Ornate Title Pages and Prints

Elaborate title pages and prints, featuring intricate designs, coats of arms, and allegorical figures in classical styles.

Utrecht, Vianen, Christiaen van, Adam van (I), Kessel, Theodorus van, Artificial models of various silver vessels, Commissioned in a lobe cartouche, The cartouche consists of two compartments, with a trophy of arms in the background., print, ornamental print, prints, ornamental prints, height 220 mm, width 168 mm, 1620 - 1660, print maker, printmaker, 1646 - 1652, second quarter 17th century, third quarter 17th century, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1569 - 1627, after a design by, 1600 - 1667-03, Publication (Event), Publication, publisher

Print, Title Page from "Premier Livre De Differents morceaux A l'Usage de tous ceux qui s'appliquent aux beuax Arts Inventé Par G.M. Oppenort Architecte du Roy Et Gravé par Huquier," Serie A (Moyen Oppenord); Designed by Gilles-Marie Oppenord (French, 1672-1742); Etched by Gabriel Huquier (French, 1695-1772); France; etching on paper; 41.2 × 28.2 cm (16 1/4 × 11 1/8 in.); 1959-85-1

Wapens van Willem V, prins van Oranje-Nassau, en Anna van Hannover.Weapons of Willem V with a crown, decorated with the garter and the motto of the garter of the garter, and Anna with a crown. Dutch text on a canvas twenty rules. Around it around a number of allegorical objects, animals and figures, including the Dutch lion, freedom, caution, Hercules and Neptune.

Print (France); Published by Marguerite Caillou Chéreau (French, active 1729-1755)

Coat of arms and personifications, Hendrick Hondius (I), 1610 print Great coat of arms on which the title, with the bull Europe above it. The weapon is crowned by the Bazuin Blazing Fama and flanked by Pictura and Optica (naked female figures) and Assidhus and Labor (Putti). At the bottom of the show The text: FRUCH LABORUM. Title print of the first part of a series of 72 artist portraits, 36 of which made by Hendrick Hondius I, the other by Robert de Baudous, Simon Frisius and Andries Jacobsz. Stock. The Hague paper etching title-page. 'Picture', Symbolic Repres invention, Allegories and Emblems ~ Painting; 'Painting' (Ripa). Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa)

Allegorical Medal in Honor of Louis XIV n.d. Sébastien Leclerc I French. Allegorical Medal in Honor of Louis XIV 386303

Academician awards presented to Joseph Farquharson Francesco Bartolozzi (Florence, Italy, 1725 - 1815) Illustration

Utrecht, Vianen, Christiaen van, Adam van (I), Kessel, Theodorus van, Artificial models of various silver vessels, Commissioned in a lobe cartouche, The cartouche consists of two compartments, with a trophy of arms in the background., print, ornamental print, prints, ornamental prints, height 220 mm, width 168 mm, 1620 - 1660, print maker, printmaker, 1646 - 1652, second quarter 17th century, third quarter 17th century, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1569 - 1627, after a design by, 1600 - 1667-03, Publication (Event), Publication, publisher

Titelblad: Monilium buttons ... Icons, Hans Collart (1), 1581 print Cartouche with inscription in a frame of grotesken, hanging on a diamond -shaped piece of jewelry with three women. Title sheet of series of 10 numbered sheets with fronts of pendants with precious stones in settings of grotesken and rolling work. Antwerp 1581. W. 20 Netherlands (possibly) paper engraving During, Trinket, 'charm'

Wish letter with the descendant of the Holy Spirit, 1775 print Wish letter with described cartouche within a decorative framework with a representation of the descent of the Holy Spirit (Pentecost). Handwritten message in calligraphy (Pentecost letter) by G. van Vliet to his grandfather. Netherlands paper. ink etching / pen Pentecost, Whitsunday

Arend op een gespleten wereld / Vogel op weg naar de zon; Divisum Jungam / Deo Et Caesarum; Symbola Divina et Humana Pontificum Imperatorum Regum.An emblem with two performances. Upstairs is an eagle with his claws on a split world. Lot a bird flies above a landscape with the mouth of a river. Above him the sun. The inventions of Emperor Lodewijk de Beier.

