Ornate Religious Crosses

Intricate and decorative religious crosses, featuring various designs and historical elements, displayed against dark and neutral backgrounds.

Ornamental religious cross against black background.

Cruz de las cofradías, siglo XIV. Museu-Tresor de la Catedral de Girona / Museo Tesoro de la Catedral de Gerona.

Lazio Rieti Antrodoco S. Maria Assunta, Cathedral5. Hutzel, Max 1960-1990 Medieval: Romanesque facade portral from church of S. Maria extra moenia. Post-medieval: 18th century architecture (1712) with rich Baroque interior; paintings on canvas; processional cross German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Processing cross

Ornamental religious cross against black background.

Cruz Procesional, siglo XV, Iglesia parroquial de Conesa.

CRUCIFIJO PINTADO-REVERSO. Author: GUIDO DI PIETRO (1400/1455) FRA ANGELICO o FRAY AN. Location: CATEDRAL-INTERIOR. Toledo. SPAIN.

Lazio Rieti Rieti Museo del Tesoro del Duomo0. Hutzel, Max 1960-1990 Photos are all of metalwork: crucifixes, chalices and monstrances in most part. Negatives without prints also show some statuary. Owner: Cathedral Object Notes: Hutzel photo campaign date: December 27, 1982. His notes indicate that this is the "Museum of the Processional Cross," however TCI indicates that it is the Museo del Tesoro del Duomo. It is also possible that negatives without prints may belong to the Museo Civico in Rieti. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site c

Crush: Crucifixion; unknown workshop of ancient information; 19th century (1801-00-00-1900-00-00);Adam (Bible), Golgota (iconogr.), John the Evangelist (Saint), John theologian (Saint), Jesus Christ, Mandilion (iconogr.), Maria (Mother of Jesus Christ), Cherubiny, Czaska (iconogr.), Inscriptions , Krzyży, Maporion (iconogr.), Ornaments

CAMARA SANTA - CRISTO DE NICODEMUS - CRUZ DE PLATA Y CRISTO DE MARFIL - SIGLO XII. Location: CATEDRAL DE SAN SALVADOR-INTERIOR. Oviedo. ASTURIAS. SPAIN.

Cruz Procesional, siglo XV, Nº Inv. 31.9. Catedral de Santa Tecla de Tarragona.

Riells Cross, 12th century.

Gold-plated silver pectoral cross with sapphires and zircons set in it and gold chain, 20th century, Huesca Diocesan Museum, Aragon community, Spain.

Cross 14th-15th century Italian. Cross 464470

Reliquary Cross. Silver, glass; chasing. Russia. 1704. The State Hermitage Museum. Saint Petersburg. Russia.

Cross of Clogher early 20th century (original dated early 14th century) Irish. Cross of Clogher 463156

CRUZ PROCESIONAL DE ESMALTES. Location: Iglesia parroquial. LINARES M. TERUEL. SPAIN.

CRUZ RELICARIO DE LA VERA CRUZ. Location: CATEDRAL DE SANTA MARIA. ASTORGA. LEON. SPANIEN.

Fra Angelico / 'Painted Cross', Wood. Museum: CATEDRAL DE TOLEDO, Toledo, SPAIN. JESUS.

Lazio Rieti Rieti Museo del Tesoro del Duomo9. Hutzel, Max 1960-1990 Photos are all of metalwork: crucifixes, chalices and monstrances in most part. Negatives without prints also show some statuary. Owner: Cathedral Object Notes: Hutzel photo campaign date: December 27, 1982. His notes indicate that this is the "Museum of the Processional Cross," however TCI indicates that it is the Museo del Tesoro del Duomo. It is also possible that negatives without prints may belong to the Museo Civico in Rieti. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site c

Lazio Rieti Rieti Museo del Tesoro del Duomo2. Hutzel, Max 1960-1990 Photos are all of metalwork: crucifixes, chalices and monstrances in most part. Negatives without prints also show some statuary. Owner: Cathedral Object Notes: Hutzel photo campaign date: December 27, 1982. His notes indicate that this is the "Museum of the Processional Cross," however TCI indicates that it is the Museo del Tesoro del Duomo. It is also possible that negatives without prints may belong to the Museo Civico in Rieti. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site c

CRUZ PROCESIONAL EN PLATA DORADA SIGLO XVI. Author: ENRIQUE DE ARFE (1475-1545). Location: COLEGIATA DE SAN ISIDORO. LEON. SPAIN.

