Ornate Title Plates and Prints

Intricate title pages and decorative prints featuring elaborate frames, heraldic symbols, and detailed allegories reflecting historical themes and artistry.

Plate 1, Title Plate, Livre de vases (Book of Vases), François Boucher, French, 1703 - 1770, Chez Le Pere et Avaulez, Paris, France, Pen and red ink on cream laid paper, At center, a cartouche surrounded by putti at left and right, each holding the support of a banner at top. Above the escutcheon, a crown of laurel leaves., Paris, France, 1695-1779, ornament, Drawing, Drawing

Weapons of Willem V, Prince of Oranje-Nassau, and Anna van Hannover, Jan Caspar Philips, 1753 print Weapons from Willem V with a crown, decorated with the garter and the motto of the order of the garter, and Anna with a crown. Twenty lines of Dutch text on a canvas. A number of allegorical objects, animals and figures, including the Dutch Lion, freedom, caution, Hercules and Neptune. Amsterdam paper engraving / etching knighthood order (GARTER) - insignia of a knighthood order, e.g.: badge, chain

Plate 1, Title Plate, Livre de vases (Book of Vases), François Boucher, French, 1703 - 1770, Chez Le Pere et Avaulez, Paris, France, Pen and red ink on cream laid paper, At center, a cartouche surrounded by putti at left and right, each holding the support of a banner at top. Above the escutcheon, a crown of laurel leaves., Paris, France, 1695-1779, ornament, Drawing, Drawing

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Eleanor Boucher from Paddington Church, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

Drawing, Title Plate; Designed by François Boucher (French, 1703-1770); Print Maker: Gabriel Huquier (French, 1695-1772); Published by Chez Le Pere et Avaulez; France; pen and red ink on cream laid paper

an allegorical representation of a trunk woman; Sardinia Victrix. Oval medallion with an allegorical representation of a throne woman with spear, wreath, banners and a column. On the left is 'Fortis', right 'et fides'.

Title page: Livre de Fleurs & de Feullies Pour Servir a l'Art d'Orfeveri (...); Livre De Fleurs & De Feullies Pour Servir a l'Art d'Orfeveri (...). Title in standing oval made up of flowers, below that a number of figures to Jacques Callot.

Print (France)

Two adoring angels holding drapery. Tyszkiewicz, Konstanty (1806-1868), merchant employer, Marcinowski, Antoni (Wilno ; drukarnia ; 1817-1862), printing house, Alais, John (ca 1778-fl. ca 1820), draughtsman, cartoonist, Halnat, P. (fl. ca 1788-1808), publisher

Monument in honor of the arrival in Berlin of Paul I, Tsar van Russia, Ludwig Wolf (Possible), 1786 - 1832 print French text in the end margin. paper etching monument, statues. Cupids: 'Amores', 'Amoretti', 'Putti'. River Personified, 'rivers' (Ripa)

Fridden french text with olive branches and jupiter. Thirteen-line French text, entitled 'Livre IX' with an image of Jupiter, sat on an eagle. The whole is chattered by a decorative frame with olive branches and at the bottom of a bow.

Premier et Deuxième Recueil de Chiffres. Marillier, Clément Pierre (French, 1740-1808); after Charles Germaine de Saint-Aubin (French, 1721-1786). Date: 1770. Dimensions: 387 × 253 mm. Suite of 13 etchings on ivory laid paper. Bound in contemporary half-calf over marbled boards, gilt edge. Origin: France. Museum: The Chicago Art Institute, USA.

Ouvrage Rare et Nouveau: title page with cartouche; Ouvrage Rare et Nouveau, Contenant Plusieurs Dessseins ... et se. Chez B. Moncornet .. 1636. Cartouche in which the title, flanked by two winged figures. Part of series of 19 ornament prints + title sheet, numbered 1-20, sewn, without cover.

Frontispiece featuring the Medici coat of arms, created by Giacopo Giovannini as a copper engraving in 1700.

Coat of arms, Pierre Philippe Choffard, 1772 print print maker: Franceprinter: Paris paper etching / engraving / letterpress printing money-chest, treasure-chest, money-box. armorial bearing, heraldry

Pergola with floral basket; Nouveau Trophées Ou Cartouches Représentant Les Arts et les Sçiences. Under a pergola with grape vines there is a basket with flowers on a plateau. On the plateau an oval medallion with an angel. Above the basket the serene title.

