Ornate Title Pages

Intricate print title pages adorned with floral motifs and decorative elements, showcasing the artistry of historical etching and engraving.

Amsterdam, Visscher, Claes Jansz. (II), Janssen, Hans, Lochom, Bartholomeus van, Designs for the rim of an octagonal dish, with scenes of country life, Left three men with two goats, On the right two figures are walking with a castle in the background., print, picture, ornamental print, prints, pictures, ornamental prints, height 58 mm, width 97 mm, 1607, print maker, printmaker, 1630 - 1630, second quarter 17th century, paper, engraving, engraving (printing process), Work conception, 1605, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Print, Title Page from "Toisieme Livre Contenant Des Frises ou Paneaux en Longueur Inventés Par G. M. Oppenort Architecte du Roi et Gravés par Huquier"; Designed by Gilles-Marie Oppenord (French, 1672-1742); Etched by Gabriel Huquier (French, 1695-1772); France; etching on paper; 41.2 × 27.7 cm (16 1/4 × 10 7/8 in.); 1959-85-13

Bound Print, Cartouche with Young Triton, Livre de Cartouches Réguliers (Book of Regular Cartouches); Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Engraved by Balthazar Sigismond Setlezky (German, 1695 - 1774); Germany; etching and engraving on paper; 27 × 17.5 cm (10 5/8 × 6 7/8 in.)

1) frontispis; Falck, Jeremias (Ca 1609-1677), Wit, Frederik de (Ca 1630-1706; M.); after 1662 (1662-00-00-1672-00-00);

Netherlands, Wish letter with street activities, recto - handwritten in brown ink, Wish letter with described cartouche within a decorative frame with representations of street activities, such as people singing street songs and children peering into a peep box. Handwritten message in calligraphy (fair prize) by AJ Visser to her uncle and godfather. Numbered top right: 110., print, picture, folk print, greeting letter, prints, pictures, folk prints, verso - stamped, Fairground prize, Dear, Uncle and Godfather, There the fairground party is now born ..., height 416 mm, width 338 mm, height 397 mm, width 313 mm, print maker, printmaker, 1824-07-31 - 1824-07-31, paper, ink, inkt, etching, etchings, colours, calligraphy, pen, Publication (Event), Publication, publisher

Titelblad: Five senses Anonymous, after Franz Cleyn, c. 1655 print There are various animals next to the cartouche with the title: a deer, a dog, a turtle, a stork, a hare and a peacock. Title page from series consisting of a title page and 5 magazines with personifications of the senses, third edition. print maker: England (possibly)after design by: England (possibly)publisher: London paper etching

Greeting letter with a putto that shoots on a boar. Greeting letter with described cartouche inside a decorative frame with performances of putti, a putto of which shoots an arrow on a boar. The figures largely consist of curls (calligraphy). Handwritten message in calligraphy (Pentecostedight) by Jan de Gast. Numbered at the top right: 1.

Print, Title Page; Designed by François-Thomas Mondon (French, ca. 1709 - 1755); Print Maker: Antoine Aveline (French, 1691 - 1743); France; etching on laid paper

Print, Title Page; Designed by Giovanni Battista Betti (Italian, active 1754 - 1777); Italy; Overall: 23.1 x 32.5 cm (9 1/8 x 12 13/16 in.); 1918-17-1

Amsterdam, Visscher, Claes Jansz. (II), Janssen, Hans, Lochom, Bartholomeus van, Designs for the rim of an octagonal dish, with scenes of country life, Left three men with two goats, On the right two figures are walking with a castle in the background., print, picture, ornamental print, prints, pictures, ornamental prints, height 58 mm, width 97 mm, 1607, print maker, printmaker, 1630 - 1630, second quarter 17th century, paper, engraving, engraving (printing process), Work conception, 1605, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Allegory on the death of Willem George Frederik; Title page For: the life of Willem George Fredrik (...), 1803.an Allegorical Woman's Figure and Justice Grows at the Tomb of Willem George Frederik, Prince of Orange-Nassau. A Snake in A Tree in the background.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), new inventions of cartridges. First issue of a suite of 12 rooms. (A. de Vesme 1015; dutuit 133) (main title), 1647. Eau-tie. Petit Palais, Museum of Fine Arts of the City of Paris.

