Panoramic Views and City Scenes

Drawings depicting varied landscapes and city views, capturing historical moments and leisure activities in illustrated formats.

Winter landscape with ice entertainment, Louis Chalon, 1737, draughtsman: Louis Chalon, 1737, paper, h 180 mm × w 231 mm

View of Kleef, Anonymous, 1700 - 1799 drawing paper. watercolor (paint) brush prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage) Cleves

Jesus College inthe University of Cambridge, Thomas Malton the Younger, 1748-1804, British, 1799, Aquatint with etched outline on moderately thick, slightly textured, cream, wove paper, Sheet: 21 × 27 3/16 inches (53.3 × 69.1 cm), Plate: 16 × 21 3/4 inches (40.6 × 55.2 cm), and Image: 13 3/4 × 19 9/16 inches (34.9 × 49.7 cm)

Drawing by Johann David Schubert depicting the Dresden postmaster and his postillione awaiting a courier with news of the Teschener Peace in 1779, executed in black feder, watercolor, and white highlights over pencil traces with black edging line.

Winter landscape with ice entertainment, Louis Chalon, 1737, draughtsman: Louis Chalon, 1737, paper, h 180 mm × w 231 mm

Solemn entry of the procession for the inauguration of King William I in Brussels, 21 September 1815. Cavalry concluding the procession. At the bottom the coat of arms of King William I. Part of a series of plates of the arrival and inauguration of William I in Brussels, End of the procession with King William I for the inauguration in Brussels on 21 September 1815 Twelve plates of the arrival and inauguration of William I in Brussels and the battles of Quatre-Bras and Waterloo in 1815 (series title), print maker: Paul (graveur), (mentioned on object), after: Denis-Sebastien Leroy, (mentioned on object), publisher: J.L. van Bever, (mentioned on object), Brussels, 1825 - 1826, paper, etching, h 610 mm × w 810 mm

Print, Peep-show, Vue d'Une Des Maison de Plaisance et d'Une Partie du Comte de Burlington du Côté de la Tamise; France; engraving in ink with washes of watercolor on paper, mounted on scrapbook page; 28 × 42.7 cm (11 in. × 16 13/16 in.); 1901-30-37

Ducros, Louis, Italy, Volpato, Giovanni, Views of Rome and its environs, View of the gardens of the Villa Medici in Rome, verso - stamped, View from a gallery of the gardens of the Villa Medici in Rome. In the background an obelisk., print, prints, height 510 mm, width 735 mm, Italian, 1740 - 1803, print maker, printmaker, 1758 - 1803, paper, papier, etching, etchings, colours, Swiss, 1748 - 1810-02-10

A 19th-century drawing by an anonymous artist depicting a race, executed in black ink and watercolor.

Village on the River 1776-1827 England. Pen and brown and gray ink with brush and watercolor, over graphite, on ivory wove paper, laid down on tan wove paper . Thomas Rowlandson

Obrzęd pogrzebowy cara Aleksandra I w Warszawie. Frey, Jan Zachariasz (1769-1829), painter

Robert Dighton, 1752-1814, British, Trap Ball Played at the Black Prince, Newington, Butts, ca. 1784. Pen and black ink and brown ink and watercolor.

View of a avenue at the Cour de la Fontaine of Fontainebleau Castle, Jacques Rigaud, c. 1700 - 1758 print Face in a avenue near the 'Cour des Fontaines' of the Fontainebleau castle with elegantly dressed men and ladies in rowing boats and on the terrace. Print with cut parts, mounted on thin, transparent paper intended to be illuminated with candle or lamp. paper etching palace. water-works in garden Court of the fountain

Etching by Lorenz Janscha around 1833 depicting the ring game in the Prater, showing participants, movement, landscape, and surrounding elements in colored composition.

Charles Heath, 1785-1848, British, Tower Hill, 1825. Etching on moderately thick, moderately textured, cream wove paper with beige chine collé.

Environs of Windsor Castle 1823-1874 England. Watercolor, with touches of scraping, heightened with white gouache, over traces of graphite, on tan wove paper . Thomas Shotter Boys

Matthew Dubourg, active 1786-1838, British, The View of the Fair in Hyde Park, August 1st, 1814. Aquatint, hand-colored.

