Ornate Decorative Prints

Elegant prints featuring decorative elements like angels, floral motifs, and ornate frames, showcasing the artistry of historical engravers.

Zurich, Meyer, Dietrich, Pear-shaped pendants, Pendant with two peacocks, Top left a flying putto with a candle and a book, top right a man tries to protect himself with a book from a hailstorm (Moses). At the bottom a hunting scene. One of 8 unnumbered sheets from a series of 12., print, ornament print, prints, ornament prints, height 76 mm, width 73 mm, Swiss, 1572-02-26 - 1658-12-12, print maker, printmaker, 1600 - 1600, first quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Testelin, Louis, France, Elle, Louis Ferdinand I, Pierre, Putti rond een kader met leeuwenhuid, verso - gestempeld, print, prent, prints, prenten, height 261 mm, width 376 mm, 1609 - 1665-09-04, print maker, printmaker, 1619 - 1689, paper, papier, etching, etchings, engraving, engraving (printing process), 1612 - 1689-12-12, Work conception, French, 1615 - 1655-08-18

Antwerp, Galle, Cornelis (II), France, Lepautre, Jean, Varie soffiti, Ceiling and cartouche, At the bottom left is a sphinx on a cartouche, with a variant for the right half. From a series of 6 sheets with opposite-sided copies after an untitled series by Jean Lepautre, first published around 1650., print, ornament print, prints, ornament prints, height 221 mm, width 147 mm, South Netherlands, 1615 - 1678-10-18, print maker, printmaker, 1650 - 1678, third quarter 17th century, fourth quarter 17th century, paper, etching, etchings, Work conception, French, 1618-06-28 - 1682-02-02, after a design by, Publication (Event), Publication, publisher

Oval landscape in an ornate frame. Artist: Etched by Anonymous, French, School of Fontainebleau, 16th century. Dimensions: Sheet: 8 1/4 x 9 5/8 in. (21 x 24.5 cm). Date: ca. 1542-45. Museum: Metropolitan Museum of Art, New York, USA.

Sint Joris On Paard pierces a devil, Caspar Luyken, 1705 print The image of Sint Joris is caught in an ornamental frame with floral motifs and diabolical figures. Amsterdam paper etching the warrior martyr George (Georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword (+ devil(s)). devil(s) and demons

Sight (Visus), from Quinque Sensuum ca. 1655 Franz Cleyn German Horizontal panel with the personification of Visus (Sight) shown as a female figure looking at herself in a mirror, under an arch formed from strapwork and garland at center. Around the arch, inhabited scrollwork and putti, including a putto riding an eagle at upper left, one with glasses at lower left, and another with a spyglass at upper right. The series, consisting of a title and five plates with the senses personified by female figures, is titled 'Quinque sensuum descriptio, in eo picturae genere quod (Grottesche) vocant Itali' (Description of the Five Senses in that kind of painting that the Italians call grotesque). This set belongs to the 3rd edition, published in London by Robert Walton after 1646 (ca. 1655). An inscription on the title plate (45.101.1) credits Walton as the publisher ('SOULD BY RO: WALTON), but there are visible traces of the name and address of the publisher of previous editions.. Sight (Visus),

Pendant with Caritas in Round Medallion; Pear-shaped pendants. Above a man with wings to his wrists trying to fly, but is hampered by a weight of his feet. At the top right a scene from the man's fable with the two bags. At the bottom left of a coat of arms with a hand holding a serpent and at the bottom right of a dog with a bag on his tail. One of 8 unnumbered sheets from a series of 12 with pear-shaped pendants with grotesken, birds, fish and garlands, placed in a structure of rollerwork and Schweifwerk.

Zurich, Meyer, Dietrich, Pear-shaped pendants, Pendant with two peacocks, Top left a flying putto with a candle and a book, top right a man tries to protect himself with a book from a hailstorm (Moses). At the bottom a hunting scene. One of 8 unnumbered sheets from a series of 12., print, ornament print, prints, ornament prints, height 76 mm, width 73 mm, Swiss, 1572-02-26 - 1658-12-12, print maker, printmaker, 1600 - 1600, first quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Copper engraving by Monogrammist AC showing a vignette with a sphinx and a satyr, created in the first half of the 16th century, depicting mythical figures and decorative composition.