Four putti around a cartouche. Four putti around a cartouche with the inscription: Studio Fovetur Ingenium. On the ground there are two crying putti, one with winch and one with painting palette and brushes. The cartouche is held up by a flying putto with zeis and hourglass. In the air, a trumpet blowing putto flies with the symbol of eternity in his hand.

Print (France)

Title Plate, from Quinque Sensuum. Artist: Franz Cleyn (German, Rostock 1582-1658 London). Dimensions: Sheet: 3 3/4 × 7 15/16 in. (9.5 × 20.1 cm). Publisher: Published by Robert Walton. Series/Portfolio: Quinque Sensuum. Date: ca. 1655.Horizontal panel with the title on fabric draped from a strapwork cartouche at center and surrounded by animals. At left, a monkey in glasses, a deer, and a dog. At right, a parrot, crane, and rabbit. Below the fabic at center, a turtle seen from the front. The series, consisting of a title and five plates with the senses personified by female figures, is titled 'Quinque sensuum descriptio, in eo picturae genere quod (Grottesche) vocant Itali' (Description of the Five Senses in that kind of painting that the Italians call grotesque). This set belongs to the 3rd edition, published in London by Robert Walton after 1646 (ca. 1655). An inscription on this plate credits Walton as the publisher ('SOULD BY RO: WALTON), but there are visible traces of the name

Design for title page of Receuil de Lions, Jacques Kuyper, After Bernard Picart, 1774 drawing Design for a title page and print. paper. ink pen / brush attributes of Hercules (with NAME). attributes of Hercules (with NAME)

Trade card for William Allen, Map and Print Seller in Dublin late 18th-early 19th century Anonymous, British, late 18th-early 19th century This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as tradesmen’s cards,” tradesmen’s bills,” or shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.. Trade card for William Allen, Map and Print Seller in Dublin. Anonymous, British, late 18th-early 19th century. late 18th-early 19th century. Etching

Telemachus and Odysseus, standing on an island under a tree, speaking to each other. A boat with three figures is visible in the background on the right. The scene is framed by an ornamental frame with olive branches and a bow at the bottom. Numbered top right: No. I. Telemachus speaks to his father, not recognizing him, print maker: Jean-Baptiste Tilliard, (mentioned on object), intermediary draughtsman: Charles Monnet, (mentioned on object), publisher: Pierre Didot, print maker: France, intermediary draughtsman: France, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, 1785, paper, etching, engraving, h 316 mm × w 244 mm

Trade Card for Syers & Treble, Carvers, Gilders, and Printsellers 19th century Anonymous, British, 19th century. Trade Card for Syers & Treble, Carvers, Gilders, and Printsellers. Anonymous, British, 19th century. 19th century. Engraving

Landscape with grave monument; Title print for series Italian landscapes; Italian landscapes. Title print with landscape and grave monument (mausoleum) with on Timoclea bass relief for Alexander the Great on Timoclea. Including stone inscription in which the different names of the persons involved are mentioned in the manufacture of the series of prints. This second series was dedicated to Antonio Maria Zanetti.

Greeting letter with an inn, drinking farmers and acrobats. Call letter with described cartouche within a decorative framework with performances of an inn, drinking farmers and acrobats. Handwritten message in calligraphy (fair price) by Grietje Visscher to her uncle and Peet. Numbered at the top right: No. 43.

The statue of Strasbourg.

