Ornate Print Design Elements

Illustrations featuring decorative cartouches and title pages, showcasing intricate engravings with floral motifs, heraldic symbols, and historical themes.

Print, Engraving on paper, France and England, before 1902, Print

Wish letter with flowers and dancing people, 1824 print Wish letter with described cartouche within a decorative framework with shows of flowers and dancing people. Handwritten message in calligraphy (Kermis prize) by Cornelis Visser to his uncle and Peet. Numbered below: No. 70. Netherlands paper. ink etching / pen flowers. group dancing

Proof of membership of Burgersociëteit Concordia, Pieter Hendrik Jonxis, after Cornelis van Cuylenburgh (II), 1787 print Proof of membership of J. L. van Velthoven from the Utrecht citizen's association Concordia. A framework includes name and membership number. The evidence is decorated with various weapons, two medallions and two female figures with a hat on a stick and a bundle of arrows, symbols of freedom and union. Utrecht paper etching Freedom, Liberty; 'Libertà' (Ripa). casting weapons Utrecht

Petrus Camper. Pen and ink drawing by P. Camper.

From Ogiński Łopacińska (portrait of Helena () From Ogiński Łopacińska); Łopaciński, Jan Nikodem (1747-1810); 1775-1800 (1775-00-00-1800-00-00);

Title Page: Le Brun Travested, or Caricatures of the Passions. Artist: Thomas Rowlandson (British, London 1757-1827 London); After George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: sheet: 7 5/16 x 8 11/16 in. (18.5 x 22.1 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Series/Portfolio: Le Brun Travested, or Caricatures of the Passions. Date: January 21, 1800. Museum: Metropolitan Museum of Art, New York, USA.

View of Reinier Bontius's burial monument in the Pieterskerk in Leiden, Anonymous, c. 1800 - c. 1850 drawing paper. ink pen / brush grave-building, monumental tomb Pieterskerk

Putto with tablet; Putti that depict God's Word; Verbum dei. Medallion with a putto holding a tablet with the merciful Samaritan. In the background Moses that Van God receives the dining of the law. The print has a frame with a Bible quote from Luc. 10 in Latin.

Depiction of Archduke Maximilian of Austria writing text on the imperial anthem by Franz Schütz, executed in cover color, gold paint, and ink on cardboard in 1853, showing figure, writing, and decorative details.

CPNJURATION / L.P.J. Orleans / In Paris. (IT)

New flowers icons, anonymous, after 1667 - 1701 print Title in Ovaal, contained in cartouche with rolling and flowers. From series of 12 magazines. print maker: Netherlands (possibly)after design by: Netherlandspublisher: Amsterdam paper etching

Portrait of the Gottleber

They frann small while over-seesis politician dragar, 1716, 1716 A small person like the French Over-Sean Police Draignster. In the caption verses in German, French and Dutch. Print within a decorative frame pressed from a separate plate with small people and a goat. Numbered right in the middle: 21. Part of the Dutch -bound edition from a series of caricatures of small people, known as the dwarf tone, copied to an older German example. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdam paper etching A small person like the French Over-Sean Police Draignster. In the caption verses in German, French and Dutch. Print within a decorative frame pressed from a separate plate with small people and a goat. Numbered right in the middle: 21. Part of the Dutch -bound edition from a series of caricatures of small people, known as the dwarf tone, copied to an older German example. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amste

Titelprent Met Putti, Raffaello Schiambinossi, 1609 print Title print with a cartouche with the title in the middle. A putto left and right and under a cherub. In the middle of a putto with two trumpets. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching cupids: 'amores', 'amoretti', 'putti'. cherubs, i.e. children's heads with wings. horn, trumpet, cornet, trombone, tuba. fruits and vegetables ~ ornament

Karel VIII, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance by the French king Charles VIII. Text under the show. Paris paper etching Ruler, Sovereign

La operina di Ludouico Vicentino, da imparare di scriuere littera cancellarescha. Arrighi, Ludovico degli, Woodblock, 1522-1523

