Ornate Decorative Prints

Elegant prints featuring decorative elements like angels, floral motifs, and ornate frames, showcasing the artistry of historical engravers.

Zurich, Meyer, Dietrich, Pear-shaped pendants, Pendant with two peacocks, Top left a flying putto with a candle and a book, top right a man tries to protect himself with a book from a hailstorm (Moses). At the bottom a hunting scene. One of 8 unnumbered sheets from a series of 12., print, ornament print, prints, ornament prints, height 76 mm, width 73 mm, Swiss, 1572-02-26 - 1658-12-12, print maker, printmaker, 1600 - 1600, first quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Frisian with three shows that relate to marriage; Finger hats, Frisians and medallions on a black fond.Between The Performances Grotesken. In The Middle Of A Thimble With Patientia, Triumphant About The Time, Death And Envy, Flanked By Two Medallions. Part of series or 4 sheets.

Panel with the Letter 'S' from the 'Newes ABC Büechlein', Lukas Kilian, German, 1579 - 1637, Engraving on off-white laid paper, A boy ready to cut a goat's beard ('schneiden')., Augsberg, Germany, 1627, Print, Print

Design for a Ceiling with the Allegory of Dawn. Artist: Anonymous, French, 17th century; Anonymous, Italian, 17th century or. Dimensions: sheet: 9 7/16 x 7 1/2 in. (24 x 19 cm). Date: ca. 1640-1700.Design for a ceiling with an oval compartment containing an Allegory of Dawn. The scene is surrounded by an elaborately decorated frame with a variant for the right side. Museum: Metropolitan Museum of Art, New York, USA.

Battle between the Romans and the Samnites, Anonymous, After Tobias Stimmer, 1574 print paper historical events and situations. battle

Design for a Ceiling with the Allegory of Dawn ca. 1640-1700 Anonymous, Italian, 17th century Italian Design for a ceiling with an oval compartment containing an Allegory of Dawn. The scene is surrounded by an elaborately decorated frame with a variant for the right side.. Design for a Ceiling with the Allegory of Dawn 389369

Print, Six Vases, from "Raccolta; Print Maker: Stefano della Bella (Italian, 1610-1664); Published by Pierre-Jean Mariette (1694 - 1774); Italy; etching on white laid paper; 10.4 x 20.8 cm (4 1/8 x 8 3/16 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.)

A pen drawing by Gabriel Dreer showing the proclamation of Mary. Executed in gray-black ink, it depicts figures, gestures, and drapery with detailed line work, dating to the first third of the 17th century.

Copper engraving by Lucas Hugensz. van Leyden from 1528 depicting an ornamental design filled with two sirens, showing detailed figures and decorative elements.

Stefano Della Bella, Fantastic Vases, probably 1646 Fantastic Vases

Paris, Mariette, Pierre (II), Italy, Giancarli, Polifilo, Disegni Varii, Satyr and man bitten by lion, The lower body of the man being bitten ends in a tendril with flowers., print, ornament print, prints, ornament prints, height 233 mm, width 140 mm, Work conception, after a design by, 1655 - 1657, third quarter 17th century, third quarter of the 17th century, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publication, 1634 - 1716, publisher

Imperial court, Augsburg, Leopold, Joseph Friedrich, Bichel, Aegidius, Allerhand Inventiones von Frantzösischem Laub-Werkh, Tablet with woman with wreaths, verso - stamped, Right half of a rectangular tablet surrounded by acanthus scrolls, fruit, putti and at the bottom a mask with a wreath of grapevines. In the tablet a woman in armor sits on a pedestal with two laurel wreaths in her hand surrounded by flags and coats of arms., print, engraving, ornamental print, prints, engravings, ornamental prints, height 349 mm, width 232 mm, print maker, printmaker, 1697 - 1697, paper, engraving (printing process), Work conception, 1696 - 1735, after a design by, Publication (Event), Publication, 1668 - 1726, publisher, granter of privilege

Cadmus kills the dragon; Metamorphoses from Ovid. Cadmus, the founder of Thebes, kills the dragon that guards the source where Cadmus' wanted to achieve companions water for a litter. Some of his companions fled in the background. In the margin a four-line caption, in two columns, in Latin.