In a cartouche the Latin title of a seventeen-part series on stream and water nymphs, Title print of a series on stream and water nymphs Stream and water nymphs (series title) Nimpharvm oceanitidvm, ephydridvm potamidvm naiadvm (series title on object), print maker: Philips Galle, (mentioned on object), Philips Galle, (mentioned on object), Rugeert van der Haept, (mentioned on object), Antwerp, 1587, paper, engraving, h 165 mm × w 101 mm

Antwerp, Plantin, Christoffel, Netherlands, Vredeman de Vries, Hans, Hooghe, Cornelis de, Doetechum, Johannes of Lucas van, Exercitatio alphabetica nova et utillisima, Cartouche with calligraphy, above two birds and two horses, Sheet VI. Cartouche with text: Dieu hait ces six choses.... Bottom left and right a man with a trident. On the scroll next to them a frog. From a series of 21 numbered cartouches with calligraphy in a frame of scroll and fittings with grotesques, garlands and mascarons., print, ornament print, prints, ornament prints, height 212 mm, width 282 mm, print maker, printmaker, 1569 - 1569, third quarter 16th century, paper, engraving, engraving (printing process), Northern Netherlands, 1541 - 1583-03-29, Work conception, South Netherlands, 1527 - 1607, after a design by, Publication (Event), Publication, 1514 - 1589-07-01, publisher

Hare Majesty / Frederica Louisa / Wilhelmina, / Queen of the Netherlands, 1831 - 1854 print Portrait of Wilhelmina van Prussia and her daughter Paulina, caught in a decorative frame of ranks, draped cloths and weapon. print maker: Netherlandspublisher: Amsterdam paper letterpress printing

Bertholdus MalePhaida.

Business card from Jollivet, trader in paper and stationery in Paris, c. 1712 print In an oval Maria with child, surrounded by the weapons of Lodewijk XIV, Marie Adelheid van Savoye and their son Lodewijk. Below that in a frame an extensive description of products that can be purchased at Jollivet. paper engraving Madonna: i.e. Mary with the Christ-child. coat of arms (symbol of sovereignty)

Four putti hold a canvas with text, Simon Gribelin, 1704 paper engraving cupids: 'amores', 'amoretti', 'putti'. ornaments ~ art. 'tropaion', i.e. decorative ornament ~ weapons

Cartouche with two angels and two birds, 1586 Cartouche in two parts within an architectural frame. The two angels and two birds on top decorate the garlands. The Cartouche is a fragment of a map of Judah and Israel. The print is part of an album. Antwerp paper engraving Cartouche in two parts within an architectural frame. The two angels and two birds on top decorate the garlands. The Cartouche is a fragment of a map of Judah and Israel. The print is part of an album. Antwerp paper engraving

unknown, Italy, Oselli, Gaspare, Austriacae gentis imaginum, Portraits of members of the Austrian House, Frontispiece of volume 3 of Austriacae gentis imaginum, Frontispiece with text, allegorical figures, coat of arms, garlands, ornamental heads and putti, verso - stamped, print, frontispiece, prints, height 520 mm, width 375 mm, Italian, 1536, print maker, printmaker, 1569 - 1569, paper, engraving, engraving (printing process), granter of privilege

Legend with the presentation of history and works of the German Order; Weapons of the Land Commander of Alden Biesen and two Orders, Romeyn de Hooghe, 1700 print A legend in Latin in a representation of history and the works of the German Order, flanked by a knight (personification of the German Order) and a woman (personification of the church). This includes the coat of arms of the country commander of Alden Biesen (Hendrik van Wassenaer), flanked by that of Ruiterhoofdman/Orderidder Johann Hermann Spies von Büllesheim, and that of Subtribuun/Orderidder Damiaan Hugo, Baron von Schönborn in Reichelsberg. This print is part of an extensive performance, composed of 20 separate plates, of the history and works of the German Order (center) surrounded by performances of the Alden Biesen Landcommanderij (below) and the associated commanders (left and right) . Haarlem paper etching / engraving military orders, e.g.: Knights Templars, Knights of Malta, Teutonic Knights ~ Roman Catholic church

Odvardt Helmoldt De Lode (1727-1757), initial to Frederik IV's Earvingsaks, 1749

Printed Textile of George Washington. Dated: c. 1939. Dimensions: overall: 33.3 x 30.3 cm (13 1/8 x 11 15/16 in.) Original IAD Object: 11 1/2" wide; 11" long. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Joseph Lubrano.

Greeting letter with dancing figures. Greeting letter with unwritten cartouche inside a decorative framework with performances of a group of dancers and cord dancers. Numbered at the top right: N. 16.