Woman with spring flowers on a rocaille; Le printemps / der frühling; The four Seasons. On the Rocaille a woman with a flowering plant and daffodils such as Personification of Spring. The Rocaille is decorated with flowers, a bird cage, a nest and beehives. Around birds and insects. Middle under 31 numbered. At the top right 151 numbered.

Man with glass and can in the hands and dancing man in ornament frame, Gerrit Visscher, 1690 - 1710 print Amsterdam paper etching / engraving glass of wine. man dancing alone. foliage, tendrils, branches ~ ornament

Cartouche in ornament frame with grotesques, putti and animals, against a shaded background. In the frame lower left and right a man with sea monster. In the cartouche the scene in which Perseus shows his medusa shield to Phineus and his men. They turn to stone., Perseus shows his Medusa shield to Phineus PHINEUS , print maker: Abraham de Bruyn, Abraham de Bruyn, publisher: Joos de Bosscher, Netherlands, (possibly), 1584, paper, engraving, h 88 mm × w 122 mm

Ornament with an eagle under a ballroom. Ornament with an Eagle Under a Canopy and Dancing Putti on Either Side.

A mountain landscape with trees, surrounded by a frame with dolphins, Mountain landscape Figures in landscapes 4 D Morceaux de Caprices a divers usages , print maker: Carl Albert von Lespilliez, François de Cuvilliés (Sr.), Keizerlijk hof, Germany, 1745, paper, etching, h 177 mm × w 231 mm

Cartouche: Perseus with the head of Medusa; Oval cartouches with performances from the life of Perseus in frame of grotesken. Perseus with the head of Medusa. Her corpse to his feet. In the frame left and at the bottom right a man on a sea monster. Above a warrior with banze. Shaded background.

Leaf vank with two children and Saterkind, c. 1625 print The Saterkind has a vase where snakes come out. Venice (possibly) paper etching

Cartouche with a man on a sea monster, Harmen Jansz Muller, after Jacob Floris, 1564 print Cartouche with a man on a sea monster, decorated in a round frame with a tulip motif and flanked by two vases with flowers and fruits. On the rolling work is an owl at the top. A swan flies in both upper corners. On the ropes in the mouth of two birds, a shell with a snake and a squid are dangling. Part of series with title page and 12 magazines. print maker: Antwerpafter design by: Netherlandspublisher: Antwerp paper engraving ornament ~ cartouche. water-birds: swan. vase ~ ornament. molluscs: squid. birds. snakes. owls

Herkules and niche with Putti's hair decoration project; Le Pautre, Jean (1618-1682), Mariette, Pierre (1634-1716; m.); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Furie stairs the dining of the law. The image of Furie has been caught in an ornamental picture frame, made up of objects that relate to warfare and two panthers.

Two Angels with a Peapod. Artist: Master HL (German, active ca. 1511-33). Dimensions: Sheet: 3 9/16 × 2 13/16 in. (9.1 × 7.1 cm). Date: 1533. Museum: Metropolitan Museum of Art, New York, USA. Author: Master HL.

Netherlands, France, Vauquer, Jacques, Watch cases: lids and sides, Watch case between two bouquets, Watch case with the Adoration of the Shepherds., print, ornament print, prints, ornament prints, height 90 mm, width 169 mm, Work conception, French, 1621-10-11 - 1686-08-31, after a design by, 1631 - 1736, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, first quarter 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, publisher

Pelias Killed by his Daughters (Dont par pitié elles prennent courage son sang vider par violent outrage...) 1563 René Boyvin Plate 23 of 26. Night scene, with Pelias' daughters entering his bedroom and killing him; one is seen brandishing a sword while the other ones are seen running away; within an ornate border. One of a set of illustrations to the Livre de la Conqueste de la Toison d'or, published in Paris in 1563 and engraved by René Boyvin based on drawings by Léonard Thiry. Jason, the famous hero of antiquity, sets off on a quest to find the Golden Fleece which leads him to meet Medea with whom he has a love affair ending in tragedy.. Pelias Killed by his Daughters (Dont par pitié elles prennent courage son sang vider par violent outrage...). Jason and the Golden Fleece (Livre de la Conqueste de la Toison d'or par le Prince Jason de Tessalie). After Leonard Thiry (Netherlandish, active Fontainebleau ca. 1536-1550). 1563. Engraving. René Boyvin (French, Angers ca. 1525-1598 or 16