Rotterdam, Hendriksen, Jan, The Hague, Schweickhardt, Leonardus, Letter of Wishes with a Shepherd Protecting His Sheep from a Wolf, recto - handwritten in brown ink, Letter of Wishes with a described cartouche within a decorative frame with representations of a shepherd protecting his sheep from a wolf, sculptures and a putto. Handwritten message in calligraphy (fair prize) by Cornelis Visser to his great-grandfather. Numbered top right: No. 1., print, picture, popular print, greeting letter, prints, pictures, popular prints, verso - stamped, Fair prize, To my respect, Great-grandfather, Here I come again as before ..., height 408 mm, width 330 mm, 1783-11-06 - 1862-01-08, print maker, printmaker, 1822 - 1822, paper, papier, ink, inkt, etching, etchings, kleuren, calligraphy, pen, Publication (Event), Publication, Nederlands, publisher

IV parts of the world. (IT)

Willem den Eersten, / King of the Netherlands, / Prince of Orange-Nassau, / Great Duke of Luxembourg, / etc. etc. etc .. Portrait of Willem I Frederik on horseback, caught in a decorative frame of tendrils, draped cloths and weapons.

Membership certificate from a Rotterdam Society. Membership certificate for a Rotterdam Society for CH. Meijer, witnessed by the secretary J. Ooms. Two allegorical figures symbolize unit and breeding. In the foreground a lot of cannons and weapons and a standard of the armed civil guard.

Social Library Company. Artist: Amos Doolittle, American, 1754-1832

Decoration in the stock exchange alley, 1795; Death or Vry / Meeting of Deputy Denses of Batavians, Some Burger Wyken and Patriotic companies; Fifteen decorations at the Alliantiestief in Amsterdam in 1795. Decoration in the stock exchange alley, seen from Dam Square, 1795. Founded by a meeting of deputies of the Batavian clubs, Civilians and Patriotic companies in Amsterdam at the Alliance party on 19 June 1795. On the two Chassinets allegories of the covenant and freedom, each with a four-line verse.

Square cartouche with a quote from seneca; Vararum Protractionum (...). At the top left and top right is a child whose buttocks are stuck through the roller. There are four mascarons on the cartouche. Shaded background. From a second edition of series consisting of a title page and 12 cartouches with quotes from classic writers in a frame of rollerwork with grotesken, mascarons and garlands.

Bliżej Kultury Voysard, Etienne Claude (1746 Ca 1812), Borel, Antoine (1743 Post 1810), Blanchon, Jean Andre

Apotheosis, Jenny Lind surrounded by wreaths and amourettes, In memory of Jenny Lind costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Anton Elfinger -, artist

Design for a Title Page, Jean-Laurent Legeay, French, ca. 1710-86, Etching on paper, An escutcheon stands in a landscape with classical ruins. Printed on it: 'RECUEIL / de differentes Etudes / de Testes / Gravées d'apres les Desseins / d'Excellens Maitres des / differentes Ecolles'; signed, bottom left, on a stone slab: 'J Legeau inv. Et. Sculp.' Bottom Margin: Another signature of Le Geau's is hardly visible, and the address of a publisher deleted. Instead: 'A Paris chés Le Pere et Avaulez rue S. Jacques.', France, ca. 1740, Print, Print

Roman god Amor riding a swan and attacking a dolphin with a trident. From an engraved cornelian gem owned by Ridolfino Venuti. Amor Cycno Insid Tridente Delphin Impetens in Corneol ap Rodulph Venuti. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Suite de Douze Vases n.d. after 1764 Ennemond Alexandre Petitot French. Suite de Douze Vases 355291

Paris, Daumont, Jean-François, Jacques, Maurice, Tardieu, Pierre François, Rousselet, Marie-Anne, Vases Nouveaux, Vase on a wall, verso - stamped, A vase with flowers stands on a wall with pilasters between which is a tablet with the series title., print, ornamental print, title print, prints, ornamental prints, height 235 mm, width 158 mm, 1732 - 1826, print maker, printmaker, 1745 - 1775, paper, papier, etching, etchings, engraving, engraving (printing process), Frans, 1711-12-24 - 1771-01-15, Work conception, 1712 - 1784-03-26, after a design by, Publication (Event), Publication, Frans - 1775, publisher

Putti decorate a monument with garlands, Michiel Mosijn, after Gerbrand van den Eeckhout, 1640 - 1655 print Putti decorate a monument with garlands. On the right a standing putto with a bright torch. On the ground the attributes of the putti: arrow dockers, arches, a winch and carafe. Amsterdam paper engraving Cupids: 'Amores', 'Amoretti', 'putti' (+ attributes). Ornament ~ feston, Garland. torch

Belisarius begging for alms. Engraving by J. Neagle, 1808, after Salvator Rosa and after R. Cook.