Netherlands, Greeting letter with hunting scene, recto - handwritten in brown ink, Greeting letter with described cartouche within a decorative frame with a hunting scene. Handwritten message in calligraphy (Kermisbrief) by D. Kuijper to her uncle and godfather. Numbered top right: No. 68., print, popular print, greeting letter, prints, popular prints, verso - stamped, Kermis letter, To my beloved, uncle and godfather!, While the stalls are now ..., height 413 mm, width 327 mm, print maker, printmaker, 1700 - 1899, paper, papier, ink, inkt, etching, etchings, kleuren, kalligrafie, pen, Publication (Event), Publicatie, publisher

Veelderhande Niewe Compartimente (Titlepage in Dutch). Artist: After Gerbrand van den Eeckhout (Dutch, Amsterdam 1621-1674 Amsterdam). Dimensions: Plate: 9 7/16 × 7 1/2 in. (24 × 19.1 cm)Sheet: 14 × 11 in. (35.6 × 28 cm). Engraver: Michiel Mosyn (Dutch, born 1630). Published in: Amsterdam. Publisher: Clement de Jonghe (Dutch, Brunsbüttel (Landkreis Dithmarschen) 1624/1625-1677 Amsterdam) , Amsterdam. Date: ca. 1650-74.The painter Gerbrand van den Eeckhout acted as the designer for several print series showing cartouches and decorative art objects in the Auricular Style. This particular series of cartouches was aimed at an international audience and three different title pages were made to accompany the prints. This is the Dutch title page, which is the most elaborate of the three. The title cartouche is held up by two male figures and below the cartouche several attributes lie strewn over the floor which might refer to the disciplines for which the designs were most useful: architectur

Daniel Lysons, 1762-1834, British, Memorial to Maria Whitfield from Bedfont Church, between 1796 and 1811. Pen and black ink watercolor and gouache over graphite on medium, slightly texture, cream wove paper.

Hedgehog hairstyle tied with a ribbon decorated with a garland of flowers and three large curls entitled Spring. Herisson ceint dun ruban avec une Guirlande de fleurs et 3 boucles dites a la Printemps. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Esnauts et Rapilly, Paris, 1783.

Schröder, Friedrich Ludwig Stecher: Berger, Daniel (1744)

Robert II de Vrome, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance by the French king Robert II de Vrome. Text under the show. Paris paper etching Ruler, Sovereign

Augustus II the Strong (king of Poland), Imperial court, Augsburg, Leopold, Joseph Friedrich, Bichel, Aegidius, Cartouche with acanthus scrolls, verso - stamped, A cartouche with inscription surrounded by acanthus tendrils and at the bottom a garland of fruit. On either side of the cartouche sits a putto., print, prent, ornamental print, prints, prenten, ornamental prints, height 168 mm, width 420 mm, print maker, printmaker, 1698 - 1698, paper, papier, engraving, engraving (printing process), Work conception, 1696 - 1735, after a design by, Publication (Event), Publication, 1668 - 1726, publisher, uitgever van privilege, Duits, 1670-05 - 1733-02-21, verlener van privilege

Sarcophagus Margareta Brahe, father Hesse-Homburg; Thelott, Johann Philipp (1638-1671); after 1669 (1669-00-00-1694-00-00);

Title Page, from Newes Lauberbuechlein. Artist: Peter Aubry II (German, 1610-1666); After Gédéon Légaré (French, 1615-1676) (). Dimensions: Sheet: 5 1/2 × 4 5/16 in. (14 × 10.9 cm). Date: 1628-66.Title page with ornate cartouche over a formal garden. From a set of seven plates by Peter Aubry II after 'Livre de Feuilles d'Orfevrerie,' designed by Gédéon Légaré and engraved by P. Lombart (SKB 813 [1 and Guilmard 51.58). Copies in reverse. Museum: Metropolitan Museum of Art, New York, USA.

A coffin decorated with skulls and wreaths of flowers. Woodcut, 1720.