Four rows of Frisians, Jean Lepautre, After c. 1667 - Before 1716 print The upper Frisian is divided into four courses with half a weapon trophy on the left, and half a mask on the right. Page 6 from series of 6 blades, each with four rows of Frisians, usually divided into two to four compartments. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Two gift jugs to the left; Gloves in ornamental lists. On the body of the pouring jug, the surrounding list stands, the surrounding list consists of leaf rights, putti, women and garlands of leaves.

Disegni Varii di Polifilo Zancarli 1628 before Polifilo Giancarli Italian Vertical panel design with an acanthus rinceau with various figures. On the lower left, a satyr, seen from behind, holds up a vase from which a multitude of snakes escape. To the right two putti are depicted taunting a small dragon-like creature.. Disegni Varii di Polifilo Zancarli 410955

Winter, Antonio Tempesta, 1592 print An old man on a car that is pulled by owls and pheasants. The man warms his hands on a fire. The show is surrounded by an ornament decorative edge with medallions with the months and two sitting old men. paper etching Winter, 'Hyems'; "INVERNO" (RIPE)

Drawing, Ornamental Design for the Letter B; Gilles-Marie Oppenord (French, 1672-1742); France; pen and black ink on white laid paper; 13.9 x 11.1 cm (5 1/2 x 4 3/8 in.)

Three Clover (Bartsch 315) Virgil Solis (1514-1562). Three clover (Bartsch 315). Burin. 1545. Museum of Fine Arts in the city of Paris, small palace.

Cartouche with two winged putti; Cartouches The Differantes Inventions (...). In the middle a landscape with a city is depicted on the horizon. Leaf 2 from series of 13 sheets with cartouches in French lobe style. From first edition.

Plafond, Cornelis Galle (II), after Jean Lepautre, after c. 1650 - before 1678 print At the bottom you can see a cartouche with a triton, with a variant for the right half. From series of 6 magazines. print maker: Antwerpafter design by: France (possibly)publisher: Antwerp paper etching

Chariot with a woman, pulled by two men, a turtle and a dog

Slaves and Asian figures on either side of a cartouche; Havent scenes. The cartouche in the middle contains an assignment in Latin and is decorated with a coat of arms and two winged women's houses. There is a slave on either side of the cartouche. There is an Asian man with a musical instrument behind each of them. The left man plays a trumpet and the judge a drum. Different flags in the background.

Print made by Samuel Howitt, 1756-1822, British, To Every British Sportsman and Lover of the Arts, 1800. Etching on medium, slightly textured, cream wove paper.

Jason Called Het Gulden Vlies, René Bievin, After Léonard Thény, 1563 print The whole is framed by an ornamental list of putti and mythological figures. paper engraving the Golden Fleece, hanging on an oak-tree, is seized by Jason. the story of the Argonauts: the quest for the Golden Fleece

Putti work on the country. Putti edit the land and one of them prosters a tree. At the bottom of the motto: un travail assidu voit la fruit de ses peines.

Piping sitting man, next to him a standing woman with jug on a rococo ornament, Johann Esaias Nilson, 1731 - 1788 print paper engraving / etching pipe ~ tobacco. container of ceramics: jar, jug, pot, vase

Blazon of mariaransken (Brussels), 1561; Marie Cransken Van Bruessele. Blazoen of the Mariaransken, Rederijkerskamer in Brussels. For the land jewel of Antwerp in 1561.