Netherlands, Founder, Heirs of the widow Cornelis, Robyn, J., A., Stairs of old age, Consider early, oh youth! the states of life, From stairs to stairs: you are given this picture scene (...), verso - stamped, A staircase of old age: a staircase for men and women. On the steps of the staircase, in the form of a bridge, men and women stand alternately, aged from 0 to 100 years. Under the bridge a representation of the Last Judgment. In the front left a putto and in the front right death. In the bottom margin a verse in two columns. Numbered top right: No. 79., print, folk print, prints, folk prints, height 408 mm, width 320 mm, print maker, printmaker, 1715 - 1813, paper, wood engraving, colours, letterpress printing, Dutch

Letter G Met David a Goliath, 1595 print Ornamental letter G awarded with the giant Goliat, who holds a sword in his hand. At the bottom of David with his shepherd's staff. On the left a vase with flowers. Central a trophy of weapons. The letter is further decorated with a bird, flowers, bunches of fruits and a fish. Verso verses in Latin and German. Print is part of an album. Frankfurt paper engraving / letterpress printing David (not in biblical context); possible attributes: crown, harp. David as shepherd. story of David and Goliath (1 Samuel 17). letters, alphabet, script. fruits and vegetables ~ ornament. flowers in a vase

France, Blon, Michiel le, Le Roy, Henri, Points and borders, Garlands with fruits and cherubs, Reverse copy after prints (sheet 13 and 14) from the series Some Complete Fruits and Points. From a series of sheets on which two motifs are shown side by side, supplemented with birds, insects, flower pots and sometimes an ornamental border with tendrils and animals., print, ornamental print, prints, ornamental prints, height 78 mm, width 209 mm, French, 1579 - 1652, print maker, printmaker, 1611 - 1656, first quarter 17th century, second quarter 17th century, third quarter 17th century, paper, engraving, engraving (printing process), Work conception, German, 1587-07-09 - 1656, after

Étienne Delaune drawing depicting Apollo battling the dragon Python, executed with pen, ink, brush, and Bister wash on parchment.

RETRATO ALEGORICO DE LA REINA MARIA LUISA DE ORLEANS - 1690 - R-22858. Author: FOSMAN Y MEDINA GREGORIO. Location: BIBLIOTECA NACIONAL-COLECCION, MADRID, SPAIN.

Horizontal Panel Design with Two Hybrid Creatures Interspersed between Acanthus Rinceaux. Artist: Anonymous, Italian, Venetian, 17th century; In the manner of Polifilo Giancarli (active in Venice ca. 1600-1625). Dimensions: Sheet: 7 1/4 x 10 5/16 in. (18.4 x 26.2 cm). Date: 17th century (first half).Design for a horizontal panel with a meandering rinceau. In the upper left corner two hybrid creatures with human faces have been placed. The one on the left has wings for arms and wears a feathered head. The one on the right looks like a sphinx and his lower body morphs into a tail of acanthus leaves. Museum: Metropolitan Museum of Art, New York, USA.

Drawing by Filippo Lauri depicting an allegory with two children, a girl holding a mirror and recoiling from a snake held by a boy, executed in chalk on gray paper.

Paris, Firens, Pierre, Bolten, Arent van, Series of Grotesque Figures, Grotesque figures surrounded by a frame line, Monster with trumpet and a kind of crane, Monster with trumpet on which a kind of crane is standing. On the right is a rider with a banner on a dragon. A swan is sitting on the banner. No. 3 series of 7 sheets., print, ornamental print, prints, ornamental prints, height 149 mm, width 204 mm, print maker, printmaker, 1604 - 1616, first quarter 17th century, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1573 - 1633, after a design by, Publication (Event), Publication, Southern Netherlands, French, 1580 - 1638-12-24, publisher

Louis XIV (king of France), Paris, Mariette, Pierre (II), France, Lepautre, Jean, Frizes, feuillages ou tritons marins antiques et modernes, Two friezes, In the upper frieze is a round medallion with Pan surprising Syrinx among the reeds., print, ornament print, prints, ornament prints, height 147 mm, width 218 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1664 - 1664, third quarter 17th century, paper, papier, etching, etchings, Work conception, after own design of, Publication (Event), Publication, 1634 - 1716, publisher, uitgever, 1638-09-05 - 1715-09-01, granter of privilege

Abraham's Sacrifice Artist's working dates 1538-1583 France. Engraving on ivory laid paper . Étienne Delaune

Copper engraving from the Meister der Berliner Passion series, depicting two chimerical birds and a parrot, created between 1450 and 1470.