Crucifix 17th century Kongo peoples Brass crucifixes cast by Kongo artists reflect the influence Christianity has had on Kongo culture. In 1490, less than a decade after the first Portuguese explorers encountered the then vast and thriving Kongo kingdom, missionaries were sent there to establish a Christian settlement. Although the king and his successor converted almost immediately, Christianity never replaced traditional religious beliefs. Instead, Christian ritual objects acquired many of the same meanings and functions of the charms and power objects they were meant to supersede. Kongo chiefs received them along with other insignia of office and used them to proclaim their power as lawgivers and judges.Although based on European models, the crucifixes made by Kongo artists also acquired Kongo forms. They were usually cast in an open mold using metal obtained from manillas, brass rings imported from Europe. Praying figures, sometimes reduced to disembodied heads as on the arms of th

Reverse of the Cross of Lanciano, vintage engraved illustration. Magasin Pittoresque 1846.

Lazio Rieti Rieti Museo del Tesoro del Duomo1. Hutzel, Max 1960-1990 Photos are all of metalwork: crucifixes, chalices and monstrances in most part. Negatives without prints also show some statuary. Owner: Cathedral Object Notes: Hutzel photo campaign date: December 27, 1982. His notes indicate that this is the "Museum of the Processional Cross," however TCI indicates that it is the Museo del Tesoro del Duomo. It is also possible that negatives without prints may belong to the Museo Civico in Rieti. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site c

Goldsmith's art, Italy. Processional cross

Altarkreuz Altarkreuz Copyright: xZoonar.com/BartomeuxBalaguerxRotgerx 22711280

Lazio Frosinone Veroli S. Andrea Apostolo, Cathedral6. Hutzel, Max 1960-1990 Views of metalwork objects housed in Treasury of S. Andrea Apostolo, including busts, reliquaries, crosses, polittico, boxes. Antiquities: relief sculpture; busts General Notes: Museum, which contains Treasury, is located in the last chapel of the right nave. Thirteen views of (non-metalwork) sculpture from Museum have been assigned numbers at end of Treasury sequence, but there are no negatives corresponding to these prints, nor is there authoritative evidence that these objects are housed in the Cathedral Museum. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque

Altar cross, 12th century, enameled copper and wood, Compostela workshop, from Ponte Ulla, Santiago de Compostela Cathedral, Santiago de Compostela, province of La Coruña, Galicia,.

Lazio Rieti Poggio Mirteto Assunta, Cathedral7. Hutzel, Max 1960-1990 Exterior views of apse, flanks, and brick, two-story facade of 17th c. cathedral, with details of tympanum and crest. Interior views of naves, altar, chapels, details of baroque stucco decoration, altar painting by Giovanni Baglione, other paintings, statues, cupola, and 16th c. silver processional cross in sacristy. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Astylar cross, by Iacopo E Damiano da Gonzate, 1524, 16th Century, silver and enamel. Italy, Emilia Romagna, Busseto, Parma, San Bartolomeo Collegiate Church. Detail. Astylar cross Christ crucifix figures Virgin Mary Apostles Evangelists gold enamel.

Crucifix decorated with French lilies. The cross, the lower vertical portion of which has been completely renovated, is decorated with French lilies on the three other ends and has a punched aureole at the intersection. The crucified Christ is a counterfeiting from the nineteenth century and exported to the type that was common in Germany in the 12th century.

A crucifix statue

Small Cross - Christ Crucified (Single Armed) unknown

Chasuble orphrey. unknown, author

Crucifix Zagórski, Szymon

The Cross of Cong was made in 1123 to encase a fragment of the True Cross that was brought to Ireland, Dublin, Republic of Ireland. Europe. Three Months In Ireland By Miss Marie Anne De Bovet (1855 - 1935) Limerick and the Clare Coast 1889, Le Tour du Monde 1890

Processional cross, 15th century, by Antoni Oliva. Esglèsia Parroquial de Nostra Senyora de la Consolació. Museum: Esglèsia Parroquial de Nostra Senyora de la Consolació.