Putto with tendrils with acanthus leaves, 1640 print A Frisian with a sitting putto with teases of acanthus leaves on either side. London paper etching cupids: 'amores', 'amoretti', 'putti'. acanthus ~ ornament

Twee Grotesken, 1576 - 1650 print Two grotesken. The left with helmet, wings and burning torch. The second monster makes a bridge back. He has arms like lion legs and two wooden legs. There is a cricket -like figure on his knee. Numbered at the top right: 12. The print is part of an album. paper engraving ornament ~ grotesque

Nuremberg, Weigel, Johann Christoph, Decker, Paul (I), Germany, Beger, Lorenz, Allerhand Arten Deck-Stucken vor Mahler und Stucator, Ceiling paintings, Ceiling painting with figures and rocailles, verso - stamped, Right two female figures with palm branch on either side of a tondo., print, ornamental print, prints, ornamental prints, height 150 mm, width 210 mm, 1663 - 1735, print maker, printmaker, 1687 - 1725, paper, papier, etching, etchings, Work conception, 1677-12-27 - 1713-11-18, after a design by, Publication (Event), Publication, German, 1661-07-15 - 1726, publisher

The Kingdom of Neptunus, 1587 print Round show with Neptunus in the center, on horseback and with a trident in his right hand, surrounded by water on which (inter alia) Meermannen (Tritons), Nymphs and Angels are frolicking. Design for a bronze plaque or scale. paper engraving (story of) Neptune (Poseidon)

Perseus shows his medus shield to Phineus; Phineus. Cartouche in ornament list with grotesken, putti and animals, against a shaded background. In the bottom left and bottom right picture frame and a man with sea monster. In the cartouche the scene in which Perseus shows his medus shield to Phineus and his men. They turn into stone.

Adam and Eva hide from God, Crispijn van de Passe (I), After Maerten de Vos, 1580 - 1588 print Adam and Eva hide out of shame about their nudity for God. In the edge of the frame, a Bible quote from Gen. In Latin. paper engraving Adam and Eve discover their nakedness; they cover themselves with their hands or with leaves

Paris, Mariette, Pierre (II), Italy, Giancarli, Polifilo, Disegni Varii, Leaf tendril, satyr, two children and a young man, The three figures at the bottom are holding musical instruments., print, ornament print, prints, ornament prints, height 240 mm, width 140 mm, Work conception, after a design by, 1655 - 1657, third quarter 17th century, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, 1634 - 1716, publisher

Aldegrever, Heinrich, Germany, Plane decoration with two female satyrs with fish tails, verso bottom center - handwritten, Plane decoration with foliate scrolls and a vase with on either side a female satyr with a fish tail and volutes as arms., print, prints, 25, height 98 mm, width 48 mm, German, 1502 - 1561, print maker, printmaker, 1553 - 1553, third quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

Possible Design for an Overdoor Frieze, Pen and ink, brush and wash on paper, Possible design for an overdoor frieze with ewer, helmet, and military motifs., Italy, 17th-mid- 18th century, Drawing, Drawing

Albrecht Dürer, The Triumphal Chariot of Maximilian I (The Great Triumphal Car) (plate 1 of 8), 1523 (Latin ed) The Triumphal Chariot of Maximilian I (The Great Triumphal Car) plate 1 of 8

Title print with child between tied lion and bird of prey on top of shield with fresh; Pastors. A child balances or is a lion and bird of prey. They sit on top of a shield with a fresh in Latin. The shield is rich ornamented with curlwork, two cherubs and dolphins. According to the verse, this child shows by taming the animals that man has the leadership through God through God.

Oval with venus and amor, c. 1610 print Design for oval medallion. Amsterdam paper engraving

Friezów designs with lions and ordec; Le Pautre, Jean (1618-1682), Mariette, Pierre (1634-1716; m.); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Child playing with a dog, Jacob Binck, after Barthel Beham, 1510 - 1569 print Child playing with a dog, in the background an ornament with a candle slicer. Round composition engraved on a rectangular copper plate. Copy in mirror image to print by Barthel Beham. Germany paper engraving dog. toddler (male)

Geoffroy Dumoûtier, Saint John on Patmos, French, active c. 1535 - 1573, c. 1547, pen and black ink with brown wash over black chalk, corrected and heightened with white gouache, with border lines by the artist on laid paper'