Hans Holbein the Younger, Letter D Letter D

Disegni Varij di Polifilo Zancarli (Friezes) ca. 1625 Polifilo Giancarli Italian Design for a frieze filled with a meandering acanthus scroll and two main figure groups. On the left side of the frieze a large dragon is depicted together with a dog. The lower body of the dog morphs into the acanthus scroll. On the opposite side a young man is being attacked by a dragon which sits on his back, and is about to bite him. In the middle of the frieze two playful putti have been depicted of which one tries to pull one of the flowers over his head.. Disegni Varij di Polifilo Zancarli (Friezes) 411985

Vignet with the coat of arms of the city of Haarlem. The coat of arms of the city of Haarlem with a tree and two lions.

Design for an overdoor, Nicolas Pineau, French, 1684-1754, Pen and ink, brush and watercolor, Alternative designs for an overdoor with a clock dial on a pedestal., France, 1735, Drawing, Drawing

Two lying angels lean on skull; Frisians with children, angels and animals ..

John Fayram, op.1713-1743, British, Frontispiece design for John Fayram's "Eight Views after Nature", ca. 1739. Pen, black ink, gray wash, and graphite on medium, slightly textured, cream laid paper.

Netherlands, Galle, Philips, Collaert, Hans (I), Adriaen, Bullarum inaurium, Pendant with sea dragon, print, ornament print, prints, ornament prints, height 173 mm, width 128 mm, South Dutch (before 1775), 1560 - 1618-06-29, print maker, 1582 - 1582, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, 1540 - 1581, after a design by, Publication (Event), Publication, South Netherlands, 1537 - 1612-03-29, publisher

Triton holds a skull for a sea monster, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 print A triton with a satap on his back holds a skull in front of a sea monster. Print is part of an album. paper etching / engraving triton(s). monsters of the sea. satyr(s) (in general)

Three Frisians with leaf vines, Anthonie De Winter, After Anonymous, 1696 print Putti are depicted in the top two Frisians, separated by an egg list. Page III.D.5 from third series of 12 sheets with ornaments for gold and silversmiths. Copies to C. de Moelder and others. Amsterdam paper engraving

Square cartouche; Ceilings and cartouches in a picture frame with grotesken, garlands and mascarons; Small cart shower to example in Fontainebleau. In the mid-top is a child with a snake in every hand on an animal skull. From series of 32 sheets. The cartouches are partly derived from the prints of Antonio Fantuzzi to the decoration of François gallery by Giovanni Battista Rosso. The series is also known under the title Petits cartouches the Fontainebleau.

Design of the triumphal chariot of the Virtues. Artist: Anonymous, Italian, 17th century; Previously attributed to Nicolò Nelli (Italian, active Venice, ca. 1552-79). Dimensions: Sheet (Trimmed): 6 3/8 × 14 1/8 in. (16.2 × 35.8 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Ewer with Neptune on his Chariot. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 10 11/16 x 6 15/16 in. (27.2 x 17.6 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

Germany, Jamnitzer, Christoph, sheet of the 'Neu Grotesken Buch' 1610, Das Neuw Grottesken Buch Nürnberg 1610, Four lying oval cartouches with putti on sea creatures, Top left a putto with a lance, top right a putto with a stick, bottom left a putto standing up to his waist in water and bottom right a putto with a flower in his hand. Sheet from a series of surface decorations with grotesques, cartouches, ovals, mascarons, putti and fantastic creatures. The series consists of three title pages, two text pages with the dedication and the preface and 60 leaves, divided over three books., print, ornament print, prints, ornament prints, height 140 mm, width 184 mm, 1563-05-12 - 1618, print maker, printmaker, 1573 - 1610, third quarter 16th century, fourth quarter 16th century, first quarter 17th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, publisher

Josef II., Roman-German Kaiser.