Christ, Man of Sorrows, Mocked by a Soldier, from The Large Passion. Albrecht Dürer; German, 1471-1528. Date: 1511. Dimensions: 198 x 195 mm (image); 434 x 303 mm (sheet). Woodcut in black on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Netherlands, Rotterdam, Wijnhoven-Hendriksen, Theodorus Johannes, Letter of greeting with a shepherd with sheep, recto - handwritten in pencil, Letter of greeting with described cartouche within a decorative frame with a representation of a shepherd with sheep and a dog. Handwritten message in calligraphy (New Year's letter) by Keetje Duives to her grandmother and aunts. Numbered top right: No. 8., print, engraving, folk print, letter of greeting, prints, engravings, folk prints, verso - stamped, New Year's letter, To my beloved, Grandmother and aunts, Dear friends! may I show you ..., height 417 mm, width 333 mm, height 382 mm, width 303 mm, Publication (Event), Publication, Dutch, publisher, 1812 - 1849, paper, ink, inkt, etching, etchings, colors, calligraphy, pen, print maker, printmaker, 1836 - 1836

Frame with putti and fruit guilrandes, Christoph Schweitzer, 1559 print An ornamental frame with lion heads, putti and fruitguirlandes. At the bottom a round medallion with a skull with hourglass surrounded by snakes and the monogram of the publisher. Zurich (Stad) paper. paper letterpress printing ornaments ~ art (+ framing decorations). cupids: 'amores', 'amoretti', 'putti'. ornament ~ festoon, garland

Figures at a Bijenkorf, Hs. Henke, 1736 print Figures are on a stage at a large beehive. Behind it the winged horse Pegasus and a winch playing Apollo with a jet wreath around the head on Mount Paranassus. The show surrounds a cartouche within which a two -line text in Dutch and with flowers and bees on both sides. Amsterdam paper etching / engraving bee-hive. insects: bee. ornament ~ cartouche

Round Cartouche with two man figures, 1572 - 1575 Round cartouche flanked by two man figures. The Cartouche is a fragment of a map of Pomernia, Livonia and Auschwitz. The print is part of an album. Antwerp paper engraving Round cartouche flanked by two man figures. The Cartouche is a fragment of a map of Pomernia, Livonia and Auschwitz. The print is part of an album. Antwerp paper engraving

Drawing, Design of a Sepulcher Monument for a Prelate; Italy; black crayon, brush and ink on paper

Ornamental frame with title flanked by female hermen; Garden designs associated with the doric, ionic and corinthic construction orders; Hortorum viridariorumque elegantes et multiplicis formae. An ornamental plate with the title flanked by female hermen with garden tools. Down three vases with flowers and a snail. The print is part of an album.

Almanac for the Second Half of the Year 1778, Louis-Joseph Mondhare, French, active 18th c., Engraving and etching on paper, Scheme as -3. The portraits represent: the Duke of Angoulême (1775-1844), 'M. LE D' D'ANGOULÊME'; the prince of Piedmon, 'M. LE Pce DE PIÉDMONT'; his wife, 'M. LA Psse DE PIÉDMONT'; princess Elizabeth of France (1764-1794), 'Mme ELISABETH'; the Duke of Orléans (1725-1785) 'M. LE D' D'ORLÉANS'; the Duke of Chartres. 'M. le D' DE CHARTRES'., France, 1777, Print, Print

Title print with two putti with a coat of arms; Scenes with venus and amor; Scherzi d'Amore ..

Utrecht, Vianen, Christiaen van, Adam van (I), Kessel, Theodorus van, Artificial models of various silver vessels, Artificial models of the famous Sr. Adam of Viana. Third part, Title page: Artificial models of the famous Sr. Adam of Viana. Tercia part, Title page of part 3., print, ornamental print, prints, ornamental prints, height 241 mm, width 185 mm, 1620 - 1660, print maker, printmaker, 1646 - 1652, second quarter 17th century, third quarter 17th century, paper, papier, etching, etchings, Work conception, Northern Netherlands, 1569 - 1627, after a design by, 1600 - 1667-03, Publication (Event), Publication, publisher