Hare Majesty / Frederica Louisa / Wilhelmina, / Queen of the Netherlands, 1831 - 1854 print Portrait of Wilhelmina van Prussia and her daughter Paulina, caught in a decorative frame of ranks, draped cloths and weapon. print maker: Netherlandspublisher: Amsterdam paper letterpress printing

The testament and last words of Marie Antoinette 1793-1819 Anonymous. The testament and last words of Marie Antoinette. Anonymous , French, 19th century. 1793-1819. Engraving. Basset (Paris). Prints

Netherlands, Letter of greeting with flowers and dancing people, recto - handwritten in brown ink, Letter of greeting with described cartouche within a decorative frame with representations of flowers and dancing people. Handwritten message in calligraphy (fair prize) by Cornelis Visser to his uncle and godfather. Numbered lower right: No. 70., print, folk print, letter of greeting, prints, folk prints, verso - stamped, Fair prize, To my respect, Uncle and godfather, Whatever the fair may be ..., height 416 mm, width 335 mm, print maker, printmaker, 1824 - 1824, paper, ink, etching, colours, calligraphy, pen, Publication (Event), Publication, publisher

Memorial to James Scott and to Francis Wolley from Fulham Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm), architectural subject, church, memorial, All Saints Church, England, Fulham, Greater London, London, United Kingdom

Portrait of Erich Christoph von Plotho, with a view of Regensburg, Johann Esaias Nilson, after Johann Michael Wild, 1759 - 1788 print Augsburg paper engraving / etching historical persons. baton of general. 'Confessio Augustana', 'Augsburger Konfession'. insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral). caduceus (staff with two snakes, attribute of Mercury). letter, envelope Regensburg

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Samuel Buckley and Burrage and Elizabeth Angier, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

Three gentlemen at a Wetering outside Amsterdam, Johan Christoffel Schultz, 1794 print Amsterdam paper etching canal

Pedimis with Weapentrophe, 1820 - 1825 print Weapon trophy on pedestal, in the background a standing soldier and a warship. paper 'tropaion', i.e. decorative ornament ~ weapons. pedestal of a piece of sculpture (perhaps in the form of a herm)

Etching and copper engraving by Charles Nicolas Cochin père from 1735-1741 depicting Sidney, Earl of Godolphin, with symbolic elements representing England's wealth.

Greeting letter with flowers and dancing people. Greeting letter with described cartouche inside a decorative frame with representations of flowers and dancing people. Handwritten message in calligraphy (fair price) by Cornelis Visser to his uncle and Peet. Numbered at the bottom right: No. 70.

this Cecylia; 1858 (print); 1800-1850 (matrix) (1800-00-00-1858-00-00);

Print, Title Page from "Quatrieme Livre Contenant Des Montans où Pilastres Inventés par G. M. Oppenort Architecte du Roi et Gravés par Huquier"; Designed by Gilles-Marie Oppenord (French, 1672-1742); Etched by Gabriel Huquier (French, 1695-1772); France; etching on paper; 41.4 × 27.4 cm (16 5/16 × 10 13/16 in.); 1959-85-19

Pillar with two burning hearts, Johan Christiaan Aychmayer, after August Christian Hauck, 1789 print Island with a pillar with two burning hearts. Pistols, papers, a saber and a treasure chest on the ground. In the distance a ship sails in the sun, a thunderstorm arrives from the right. The Hague paper heart symbolism

Title page of a collection with seven songs about Joseph by Arimathea, Govert Kitsen, 1796 print Title page of a bundle with seven songs about Joseph by Arimathea, with an image in a circular frame of Joseph by Arimathea for a cave (possibly a grave). He is dressed in a classic robe. print maker: Rotterdampublisher: Haarlem paper etching male persons from the New Testament (with NAME) (not in biblical context)

. Emblem for the Rotterdam artificial representation as a result of which the print maker Gerard van Nijmegen was a co-manager. The emblem is crowned by a woman with the petasus on her head and a cloth around her mouth. For the list there are a book with a drawing of a woman, books, a palette with brushes and a sculpture of a mans head.

