warrior bearing the crown of thorns". Wood, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. 38104-1 Archduke Austrician, Shield, Crown Epine, Char, Horse, Warrior, King, Roman, Saint Germanic Emperor, Triumph, Bois

Biblical scenes with King David in upper L corner. unknown c. 1500-1520 Tapestry Dimensions: H 12'6" x W 11'4" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. Columns divide scenes with courtiers into 8 compartments; King David in upper L corner (BRD) twisting vines of foliage & flowers The lower border is pieced at the ends. Possibly woven in Brussels. No French & Co. stock sheet in archive, no stock number Related Works: Panels in set: GCPA 0239307, 0242504, 0242505, 0242506

Kruisiging Van Petrus, Pietro Sante Bartoli, After Giovanni Lanfranco, 1665 print A painting with Peter that is crucified upside down, in an ornamental frame with putti and naked boys. Around the list of images of naked figures and personifications. Print is part of an album. paper etching Peter crucified upside down. piece of sculpture, reproduction of a piece of sculpture. cupids: 'amores', 'amoretti', 'putti'

34. Kazimierz the first called the monk; 35. Leszek Bia 36. Boles, Mia 37. Leszek Czarny; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

War: Bellona sits on a trophy of arms (La Guerre: Bellone assise sur un trophée d'armes) 1575 Etienne Delaune French. War: Bellona sits on a trophy of arms (La Guerre: Bellone assise sur un trophée d'armes) 399357

Design for a wall decoration with four performances. Draughtsman: Lattanzio Gambara (possibly). Dating: 1540 - 1573. Measurements: h 153 mm × w 457 mm. Museum: Rijksmuseum, Amsterdam.

A White Line Border with Two Cartouches: "A Satyr Sacrificing a Ram," and "The Choice of Hercules". Dated: 1497/1498. Medium: woodcut page removed from a book. Museum: National Gallery of Art, Washington DC. Author: attributed to Benedetto Bordon.

Bliżej Kultury unknown

Kazimierz IV of Słupsk, duke of Pomerania and Bydgoszcz. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

ENGRAVING OF AN ARMILLARY SPHERE - (TEXT BY IOANNIS DE SACROBOSCO 1531). Author: PEDRO APIANO (1495-1552). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. Ptolemy.

Woodcut and type print by Lucas Cranach the Elder around 1513 depicting the heavenly ladder of Saint Bonaventura, showing angels, figures, and composition.

Albrecht the Happy (Albrecht III de Kleekigige, Duke of Saxony); Triumphal arch from Emperor Maximiliaan I. Albrecht the lucky ('gluckhaphtig' - perhaps it is about Albrecht III the bastard, duke of Saxony), standing with a sword in one hand and a rich cone in the other hand. Under his portrait his name in German in Gothic Scripture; There are coat of arms below. The bottom left can be seen from a dragon. Detail of the triumphal arch of Emperor Maximiliaan I.

Leda en de Zwaan, Virgil, after Giulio Bonasone, 1524 - 1562 print Nuremberg paper engraving / etching Jupiter, in the shape of a swan, and Leda. scrollwork, strapwork ~ ornament

Gender weapons of Prince William III in an allegorical frame, Gerard de Lairesse, 1672 print The 63 gender weapons of Prince William III, Prince of Oranje-Nassau and King of England, and the weapons of the Republic of the Seven United Netherlands with its cities in an allegorical frame, crowned with the prince's weapon. The Dutch Virgin is in the middle. Her hand rests on a rudder, she wears a book under her arm. To the left of the Dutch Virgin, the blindfolded justice (scales) is followed by caution (mirror). Diagonally below this two, father points time (winged hourglass) on the different weapons in the frame. Among him is the Personified abundance with fruits and choirs in her hands at two putti that bundle arrows together, symbol of unity. To the right of the Dutch Virgin is Minerva who symbolizes wisdom with an olive branch, next to her the trumpet flies fame. Under the fame, a putto with his torch burns the Personified War and the grinding discord is chained. Amsterdam paper etch

Minerva and Mercury flanking cartouche; Novus XVII Inferioris Germaniae Provincialum Type (...). A Rocaille cartouche with title is flanked by minerva with lance and shield and mercury with caduceus. Detail of a map of the Netherlands and Belgium.