Coat of Arms with a Peasant Standing on his Head, Master of the Amsterdam cabinet, 1485 - 1490 print Coat of arms with a farmer standing. In addition, a farmer with a spider star with spider skirts on his back. Germany paper drypoint armorial bearing, heraldry. 'mundus inversus', the reversed world, the topsy-turvy world, 'le monde bestourné'. spindle

Ceiling decoration with Olympic gods, naked figures and ornament, Pietro Aquila, After Giovanni Lanfranco, 1660 - 1692 print Part of the ceiling decoration by Giovanni Lanfranco in the Villa Borghese in Rome, with two lunettes with mythological representations and representations of gods of the Olympus, naked figures and ornament. paper etching the Olympian gods together: Jupiter, Juno, Neptune, Ceres, Apollo, Diana, Mars, Venus, Mercury, Minerva, Vulcan, Vesta (or Bacchus). foliage ~ ornament. ornaments ~ art. caryatids ~ architecture

Louis XIV (King of France), Paris, Mariette, Pierre (II), France, Loir, Alexis (I), Drawings of brasiers without ornaments can be used for cuvettes, tables and other ornamental works, Title page: Drawings of brasiers without ornaments can be used for cuvettes, In the middle a stew with a variant for the right half, carried on the left by a satyr and on the right by a woman sprouting from a tendril. Both are holding a cloth on which the title is written. Around it are three half stews and smaller ornaments. Title page from a series of 6 sheets, first edition., print, ornamental print, title print, prints, ornamental prints, height 153 mm, width 231 mm, French, 1640 - 1713-04-15, print maker, printmaker, 1690 - 1716, fourth quarter 17th century, first quarter 18th century, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, 1634 - 1716, publisher, 1638-09-05 - 1715-09-01, granter of privilege

Africa, 1547 - 1612 print Sheet from series of four. Shaded background. At the feet of Africa is a lion on the right and an elephant on the left. Netherlands (possibly) paper engraving

Title Sheet with fruit bunches, Jacob Goltzius (II), Wolter Sweersz Drollich, 1584 - 1630.

Sebald Beham, Coat of Arms with an Eagle, 1543 Coat of Arms with an Eagle

Italy, Leviores et ut videtur extemporaneae picturae quas grotteschas vulgo vocant, Architectural fantasy with Romulus and Remus at the bottom, Flat decoration: open architectural fantasy with two herms supporting the upper structure of the building. Between them, under a canopy, a woman with a horn of plenty and ears of corn, standing on a drapery. At her feet Romulus and Remus, fed by the she-wolf. Above the personification of 'Terra' (or fertility) a ploughing farmer under a canopy. From a series of 20 sheets., print, ornamental print, prints, ornamental prints, height 255 mm, width 125 mm, print maker, printmaker, 1530 - 1540, second quarter 16th century, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman

France, French Crown, Paris, Langlois, François, Bella, Stefano della, Nouvelles inventions de cartouches, Twelve cartouches, Cartouche with Apollo in laurel bush and Pan among the reeds, print, ornament print, prints, height 124 mm, width 95 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1647 - 1647, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1589-05-12 - 1647-01-14, publisher, uitgever van privilege

Gerechtigheid en God de Vader / Dubbelkoppige adelaar met pijl; Quid Magis / Adsit; Symbola Divina et Humana Pontificum Imperatorum Regum.An emblem with two performances. Upstairs is the personification of justice on a rock. Cannons are aimed at her and a ship fleet comes to accept. In the clouds God the father with a heart in his hand. Under a double-headed crowned eagle with arrow. The inventions of Emperor Rudolf II.

Ornamental Design for the Letter B. Date/Period: Ca. 1720. Drawing. Pen and black ink on white laid paper. Author: GILLES-MARIE OPPENORD.

Of Onkuise Heliogabalus, 1730 - 1770 print Heliogabalus sits on a throne and looks in a mirror. Twice a two -line text in German and Latin in the lower margin. Publishing number 6. paper etching / engraving other foreign deities included in the classical Pantheon (ELAGABAL). rocaille ornament

Allegory at the farm. At the top of a farmer with a platelet and a zeis; At the top of a farmer's coat with a sickle, a heel () And behind her a rake. In the left and right blades all kinds of objects that also refer to farm life: a carre wheel, a halter, baskets and tubs. In the middle a cartouche without text.