L'Etrangère ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Coat of arms flanked by Putti, Matthijs Pool, 1727 print. text sheet Two putti, with the attributes of Minerva and Hercules respectively, fly in the air and carry a coat of arms with them. There is a crow on top of the weapon. Under the performance an assignment from the artist in Dutch and in French. Amsterdam paper etching / engraving armorial bearing, heraldry. attributes of Hercules. attributes of Minerva. song-birds: crow

Bliżej Kultury Unknown, Blanchon, Jean Andre

Title page for: Willem Bilderijk, 'Treurzang of Ibn Doreid', 1808, Reinier Vinkeles (I), 1808 print Title page with a man with a turban sitting in front of a horse. print maker: Amsterdampublisher: The Hague paper etching / engraving horse. head-gear: turban

Freedom and the Dutch lion. Freedom keeps the lance with the freedom hat in her one hand and a laurel wreath in the other hand standing at a palm tree. In addition to her the Dutch lion.

Allegory on Willem V as the patron of the Leiden Academy, 1775 print Allegorical vignette with Stadholder Willem V as the patron of the university, on the occasion of the second centenary of the founding of the University of Leiden, 8 February 1775. The Stedemag van Leiden guides the prince to Minerva at a column gallery on the castle. On the left the electricity god of the Rhine, on the right a weapon trophy, in the foreground putti with books. Under the vignette a verse of four lines in Latin. paper etching / engraving personification of a city, town-patron(ess). (story of) Minerva (Pallas, Athena) Castle of Leiden. To lead

Livre de Toutes Sortes De Fleurs D'apres Nature. Designer: Designed by Jean-Baptiste Monnoyer (French, Lille 1636-1699 London). Dimensions: Overall: 21 7/8 x 16 7/16 x 1/4 in. (55.5 x 41.7 x 0.6 cm). Engraver: Engraved by Jean Vauquer (French, active ca. 1660-90). Published in: Paris. Publisher: Published by de Poilly. Date: ca. 1670-80. Museum: Metropolitan Museum of Art, New York, USA.

Title page with references to Theater, Bernard Picart, 1725 print Ornamental frame with a cartouche in the middle in which the title in Latin (a quote from Jean de Santeuil). At the bottom two putti with attributes in the hands that refer to the theater. Amsterdam paper etching / engraving ornament ~ geometric motifs. symbolic representations, allegories and emblems ~ the theatre

Festa Fatta in Roma Alli 25 Febraio MDCXXXIV February 25, 1649 François Collignon French. Festa Fatta in Roma Alli 25 Febraio MDCXXXIV 353737

Decorative frame with snakes and the portrait of Johannes van Lier, Jan Caspar Philips, after Wibrand Veltman, 1773 print Decorative frame with snakes, musical instruments and the portrait of Johannes van Lier, in a medallion. In the middle the title in Dutch. print maker: Amsterdamafter drawing by: Groningen paper engraving snakes

Medal in honor of the recovery of Willem V, Prince of Orange and Nassau, 15 April 1763, Jacob van der Schley, 1763 print Allegorical representation in honor of the recovery of Willem V, Prince of Orange and Nassau, April 15, 1763. The personification of freedom (with the hate of freedom and lans), stands with two other women in a portrait of Willem V. for the Pieth stable, Where the portrait is on, there is a snake and a stork. Amsterdam paper etching / engraving Freedom, Liberty; 'Freedom' (RIPA)

Print (France); Print Maker: Pierre-Charles Canot (French, 1710 - 1777)

Watercolor and gray ink title leaf by Francesco Ponte showing a decorative cartouche with Amor as a border, including ornamental details and lettering from 1753.