. Title print for: mirror of transience. Around the title of different medallions with biblical performances. At the top of the fall, left Moses and the copper hose and Christ in the pre-borne. Right Jonah climbing from the mouth of a large fish and the resurrection. At the bottom of the crucifixion, the final judgment and on the left the transfiguration and on the right the outpouring of the Holy Spirit. Title Print belonging to the series with fourteen prints that represent the funeral of Willem II, Duke van Gelre.

All near European, Asia, Aphric, America, America, 1581 The title in the middle, in a lying oval, in cartouche with putti and animals. The cartouche is surrounded by the personifications of the four continents. On the right America as a half naked woman with firm cape and fee, and Europe, sitting on the bull. On the left Asia as a sitting woman with parrot on the hand, and Africa as naked woman with grain on the head and a fan in her hand. In the middle of a globe in the middle of vignette with time above a rider, with the motto: C'est and Vain. Print from the book 'Omnium Pene Europae, Asiae, Aphricae Atque Americae Gentium Habitus ...', 1581. The print is part of an album. paper engraving The title in the middle, in a lying oval, in cartouche with putti and animals. The cartouche is surrounded by the personifications of the four continents. On the right America as a half naked woman with firm cape and fee, and Europe, sitting on the bull. On the left Asia as a sitting woman with par

Omnium pene Europae, Asiae, Aphricae atque Americae Gentium Habitus. Abraham de Bruyn (Flanders, Antwerp, 1540-1587). Belgium, 1540-1587. Books. Engraved on paper, some gouache coloring

Title print for a series of study sheets with figures and horses Study sheets with figures and horses (series title) Delineationes nonnullae Hominum, Equorum Equitum (series title on object), print maker: anonymous, publisher: Pieter Schenk (I), (mentioned on object), Staten van Holland en West-Friesland, (mentioned on object), Amsterdam, 1675 - 1711, paper, etching, h 98 mm × w 167 mm

Wish letter with a putto shooting on a boar, 1744 print Wish letter with described cartouche within a decorative framework with representations of Putti, of which a putto shoots an arrow on a boar. The figures largely consist of curls (calligraphy). Handwritten message in calligraphy (Pentecostal poem) by Jan de Gast. Numbered at the top right: 1. Netherlands paper. ink etching / pen cupids: 'amores', 'amoretti', 'putti'. hunters hunting (N.B.: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt')

Emblem: myrtle tree Myrthus Arbor (title on object), A landscape with a myrtle tree in a medallion decorated with myrtle branches. Under the medallion a jug with myrtle wine and a chalice with a myrtle leaf. Below that is a portrait of Venus., Shrubs: myrtle, (story of) Venus (Aphrodite), landscapes with waters, waterscapes, seascapes (in the temperate zone), Jan Goeree (mentioned on object), 1723, paper, engraving, w 150 mm × h 144 mm

Titelblad: Book of Flowers & FEULLIES to serve the art of Orfeveri (...), after 1635 - Before 1647 print Title in standing oval made up of flowers, including a number of figures to Jacques Callot. paper engraving foliage, tendrils, branches ~ ornament. title-page. street-trader

De Kleine Mens Sinjoor Strïcadus, 1716, 1716 The small man Sinjoor Strïcadus. In the caption verses in German, French and Dutch. Print printed within a decorative frame of a separate plate with leaves, samples and harlekins. Numbered right in the middle: 20. Part of the Dutch -bound edition from a series of caricatures of small people, known as the dwarf tone, copied to an older German example. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdam paper etching The small man Sinjoor Strïcadus. In the caption verses in German, French and Dutch. Print printed within a decorative frame of a separate plate with leaves, samples and harlekins. Numbered right in the middle: 20. Part of the Dutch -bound edition from a series of caricatures of small people, known as the dwarf tone, copied to an older German example. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdam paper etching

Print, DESCRIPTION DES FÊTES DONNÉES PAR LA VILLE DE STRASBOURG Pour la Convalescence du Roi : à larrivée et pendant le séjour de Sa Majesté en cette Ville.; Designed by Johann Martin Weis (French, 1711 - 1751); Calligrapher: Le Parmentier (French, active 1737-1752); Engraved by Pierre Edme Babel (French, 1720-1775), Martin Marvie (1713 - 1790); France; etching and engraving on paper; 51 × 38 cm (20 1/16 × 14 15/16 in.)