Stimmer, Tobias, Netherlands, Image of the New Pope, Grotesque portrait of the new pope, Grotesque portrait of the new pope. Head of the pope, constructed in the manner of Arcimboldo, from all kinds of objects related to the Catholic Church. Made on the occasion of the election of the new pope Clement X in 1670. In the scroll around the portrait a wolf with a sheep in its mouth, a pig with an incense burner, a reading donkey with glasses and a goose with a rosary. With an 8-line caption in Dutch. Cartoon on the Pope and the Roman Church, ca. 1560., print, prent, prints, Frederik Muller Historieplaten, height 305 mm, width 240 mm, print maker, printmaker, 1670 - 1670, third quarter 17th century, paper, papier, engraving, engraving (printing process), Work conception, Swiss, 1539-04-17 - 1584-01-04

The Repository of Arts, Literature, Commerce, Manufactures, Fashion, and Politics: No. LX

Tableau in the Galerie des Batailles (Gallery of Battles), at the Palace of Versailles, France is a 120 metre long and 13 metre wide gallery, occupying the first floor of the Palace of Versailles, joining onto the grand and petit 'apartments de la reine'. It is an epigone of the Grande Galerie of the Louvre and was intended to glorify French military history

Lion and Egyptian scarab beetle in Egyptian sardonyx and dactylotheca. From the collection of the antiquarian Charles Francis Greville. Leo feritus & Scarabaeus Aegypt in Sardony Aegypt & Dactyl. Mezzotint copperplate engraving by John Spilsbury from his Collection of Fifty Prints from Antique Gems, John Boydell, London, 1785.

Untitled. Georgina Cowper, attributed; English, mid 19th century. Date: 1855-1868. Dimensions: 29.1 × 23.4 cm (album page). Ink on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Title page for: J. le Francq van Berkhey, 'Het Verneerert and Verhererlykt' Sgraavenhaage, Eeuwzang ', 1776, Reinier Vinkeles (I), 1776 print Title page with three putti with allegorical attributes at a shield with a stork that has a snake in his mouth. Amsterdam paper etching / engraving shore-birds and wading-birds: stork. cupids: 'amores', 'amoretti', 'putti'. snakes

Antwerp, Plantin, Christoffel, Borcht, Pieter van der (I), Leest, Antoni van, Maes, Joseph, Reproduction of a title page of an antiphonary by Antoni van Leest after Pieter van der Borcht I, recto - stamped, photomechanical print, page, reproduction, photographs, photographically illustrated books, FRONTISPICE XVIe siècle, recto - printed, LITT. N. DÉCEMBRE 1880. PL. 1, JJvY, height 340 mm, width 232 mm, photographer, 1875 - 1880, paper, papier, photolithography, fotolithografie, Belgisch, 1838 - 1908, clichémaker, Work conception, 1545 - 1592, after print by, Zuid-Nederlands, 1545 - 1608, after design by, 1514 - 1589-07-01

The jubilant Wunderhorn, cover of a German song collection from 1808 / Das jubilierende Wunderhorn, Titelbild einer deutschen Liedersammlung aus dem Jahre 1808, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert.

Second Livre de Trophés Culs de Lampes et Devises: Title Page. Dated: c. 1730. Dimensions: sheet (trimmed within plate mark): 20.8 x 12.9 cm (8 3/16 x 5 1/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Gabriel Huquier after Claude Gillot.

H. Cecilia (he chewed), Jerome Wierix, 1563 - before 1619 print Saint Cecilia prays in a departure, in front of a table with a scourge on. Under the show a four -line caption in Latin. Antwerp paper engraving the virgin martyr Cecilia of Rome; possible attributes: falcon, musical instruments, organ, wreath of roses and lilies

The Effect of Principle, Behold the Man (Handkerchief) Made 1795-1810 United States. This handkerchief commemorates George Washington (1732ñ1799) and includes his resignation speech from September 19, 1796. The figure of Washington is based on a painting of the president by Gilbert Stuart, which was commissioned by Senator William Bingham of Pennsylvania in 1796. Printed handkerchiefs of this period often record events and individuals, and they were often displayed rather than used. This handkerchief is attributed to the successful calico printer John Hewson of Philadelphia.. Cotton, plain weave; copperplate printed . Gilbert Stuart (Painter)

Mauriceau, Francois.