CARTOCHING MET AAP A JUSTBUIT, MICHECIATE FRIENDRICH ROENEL ROATH, After Christophe, 1734 - 1784 print Around a cartouche with the series title a boar, a dog, a shot hare and duck and a dressed monkey with a gun on the right. Publishing number 16. Augsburg paper etching / engraving ornament ~ cartouche. monkeys, apes. spoils of the hunt, game, venison

Assignment to Nicolas Lambert in an ornamental frame, Bernard Picart, 1713 - 1719 print. text sheet French text in which Bernard Picart dedicates a series of prints to Nicolas III Lambert. In the middle of the ornamental frame the coat of arms of Nicolas Lambert. Assignment belonging to a series of prints to the painted ceiling of Charles Le Brun in the Hercules gallery in the Hôtel Lambert in Paris. print maker: Amsterdampublisher: Amsterdampublisher: Paris paper etching / engraving ornaments ~ art. armorial bearing, heraldry Lambert Hotel

Daniel Lysons, 1762-1834, British, Memorial of Thomas Fitch, Mrs. Martha Fitch, Mrs. Martha Webb, Mrs. Judith Hawkes and Katherine Webb from Teddington Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Decoration in the Beurssteeg, 1795, 1795 print Decoration in the Beurssteeg, seen from the Dam, 1795. Founded by a meeting of deputies from the Batavian clubs, civil neighborhoods and national companies in Amsterdam at the Alliantiegeest on June 19, 1795. On the two chassinets allegories of the covenant and freedom, Each with a four -line verse. paper etching festivities on events of national importance (+ festive decoration ~ festive activities). Freedom, Liberty; 'Libertí' (Ripa) (+ abstract concept represented by female figure). alliance, league, union, foedus Amsterdam. Beurssteeg

Wish letter with acrobats, musicians and a dancing couple, c. 1700 - c. 1899 print Wish letter with described cartouche within a decorative framework with performances of circus artists and a dancing pair. Handwritten message in calligraphy (fair letter) by Pieter van Gaalen. Numbered at the top right: 42. Netherlands paper. ink etching / pen the show; fair and circus performers

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Richard Taylor and Mrs. Ann Taylor and their Children Richard and Anne from Chiswick Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Wish letter with an inn, drinking farmers and acrobats, 1826 print Wish letter with described cartouche within a decorative framework with performances of an inn, drinking farmers and acrobats. Handwritten message in calligraphy (Kermis prize) by Grietje Visscher to her uncle and Peet. Numbered at the top right: No. 43. Netherlands paper. ink etching / pen hotel, hostelry, inn. farmers. drinking. alcoholic drinks. the show; fair and circus performers. acrobat ~ circus

Traveler and a boy in a landscape, William van Senus, Ten Brink, De Vries, 1838.

View of the village of Piershil, Anna Catharina Brouwer, after Johannes van Diepenhuijsen, 1791 - 1793 print Amsterdam (possibly) paper etching city-view in general; 'veduta' Piershil

The hope of Fran�ois. (IT)

Perenesenie Imperatorskikh regalii iz Oruzheinoi palaty vo Dvorets; Prestol Tsaria Ioanna III; Imperatorskiia regalii. Timm, Vasili Fëdorovich, 1820-1895. still image. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

TitelPrent voor Caspar Barlaeus, the octennium in Brazil and other recently achieved under the government J. Maurice, Nassoviae, 1647, 1645 - 1647 Title print for Caspar Barlaeus, Rerum per ognesnium in Brasilia et alibi nuper Gestarum Sub Praefectura J. Mauritii, Nassoviae, 1647. The weapon of Brazil edge of putti, fruit and vegetables and weapons. At the top of the weapon of Johan Maurits, Count of Nassau-Siegen, Ondan's monogram. Title plate of a series of 55 performances from the tour to and the stay in Brazil by Count Johan Maurits van Nassau in the years 1636-1644. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving Title print for Caspar Barlaeus, Rerum per ognesnium in Brasilia et alibi nuper Gestarum Sub Praefectura J. Mauritii, Nassoviae, 1647. The weapon of Brazil edge of putti, fruit and vegetables and weapons. At the top of the weapon of Johan Maurits, Count of Nassau-Siegen, Ondan's monogram. Title plate of a series of 55 performances from the

First centenary of the Walenweeshuis, 1771, Anonymous, 1771 - 1773 print paper etching / engraving memorial medal. orphanage Walenweeshuis (1671-1967)

Bliżej Kultury Unknown, Unger, Józef (1817 1874)

S. The Cleric - Demolition of Charenton Temple Demolition of the Temple of Charenton in November 1685 "(Revocation of the Edit of Nantes, October 18, 1685). Engraving of Sébastien Le Clerc.