Round cartouche between two mascarons, anonymous, c. 1500 - c. 1600 print At the top are three mascarons in the shape of animal heads, garlands hang along the bottom edge. From series of 17 magazines. France (possibly) paper etching

Titelblad: new ornaments bond (...), Daniël Marot (i), 1712 print Mirror crowned with two putti that hold a coat of arms with the monogram of William III. At the bottom is a Frisian with a flower vase in the middle. Page 1 from series with designs for sculptors and goldsmiths. print maker: Netherlands (possibly)after own design by: Netherlands (possibly)publisher: Amsterdam paper etching

A parade float in Reggio, Italy: 'Carro trionfale della Compagnia di S. Rocco' (The Triumphal Carriage of the Company of St. Roch). Plate 2b from A. Isacchi, 'Relatione di Alfonso Isachi intorno l'origine, solennità, traslatione, et miracoli della Madonna di Reggio ...' published by Flaminio Bartoli, Reggio., Giovanni Luigi Valesio, Italian, ca. 1583 - 1633, Engraving and etching on cream laid paper, A parade float: the carriage is drawn by two pairs of cattle toward right. At the left of a crowned woman sit what probably represent wise and pious men of different ages and stands St. Michael. In the paper scroll: 'Carro trionfale della Compagnia di San Rocco descritto a car. 69. no. 19' (The Triumphal Carriage of the Company of St. Roch, described on page 69, no. 19)., Italy, 1619, Print, Print

Print (France); Made by Daniel Rabel (1578-1637); etching, ink on paper; 7 9/16 X 11 5/8 in. (19.2 X 29.5 cm); 1945-70-34

Print (France)

bekend, Parijs, Langlois, Nicolas (I), Loir, Alexis (I), Nouveaux desseins d'Ornemens de Paneaux, Lambris, Carosse &c., Titelpagina: Nouveaux desseins d'Ornemens de Paneaux, Titelblad: Nouveaux desseins d'Ornemens de Paneaux, unknown, Paris, The title is on a trapezoidal panel in the middle with two putti above it. Title page from the second edition, second impression., print, ornament print, title page, prints, ornament prints, height 162 mm, width 248 mm, French, 1640 - 1713-04-15, print maker, printmaker, 1670 - 1703, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, engraving, engraving (printing process), Work conception, after own design of, Publication (Event), Publication, 1640 - 1703, publisher, granter of privilege

Portrait of Angelo Barbarigo and the personification of Italy, Robert van Audenaerd, 1673 - 1743 print Pedest in the form of a cartouche. Then a medallion with the portrait of bishop Angelo Barbarigo on the front, in church robe and with Biretta on his head. On the back the bishop on his horse under a portable canopy. On the pedestal possibly the female personification of Italy, with crown and scepter. The weapon of Italy is on her banner. Furthermore, all kinds of weaponry: spear, phases, arrows, drum, shower. On the left the Colosseum. The print is part of an album. paper engraving medal (considered as a piece of sculpture, regardless of its specific function). (liturgical) equipment of church. weapons. personifications of countries, nations, states, districts, etc. (with NAME) Colosseum

Title page No. 92 of the Illustrated weekly celebrating the 25 years of existence according to Jan Strałecki. Cleastle from Tygodnik Ilustrowany 1884 (2) 209 unknown, strza ecki, Jan (1837 1919)

Nouveau livre d'ornemens & d'ouvrages d'orfèvrerie..., page. Prints, Title pages. 1696. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament

Mauritius, saint.

Hunters catch birds at night, Antonio Tempesta, 1598 print Men with crossbows and nets try to catch birds in a dark forest. print maker: Italypublisher: Romepublisher: RomeVaticaanstad paper etching hunter. hunters hunting (N.B.: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt'). bird hunting

Eugen, Prince of Savoyen-Carignan.