Title page for grave poems with mourning figures, François van Bleyswijck, 1706 - 1746 print Ornamental title page for mourning and burial poems. In the middle above a skull. On the left a man with the torch, on the right a mourning woman with a book in hand. The ornament is crowned with a coffin. At the bottom of winged hourglasses and bones. Leiden paper etching torch - BB - torch held upside down (+ extinguishing; extinguished light, lamp, candle). mourning dress. hourglass. death's head, skull (symbol of Death)

Man under shelter; Cahier the Six Baraques Chinoises. In a landscape a man is next to a staircase under a parasol-shaped shelter. He holds a stick with round shape in his hand. At the front the serene title.

J.J Coat of Arms. Way helier; Vanitas vanitatum et omnia vanitas; Gifted weapon shields. Obachiep copy, with the exception of the helmet.

London, Vivares, François, Huet, Christophe, Angier, Paul, A New Book of Hunting Trophies, Cartouche with monkey and hunting spoils, verso - stamped, Around a cartouche with the series title a boar, a dog, a shot hare and a duck and on the right a dressed monkey with a gun., print, ornamental print, title print, prints, ornamental prints, height 286 mm, width 178 mm, French, print maker, printmaker, 1757-05-26 - 1757-05-26, paper, etching, etchings, engraving, engraving (printing process), Work conception, - 1759-05-02, after a design by, Publication (Event), Publication, English, 1709-07-11 - 1780-11-26, publisher

At top both left and right a dog, Cartouche with lobe ornament, on both sides a female torso Plusieurs Nouveaux Compartemens (title on object) Veelderhande Niewe Compartemente (series title), print maker: Michiel Mosijn, Gerbrand van den Eeckhout, (mentioned on object), publisher: Clement de Jonghe, (mentioned on object), Amsterdam, 1640 - 1655, paper, engraving, etching, h 239 mm × w 190 mm

Marie Louise of Austria Imperatrice of the French and Napoleon King of Rome.

French Bouquet, Charles Ten Cologne Water French bouquet, Charles Ten Cologne water ". Poster. Lithography N. and B. Around 1825.

Netherlands, Amsterdam, Ratelband and Johannes Bouwer, widow Jeronimus, Letter of Wishes with Stairs of Old Age, recto - handwritten in brown ink, Letter of Wishes with described cartouche within a decorative frame with a representation of a staircase of old age with men and women of different ages. Below: two representations of a childbed and a deathbed. Handwritten message in calligraphy (birthday wish) by AM de Cocq to her father. Numbered top right: N. 18., print, picture, popular print, greeting letter, prints, pictures, popular prints, verso - stamped, Birthday wish, On the 42nd birthday, From my, Dear father!, The filial love duty ..., height 416 mm, width 326 mm, Publication (Event), Publication, publisher, 1767 - 1779, paper, ink, inkt, etching, etchings, colours, calligraphy, pen, print maker, printmaker, 1820 - 1820

Wish letter with Mercury and Hoop, 1836 print Wish letter with described cartouche within a decorative framework with performances of Mercury and Van Hoop (on a preserved canal), a woman with anchor in the harbor. Handwritten message in calligraphy by Jogchum Pieters to his father. Numbered at the top right: No. 5. publisher: Rotterdamprint maker: Netherlands paper. ink etching / pen (story of) Mercury (Hermes). Hope, 'Spes'; 'Speranza divina e certa' (Ripa) ~ one of the Three Theological Virtues

Ornamental frame for the description of the riding school of Baron van Eisenberg, Bernard Picart, 1727 print Cartouche in which the title in French, crowned with the head of a horse and surrounded by all kinds of necessities for horse riding. Amsterdam paper etching / engraving title-page. saddle and bridle (saddlery). reins. bit