Engraving, Decorated Capital Letter C; Jakob Frey; After Giovanni Passari (Italian); Switzerland; engraving on paper; 5.9 × 5.9 cm (2 5/16 × 2 5/16 in.)

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Cards of the Kings of France. Louis XIV minor with Anne of Austria. Quaranth number of a suite of 40 pieces. (A. de Vesme 649; Dutuit 119) (Main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Frisian with a shield worn by a male and a female satyr, Jacob Binck, 1510 - 1569 print Germany paper engraving satyr(s) (in general). foliage, tendrils, branches ~ ornament. flowers ~ ornament

Similarly framed as in -1385 but without a garland. The small inner frame is rectangular and is supported by three angels above two crossed palm branches. Two angels are flyinf above it, one of them with a paper scroll. A similar glory. Below are two angels with apparently a bowl with frankincense. An other one, farther up, seems to carry a censer. Usual background. Pen and brown ink, brush and brown wash on lined off-white laid paper. Date: 1773-1774. Museum: Cooper Hewitt, Smithsonian Design Museum.

Plate from Frises pour les architraves, cornices, et autres ornements d'architecture (Friezes Intended for Ornamenting Architecture, Cornices, and Other Architectural Elements), Jean Le Pautre, French, 1618-1682, Pierre Mariette II, French, 1634 - 1716, Etching on paper, Sheet divided horizontally into four friezes. From the top: a sea monster; eagles with a festoon; a woman with a cloth; and putti with a dolphin and a river god mask., Europe, ca. 1660, ornament, Print, Print

Equestrian fight in ornamental picture frame. An equestrian fight in a frame of a laurel wreath. In the middle above the personification of justice with sword and scales. Right and top left Blowing personal faith de loftrompet. At the bottom of a weapent trophy and two prisoners. The whole is caught in a list. This print is part of an album.

Paris, Mariette, Pierre (II), France, Lepautre, Jean, Grands Carts de Plafons, Ceiling with a Circular Centerpiece, In the middle a putto as Jupiter; the border is decorated with imperial busts in medallions and in the corner an oval medallion with a battle scene. Sheet 6 from a series of 6 sheets with designs for ceilings, some with variants for the borders. From the second edition., print, ornamental print, prints, ornamental prints, height 218 mm, width 308 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1661 - 1666, third quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher

Design for a Box-Lid 18th century Hubert François Gravelot French. Design for a Box-Lid 335434

Esther for Ahasverus. Left is King Ahasverus on his throne, his hand with sword voted out. Esther kneels before him; Two servants behind her.

Nuremberg, Solis, Virgil, Orpheus and Eurydice, verso - handwritten in brown ink, print, prints, verso - stamped, 38, height 46 mm, width 178 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, papier, engraving, engraving (printing process), etching, plate tone

Antwerp, Zuccaro, Mitelli, Agostino, Rabel, Daniel, Galle, Cornelis (II), Illustration of the first century of the Society Iesv presented to the public by the German-Dutch Province of the same Society., Scrollwork cartouche with Hermes, Hermes flies through the air, in the background birds and a caravan can be seen. From a series of 38 cartouches, decorated with masks, garlands of fruit and flowers, shells and animals., print, ornamental print, prints, ornamental prints, height 102 mm, width 139 mm, Southern Netherlands, 1615 - 1678-10-18, print maker, printmaker, 1640 - 1640, second quarter 17th century, paper, engraving, engraving (printing process), Work conception, after a design by, 1578 - 1637-01-03, inspirator, 1609 - 1660-08-02, Publication (Event), Publication, publisher

Copper engraving by Barthel Beham depicting a cross filling with decorative tanks placed between two genius figures, showing Renaissance ornamentation.

Woodcut showing a battle scene in the Weißkunig series of Emperor Maximilian I. by Leonhard Beck, wooden stick, 1514-1516.