Title Plate: 'Artis Persp, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Johannes van Doetechum I, ca. 1530 - 1606, Lucas van Doetechum, Dutch, after 1584, Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Support: White laid paper, Netherlands, 1568, architecture, print, print

Print (France)

Ocyrhoe is turned into a horse, Virgilius Solis, 1569 print After predicting the future after Asclepius and her father Chiron, Ocyrhoe is turned into a horse. print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main a: paper letterpress printing scrollwork, strapwork ~ ornament. Ocyroe changed into a mare: when she is foretelling the fates of her father Chiron and the young Aesculapius, Ocyroe is changed into a mare (Ovid, Metamorphoses II 657)

Title print for series of scenes from the suffering story and scenes from the life of Maria, Abraham Bosse, c. 1635 - c. 1661 print The text 'Variae Tum Passionis Christi, Tum Vitae Beatae Maiae Virginis', enclosed by a leaf wreath with four medallions with the monogram of Christ and four medallions with the monogram of Maria. This print is the title page for (the second state of) a series of 13 ovale and 7 round performances with scenes from the suffering story and scenes from the life of Maria, spread over 5 (first state: 3) copper plates. Paris paper etching trees: laurel. title-page

Cartouche with calligraphy, at the top hangs a mascaron with horns, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, 1569 print Leaf XXV. Cartouche with the text Zanganos y Moscas Muertas .... At the bottom, two saters are sleeping on volutes of batter. From series of 21 numbered cartouches with calligraphy in a frame of rolling and fittings with grotesken, garlands and mascarons. print maker: Netherlands (possibly)print maker: Netherlandsafter design by: Netherlands (possibly)publisher: Antwerp paper engraving

Rébus on the subject of fortune, a riddle depicted on drapery surrounded by a frame, an oval composition. Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 11 5/16 x 8 3/8 in. (28.8 x 21.3 cm). Date: ca. 1637-42.The interpretation of the riddle per line is as follows:'Fortuna e dormi / Ogni uno balla a cui Fortuna suona / Chi ha la Fortuna ogni tantin di chiave, basti. / Ognuno sa navicar quando fa sol e vento. / Migliore è un'oncia di fortuna che due libbre di sapere / Più fortuna che seno.'. Museum: Metropolitan Museum of Art, New York, USA.

Trade Card for T. Palser, Printseller 19th century Anonymous, British, 19th century. Trade Card for T. Palser, Printseller. Anonymous, British, 19th century. 19th century. Engraving

Cartouche in which poverty, sitting next to a dead tree in the midst of Shards, Anonymous, After Crispijn van de Passe (I), 1601 print There are two children on the cartouche, each with a snake in hand. Leaf from series of 8 sheets with cartouches in a frame of rolling work with grotesken, garlands and mascarons. Netherlands (possibly) paper engraving

Folderprent with allegory at the birth of Prince Willem Frederik, 1772, Noah van der Meer (II), After monogram Fox EBDV, 1772 print Exterior of an open -fold sheet about the birth of Prince Willem Frederik on August 24, 1772. Central a putto with the weapons of Willem V and Wilhelmina van Pruisen, pigeons left and right on a branch with a bow. Above and below parts of a cradle, with a four -line verse in Dutch and the date of birth of the prince. Northern Netherlands paper etching / engraving dry-nurse

Title page: Verscheijden Compertementen Dienstich for Painters Plaetsnijders, Beelthouwers, Glass writers (...), Anonymous, After Lucas Kilian, 1626 print Cartouche with tabament in German style. Both left and top right is a triton. Amsterdam paper engraving

Picart, Bernard, Amsterdam, Ornamental cartouche with setting sun, verso - stamped, Ornamental cartouche with a ship sailing towards the setting sun. An angel flies with two laurel wreaths. Above the representation the motto: Pour des conquètes si belles préparons tous nos lauriers., print, prent, prints, prenten, height 87 mm, width 94 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1683 - 1733, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, papier, etching, engraving, engraving (printing process), supervisie

Cartouche with sea battle, anonymous, c. 1688 print At the top of the cartouche is a mask. From series of vignettes with sea codes and allegories, used as an illustration in the book Histoire Metallique de la République de Hollande by P. Bizot. print maker: Netherlandsafter design by: Netherlandspublisher: Amsterdam (possibly) paper etching

Cartouche with heads, cherubs and masks. In the cartouche is a representation of the wedding in Cana.

European Sibille; Imagini Gentilissime delle Dodici Sibille (...). Bust of the European Sibille. In her left hand, she holds a sloping book and a scepter in her right hand. The show is caught in a medallion with a peripheral in Latin. Under the show a six-line caption in Latin. Around a framework with flowers, including with an iris in the left area. Print is part of an album.

Epitaaf; Epitaph of Otto Hesse Landgravii; Funeral monument to the illustrious Celsissimique Prince and Lord (...).