Dance of Death, border of Book ofHours. Artist: Unknown

Robert I. The Way, King of Naples.

The Ship of Fools by Sebastian Brant, 1494, late medieval moral satire. To learn from other fools, to see other fools fall and stumble over the same stones, is to be a fool oneself, Historical, digitally restored reproduction from a 19th century original

Virgin with Angels from Hortulus Animae (Das Seelengärtlein). Artist: Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd () 1484/85-1545 Strasbourg (Strassburg)). Dimensions: Sheet: 4 3/16 × 2 3/4 in. (10.6 × 7 cm). Date: 1511. Museum: Metropolitan Museum of Art, New York, USA.

Philosophy Enthroned. Artist: Virgil Solis (German, () 1514-1562 Nuremberg). Dimensions: Sheet: 9 3/4 × 7 1/16 in. (24.7 × 18 cm)Mount: ca. 14 3/16 × 10 1/16 in. (36 × 25.5 cm). Date: mid-16th century. Museum: Metropolitan Museum of Art, New York, USA.

Bronze doorway lintels depicting St. George and the Dragon. Dated 16th Century

Allegory on the coronation of Maximillian II as king of Bohemen, Lambertus Suavius, 1562 print Love (caritas), accompanied by two children and two putti, shows the crown on the coat of arms of Maximilian II. Allegory on the coronation of Maximilian II as king of Bohemia in 1562. Frankfurt am Main paper engraving Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues

Diane Chasseresse (Diana the Huntress) (Furnishing Fabric) Made 1789-1805 France. Cotton, plain weave; copperplate printed . Jean Baptiste Huet (Designer)

August: Fruit saleswoman, Anonymous, After Crispijn van de Passe (I), After Maerten de Vos, 1574 - 1687 print The month of August: a woman who sells fruit in the midst of baskets with fruit. In the background a field with farmers who harvest. At the top left the sign of the zodiac that belongs to August: Virgo. The print has a frame with a border script in Latin that refers to the works of the month of August. Copy in mirror image to the print of the same name of Crispijn van de Passe (i). unknown paper engraving August and its 'labours' (+ with zodiacal signs). fruit-tree culture; fruit harvest. harvest

Ceiling decoration. With the help of the midl lines and diagonals, the blade is divided into eight segments that each are decorated in different ways with leaf raft and grotesken. In the middle is a rosette with children's heads.

Jesus Calling Zacchaeus from Geistliche Auslegung des Lebens Jesu Christi (The Spiritual Interpretation of the Life of Christ), Plate 15 from Woodcuts from Books of the 15th Century. Unknown Artist (near Ulm, 15th century); printed and published by Johann Zainer (German, active 1473-c. 1523); portfolio text by Wilhelm Ludwig Schreiber (German, 1855-1932). Date: 1484-1488. Dimensions: 125 x 119 mm (image/block); 253 x 168 mm (sheet). Woodcut in black, and letterpress in black (recto and verso), on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Albrecht Dürer, The Patron Saints of Austria, 1515, woodcut on paper.

Augustinus. Basel, Joh. de Amerbach, 1495

Arithmetic (Arithmetique) 1540-83 Etienne Delaune French. Arithmetic (Arithmetique) 399346

Madonna in Glory with the Symbols of the Evangelists, frontispiece of Stellarium Carone benedicte Mariae Virginis., 1505. Woodcuts, Letterpress works., Image dimensions are 9 13/16 x 6 3/8 in. (25 x 16.2 cm); Paper/Sheet dimensions are 10 11/16 x 7 3/8 in. (27.2 x 18.7 cm); Paper Cream laid

This is said to be the earliest depiction of an anatomical dissection. Date: 1494

Bust of aristophanes and putto with mask, in cartouche. Bust of Aristophanes and putto with mask in garden of castle, in cartouche with musical instruments.