Allegory at the marriage of Count Willem Frederik van Nassau to Albertine Agnes van Nassau, 1652, Schelte Adamsz. Bolswert, after Erasmus Quellinus (II), 1652 print Mercury brings Willem Frederik to Albertine Agnes. In the middle their coats of arms. In heaven, Jupiter and Juno sit on a cloud with their animal symbols De Adelaar and De Pauw next to him. Under the show a poem in honor of marriage. In an architectural ornamental list of wedding symbols and two Caratives. Antwerp paper engraving civil marriage ceremony

GRABADO-BEETHOVEN. Location: PRIVATE COLLECTION. France. Ludwig Van Beethoven (1770-1827).

The Dedication, from the series Idee pittoresche sopra la fuga in Egitto (Flight intoEgypt). Artist: Giovanni Domenico Tiepolo, Italian, Venice, 1727-1804

Title page with inscription, framed by candelabels and grotesken; Iacobus Androuetius du Cerceau Inventor Ante Annos Non Paucos Conscripsit (...). Obachi copy to the print of Jacques Androuet Ducerceau. Leaf from series with architectural fantasies and grotesken with fabber designs, garlands, candelabers and mascarons.

Title print with portrait of Ovidius flanked by winged female figures, Antonio Tempesta, 1606 print print maker: Italypublisher: Antwerp paper etching historical persons. portrait of a writer. fabulous beings with wings - AA - female human figure

Antwerp, Jode, Gerard de, Vredeman de Vries, Hans, Huys, Frans, Multarum Variarumque, Cartouche with a text from the Bible book of John, Cartouche with a text from John 4:24. Oval ornament with a man's mask in the top center and a woman's mask in the bottom center. This print is part of an album., print, picture, album sheet, prints, images, height 193 mm, width 137 mm, 1522 - 1562, print maker, printmaker, 1555 - 1555, paper, engraving, engraving (printing process), etching, Work conception, Southern Netherlands, 1527 - 1607, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Delft, Boitet, Reinier, Bleyswijck, François van, Wedding poems, Bridal couple and symbols of love and marital fidelity, verso - stamped, Vignette with frame in which the bride and groom are included. Both are holding a wreath of flowers. As symbols of love and marital fidelity, two hands holding each other are depicted with a burning heart. Next to the bride stands a peacock., print, vignette, book illustration, prints, height 142 mm, width 109 mm, Northern Netherlands, 1671-05-24 - 1746-10-15, print maker, printmaker, 1720 - 1720, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Figure of a charging bull. Taurus. Carved in carnelian, onyx and dactylotheca from the collection of the antiquarian Charles Francis Greville. Mezzotint copperplate engraving by John Spilsbury from his Collection of Fifty Prints from Antique Gems, John Boydell, London, 1785.

Bookplate: Vincentii Follini. unknown, graphic artist

Titelblad: tombs or mausoleums, Jean Marot (i), 1629 - 1716 print The title is on a tablet under an Aedicula. From the first edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper engraving

Flavius Fimbria, Gaius .

Amsterdam, Meyn, David de, Wieringen, Cornelis Claesz. van, Visscher, Claes Jansz. (II), Amaeniores Aliquot Regiunculae, Dutch landscapes, Title print for a series of Dutch landscapes, verso - stamped, A white cloth is stretched between two trees, on which the title of the series: Amaeniores Aliquot Regiunculae...With address of Claes Jansz. Visscher. In the background on the right, on a country road, a man transporting a barrel on a cart. View of a church. Bottom center: Impressae Amstelodami in aedibus Davidis de Meine. 1613, print, engraving, title print, prints, engravings, Amaeniores Aliquot, Regiunculae a, Cornelio Nicolai a Wieringen, Delineate, et aeri aqua forti inscriptae, per, Nicolaum Ioannis Piscatorem, Amstelodammensem, center in the scene - engraved, Impressae Amstelodami in aedibus Davidis de Meine. 1613, center bottom in the margin - engraved, 1, bottom right - engraved, on which the title of the series: Amaeniores Aliquot Regiunculae. In the background on the right, a

Fifteen-line French text titled 'Livre X' with an image of a goddess or allegorical figure in the clouds below. In her hands she carries a torch and a cornucopia. The whole is framed by an ornamental frame with olive branches and at the bottom a bow. Framed French text with olive branches and mythological figure, print maker: Jean-Baptiste Tilliard, publisher: Pierre Didot, publisher: Louis-François Barrois, print maker: France, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, 1785, paper, etching, engraving, h 315 mm × w 250 mm

Coat of arms of the Right Honourable Thomas Onslow, Lord Onslow, 2nd Baron Onslow, 1679-1740. Copperplate engraving by Andrew Johnston after C. Gardiner from Notitia Anglicana, Shewing the Achievements of all the English Nobility, Andrew Johnson, the Strand, London, 1724.