Haastert, Isaac van, Netherlands, Onderdewijngaart Canzius, Jacob Hendrik, Christo Sacrum, Allegory of the Society of Christo Sacrum in Delft, ca. 1800, verso - stamped, Allegory of the Religious Society of Christo Sacrum in Delft, ca. 1800. Oval of palm branches with cross, gospel, tablets of the law and skull. Within the palm branches a six-line inscription 'I am the way ...'., print, prints, Frederik Muller Historieplaten, height 192 mm, width 100 mm, 1771 - 1838, print maker, printmaker, 1799 - 1801, paper, papier, engraving, engraving (printing process), 1753-11-18 - 1834-03-01, intermediary draughtsman

Print, Title Page, The Great Passion; Albrecht Dürer (German, 1471-1528); Germany; woodcut on laid paper; 39.2 x 28 cm (15 7/16 in. x 11 in.); 1950-30-17

Wish letter with Elia fed by Raven, 1813 print Wish letter with described cartouche within a decorative framework with a performance of Elijah that is fed by ravens. Handwritten message in calligraphy (New Year's wish) by E.J.W. Römer to his grandmother, uncle and aunts. Numbered at the top right: No. 23 paper. ink etching / pen Elijah fed by the raven(s): while the prophet is living by the brook, ravens bring him food

Troisieme livre de formes Cartels et Rocailles (Title Page). Dated: 1736. Dimensions: plate: 23.2 x 18.1 cm (9 1/8 x 7 1/8 in.) sheet: 33.2 x 25.4 cm (13 1/16 x 10 in.). Medium: etching with engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Antoine Aveline after Jean Mondon.

A colored woodcut by Lucien Pissarro, titled 'Riquet at Houppe II', featuring intricate details and the initial U in the design.

Frans II, Lodewijk II and Karel de Kale, Stefano della Bella, 1620 - 1664 print. playing card Play card with performances of the French Kings Frans II and Louis II and of the Roman emperor Charlemagne. Text under the performances. Paris paper etching Ruler, Sovereign

Sampler. Culture: British. Dimensions: H. 15 3/8 x W. 13 1/4 inches (39.1 x 33.7 cm). Date: 1805. Museum: Metropolitan Museum of Art, New York, USA.

Amsterdam, Schley, Jacob van der, Burning phoenix, verso - stamped, A burning phoenix framed by an ornamental frame with two angels with palm leaves. Below the phoenix a banderole with a text about the resurrection., print, prints, height 55 mm, width 87 mm, Noord-Nederlands, 1715-07-26 - 1779-02-12, print maker, printmaker, 1725 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process)

Cartouche with the coat of arms of the Duchy of Burgundy, 1584 Elongated rectangular cartouche with in the middle above the weapon of the Duchy of Burgundy under an arc of bay leaves. In the middle of a shell -shaped ornament and a bird on the right. The Cartouche is a fragment of a map of the Duchy of Burgundy. The print is part of an album. Antwerp paper engraving Elongated rectangular cartouche with in the middle above the weapon of the Duchy of Burgundy under an arc of bay leaves. In the middle of a shell -shaped ornament and a bird on the right. The Cartouche is a fragment of a map of the Duchy of Burgundy. The print is part of an album. Antwerp paper engraving

Sarcophagus with flowers and cartouche decorated; Mixed seal. A sarcophagus is decorated with flowers and torn left and right with incense vessels. A plaque on the sarcophagus shows the title, below is a cartouche surrounded by olive branches with a portrait of a braised figure. In the cartouch list, a winch, painting palette, music magazines and a bazuin are processed.

Fables ancient and modern -page.. Godwin, William, 1756-1836. McMillan, Buchanan, fl. 1784-1834. text. Illustrations, Prints. 1807. Carl H. Pforzheimer Collection of Shelley and His Circle. Fables

Antwerp, Jode, Gerard de, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Historia Holofernes by Johannem Snellincx quatuor fol ., History of Judith and Holofernes, Cartouche with scroll work, Title in cartouche with scroll work. Title print for a series of prints about the history of Judith and Holofernes. Print is part of an album., print, title print, album page, prints, height 84 mm, width 136 mm, print maker, 1579 - 1579, paper, engraving, engraving (printing process), Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Pharamond, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance by the Frankish king Pharamond. Text under the show. Paris paper etching Ruler, Sovereign