Hand Cross (Tricity) unknown

Lazio Rieti Rieti Museo del Tesoro del Duomo7. Hutzel, Max 1960-1990 Photos are all of metalwork: crucifixes, chalices and monstrances in most part. Negatives without prints also show some statuary. Owner: Cathedral Object Notes: Hutzel photo campaign date: December 27, 1982. His notes indicate that this is the "Museum of the Processional Cross," however TCI indicates that it is the Museo del Tesoro del Duomo. It is also possible that negatives without prints may belong to the Museo Civico in Rieti. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site c

Lazio Rieti Poggio Mirteto Assunta, Cathedral8. Hutzel, Max 1960-1990 Exterior views of apse, flanks, and brick, two-story facade of 17th c. cathedral, with details of tympanum and crest. Interior views of naves, altar, chapels, details of baroque stucco decoration, altar painting by Giovanni Baglione, other paintings, statues, cupola, and 16th c. silver processional cross in sacristy. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cross of Krzywopłoty issued by the Committee for the Construction of the Monument to the Fallen Legionnaires under Krzywopłoty Sztorc, Henryk

Cruz Procesional, 1415. Iglesia parroquial de Lanzuela, Teruel.

Lazio Rieti Rieti Museo del Tesoro del Duomo7. Hutzel, Max 1960-1990 Photos are all of metalwork: crucifixes, chalices and monstrances in most part. Negatives without prints also show some statuary. Owner: Cathedral Object Notes: Hutzel photo campaign date: December 27, 1982. His notes indicate that this is the "Museum of the Processional Cross," however TCI indicates that it is the Museo del Tesoro del Duomo. It is also possible that negatives without prints may belong to the Museo Civico in Rieti. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site c

Reliquary Cross, anonymous, c. 1750 - c. 1850 Christ on the cross and Mary on the foot of the cross. The cross has a drawer at the back. Oberammergau boxwood (hardwood) Christ on the cross and Mary on the foot of the cross. The cross has a drawer at the back. Oberammergau boxwood (hardwood)

Processional Cross 13th century North Italian. Processional Cross. North Italian. 13th century. Silver-gilt. Metalwork-Silver

Gold Cross of Justinian II. Byzantine Period. TURKEY.

Lazio Rieti Rieti Museo del Tesoro del Duomo0. Hutzel, Max 1960-1990 Photos are all of metalwork: crucifixes, chalices and monstrances in most part. Negatives without prints also show some statuary. Owner: Cathedral Object Notes: Hutzel photo campaign date: December 27, 1982. His notes indicate that this is the "Museum of the Processional Cross," however TCI indicates that it is the Museo del Tesoro del Duomo. It is also possible that negatives without prints may belong to the Museo Civico in Rieti. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site c

Solingen Gräfrath, St. Mariä Himmelfahrt

CRUCIFIJO DE MARFIL DE DON FERNANDO Y DOÑA SANCHA - SIGLO XI. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN. CRISTO CRUCIFICADO.

Abruzzo L'Aquila Sulmona Museo Civico1. Hutzel, Max 1960-1990 Museo Civico Treasures: these objects (Tesoro del Pio Istituto della SS. Annunziata and Tesoro della Cattedrale) are now housed in the security vault of a bank, not in the Museo Civico, as noted in Hutzel's photo campaign notes of August 1984. Views of the treasures include: a silver processional cross (14th century); gold, silver and enamel chalice (13th century), gold and silver crosier with sculpted figures depicting the Annunciation (13th century), a silver and gold reliquary with glass (13th century), a silver diadem (13th century), and a box-like silver and gold reliquary (15th century). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as wel

CRUZ PROCESIONAL. Location: CATEDRAL DE NUESTRA SEÑORA DE LA ENCARNACION. Almería. SPAIN. CRISTO CRUCIFICADO.

Cross of wood with round recesses for relics. Wooden crucifix, in which a slightly deep circular floors on either side, in which previously covers relics with glass.

Enkolpian Russian Orthodox, Veliky Novgorod, cross. Cast bronze, 14th-16th century

Ornate religious cross hanging on red wall.