Netherlands, Stone of a Nehalennia altar, Fragment of a Nehalennia altar., print, historical object representation, prints, Frederik Muller Historieplaten, height 144 mm, width 78 mm, print maker, printmaker, 1713 - 1717, first quarter 18th century, paper, papier, etching

Spotprent van Pieter Kouwenburg van Beloys. Regtspleging van Oldenbarnevelt (series title). Draughtsman: anonymous. Dating: 1708 - 1795. Place: Netherlands. Measurements: h 23.5 cm × w 19 cm. Museum: Rijksmuseum, Amsterdam.

Ornamental edge with leaf motifs, Willem Karel Rees, 1900 - 1924 print Ornamentable frame of leaf motifs around the title. paper ornaments ~ art (+ framing decorations)

Antwerp, Galle, Joannes, Vredeman de Vries, Hans, Hortorum Viridariorumque, Garden designs associated with the Doric, Ionic and Corinthian architectural orders, Herms with garden tools and an ornamental frame with a title, verso - stamped, An ornamental plate with the title flanked by female herms with garden tools. At the bottom three vases with flowers. Below the representation a two-line text in French and Dutch. Title print for a series of garden designs according to the Doric, Ionic and Corinthian architectural orders., print, title print, prints, height 194 mm, width 247 mm, South Netherlands, 1527 - 1607, intermediary draughtsman, after a drawing by, 1583 - 1583, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publication, Southern Netherlands, 1600 - 1676-09-20, publisher

Allegory with mythological and Biblical figures, François Van Bleyswijck, 1732 print print maker: Leidenpublisher: Rotterdam paper etching classical history (+ in allegorical or symbolic frame or setting; with allegorical or symbolic accessories)

Title Page for "Various Landscapes". Dated: 1635 or after. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: after Jacques Callot.

Buys, Jacobus, Noordelijke Nederlanden, Vinkeles, Reinier (I), Title page for: Nederland in verbond met Frankrĳk. November 10, 1785, Northern Netherlands, verso - stamped, Title page for: The Netherlands in alliance with France. 10 November 1785. Allegorical vignette with genies at a monument for the alliance between the two countries., print, engraving, title page, Frederik Muller Historieplaten, height 191 mm, width 112 mm, 1741-06-19 - 1816-01-30, print maker, printmaker, 1786 - 1786, paper, papier, etching, etchings, engraving (printing process), Work conception, 1724-11-19 - 1801-04-07

Pratensis, Jason .

Vignette with the personification of Deugd, Jacob Folkema, After Johannes de Bosch, 1723 - 1767 print Vignette with the image of the Personified Virtue in an oval that is surrounded by palm branches and angels. The virtue is equipped with a helmet, shield and sword and is razed by an angel. In her right hand, the virtue holds an arrow, there is a rich apple on her foot. The print is part of a series of book illustrations about virtues and vices. paper etching / letterpress printing Virtuousness; 'Love of virtues',' virtuous action ',' Safe driving of 'real honors',' virtue ',' insurmountable virtue '(Ripa)

Titlepage to Ovid's 'Metamorphoses' 1606 Antonio Tempesta Italian. Titlepage to Ovid's 'Metamorphoses'. Antonio Tempesta (Italian, Florence 1555-1630 Rome). 1606. Etching. Pieter de Jode I (Netherlandish, Antwerp 1570-Antwerp 1634). Prints

Legislator futures Future legislator ".