Omne animal post Coitum triste praeter Gallum. Leur imprudence présomption orgueil et tyrannie sont humiliés , Politics & government, International relations, Animals, National emblems, United States, History, Revolution, 1775-1783

Part of Fries on Schouw in the Midwikskamer of the Town Hall on Dam Square, Hubert Quellinus, After Artus Quellinus (I), 1663 print Part of Frisian on one of the two fireplaces in the Midwikskamer of the Town Hall on Dam Square in Amsterdam. On that Frisian, of which this performance is part, there is an allegorical representation on which good advice, union and peace vices such as malice, deception, self -tan, drunkenness, back shit (gossip) and venuity chase. See RP-P-AO222R-1 and RP-P-AO-22-2R-2 for the other parts of the Frisian. The performance is explained in the register (RP-P-AO-22-2-2-2). Numbered at the bottom right: 3. At the bottom of the middle: R. paper etching / engraving strife between Virtues and Vices, Psychomachy. allegory, personification of good government. cupids: 'amores', 'amoretti', 'putti'. beasts of prey, predatory animals: wolf. water-birds: goose. tailless amphibians: toad. fowl (cock, hen, chicken, etc.). beasts of prey, predatory animals. snakes City Hal

Double Cartouche with Two Heads and Symbols of Fame and Folly. Dimensions: sheet: 6.4 x 7.5 cm (2 1/2 x 2 15/16 in.) support: 19.9 x 28 cm (7 13/16 x 11 in.). Medium: graphite, incised for transfer on laid paper; laid down. Museum: National Gallery of Art, Washington DC. Author: Hubert François Gravelot.

Chetyre vremeni goda, graviury A. Trukhmenskago Four Seasons, engraving by Afanasii Trukhmenskii, fl. 17th century. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

France, French crown, Delaune, Etienne, Combats et triomphes, Triumph of Bacchus, verso - stamped, print, prints, height 67 mm, width 222 mm, French, 1519 - 1583, print maker, printmaker, 1528 - 1583, paper, papier, engraving, engraving (printing process), stipple work, granter of privilege

Final; Cock, Hieronymus (Ca 1510-1570), Heyden, Pieter van der (Ca 1530-Post 1584), Bosch, Hieronymus (Ca 1450-1516), Galle, Philips (1537-1612); around 1560 (1559-00-00-1561-00-00);

St. James and the Magician Hermogenes 1565 After Pieter Bruegel the Elder Netherlandish. St. James and the Magician Hermogenes 383064 Artist: After Pieter Bruegel the Elder, Netherlandish, Breda () ca. 15251569 Brussels, Artist: Pieter van der Heyden, Netherlandish, ca. 15251569, Publisher: Hieronymus Cock, Netherlandish, Antwerp ca. 15101570 Antwerp, St. James and the Magician Hermogenes, 1565, Engraving; first state of three, plate: 10 5/16 x 13 3/8 in. (26.2 x 34 cm). The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1928 (28.4(23))

Ornament with centaur. Flat decoration with links a centaur with a club in his one hand and with fish in the other. His abdomen has been replaced by a volute of leaf rights.

Relief with weapons and armor in the town hall on Dam Square, Hubert Quellinus, After Artus Quellinus (I), 1663 print Relief with weapons and armor, probably in the War Council room, in the Town Hall on Dam Square in Amsterdam. Even marked at the top right of the middle: T. paper etching / engraving attributes of Mars. weapons. (military) flags and standards. ornaments ~ art. trophy ~ battle, war City Hall of Amsterdam (1655-1808)

Six Cloles (Bartsch 318) Virgil Solis (1514-1562). Six Clover (Bartsch 318). Burin. 1545. Museum of Fine Arts in the city of Paris, small palace.

A lion, dragon and fox fighting each other, an inscribed banderole above, an oval composition ca. 1515-27 Marco Dente Italian. A lion, dragon and fox fighting each other, an inscribed banderole above, an oval composition 342511

Sebald Beham (German, 1500 - 1550), Three Medals with Coats of Arms, engraving

Kings Abia, ASA and Jehoshafat; The twelve kings of Israel. One of four woodcuts, part of Frisian with kings of Israel. Abia, ASA and Jehosafat on horseback. Above all three banderoles with name and then name.