Albrecht VII. The Pious, Archduke of Austria.

Flower Arrangements, Peacock, Butterflies, and Insect.

German 15th Century, Allegory of the Eagle and Emperor Maximilian I, 1497 Allegory of the Eagle and Emperor Maximilian I

Fraktur, Taufschein Birth Certificate; Printed by Johann Ritter (German, 1779 - 1851); Made for David Vieman (American, b. 1816); pen and black and brown ink, brush and watercolor over letterpress on white wove paper; 41.1 x 33.4 cm (16 3/16 x 13 1/8 in.)

Kinder is now headed / to buy 't Osje-Boe / it is a Gild-Os Exelent, / Gy can buy it for Klyn money. Leaf with a large representation of a guild OS (also called fairground or prize), decorated with floral wreaths. The show is caught in a decorative frame with tendrils, animals and flowers. Numbered upper left: No. 156.

Durer's Coat of Arms, 17th century, Michel Le Blon, Dutch, 1587 - 1656, 3 7/16 x 2 3/8 in. (8.73 x 6.03 cm) (image), Engraving, Netherlands, 17th century

Nuremberg, Solis, Virgilius, Musarum Iovis et Mnemosynes filiarum elegantissimi tipi, Frisian with nine muses, verso - handwritten in brown ink, print, prints, verso - stamped, 16, height 47 mm, width 173 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, engraving, engraving (printing process)

Seal of the University of Paris, XIV century. France. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

Guide for Constructing the Letter s. Joris Hoefnagel (Flemish / Hungarian, 1542 - 1600)

Johanna, Princess of Bavaria.

The new entertaining / goose game / le nouveau jeu d'oie. Goose board game with spiral with 63 numbered boxes. In different squares a representation of a goose. In midfield the title and rules in Dutch and in French in bookpress. Leged at the bottom right of midfield: 3.

A statue of Priapus, the god of natural reproduction with baskets and swags of fruit as symbols of male fertility and the earth's fecundity. Engraving by J. Lamsvelt.

A leaflet in the Reformation period against the indulgence, Woodcut, Germany, historical image or illustration, published 1890, digitally improved, A leaflet in the Reformation period against the indulgence, Woodcut, Germany, historical image or illustration, published 1890, digitally improved, Europe

Prepod. Artemii Verkol'skii.. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1881. Rare Book Division. Folk art , Russia (Federation), Russia , Social life and customs, Engraving, Russian

Tuscany Siena Montalcino Museo Civico44. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Allegory on love ( Lamour sans culottes), 1789. LAmour sans-culotte : when love is in cup without trousers, pleases free him, Date of publication: 1793-1794.

The Way of Salvation. Artist Unknown; German, active c. 1490. Date: 1485-1495. Dimensions: 263 × 180 mm (image/sheet); 267 × 184 mm (backing). Woodcut in black hand colored with brush and watercolor on cream laid paper, laid down on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Seal of Henry V, vintage engraving. Seal of Henry V, vintage engraved illustration. Colorful History of England, 1837. Copyright: xZoonar.com/PatrickxGuenettex 10655985

History of exploration - 15th century - Oceanica Classis de Insulis Inventis. Engraving from Christopher Columbus' letter to king's treasurer Sanchez, Rome, 1493

Sampler 1826 Italian. Sampler. Italian. 1826. Silk on linen. Textiles-Embroidered

Adolf of Germany (1255-1298), also known as Adolf of Nassau, was the son of Walram II, Count of Nassau, and succeeded his father in 1276. When King Rudolf I died in 1291 without managing to secure the election of his eldest son Albert, Adolf was chosen by the Elector College of imperial princes and bishops, thinking him easy to control and manipulate. He was elected as King of Germany in 1292. Adolf immediately had to pay and make significant concessions to the electors and archbishops who had given him the crown. Adolf had negligible power and influence within his own empire, but he soon tried to break away from the yoke of the electors and bishops who had elected him, concluding pacts with their opponents and breaking promises made but making sure not to be accused of breaching any contracts signed. The electors grew increasingly wary of Adolf's policies and moves, which were often not in line with their own interests. They eventually banded together and deposed Adolf, charging him w