Plate 1: Two palms and a coat of arms frame the title and dedication, title page for 'Various Figures' (Agréable diversité de figures). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 3 1/16 × 4 1/8 in. (7.8 × 10.5 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: 'Various Figures' (Agréable diversité de figures). Date: 1642. Museum: Metropolitan Museum of Art, New York, USA.

Silhouette portrait of Van Bracht, Johannes Christiaan Bendorp, 1776 - 1849 print Portrait in Silhouette from Van Bracht in medallion with Garlanden. Two fresh on tablet under the show Praemen are commitment to the freedom of Dutch citizens. Netherlands paper etching

An allegorical representation of throning woman, Gaspare Gaiani, After Cornelia Knight, 1793 print Oval medallion with an allegorical representation of a throne woman with spear, wreath, banners and a column. On the left is 'Fortis', on the right 'et fides'. print maker: Italyafter drawing by: Romeafter design by: Rome paper etching Strength, power; 'Fortezza', 'Fortress of mind and body', 'Fortress of the joint body with the genericity of the soul', 'Fortress & value of the joint body with prudence & virtue of the soul', 'Force' (Ripa). Faithfulness, 'Bona Fide'

Statue for Wilhelmina van Pruisen, Anonymous, 1787 print Allegroric statue in honor of Van Wilhelmina, following the mediation between the States of Holland and West-Friesland and the inheritance stad holder, 1786 (second edition). Image of the princess as an armed rider. On the right a monument with the princes from the Stamhuis van Oranje, on the left kneels religion. In heaven the all -sighted eye. On the leaf under the plate a explanation of the performance and one in two columns. A pendant belongs to the plate. Northern Netherlands paper engraving / etching / letterpress printing monument, statue. homage to a ruler. the all-seeing eye, triangle with eye ~ symbol of God the Father

Bouwfragment, Cornelis Springer, 1845 print Tirelprent for the etchings of Cornelis Springer with the title on a building fragment in the grass. Amsterdam paper etching other architectural details

Title page for: S. van Hoek 'Nature and historical description of the terrible water flood', 1808, Reinier Vinkeles (I), 1808 print Title page with a night face with a woman in a flooded area. print maker: Amsterdampublisher: Haarlem paper etching / engraving flood. night. field filled with a crop (+ landscape with figures, staffage)

Title page for "gowns and reflections", 1777; Memorial column dude. Maria Van Goens. Title page with a memorial column with grieving putti.

Gentility: A Jolly Companion, 1828, George Cruikshank, British, 1792 - 1878, 9 15/16 x 13 3/4 in. (25.24 x 34.93 cm) (sheet), Etching, England, 19th century

Medallion with voluntary hunters of Leiden University of Applied Sciences, 1830, Michel Mourot, 1830 print Allegorical medallion with a representation of some voluntary hunters of Leiden University of Applied Sciences, 1830. On the ground for the medallion are weapons and parts of armor at the city arms of Leiden. Bandlags on both sides, at the top attributes of the university studies: books, pen and paper, with a putto that blows on a horn. This copy with signs from printer and publisher. See also the Pendant. print maker: Netherlandsprinter: Utrechtpublisher: Leiden paper (military) uniforms. clothes, costume

Menning in honor of the De Witt brothers, 1672, Anonymous, 1672 - 1749 print Leaf with the front and back of a medal made in memory of Johan and Cornelis de Witt, killed in 1672. The front shows the portraits of the brothers and profil. On the downside two ships that perish in a storm. A cut description of the medal is stuck on the same leaf. Northern Netherlands paper etching / engraving / letterpress printing medal (considered as a piece of sculpture, regardless of its specific function)