Hercules. Etching.

Waza with a pipe in the frame of the cartouche with the performances of Jupiter and Hercules; Le Pautre, Jean (1618-1682), Mariette, Pierre (1634-1716; m.); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Galatea surrounded by saters with fruit guilland, François Bignon (attributed to), after Zacharie Heince, 1630 - 1720 print France paper etching / engraving (story of) Galatea; 'Galatea' (Ripa). satyr(s) (in general). garland, wreath. fruits

The Triumph of Courage and Wisdom late 17th-early 18th century Johann Michael Rottmayr Austrian. The Triumph of Courage and Wisdom 335998

Emblem depicting a man, possibly Arion, playing a lyre and sitting on the back of a dolphin in calm seas The representation is incorporated in a circular frame with banderole with motto Mediis tranquillat in undis calm amidst the raging waves, Man playing lyre and sitting on back of dolphin in calm sea in frame with ornaments and extinguished torch, print maker: François van Bleyswijck, (mentioned on object), François van Bleyswijck, (mentioned on object), Leiden, 1681 - 1746, paper, etching, h 100 mm × w 101 mm

Louis XIV (king of France), Paris, Mariette, Pierre (II), France, Lepautre, Jean, Differents Morceaux d'Ornements Pour Seruir aux Frises Corniches et Architraues, Four rows of friezes, The upper frieze is divided into four panels with a half armorial trophy on the left, and a half mask on the right. Sheet 6 of a series of 6 sheets, each with four rows of friezes, usually divided into two to four compartments., print, ornament print, prints, ornament prints, height 273 mm, width 188 mm, Frans, 1618-06-28 - 1682-02-02, print maker, printmaker, 1667 - 1716, third quarter 17th century, derde kwart 17e eeuw, fourth quarter 17th century, vier kwart 17e eeuw, first quarter 18th century, first quarter 18e eeuw, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher, uitgever, 1638-09-05 - 1715-09-01, granter of privilege

Slee with Neptunus on Hippocampuses, 1666 - Before 1678 This print is part of an album. after design by: Wemdingpublisher: Neurenberg paper engraving auricular ornament, lobe style ~ ornament. sleigh, sledge (non-sport). (story of) Neptune (Poseidon). sea-horse, hippocamp, 'hippocampus', (horse/fish) (mythological hybrid monster)

Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux 17th century (first half) Anonymous, Italian, Venetian, 17th century Italian Design for a horizontal panel with a meandering rinceau. Between the rinceaux there are two young male figures whose lower bodies morph into the acanthus scrolls. One figure on the left looks over his shoulder and supports one of the shooting acanthus leaves. The second figure, right of the center, wears a laurel wreath and supports part of the rinceau with his shoulder.. Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux 410908

The battle net. A naked woman has caught a man under a net, of which she loves the drawstrings in her hand; An amina that comes to fly in a cloud points his arrow on him.

Putto with two on a leash dogs, after 1616 - Before 1689 print Vignette. Paris (possibly) paper engraving

Another copper engraving by Israhel van Meckenem depicting a cross-fill design with Morisken dance, late 15th century, showing figures and movement.

The upper and lower bodies of the dragon are interwoven with the leafy vines. From series of 12 sheets of foliate scrolls and grotesques, dedicated to George Henriot, Panel with foliate scrolls and dragon De Grotesco (series title), print maker: Johan Barra, (mentioned on object), Nicasius Rousseel, Wendel Dietterlin (II), London, 1623, paper, engraving, h 124 mm × w 89 mm

Flat decoration with a griffin and arabesken. At the bottom right of a griffin, the half of a vase with a cherub is visible.

unknown, Paris, Langlois, Nicolas (I), France, Loir, Alexis (I), Frisians with leaf tendrils, Young man, eagle and lion among leaf tendrils, The young man sprouts from a leaf tendril and holds a portrait medallion. From a series of friezes with leaf tendrils., print, ornamental print, prints, ornamental prints, height 150 mm, width 233 mm, French, 1640 - 1713-04-15, print maker, printmaker, 1670 - 1690, third quarter 17th century, fourth quarter 17th century, paper, papier, etching, etchings, Work conception, after a design by, Publication (Event), Publication, 1640 - 1703, publisher, uitgever van privilege