St.Stephen's Green, Dublin. From 'A set of twenty views of Dublin'. James Malton (1761-1803). Hand coloured engraving. Published October 1797. 26.4 x 37.5cm

Set of Four - Fox-hunting: Throwing Off, Matthew Dubourg, ( and Clark ), active 1786-1838, British, after Henry Thomas Alken, 1785-1851, British, 1813, Aquatint, colored by hand, Sheet: 13 3/8 x 19 11/16in. (34 x 50cm)

The approach to a village., 1615-1653, Netherlands, by Simon de Vlieger. Gift of Bishop Monrad, 1869.

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Versailles Seen from the Southwest 1779 Louis Nicolas de Lespinasse, called the Chevalier de Lespinasse French. Versailles Seen from the Southwest. Louis Nicolas de Lespinasse, called the Chevalier de Lespinasse (French, Pouilly-sur-Loire 1734-1808 Paris). 1779. Pen and black ink, watercolor, heightened with white, over traces of graphite. Drawings

Michel Jean Cazabon, 1814-1888, Trinidadian, active in France ca. 1839-1847, River Side, St. Joseph, 1857. Pen and black ink, gray ink, gray wash, black wash, graphite, gouache and scratching out on mediium, slightly texturerd, beige, wove paper.

George Hunt, active 1820-1840, British, A View on the Highgate Road. Aquatint, hand-colored.

A 1807 watercolor by Johann Nepomuk Höchle showing the imperial family in the Laxenburg Lustschloss, a summer palace near Vienna.

Giovanni Antonio Cesari (1753-1754), Copenhagen Toldbod, 1754

October. Artist: Hendrik Meijer (Dutch, Amsterdam 1744-1793 London). Dimensions: sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm). Date: 1772. Museum: Metropolitan Museum of Art, New York, USA.

View of the Île Royale in the garden of Versailles, Anonymous, 1700 - 1799 print Two lines of French text in the lower margin. paper. cardboard. watercolor (paint) etching / brush garden. garden fountain. ornamental plants Royal Île

Dike failure in Ochten in the Betuwe on March 1, 1784: the water flows with great force through the hole in the dike. A farmhouse is under water up to the roof, on which two men are sitting. On the right some people are rescuing household goods and animals. In the caption the title, dedication and a coat of arms, Doorbraak te Ochten, 1784 Doorbreak te Ochten in Neder-Betuwe, voorgevallen op den 1: maart 1784 , print maker: Roeland van Eynden, (mentioned on object), Roeland van Eynden, (mentioned on object), publisher: Roeland van Eynden, (mentioned on object), print maker: Northern Netherlands, Ochten, 1789, paper, etching, h 335 mm × w 408 mm

View of the village of Shepperton, John Boydell, 1752 print In the foreground, a ship with goods is pulled by five horses. London paper. watercolor (paint) etching / brush city-view in general; 'veduta'. canals, waters (in village). rowing-boat, canoe, etc.. sailing-ship, sailing-boat Shepperton

EL SITIO DE BADAJOZ - SIGLO XIX - GRABADO COLOREADO. Location: PRIVATE COLLECTION. France.

Print made by George Baxter, 1804-1867, British, The Great Exhibition: Exterior View from the Southwest, 1851. Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card.

The arrival of Loudons in the Elysium allegorical representation according to Feldmarschalls death on July , Johann Hieronymus Deleteenkohl -, publishing house

GRABADO-ESCENA DE CAZA INGLESA- GRABADO S XIX. Location: PRIVATE COLLECTION. MADRID. SPAIN.

The Reading Telegraph Coach Artist's working dates 1813-1878 England. Etching and aquatint, with hand coloring, on paper . Robert Havell

Sas van Gent, Jan Bulthuis, 1785, draughtsman: Jan Bulthuis, 1785, paper, pen, brush, h 152 mm × w 257 mm

Bernard Lens III, 1682-1740, British, Figures on Bank of the Long Water, Hampton Court Palace, undated. Gray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper.

Print made by Rowney & Forster, active 1820-1822, May Day, after 1821. Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper.