Wenceslas of Luxembourg or Vaclav, 1361 - 1419, historical illustration from Bildnisse der Deutschen Koenige und Kaiser, Portraits of German Kings and Emperors, by Professor Heinrich Schneider, Verlag Friedrich Andreas Perthes, Gotha, 1889

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia08. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Ship of Fools by Sebastian Brant, 1494, late medieval moral satire. Worrying about too much, the fool stands stooped and groans under the weight of worries, Historical, digitally restored reproduction from a 19th century original

Rotterdam, Hendriksen, Jan, Strijk weg en geef wat, verso - stamped, Square board game with two concentric circles of 6 and 15 squares with images of animals and an indication of how much one must pay or receive. In the middle a spacious room with two tables at which people play games. In the four corners of the game symbols of the four seasons. Below the representation the rules of the game in four columns., print, folk print, gameboard, playing board, prints, folk prints, height 522 mm, width 446 mm, Publication (Event), Publication, Dutch, publisher, 1808 - 1808, paper, woodcut, letterpress printing, letterpress, print maker, printmaker

Bliżej Kultury Eljasz Radzikowski, Walery (1841 1905)

Coats of arms of Biblical figures Jael, killer of Sisera, Judith the Simeonite, and Tomyris, Queen of the Massagetae. JAHEL, JUDITH, TOMYRIS. Handcoloured woodblock engraving from Hierosme de Baras Le Blason des Armoiries, Chez Rolet Boutonne, Paris, 1628.

Paul IV, Paulus IV, legal name Gian Pietro Carafa OTheat (born 28 June 1476 in Capriglia Irpina, Kingdom of Naples, died 18 August 1559 in Rome, Papal States), was Pope from 23 May 1555 until his death, illustration, reproduction from a 19th century model. Authentic, file restored for optimal use, exact date of original unknown, Historical

Urban VII (born 4 August 1521 as Giambattista, Giovanni Battista, Castagna in Rome, died 27 September 1590 in Rome) was Pope of the Catholic Church from 15 to 27 September 1590, Illustration, Reproduction from a 19th century original. Authentic, file restored for optimal use, exact date of original unknown, Historical

Finis, decorative print for the end of a book, c.1820 Date: C.1820

Tuscany Siena Montalcino Museo Civico46. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Seven elector elect Henry Count von Lueztzelburg to the Roman king of Frankfurt on 27 November, Miniature from the Balduineum of the documentary book Balduin von Luetzelburg, woodcut, Germany, Europe

Supervision of a manuscript of the 14th century, giving both a curious specimen and art and Dessia and costumes at that time, vintage engraved illustration. Colorful History of England, 1837.

Petrus de Montagnana. Photograph after a woodcut.

Danzig, Falck, Jeremias, Porta honoris, Triumphal arch with portrait of Wladislaus Vasa IV, verso - stamped, Triumphal arch with the portrait of Wladislaus Vasa IV, King of Poland. The portrait is held by two women; the personification of the triumph of victory, with the arms of Poland and the personification of peace, with the arms of Sweden. Above the portrait an eagle with a laurel wreath, below chained men representing conquered peoples. Between the columns an inscription in Latin., print, prent, prints, prenten, height 248 mm, width 150 mm, 1609 - 1677-02-07, print maker, prentmaker, 1646 - 1646, paper, papier, engraving, engraving (printing process)

The apocalypse in book form with a new title-page, woodcut by Albrecht Durer, historical, digital improved reproduction of an old woodcut..

Title page of 'The new (so-called) Magdeburg experiments of Otto von Guericke' by Otto von Guericke. Otto von Guericke (1602-1686) a German scientist, inventor, and politician. Dated 17th Century

Phoenician woman with servant, high chair, jug, bowl, hand over, oval, inscription, historical depiction 1886

Drawing of a Spanish ship from the time of the discovery of America around 1492, digital improved reproduction of an original print from 1880

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