Allegory on Willem V as the patron of the Leiden Academy, 1775, Reinier Vinkeles (I), 1775 print Allegorical vignette with Stadholder Willem V as the patron of the university, on the occasion of the second century celebration of the founding of the University of Leiden, 8 February 1775. The City Virgin of Leiden guides the prince to Minerva at a column gallery on the castle. On the left the electricity god of the Rhine, on the right weapon trophy, in the foreground children with books. Under the vignette a verse of four lines in Latin. Amsterdam paper etching / engraving personification of a city, town-patron(ess) Castle of Leiden. To lead

Memorial to Seven Woodmason Children killed in a Fire 1779 - St. Peter upon Cornhill, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Charles Reuben Ryley, 1752-1798, British, 1825, Engraving

Allegory on the battle at Leipzig, 1813; Biklag by Leipzig, in 1813. Allegory on the battle at Leipzig or Volkeerslag, on 16-19 October 1813, between the coalition armies of Russia, Prussia, Austria and Sweden and the French army of Napoleon. Monumental column with weapentrophe, image of battle, medallions with portraits of the victory princes, victory and fame. With sixor ones.

Netherlands, Letter of greeting with biblical scenes, recto - handwritten in brown ink, Letter of greeting with described cartouche within a decorative frame with representations of a bridge over a canal and of a boy on a sled. Handwritten message in calligraphy (Pentecost letter) by D. Ameliswaard to uncle and aunt., print, engraving, popular print, letter of greeting, prints, engravings, popular prints, verso - stamped, Pentecost letter to my dear uncle and godfather, The Savior after his ascension, height 415 mm, width 337 mm, height 400 mm, width 325 mm, print maker, printmaker, 1823 - 1823, paper, papier, ink, inkt, etching, kleuren, kalligrafie, pen, Publication (Event), Publicatie, publisher

Wish letter with Biblical scenes, 1823 print Wish letter with described cartouche within a decorative framework with representations of a bridge over a canal and of a boy on a sled. Handwritten message in calligraphy (Pentecostal letter) by D. Ameliswaard to Uncle and Aunt. Netherlands paper. ink etching / pen canal. bridge in city across river, canal, etc.. sleigh, sledge (non-sport)

Time verses on the initiation of the Nieuwe Amsterdamse Schouwburg, 1774, Noah van der Meer (II), 1774 - 1775 print Leaf with an oval allegorical performance and a two -way time -verse on the initiation of the new Amsterdam Schouwburg on the Leidseplein, September 15, 1774. This Stadsschouwburg was built to replace the theater on Keizersgracht and burned down in 1890. In the middle, the personification of the Amsterdam Schouwburg welcomes, with a new Bijenkorf, a man and two children on her lap. To the right of her two putti that unrolls an image of the new building. In the foreground books and writings with theater works. In the departure Apollo, the Muzen and Pegasus on the Parnassus. Amsterdam paper etching / engraving Apollo and the Muses, Apollo Musagetes. bee-hive. Pegasus, the winged horse. theatre (building) Schouwburg Leidseplein (1774-1890)

Coat of arms of Willem V, Prince of Oranje-Nassau, Isaac Lodewijk La Fargue van Nieuwland, 1767 drawing Wapen van Willem V with a crown, decorated with the garter and the motto of the order of the garter. At around it, Minerva and a number of other allegorical figures are on a cloud cover. In the middle a column with handwritten text. Northern Netherlands paper. ink (story of) Minerva (Pallas, Athena). knighthood order (GARTER) - insignia of a knighthood order, e.g.: badge, chain

William Gilbert: his monument. Line engraving by G. Vertue after J. Deane.

GRABADO-RELOJ DEL CRISTIANO-N 15364. Location: MUSEO DE HISTORIA-GRABADOS BLANCO Y NEGRO. MADRID. SPAIN.

Wish letter with decorative framework, 1830 print Wish letter with described cartouche within a decorative framework with performances of children offering their mother's wish letters and other figures and activities. Handwritten message in calligraphy (Kermis prize) by Jan Visser to his uncle and Peet. Netherlands paper. ink etching / pen human types. characters (human types). parents with their children

Suite de Vases Composée dans le Goût de l'Antique... Designer: Designed by Joseph Marie Vien (French, Montpellier 1716-1809 Paris). Dimensions: 9 x 6 3/4 x 1/4 in. (22.9 x 17.2 x 0.7 cm). Engraver: Marie Thérèse Reboul (French, 1738-1805) , sa femme. Published in: Paris. Date: 1760. Museum: Metropolitan Museum of Art, New York, USA.