Architectura von Ausstheilung / Symmetria und Proportion der Fünff Seulen. Artist: Wendel Dietterlin, the Elder (German, Pfullendorf 1550/51-ca. 1599 Strasbourg). Dimensions: Overall: 14 9/16 x 10 5/8 x 1 9/16in. (37 x 27 x 4cm). Published in: Nuremberg. Publisher: Published by Balthasar Caymocx. Date: 1598. Museum: Metropolitan Museum of Art, New York, USA.

Islamic Galace slaves on either side of a Cartouche, M. Schaep, After Cornelis de Wael, 1649 print The cartouche in the middle contains an assignment in Latin and is decorated with the coat of arms of Joannes d'Easso and two winged women's busts. On either side of the cartouche is a chained Islamic Galace slave with rowing pans under his feet. Behind each of them is an Islamic Galace slave with a musical instrument. The left man plays a trumpet and the right a drum. These men made as a slave can be recognized as Muslims by the typical haircut (head except for a bare shaved) that they were obliged to have. In the background cannons and different flags. print maker: Noord-Nederland (possibly)after design by: Genua paper etching armorial bearing, heraldry. slavery; serfs and the enslaved. musician. (military) flags and standards

England, Arms flanked by a lion and Hercules, verso - stamped, A crowned escutcheon with three on the right. A roaring lion and Hercules with club flank the shield, standing on rocaille ornaments., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 244 mm, width 347 mm, print maker, printmaker, 1740 - 1760, second quarter 18th century, third quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process)

Stefano Della Bella, Fantastic Vases, probably 1646 Fantastic Vases

Part of Fries on Schouw in the Midwikskamer of the Town Hall on Dam Square, Hubert Quellinus, After Artus Quellinus (I), 1663 print Part of Frisian on one of the two fireplaces in the Midwikskamer of the Town Hall on Dam Square in Amsterdam. On that Frisian, of which this performance is part, there is an allegorical representation on which good advice, union and peace vices such as malice, deception, self -tan, drunkenness, back shit (gossip) and venuity chase. See RP-P-AO222R-2 and RP-P-AO-22-2R-3 for the other parts of Frisian. The performance is explained in the register (RP-P-AO-22-2-2-2). Numbered at the bottom right: 1. At the bottom of the middle: R. paper etching / engraving strife between Virtues and Vices, Psychomachy. allegory, personification of good government. cupids: 'amores', 'amoretti', 'putti'. 'Cornucopia', Horn of Plenty. musical instruments; group of musical instruments City Hall of Amsterdam (1655-1808)

Three friezes with leaf tendrils, print maker: Anthonie de Winter, Anonymous, 1696

Apollo beat Python; Mythological scenes. Apollo on an island in the sea, with a bow in his hands, on his shoulder he wears a arrow sleeve. The overcome Dragon Python is opposite him. In the oval frame a peripheral in Latin.

Rocaille en Draak, 1736 - 1762 print On the right at a rocaille in a landscape is a dragon. On the left is a flowerguirle. paper etching rocaille ornament. dragon

Design for a Sculpture consisting of a Satyr and Satyress holding a Vase 1652-1725 Giovanni Battista Foggini Italian. Design for a Sculpture consisting of a Satyr and Satyress holding a Vase 342117

The four soils, sheet from the "Neuw Grottensken Buch". .