Emblem with the weapon of Willem IV in the Oranjeboom, 1747; For memorial of the Byna Infloypelyke election, from the inferior prince and Lord Willem Carel Hendrik Friso (...) to Stadholder, Admirael, and Capitein Generael over Hollant, West Frieslant (...) in the Maent April.theart Shaped Emblem With The Crowned Coat of Armor William IV in the Orange Tree With Garbage, April 1747. On The Leaf Under the Plate a Fresh in Two Columns.

The jewelers' circular and horological review, Vol. 13, no. 1. text. Periodicals, Indexes. 1882-02. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Clocks and watches, Advertising specialties

Various Subjects Drawn from Life and on Stone: A Wagon with Harnessed Horses, 1821. Théodore Géricault (French, 1791-1824). Lithograph;

Title page for: Joannes le Francq van Berkhey 'Poems', 1776, Reinier Vinkeles (I), 1776 print Title page with putti that make music, read, whip, carry pigeons and show a laurel wreath. Amsterdam paper etching / engraving one person playing an instrument. other birds: dove. cupids: 'amores', 'amoretti', 'putti'. reading

Symbolic bouquet. (IT)

Friedrich Wilhelm III with his family after the death of his father, Daniel Nikolaus Chodowiecki, 1799 print print maker: Berlinafter own design by: Berlinpublisher: Bremen paper etching royal bastards. family, descendance

Cartouche on overgrown ruin, Albert Flamen, 1648 - 1692 print On a overgrown ruin a large cartouche on which a French text with series title and manufacturer names. Riders on horseback in the background. Title print for a series of twelve faces on the Paris area. Paris paper etching landscape with ruins Paris

Shamrock quick step ,

Ludovico Ariosto (1474 Ð 1533) was an Italian poet. He is best known as the author of the romance epic Orlando Furioso (1516). Book cover "Orlando Furioso, edited in Lyon (Lugdunum), 1556. Library of Catalonia. Barcelona. Spain.

Couples in love, 1852 print Three in love with a tree and on a couch. paper steel engraving couple of lovers

Hunters chase a lioness and her cub, Jacques Callot, 1625 - 1629 print Presentation of a lioness and her cub, who run away for a number of hunters. Above and below this print Latin and French texts in book print. This magazine is part of the emblem series 'Life of Maria in Emblemen'. In addition to a title page and 26 emblems, the first state of this series also includes three blades with hymns on Maria in book print without image. print maker: Nancypublisher: France paper etching / letterpress printing lion hunt

Rudolf Seitz (1842-1910, as a painter): Ceiling and wall paintings executed in the German-National Art Trade Exhibition Munich 1888. (Verlag Callwey, 17 plates in color printing, recorded by Stefan Herweg, ed. By Friedrich Nauert)

Etruscan faun playing with a tiger. In cornelian and dactylotheca. From the collection of the antiquarian Charles Francis Greville. Faunus Etruscus Tigride ludens in Cor. & Dactyl. Mezzotint copperplate engraving by John Spilsbury from his Collection of Fifty Prints from Antique Gems, John Boydell, London, 1785.

Barrelier, Jacques .

Coat of arms of the Right Honourable John St. John, 11th Baron St John of Bletso (died 1757), Lord St. John of Bletsho. Copperplate engraving by Andrew Johnston after C. Gardiner from Notitia Anglicana, Shewing the Achievements of all the English Nobility, Andrew Johnson, the Strand, London, 1724.

Trade Card for J & W Butterworth, Engravers & Copper Plate Printers 19th century Anonymous, British, 19th century This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as tradesmen’s cards,” tradesmen’s bills,” or shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.. Trade Card for J & W Butterworth, Engravers & Copper Plate Printers. Anonymous, British, 19th century. 19th century. Engraving

Allegory on Schieland and Krimpenerwaard; Title page for: L. van Ollefen and R. Bakker, the Dutch city and village description. V Part (...), 1797.Mervery with freedom Hat, standing on a ton where the name Schiedam. A Man with a Fish in The Arms Looks at Him. In The Background A Sailing Ship On Water. A four-line dutch text in the undermarge.