Vignette (emblem with a female eagle). unknown, graphic artist

The fantasies of noble callot, 1635 print paper etching

Divers Trophées (Weapon Trophies after the Façade of Palazzo Milesi in Rome) 1651 Polidoro da Caravaggio Italian Print from a series of six reproducing the weapon trophies over the second floor windows of Palazzo Milesi in Rome, designed and executed by Polidoro da Caravaggio in 1525/26. The print shows a large trophy with a Roman centurion helmet. The helmet is characterized by the figure of a sphinx which supports a three-tiered feather plume. The helmet is flanked on both sides by a large shield. In a semispherical compartment below the helmet the inscriptions have been placed.. Divers Trophées (Weapon Trophies after the Façade of Palazzo Milesi in Rome) 415541

Recueil des Ouvrages en Serrurerie...sur la place Royale de Nancy. Date/Period: 1698-1771. Bound volume. Etching on heavy cream laid paper. Author: Jean Lamour.

Piccart, Johann.

Cartouche with allegorical show with history; Title page for: Kornelis Westerbaen, General Histori, 1751. History writes in her book. A woman shows her a sheet to which the peoples described in the book are listed. With her, putti, one with in hand a medallion with the portrait of Totila, king of the ostrogots. In the background figures of different origin.

'Design of Fenelon's Tombstone'. France, After 1715. Dimensions: 55,5x36,9 cm. Museum: State Hermitage, St. Petersburg. Author: Gilles-Marie Oppenort.

Consider early, ô Youth! The States of Life, / From Stairs to Stairs: You will be given this print -to -eat (...), 1715 - 1813 print A staircase of the old age: a men's and woman's staircase. On the steps of the stairs, in the form of a bridge, there are men and women alternately, aged 0 to 100 years. Under the bridge a representation of the Last Judgment. Left front a putto and front right. In the lower margin a verse in two columns. Numbered at the top right: No. 79. Netherlands paper letterpress printing the ages of man represented by a staircase. Death as skeleton. owls

Wansen Ranns I I IV, proins Van Organje-Nachol, an angrifover, J. V. SLEEY, 1749 print Weapons from Willem IV, decorated with the garter and the motto of the order of the garter, and Anna with a crown and two lions. Below that on a banderole are sexual spell. A number of allegorical objects around it. Two columns in the lower margin, each with fifteen lines of Dutch text. Low Countries paper engraving / etching knighthood order (GARTER) - insignia of a knighthood order, e.g.: badge, chain

Reigles generales de l'architecture, sur les cincq manieres d'edifices. Author: Sebastiano Serlio (Italian, Bologna 1475-1554 Fontainebleau). Dedicatee: Maria, Queen of Hungary (Hungarian, 1505-1558). Dimensions: 14 3/16 x 9 13/16 x 7/8 in. (36 x 25 x 2.3 cm). Published in: Antwerp. Publisher: Pieter Coecke van Aelst (Netherlandish, Aelst 1502-1550 Brussels). Translator: Pieter Coecke van Aelst (Netherlandish, Aelst 1502-1550 Brussels). Date: 1545. Museum: Metropolitan Museum of Art, New York, USA.

Print, Album for Metalwork; Designed by Thuraine (French), Le Hollandois (French, 17th century); France; etching on off white laid paper

Ornament Cartouche with Putti, Frans van Kuyck, 1862 - 1915 print Antwerp paper etching Cupids: 'Amores', 'Amoretti', 'Putti'. ornament ~ cartouche

Title print for a series with the twelve Sibillen, 1601 - 1627 print Medallion with the title and an assignment in Italian. In the four corners of putti with attribute and various decorations. Around a frame with flowers. Title print for a series with the twelve Sibilles. Print is part of an album. paper engraving Cupids: 'Amores', 'Amoretti', 'Putti'. flowers

Print (France)

Epitaaf of IO. Fr. A Slingelant, Anonymous, in or after 1647 drawing An epitaph with a winged cartouche on legs with draperies and text Tecum Principum. At the bottom a winged coat of arms and an owl with a shield with a medusa head. paper. ink. deck paint. watercolor (paint) pen / brush epitaph Mechelen

Titelpagina Voor: Pope Alexander 7, Philomathus Musa Ivveniles, 1656, Claude Melan (attributed to), 1608 - 1688 print print maker: Francepublisher: Paris paper engraving armorial bearing, heraldry. insignia of the pope, e.g. tiara

Here people see 't / warrior, van / vaandrik and tamboer. Leaf with a large representation of a standard bearer and two tamboers. The show is caught in a decorative frame of flower drinks, vases and putti. Numbered at the bottom right: No. 41.