Allegory of Europe, from the Four Continents ca. 1590-1600 After Marcus Gheeraerts the Elder Flemish Marcus Gheeraerts likely trained with the Brussels painter Bernard van Orley; and, after his death, in Antwerp with the prolific printmaker and publisher Hieronymus Cock. Gheeraerts produced his own etchings as well as hundreds of drawings for engravings, which were executed by some of the most well-known Flemish artists of the time. His connections to these printers and publishing housesCock, Sadeler, Galle, de Joderemained strong even while he was working in exile in London.This Allegory of Europe is part of a series of engravings of the four continents after drawings by Gheeraerts. European artists from the Renaissance onwards represented the known world through allegorical figures derived from antiquity. They often took the form of clothed or naked women and were used in ephemeral works made for triumphal entries and pageants, in maps, coins, prints, and the decorative arts. The r

Onyx with a Roman floats and two centers, Simon Fokke, 1765 - 1767 print An onyx with the image of a Roman floats on which a louwed man with wife and child is sitting. There are two cents in front of the cart, an angel flies in the air with a laurel wreath. A richly decorated list around the Onyx. The Onyx would be sold on September 11, 1765 in the Munt in Amsterdam. Amsterdam paper etching / engraving ornaments, jewels. chariot, triumphal car. centaurs

Design for a ceiling with five allegorical figures, Augustine Terwest (I), 1659 - 1711 drawing paper. ink. chalk pen / brush Fortitude, 'Fortitudo' ~ One of the Four Cardinal Virtues. Justice; 'Strength to the justice subject', 'justice', 'Recto justice', 'rigorous justice', 'pity and violence subject to justice' (Ripa). Justice, 'Justitia'; 'Divine Giustitia' (Ripa) ~ One of the Four Cardinal Virtues. (decorated) ceiling

Frame with bust, dragon and weapons; Pictures; 5 Livre the cartouches irreguliers Nouvelement. An ornamented picture frame with a male bra, a dragon and weapons such as shields. In the frame the serene title and a landscape.

Putti a monkey mocking, master of the dice, after giovanni martini, after rafaël, 1655 print On a large garland is a monkey with a fabric wrapped in fabric. On the right a putto with a fruit in hand and on the left a putto with a rattle. On the ground a snail, a turtle and a butterfly. paper engraving monkeys, apes. rattle ~ acoustic signalling. molluscs: snail. insects: butterfly. tortoises, turtles

Two quarters of ceilings, bottom left is an eagle, bottom center reads: N, print maker: Susanne Maria von Sandrart, (mentioned on object), Jean Lepautre, (mentioned on object), publisher: anonymous, print maker: Neurenberg, France, (possibly), publisher: Neurenberg, 1668 - 1716, paper, etching, h 142 mm × w 208 mm

Horizontal Panel Design with a Young Man and a Fantastical Creature Interspersed between Acanthus Rinceaux 17th century (first half) Anonymous, Italian, Venetian, 17th century Italian Design for a horizontal panel filled with a meandering acanthus rinceau. In the middle a boyish figure whose lower body consists of acanthus leaves, interacts with a fantastical creature with the body of a snake and a bird-like head.. Horizontal Panel Design with a Young Man and a Fantastical Creature Interspersed between Acanthus Rinceaux 410854

Fries, anonymous, after Jean Lepautre, after c. 1682 - before c. 1732 print print maker: Netherlands (possibly)after design by: France (possibly)publisher: Amsterdam (possibly) paper engraving / etching

Two Frisians with leaf refines; Frisians. At the bottom of a sphere with fleurs-de-lis and the French king's crown worn by two putti, and three medallions framed by leaf raft. Leaf from series of 6, third edition.

Horizontal Panel with Two Genii Riding on Two Chimeras Sebald Beham German 1544 Ornament with two genii riding on chimerical beasts with goat's heads and spiralling snake tails. The genius at right is seen from behind, while the genius at left faces forward.

Stefano Della Bella, Cosimo de Medici, Prince of Tuscany and Marguerite Louise d'Orléans Cosimo de Medici, Prince of Tuscany and Marguerite Louise d'Orléans

Design by Lucas van Leyden. Édouard Baldus (French, born Germany, 1813 - 1889)

Amsterdam, Visscher, Claes Jansz. (II), Janssen, Hans, Lochom, Bartholomeus van, Designs for the rim of an octagonal dish, with scenes of country life, Company in a wooded area, print, ornament print, prints, ornament prints, height 56 mm, width 98 mm, 1607, print maker, printmaker, 1630 - 1630, second quarter 17th century, paper, engraving, engraving (printing process), Work conception, 1605, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

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