Prozessionskreuz, Kirche Allerheiligen in Blato, Insel Korcula, Kroatien Processional cross, Church of All Saints in Blato, Korcula island, Croatia Copyright: xZoonar.com/ZvonimirxAtletix 22559006

Lazio Rieti Rieti Museo del Tesoro del Duomo8. Hutzel, Max 1960-1990 Photos are all of metalwork: crucifixes, chalices and monstrances in most part. Negatives without prints also show some statuary. Owner: Cathedral Object Notes: Hutzel photo campaign date: December 27, 1982. His notes indicate that this is the "Museum of the Processional Cross," however TCI indicates that it is the Museo del Tesoro del Duomo. It is also possible that negatives without prints may belong to the Museo Civico in Rieti. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site c

Tuscany Grosseto Grosseto Museo Diocesano di Arte Sacra0. Hutzel, Max 1960-1990 Post-medieval collection of paintings, sacred objects and manuscripts from the Duomo and other city churches. There are a significant number of late Medieval Madonnas & Child paintings as well as High Renaissance paintings from the Bolognese school. The objects include a processional cross, and two reliqueries. Additionally there are some photos of manuscript pages of hymnals with objects they are displayed with. Object Notes: Hutzel notes are undated. The objects in the Musea Diocesano are included in his notes for the Duomo. We have kept Hutzel's numbering for the objects. There are also two prints for almost all the negatives, and the details were so similar (even if one photo is cropped more closely) that we have treated them as though there were two prints for each negative. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The resul

Goldsmith's art, Italy, 16th century. Piero di Martino Spigliati, processional cross, 1552. Front side.

Visigothic cross with inscription of the donor: +OFFS / TEFAN / V / SECLISIE ( SECINI / ANISI (Presented by Esteban (Stephen) to the Church of the Holy Cross, in Yanises). 7th century AD. Bronze. From Burguillos del Cerro (Badajoz province, Extremadura, Spain). National Archaeological Museum. Madrid. Spain.

Lazio Rieti Rieti Museo del Tesoro del Duomo7. Hutzel, Max 1960-1990 Photos are all of metalwork: crucifixes, chalices and monstrances in most part. Negatives without prints also show some statuary. Owner: Cathedral Object Notes: Hutzel photo campaign date: December 27, 1982. His notes indicate that this is the "Museum of the Processional Cross," however TCI indicates that it is the Museo del Tesoro del Duomo. It is also possible that negatives without prints may belong to the Museo Civico in Rieti. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site c

Close up of crucifix pendant against black background.

BatllÑ Majesty. 2nd half s.XII. Woodcarving, cypress (Christ) and chestnut tree (cross), with polychromy in tempera. I belongs to the triumphant category, considered to be of Eastern, Syrian origin. Romanesque art. Sculpture on wood. SPAIN. CATALONIA. Barcelona. National Art Museum of Catalonia. Proc: SPAIN. CATALONIA. GERONA. Garrotxa.

reliquary of the True Cross, 16th century, Palma Cathedral Museum, Majorca, Balearic Islands, Spain.

Cruz Procesional, siglo XV. Museo Diocesano de Barcelona.

Saint Spyridon Orthodox Church. Door of Iconostase. Trieste. Italy.

Chasuble Back with an Orphrey 15th century Italian, Spanish, or Turkish; German. Chasuble Back with an Orphrey 460592

CRUZ PATRIARCAL DE CRISTAL BLANCO - PLATA SOBREDORADA. Location: CATEDRAL-INTERIOR. Sevilla. Seville. SPAIN.

Cruz, siglo XV, Basílica de Santa Maria del Mar de Barcelona.

Monumental Cemetery. Cross on a grave. Milan. Italy.

abstract cross in italy europe and the sky background

CRUCIFIJO DE ORO Y MARFIL - ESTILO WINCHESTER - EBORARIA OTONIANA - REALIZADA HACIA EL AÑO 1000. Location: VICTORIA AND ALBERT MUSEUM. LONDON. ENGLAND. JESUS. CRISTO CRUCIFICADO.

Orthodox cross. Paris. France.