Copper engraving by Sebald Beham from 1544 depicting a cross filled with genius figures on chimera, showing detailed 16th-century German mythological and decorative elements.

Stefano Della Bella, Fantastic Vases, probably 1646 Fantastic Vases

Wood engraving, England, by Thomas Bewick.

Cartouche with five laps and a shot deer or reindeer. Design for a print.

Frontispiece with Hunters, Dogs and Horses, from 'Hunting Scenes VI'. Artist: Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet (Trimmed): 8 1/8 × 11 5/16 in. (20.6 × 28.7 cm). Publisher: Nicolaus van Aelst (Flemish, Brussels 1526-1613 Rome). Date: 1609. Museum: Metropolitan Museum of Art, New York, USA.

Decorated Roman alphabet 18th century Johann David Nessenthaler. Decorated Roman alphabet 700322

Panel with portrait of Leonardo da Vinci, after 1616 - Before 1689 print Vignette. Portrait medallion flanked by two children with attributes of the arts. One of 18 magazines from different publications. Paris (possibly) paper engraving

Flat decoration: cartouche with a mascaron.Cartouche, held by two putti. Shaded background.

FRIEZE IN TERRA-COTTA, MARINE VENUS AND AMPHITRITE, THE CAMPANA MUSEUM, ROME

Lucas van Leyden, Two Cupids in Two Circles, c 1517 Two Cupids in Two Circles

Design for an Ewer, table and candelabra within an ornamental frame. Artist: Attributed to Abraham Drentwett the Elder (German, Augsburg 1647-1727 Augsburg). Dimensions: 8 5/16 x 11 9/16 in. (21.1 x 29.3 cm). Date: 1660-1727. Museum: Metropolitan Museum of Art, New York, USA.

Southern Netherlands, Plan de Dixmuyde en Flandre, Assiegée par les armes de Sa. Mai.é Catholique, le 27 de Septembre 1647, Soubs la conduicte de Son Alteze le Serenissime Archiduc Leopolde, Map of the siege of Diksmuide (right sheet), 1647, Map of the siege of the town of Diksmuide in Flanders on the French by the Spanish under the command of governor Leopold Willem. Right part of a map consisting of three loose sheets, with a part of the map showing officers on horseback near a forest at the bottom., map, print, prent, prints, Frederik Muller Historieplaten, height 530 mm, width 148 mm, print maker, prentmaker, 1647 - 1647, second quarter 17th century, paper, papier, etching, etchings

Letter A and two children, Hans Holbein (II), 1522 - 1526 print paper letters, alphabet, script. child

Germany, Monogrammist CG (Germany), Round leaf with bear playing the bagpipe, verso lower left - stamped, The bear is playing the bagpipe and is surrounded by a border, decorated with leaf tendrils and four medallions., print, ornamental print, prints, ornamental prints, diameter 70 mm, German, print maker, printmaker, 1534 - 1534, second quarter 16th century, paper, engraving, engraving (printing process), Work conception

Spandrel Design for Coronation of Virgin 1500-1599 Italy. Pen and black ink, with brush and gray wash, squared in red chalk, on ivory laid paper, laid down on ivory laid paper . Unknown Münchener

Two trophies with putti; Putti trophies. Each trophy consists of six putti that stick to a ribbon that is tied to a ring.

Design for a Framing Motif 1712-93 Attributed to Francesco Guardi Italian. Design for a Framing Motif 338950

Allegory at the birth of the Prince of Orange, 1748, 1748 drawing Allegory at the birth of Willem V, De Graaf van Buren, Prince of Orange, 8 March 1748. In a temple, history writes the birth of the prince in her book, The news of birth is brought by the fame. On a pedestal is the peace with a horn of abundance. The roof of the temple is decorated with rocaille motifs. Presentation in a frame with small colored pictures of landscapes and weapon trophies. Northern Netherlands paper 'Historia'; 'Historia' (Ripa). Symbols, Allegories of Peace, 'Pax'; 'Pace' (Ripa). Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa)

Drawing by Bartolomeo Altomonte depicting the four cardinal virtues arranged in triple-like medallions with pen and laved shading.