Calligraphy of the province of Groningen; Calligraphies of the seven provinces. Calligraphy of the name of the province of Groningen. Within a framework with the provincial weapon, allegorical and mythological figures, weapons of the most important cities and two topographical faces. Here: the Grote Markt in Groningen and Appingedam. Part of a series of seven calligraphies of the provinces.

Tree with two coats of arms, a tamboer on each side. Leaf with a large representation of a tree with two coats of arms, one at the roots and one in the crown. On either side of the tree a lion and a tamboer. Two eight-line verses above the Tamboers.

Landschap Met Graphmonucent, Giuliano Giampiccoli, After Gerolamo Mengozzi Colonna, 1739 - 1740 print Title print with landscape and burial monument (mausoleum) with Timoclea's bass relief for Alexander the Great on Timoclea. Including that, in which the different names of the persons involved are mentioned in the manufacture of the series of prints. This second series was dedicated to Antonio Maria Zanetti. Venice paper etching / engraving landscape with monument. grave-building, monumental tomb

Title page, 'Rerum et Urbis Mstelodamensiu Historia...', Wenzel Jamnitzer, German, 1508-1585, Jost Amman, Swiss, active Germany, 1539-1591, Engraving on laid paper, Title page for RERUM ET URBIS / MSTELODAMENSIU / HISTORIA, surrounded by different symbols and genies, coats of arms with two lions, soldiers, etc., Switzerland, 1568, figures, Print, Print

Southern Netherlands, Duvivier, Guillaume (18th century), Northern Netherlands, The Great Tableau of Folly, True Image of the Renowned Lord Quinquenpoix, True Image of Mr Quinquempoix, 1720, True Image of Mr Quinquempoix. Portrait medallion of John Law as Mr Quinquempoix above a brewing kettle in which coins are transformed into shares. Witches' cauldron with devils, owls etc. Above the portrait Folly with a crown of peacock feathers and holly leaves. Above this a banderole with: Of Stront of Koning. This plate printed within a larger plate with title and verses in Dutch on either side. Print in the bound fourth edition (304 B 12) of The Great Scene of Folly with cartoons on the Wind Trade or Action Trade of 1720., print, cartoon, books, Frederik Muller Historieplaten, height 191 mm, width 303 mm, print maker, printmaker, 1712 - 1712, paper, etching, engraving, engraving (printing process), South Netherlands, 1700 - 1743-03-06, 1720 - 1720

Born on the 24th, 1786, and the death on 22 p. An 2. R.F. On the S. of the arsenal (...) (IT)

Drawing (Italy)

Book of Job, Plate 12, The Wrath of Elihu, William Blake, 1757-1827, British, 1825, Line engraving on medium, slightly textured, cream wove paper, Sheet: 15 1/8 × 10 5/8 inches (38.4 × 27 cm), Plate: 8 1/2 × 6 5/8 inches (21.6 × 16.8 cm), Image: 7 3/4 × 5 7/8 inches (19.7 × 14.9 cm), and Binding: 16 inches (40.6 cm)

Framed French text with olive branches and Athena with a king. Thirteen-line French text, entitled 'Livre v' with an image of the goddess Athena with a king, sat at a table, in a book writing. The text is chattered by an ornamental frame with olive branches and at the bottom of a bow.

The illuminations on the facade and two decorations applied behind the windows of the house of Mr C Scholten van Aschat on the Binnenkant in Amsterdam On the occasion of Prince Willem V's coming of age on March 8, 1766 Numbered at the top: X, Illuminations of the house of Mr C Scholten van Aschat in Amsterdam, 1766, print maker: Noach van der Meer (II), (mentioned on object), Northern Netherlands, 1774 - 1776, paper, etching, engraving, h 188 mm - w 238 mm

Title print with allegorical figures and putti, Giovanni Maggi, 1600 The print is part of an album. print maker: Romeafter drawing by: Romepublisher: ItalyVaticaanstadItalyRome paper etching The print is part of an album. print maker: Romeafter drawing by: Romepublisher: ItalyVaticaanstadItalyRome paper etching

An 1847 wooden stitch book illustration by Moritz von Schwind after Eduard Duller depicting Archduke Carl of Austria seated, with formal clothing and intricate composition.