Chasuble; XV or 19th century (fabric); 15th century (embroidery) (1450-00-00-1900-00-00);Barbara (Saint - -306), God Father (iconogr.), John the Evangelist (Saint), Maria (Mother of Jesus Christ), Paul the Apostle (Saint - Ca 8 -Ca 67), Piotr the Apostle (Saint - Saint - -Ca 64), Crucifixion, Ostu Flower, Pomegranate

Koster, H. (photographer), Oversluijs, AL, Gilded and enamelled copper crucifix, 14th or 15th century, photograph, photo, photos, height mm, width mm, photographer, 1855 - 1863, third quarter 19th century, albumen print, albumine print

Cruz Procesional, 1430, Nº 667. Museu de Lleida Diocesà i Comarcal.

Antique crucifix made of gold - Roman Catholic Church, Jesus Christ

Cross processing; 19th century (1801-00-00-1978-00-00);deposit of Wacław Korabiewicz, crosses, Ethiopian crosses, procession crosses, liturgical equipment

Crucifix early 17th century Italian, Florence. Crucifix 205123

Cruz Procesional, siglo XV. Catedral de Santa Tecla de Tarragona.

Campania Caserta Capua Museo Campano15. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Cruz Procesional, siglo XV, Iglesia parroquial de Cuencabuena.

CRISTO MAJESTAD S XIII. Location: MUSEO EPISCOPAL. VIC. Barcelona. SPANIEN.

Abruzzo Chieti Lanciano S. Maria Maggiore. Hutzel, Max 1960-1990 Church dates from 14th century and reputedly is built over a temple of Apollo. Parts of the church were renovated in the 16th century, but some of this renovation was removed in 1965, returning the church to its original style. There are many exterior views, with particular attention paid to the apse and right portals with their rose windows. There are general views of the interior. A few paintings are photographed; the main objects are a processional cross and a wooden crucifix with terracotta figures of Mary and St. John. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque mon

CUSTODIA DEL SIGLO XVIII. Location: Iglesia parroquial. Chelva. Valencia. SPAIN.

Krzyż z wyobrażeniem Ukrzyżowania. Nieznany warsztat staroobrzędowców bezpopowców, factory

Gothic Cross (Hildesheim Abbey), Germany, Historical, digitally enhanced reproduction from an original around 1860.

Gekreuzigter Christus Bronzen fünfzehnten Jahrhundert kommt aus Las Bellostas Crucified Christ bronzes fifteenth century comes from Las Bellostas, Huesca Diocesan Museum, Aragon community, Spain Copyright: xZoonar.com/Tolox 22307666

Cross

in saint george church of jordan the doorway and a cross like background concept

Gravestone in the shape of a cross. Ancient cross tombstone. 3D rendering Gravestone in the shape of a cross. Ancient cross tombstone. 3D rendering isolated on white background Copyright: xZoonar.com/alexlmxx 21230805

Spain, Murcia region, Caravaca de la Cruz, de la fiesta museum

abstract cross in italy europe and the sky background

CALIZ DE SAN SEGUNDO - DETALLE DEL ESMALTE DEL NUDO CENTRAL - CRISTO CRUCIFICADO - SIGLO XIV. Author: PETRUCCI ANDREA-ORFEBRE (SIGLO XIV). Location: CATEDRAL-INTERIOR. AVILA. SPAIN.

Crucifix 12th century Southeastern Europe (possibly). Crucifix 464666

Lanza de caza, emblema con con incrustaciones de oro. Siglo XVI.

Cross Christ crucified (one handed) unknown

Crucifix Gold crucifix on a stand isolated with clipping path included Copyright: xZoonar.com/Baloncicix 7323629

Cross ca. 1100 Byzantine This elegant pendant cross is representative of the finest objects for personal devotion produced for the elite of the Byzantine empire. Both faces of the exquisite miniature cross are decorated with intricate floral patterns worked in multicolored cloisonné enamel, on a single sheet of golda tour de force of the enameler's art.. Cross. Byzantine. ca. 1100. Cloisonne enamel (red and blue). Made in Constantinople. Enamels-Cloisonné

Jungfrau Maria mit dem Heiligen Johannes unter dem Kreuz, Kirche St. Johannes in Piflas, Deutschland Virgin Mary with Saint John under the cross, church of St. John in Piflas, Germany Copyright: xZoonar.com/ZvonimirxAtletix 22618539

CUSTODIA DE PLATA Y ESMALTES (1600). Location: MARIENKIRCHE. BETANCURIA. FUERTEVENTURA. SPAIN.

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