Fonteinsculptuur Van Een Zeeepard in Putti; Marine horse.; Collection of statues, groups, fountains, terms, vases, and other beautiful ornamens of the castle & park of Versailles. .

Paris, Moncornet, Balthazar, Son, Nicolas de, France, Callot, Jacques, Lefebure, Francois, Livre de fleurs & de feuilles pour servir a l'art d'orfeverie, Goldsmith's bouquet with tendrils, recto lower right - handwritten, Bouquet with leaves and flowers, at the top an iris, at the bottom a number of figures after Jacques Callot and two dogs. From a series of 6 sheets with bouquets for goldsmiths with legume ornaments and figures at the bottom after Jacques Callot., print, ornamental print, prints, ornamental prints, verso bottom left - stamped, Calot fe., height 203 mm, width 161 mm, French, 1600 - 1668-08-11, print maker, printmaker, 1635 - 1635, second quarter 17th century, paper, engraving, engraving (printing process), Work conception, after a design by, 1592-08-21 - 1635-03-24, Publication (Event), Publication, publisher

Design for Border of a Shield. Artist: Anonymous, German, 19th century. Dimensions: 1 7/8 x 6 in. (4.7 x 15.3 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Francesco di Domenico dit, Il Padovano (around 1500-1571). "Florentine card game. Number two of a suite of 35 pieces". Black and white wood engraving. 1547. Museum of Fine Arts of the City of Paris, Petit Palais. 123051-4 Card to play, wood engraving, card game, 16th 16th 16th 16th 16th 16 CENTURY, engraving

Heinrich Aldegrever, Ornament with Foliage and a Child in the Center, 1539 Ornament with Foliage and a Child in the Center

Tree stump with armor between two vases, Giovanni Battista Galstruzzi, After Polidoro da Caravaggio, 1660 print Tree stump with a short arms skirt, helmet and mantle between two shields, decorated with leaf vines. Both vases have two ears. The left vas is decorated with dancing women. Italy (possibly) paper etching

Masks and hats., 1688. Engravings., 4 7/8 x 8 1/4 in. (12.4 x 21 cm), Paper / Sheet 6 11/16 x 10 1/16 in. (17 x 25.5 cm). Stamped, in red ink (title page) MWS Unknown (Lugt 1922)

Two lying angels lean on skull, 1594 print Netherlands paper engraving

Project for a table, Pencil, pen and ink, brush, green-brown watercolor on light brown paper, An eagle standing with spread wings serves as the foot. He holds a short branch in his mouth, another in his right foot, while his left foot stands upon a stone. the base is the earth., Italy, ca. 1700-50, furniture, Drawing, Drawing

Arion on a Dolphin surrounded by a Border decorated with Sea Creatures, from a Set of Circular Designs with Sea Gods 1580-1600 Adriaen Collaert Netherlandish. Arion on a Dolphin surrounded by a Border decorated with Sea Creatures, from a Set of Circular Designs with Sea Gods 414747

Design for a Stained Glass Window with the Story of Aaron Artist's working dates 1522-1594 France. Pen and brown ink and brush and brown wash, on tan laid paper, laid down on cream laid paper . Jean Cousin, the younger

Two fighting children, driving on goats, flanked by children blowing on trumpet, 1594 print Netherlands paper engraving

Three masks with horns; Study magazine, the three fantastic heads with horns ..

The Last Judgement. Galle, Philips (1537-1612), engraver, Heyden, Pieter van der (ca 1530-post 1584), engraver, Cock, Hieronymus (ca 1510-1570), publisher, Bosch, Hieronymus (ca 1450-1516), painter

Triumph of Maximilian. Hans Burgkmair, the elder; German, 1473-1531. Date: 1493-1531. Dimensions: 425 x 600 mm (unfolded). Woodcut on paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Two sarcophagi with statues of a reclining female figure on top, Epitaphiorum liber, Giovio, Benedetto, 1471-1545, Brown ink on paper, ca. 1521, Stone sarcophagi of late Etruscan type with reclining figures on the lids.

Copper engraving by Meister der Berliner Passion from 1450-1470 depicting a unicorn and a mythical animal.

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: one hundred and fourth board (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

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