Copper engraving by Johann Georg Mansfeld from 1796-1797 depicting a design for a commemorative medal honoring the rescuers of the fatherland, with textual inscriptions.

Dedicated to the Newly Created E-l of L-nsd-le May 11, 1784 Thomas Rowlandson. Dedicated to the Newly Created E-l of L-nsd-le. Thomas Rowlandson (British, London 1757-1827 London). May 11, 1784. Etching. Prints

Title print for the press series 'De Horrels of the War (Groot)' / 'Les Miseres et les Malheurs de la Guerre', Jacques Callot, 1633 print French text in cartouche in the form of a large tablet. In the foreground weapons, bullets, drums and a crown. Soldiers on either side of the tablet. Under the show an empty margin. This is the title print for a series of 17 prints with performances of various types of misery that warfare entails. print maker: Nancypublisher: Paris paper etching ornament ~ cartouche. weapons. firearms: cannon. drum (musical instrument). crown (symbol of sovereignty). officer

Pa. German Butter Mold. Dated: c. 1938. Dimensions: overall: 32.8 x 24.5 cm (12 15/16 x 9 5/8 in.). Medium: watercolor, graphite, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Charlotte Angus.

Album of the tales of Jean de la Fontaine: Cover. Achille Deveraia (1800-1857) and E. edit. Album of the tales of Jean de la Fontaine: Cover. Lithograph, feather on pale yellow paper.

Fame and different putti show a leaf with title; The first part of new ornifications (...). .

Bookplate of Konrad Hoffschulte. Ehringhausen, Willy (1868-1933), graphic artist

The palace of the Legion of Honor. / N ° 6.

To peoples / 8 lithographic subjects / by Gerard Seguin. (IT)

Anonymous. "French bouquet, Cologne de Charles ten". Etching. 1829. Paris, Carnavalet museum. 58877-9 French bouquet, cut, cologne, tightness, flower

Trade Card - S Wyer, Nelson Hotel, Birmingham, 1830. Social History - Trade Document Collection

5. / Pissing / In the embarrassment

Tribute to Cornelis Corneliszoon van Uitgeest, the inventor of the sawmill, 1592 According to the caption, the mill was invented at Uitgeest and built in Zaandam Allegory with a depiction of an old sawmill including a verse surrounded by Minerva, Aeolus and putti At the top, putti stretch a cord with all kinds of carpenter's tools Beneath the scene is a 24-line verse in Dutch, Homage to Cornelis Corneliszoon van Uitgeest, the inventor of the sawmill, 1592 Invention of the Zaegh-Moolens Lauw're-Crans, For Cornelis Cornelissz van Uyt-geest First finder of the Hout-Zaghery-Moolens , print maker: Jan Schenk, (mentioned on object), Adolf van der Laan, (mentioned on object), Hendrik Jacobsz Soeteboom, (mentioned on object), Northern Netherlands, 1708 - 1752, paper, etching, engraving, h 444 mm × w 277 mm

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Rebecca Wife of John Ward from Ealing Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Memorial to Christopher Clitherow, Rachel Clitherow and Six of her 19 Children from Brentford, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 3/4 inches (37.8 × 27.3 cm), architectural subject, church, memorial, Brentford Church, England, Greater London, London, Middlesex, United Kingdom

Two men in the box full of valuables, 1838 print A man in Toga is with a box full of valuables such as money, vases and weapons. He holds a book in his right hand, possibly the Bible. To the left of him is a kneeling figure with his hands folded. Behind him a rose bush and a cross. In the background an arbor behind which the rays of the sun. paper steel engraving landscapes (+ landscape with figures, staffage). money-chest, treasure-chest, money-box

The Madonna on the Crescent, Frontispiece to The Life of the Virgin. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 16 7/8 x 11 9/16 in. (42.9 x 29.4 cm). Date: ca. 1511. Museum: Metropolitan Museum of Art, New York, USA.