Cover-Frontispiece for the Apocalypse of St John Made 1899 France. Lithograph in black on cream Japanese paper . Odilon Redon

Roxane, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance by Roxane, the first wife of Alexander the Great. Text in STUDMARGE. Numbered in the top left: 1. Paris paper etching ruler, sovereign - BB - female ruler

Card on the 75th birthday of Hendrik Danielsz. Hooft, Anonymous, 1791 text sheet Card with fresh on the occasion of the 75th birthday of Hendrik Danielsz. Hooft, on June 23, 1791. Six -line fresh within a frame with above a portrait and under a landscape with a doghouse and keeshond. Amsterdam paper etching / letterpress printing

Copper engraving, from Flora over Culture di fiori by Giovanni Battista Ferrari, Rome, 1638

Allegory and Calligraphy on the Peace of Amiens, 1802, Jacob Ernst Marcus, After Reinier Wiensis, 1802 print Allegory on peace closed in Amiens on March 27, 1802, between the Batavian Republic and France and Great Britain. Above the calligraphic title are the peace and steadfastness (with a portrait of Napoleon). Above this group, the fame flies with palm branch and the weapons of the French Republic and Great Britain. At the bottom, the strength beats the deception and the virtue points the wealth and science to peace. On the sides the consequences of peace. On the left the flourishing of commerce and agriculture, on the right the herring fishing. The print includes a statement. print maker: Netherlandspublisher: Amsterdam paper etching / engraving symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). Constancy, Tenacity; 'Costanza', 'Tenacità' (Ripa). sea and coastal fishery. 'Sapientia' and the Seven Virtues, i.e. the Three Theological and the Four Cardinal Virtues. Wealth, Opulence;

The death of Achilles wearing only a Corinthian helmet. Greek hero in the Trojan War, Achle in Etruscan. Behind him, naked Ulysses and Ajax (Aivas Tlamunus) armed with shield and parazonium sword try to protect him. From an engraved cornelian gem. Achillis Interitum in Corneola Ibid. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Leaf to defense the De Witt brothers, 1672; On the image of the Heeren Gebrothers, Cornelis and Johan de Wit. Leaf over the De Witt brothers. At the top of the portraits of Johan and Cornelis de Witt on either side of a representation of two beautiful stars that appeared to heaven above the S-Gravenhage. Below these performances are three short verses. This print is printed from the same plate as FMH 2420a, but only the portrait of Johan de Witt has remained unchanged. The portrait of Cornelis and the face on the Buitenhof are new. Under the title verses on Cornelis and Johan de Witt and their identical fate. This magazine appeared to defend the De Witt brothers.

Mary and Ann Hogarth's Shop Card, Jane Ireland, British, William Hogarth, English, 1697 - 1764, Etching on paper, The upper part of the card depicts an interior of a dress-shop. One man, three women, and two children in foreground. Surrounded by a cartouche frame., England, 1720-1794, Print, Print

Jessie Arthur Mann ,. Sir David Young Cameron (1865-1945). Prints

Memorial for Johannes Christiaan Mohr, Theodoor Koning, 1787 print Allegorical memorial for the poet Johannes Christiaan Mohr. In the middle the monument with the Silhouette portrait of Mohr, in an oval frame to the right. On the monument a harp, jar, laurel wreath, some letters, medals and an angel. Amsterdam paper etching other memorial structures

Allegory on the restoring of the stadholder, 1787, Jan Gerritsz. Visser, after Antoni Zürcher, 1787 print Allegory to the restoration of Stadholder Willem V in 1787 by the intervention of the Prussian troops. Calligraphic inscription with allegorical vignettes. At the top for the radiant sun is justice with caution and peace. Horn on the left and right of abundance from which fruits and riches flow. At the bottom a vignette with freedom and the father time. The print includes a statement. Northern Netherlands paper etching / engraving Freedom, Liberty; 'Libertí' (Ripa) (+ abstract concept represented by female figure). symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. Father Time, man with wings and scythe

Vignette from Willem Kops. The head of a Moor in a laurel wreath.

Maxime Lalanne, Frontispiece, 1871, etching on wove paper.

A lion holding a butterfly in its mouth. The lion was attributed to Diana, Cybele, Ceres and Isis. From an engraved cornelian gem. Leo Papilion Ore Ferens in Corneol in Acad. Etrus. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

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