Les Soirées de Rome: Title Page, 1763-1764. Hubert Robert (French, 1733-1808). Etching; Derived from his own pen-and-ink drawings, this suite of etchings features fictional characters situated near recognizable buildings and statues in Rome. On the title page, Robert dedicated the suite to Marguerite Le Compte, who visited Rome in 1764 in the company of the wealthy author and art enthusiast Claude Henri Watelet. Both Le Compte and Watelet were amateur etchers, and they socialized with a group that included artists and printmakers centered at the academies in Italy. Roberts dedication was likely motivated by the hope of future patronage from Le Compte. She may be the generous woman with a hand muff depicted in The Ancient Temple, the fifth scene in this series.

Invitation and program for the opera 'Simon Boccanegra' in the Theater Italien, Jules Adolphe Chauvet, 1838 - c. 1905 print A theater is depicted around the invitation and the program with a winged figure above it, possibly the genius of the theater. Various musical instruments are shown at the bottom, such as a harp, violin and viola da gamba. France paper etching / engraving the arts of the stage: ballet, theatre, musical drama, motion picture. curtain ~ stage. 'Genio' (Ripa). musical instruments; group of musical instruments. opera

A young man is carrying a letter towards a group of old men who are gathered around a fireplace. Engraving by N. Varin after David Teniers.

Andreas Flinch (1813-1872); Johan Thomas Lundbye (1818-1848), Helene Tomb, (1843)

Frontispiece to Drawings of Several Movements by Soldiers. Stefano della Bella; Italian, 1610-1664. Date: 1644. Dimensions: 54 x 124 mm (image); 58 x 129 mm (plate); 64 x 134 mm (sheet). Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Title Page for Callot's "Various Italian Landscapes". Dated: probably c. 1630. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Attributed to François Collignon.

Four numbered representations from the Old Testament. Above: the creation of Eve, the temptation and the expulsion from paradise. Right of the middle: Cain works the land and Abel fits the cattle. Left of center: the sacrifices of Cain and Abel and in the background Cain, who kills his brother Abel. Bottom center: the animals enter Noah's ark, while the people on the right surrender to licentious behavior, From the creation of man to the Flood Title page for: P. van Staveren, The housekeeping of God in his church, from the beginning of the world to, and in, the Flood, 1683, print maker: Johannes Willemsz. Munnickhuysen, (mentioned on object), intermediary draughtsman: Willem van Mieris, (mentioned on object), publisher: Felix Lopez De Haro, (mentioned on object), Leiden, 1683, paper, engraving, etching, h 182 mm × w 137 mm

Marriage of the Prince of Orange and Anna Paulowna, 1816. Wedding of the Prince of Orange and Anna Paulowna, February 21, 1816. Two medallions with portraits of the couple tied to an orange tree. In the foreground attributes of the war and the Battle of Waterloo at the Prince; At the princess a winch, painting palette and a caesarean crown.

Sixteen-line French text titled 'Livre XVI' with below an image of a gorgon or allegorical figure of time on a cloud holding a torch and a snake. The whole is framed by an ornamental frame with olive branches and at the bottom a bow. Framed French text with olive branches and a mythological figure, print maker: Jean-Baptiste Tilliard, publisher: Pierre Didot, publisher: Louis-François Barrois, print maker: France, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, 1785, paper, etching, engraving, h 317 mm × w 243 mm

Woman with a harp near a waterfall, Philippus Velijn, After Haatje Pieters Oosterhuis, 1835 print Woman with a harp near a waterfall in a landscape. Amsterdam paper etching / engraving harp - CC - out of doors. waterfall

First edition of Goethe's Goetter, Helden und Wieland, historic illustration from Deutsche Literaturgeschichte, a history of German literature from 1885

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