Greeting letter with a shepherd who protects his sheep against a wolf. Greeting letter with described cartouche inside a decorative frame with representations of a shepherd who protects his sheep against a wolf, sculptures and a putto. Handwritten message in calligraphy (fair price) by Cornelis Visser to his great-grandfather. Numbered at the top right: No. 1.

Arms of Willem IV van Hessen-Kassel. Willem IV van Hessen-Kassel coat of arms flanked by two lions. On the ground weapon.

Title-print of the entire series of 48 prints and four title-prints of animals (mainly insects), plants (mainly flowers) and fruits after Joris Hoefnagel, as well as the title-print of the first part of this series. In the center a circle containing the twelve symbols of the zodiac and a tetragram within a halo with the words: soli gloria titbi. Below that a snake biting its own tail around an hourglass, with on its back both an angel's and a devil's wing. Also in the print are four monkeys and in the two upper corners two bundles of flowers and fruit. At the bottom the title with the words: pars prima. Print from a series of 48, divided into four separate parts of twelve prints each., Monkeys, plants and fruits around the signs of the zodiac Insects, flowers and fruits (series title) Archetypa studiaque patris GeorgiI HoefnageliI (series title on object), print maker: Jacob Hoefnagel, (mentioned on object), Joris Hoefnagel, (mentioned on object), publisher: Christoph Weigel, (mentione

Title sheet: Veigerhande Nieuwe Compartemente, Jacob Lutma, After Johannes Lutma (1584-1669), 1653 print Kwabcartouche with a putto on both sides, the left with a lion skin. At the bottom right are a lance (Hercules), a shield with the head of Medusa and an owl (Minerva). Amsterdam paper etching ornament ~ cartouche. (story of) Hercules (Heracles). Medusa (one of the Gorgons)

The little man roaming Jewish master, 1716, 1716 The little man roaming Jewish master. In the caption verses in German, French and Dutch. Print printed within a decorative frame of a separate plate with leaves and flowers. Numbered right in the middle: 48. Part of the Dutch -bound edition from 1716 of a series of caricatures of small people, known as the dwarf tone, copied to an older German example. print maker: Northern Netherlandspublisher: Amsterdam paper etching The little man roaming Jewish master. In the caption verses in German, French and Dutch. Print printed within a decorative frame of a separate plate with leaves and flowers. Numbered right in the middle: 48. Part of the Dutch -bound edition from 1716 of a series of caricatures of small people, known as the dwarf tone, copied to an older German example. print maker: Northern Netherlandspublisher: Amsterdam paper etching

Cartouche with a quote from seneca. The quote stands in a frame of rollerwork with garlands and mascarons.

Frontispiece, from the New Testament 1635 France. Etching on paper . Jacques Callot

Madrid, 05/06/2024. Original engravings from the Academy of Fine Arts of San Fernando that served as a copy for the medallions of the Plaza Mayor in Salamanca. Photo: Ernesto Agudo. ARCHDC.

Siege of Liège, 1702, Daniël Marot (I), 1702 print Panel with a performance of the victory in Liège on October 23 and 29, 1702. Part of the decorations on the scaffolding with the temple of Mars during the fireworks on the Hofvijver on December 13, 1702 in The Hague. The temple of Mars was decorated with eight panels with representations of victories of the Allies over France and Spain in the year 1702. paper etching capture of city (after the siege) Hofvijver. Liège

Wishes of the nation to the king and the queen The beautiful. "Wishes of the nation to the king and the queen". Etching.

Several beautiful and / jokes Veües and the court of / Heemstede. / in the province / d 'utrecht, / designed and engraved by i: moucheron, / and given in light by the widow / de Nicolaus toucher, with privilege of the general states.

Dedicatory page of the set 'Mediceae familiae rerum feliciter gestarum Victoria et triumphi', Jan van der Straet, called Stradanus, Flemish, 1523-1605, Engraving on paper, Vertical rectangle. An escutcheon surrounded by many animals, statues of Diana and another huntress, two hunters and the coat of arms of the Medici with spears and horns, contains the text beginning: 'COSMVS MED. MAGN: ETRVRIAE' and ending with : 'Johannes Stradensis Flanfrius inuen. Philippus Galle Sculp. et exud:/1578.' Bottom center: Ad Lectorem. Framing lines, bottom: Exornant aulasque aulea parentis Hetrusci, Pluribid exemplis his tibi lector habe.', Netherlands, 1578, figures, Print, Print

Franz I, Roman-German Emperor.

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