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Thomas Pearce from Ealing Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Allegorical performance with status of the art and freedom; Title page for: S.N., the post of the Lower Rhijn, 1781. Statistics, writing by a stone, is notified by the freedom to the personnifications of truth and caution.

VOILLLLLLLLLLLA LE GRRRRRRRRRRRRRRAND galop charivarique. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Escutcheon with a Medal; Jacques Bailly (French, 1634 - 1679); Paris, France; about 1663 - 1668; Gouache, gold, and ink on parchment; Leaf: 38.7 x 25.4 cm (15 1,4 x 10 in.)

Trade Card for Leadbetter, Seal Engraver and Lapidary 19th century Anonymous, British, 19th century This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as tradesmen’s cards,” tradesmen’s bills,” or shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.. Trade Card for Leadbetter, Seal Engraver and Lapidary. Anonymous, British, 19th century. 19th century. Engraving

Title print for a series of designs for decorative wall increases, c. 1725 - c. 1750 print This print is part of an album. Paris paper etching ornaments ~ art. title-page. jewel-box. herms (garden ornaments)

Woodcut by Jacob Lucius around 1563 depicting a scene of drunkenness, emphasizing human figures, posture, and composition.

Memorial column with cartouche; Close praise. A cartouche decorated with leaves is at the foot of a memorial column. On the cartouche is the title, left and right of this are shown with fruit filled horns. A bazuin blowing angel flies at the top of the memorial cellar with a laurel wreath.

Title page, Etchings of Pictures in the Metropolitan Museum New York 1871 Jules-Ferdinand Jacquemart. Title page, Etchings of Pictures in the Metropolitan Museum New York. Etchings of Pictures in the Metropolitan Museum New York. Jules-Ferdinand Jacquemart (French, Paris 1837-1880 Paris). 1871. Etching on chine collé. P. & D. Colnaghi & Co.. Prints

Moving toy: Greetings from a friend in: Paper toys from the Biedermeier era Seidan, Johann

Allegorical grave monument for Jan van Speijk, 1832; Poem, on the slowly buried from the overblefzels of our young hero, J.C.J. from Speyk. Held in Amsterdam, on the fourth May 1832. Allegorical grave monument for Jan van Speijk. A crying woman sat on the sarcophagus with a column with a portrait of Van Speijk. The sarcophagus a saved book, scales, hourglass and palm branch. With a description of the National Care by Amsterdam and the funeral ceremony in the Nieuwe Kerk in Amsterdam on 4 May 1832. At the bottom of a verse of nine couplets in three columns.

Allegory on the marriage of Count Willem Frederik van Nassau and Albertina Agnes, 1652; Epithalamium in Nuptias (...) Wilhelmi Frderici (...) et (...) Albertinae-Agnetis. Allegory on the marriage of Willem Frederik, Count of Nassau-Dietz with Albertine Agnes, Princess of Orange-Nassau, daughter of Frederik Hendrik, May 1652. Willem Frederik is led by Mercury to his wife, in the clouds are Jupiter and Juno. Central Cupid with a burning torch and the weapons of both parties. At the bottom of a canvas with a long verse in Latin by students of the Roman Catholic College in Turnhout. On either side allegorical carians of women's figures with an orange branch and a horn of abundance.

Sleeping boy; Title page for: c.f.t. Voigt, the dangers of youth, a book for youngsters and girls, 1823.a Sleeping Boy on a rock in the water.

Sothen and the Innsbrucker loose, A pleasant main hit perspective also for underlying, Johann Karl Sothen and the Innsbrucker loose, a pleasant main hit perspective also for underlying from Die Bomb , László frecskay -, caricaturist

Title page for: J.-B. Rousseau, Les œuvres Choisies, part 1. Title VIGNET with a Sater and a mermaid and various musical instruments.

Putto at a sacrificial column, Johannes Fredericus Lange, After Leonardus Temminck, After Bernard Anthonie Fallée, 1801 print A putto stands with a laurel wreath next to a sacrificial column, in the foreground are a mask, lier and a book. The round framework of the performance is formed by the Ouroboros: the snake that bite into its own tail. The Hague paper etching / letterpress printing crowning with laurel (+ variant). cupids: 'amores', 'amoretti', 'putti'. serpent Ouroboros

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