View of the Cour de la Fontaine of the Palais de Fontainebleau, Anonymous, 1700 - 1799 print On the left, a covered rowing boat sails with a number of figures on the water. paper. cardboard. watercolor (paint) etching / brush palace. rowing-boat, canoe, etc.. inner court of palace or 'hôtel' Court of the fountain

Veue du Parc de St. Jacques, S. Torres, active 1752, after Jacques Rigaud, 1681-1754, French, 1752, Hand colored engraving

The Grenadier Caserne and the Kayszerl, Marstall , La Caserne de Grenadiers e lEcurie Imperiale st budget, Johann Andreas Ziegler -, Artist, Artaria , Co, Verlag, Publishing House

Thomas Rowlandson, 1756-1827, British, A Review on Blackheath, May 1785, 1785. Watercolor with pen and black ink, over graphite on medium, slightly textured, blued white laid paper.

James Bourne, 1773-1854, British, Eton from the Brocas, 1828. Watercolor on medium, slightly textured, cream wove paper.

James Moore, 1762-1799, British, The Artist Sketching Mlle. de St. Legier as a Shepherdess, 1787. Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper.

Grote Markt in Rotterdam, ca. 1790, 1824 - 1825 View of the Grote Markt with the statue of Erasmus, in Rotterdam, ca. 1790. Part of a sheet metal from around 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands . Amsterdam paper etching / engraving Rotterdam. Large market View of the Grote Markt with the statue of Erasmus, in Rotterdam, ca. 1790. Part of a sheet metal from around 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands . Amsterdam paper etching / engraving Rotterdam. Large market

Entrance from Mile End or White Chapel Turnpike, Heinrich Joseph Schutz, active 1798, after Thomas Rowlandson, 1756-1827, British, 1798, Aquatint, hand-colored

Isaac Cruikshank, 1756-1810, British, Bachelor's Hall, 1791. Etching, hand-colored.

James Miller, active 1773-1814, River Wharf / Figure Sketching in a Lane. Graphite / watercolor and gray wash over graphite.

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Solemn entrance of Marshal Berthier, Prince of Neufchatel, into Vienna, Austria, to formally ask for the hand of Marie-Louise as bride for Napoleon, 1810, engraving

A View of Spa, c. 1619. Jan Brueghel (Flemish, 1568-1625). Pen and brown ink and brush and brown and gray wash, with blue and green watercolor and red chalk wash; framing lines in brown ink; sheet: 20.5 x 14.8 cm (8 1/16 x 5 13/16 in.).

Income of Willem den 1st in the city of Brussels on March 30, 1815 / Entrée de Guillaume 1er dans la Ville de Bruxelles, Le 30 Mars 1815, 1825 - 1826 print Arrival of King William I in Brussels on March 30, 1815. The procession of carriages accompanied by cavalry goes through a gate into the city. At the bottom of the titles in Dutch and French separated by the weapon of King William I. Part of a series of records of the arrival and inauguration of William I in Brussels Brussels paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Brussels

Skating in Hyde Park, Julius Caesar Ibbetson, 1759-1817, British, ca. 1785, Watercolor, pen and black ink, brown ink, gray ink, and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 9 15/16 × 13 15/16 inches (25.2 × 35.4 cm), children, dog (animal), falling, landscape, men, skating, ice, sporting art, trees, women, City of Westminster, England, Europe, Greater London, Hyde Park, London, United Kingdom

The TwilightHour.. Artist: Currier & Ives, American, active 1834-1907

Artist: Francis Jukes, British, 1745-1812, After: Alexander Robertson, American, 1772-1841, New York (from Hobuck Ferry House, NewJersey), Aquatint printed in colors, sheet: 40 × 50.5 cm (15 3/4 × 19 7/8in.), Made in United Kingdom, British, 19thcentury, Works on Paper -Prints

Dorpskermis, Leendert Overbeek, 1762 - 1815 drawing paper. ink. watercolor (paint). pencil brush / pen (annual) fair, trade fair

Enraged Vicar Artist's working dates 1776-1827 England. Watercolor and pen and brown ink, on cream wove paper, laid down on ivory laid paper . Thomas Rowlandson

Bridgenorth, Shropshire, c. 1790. Anonymous. Watercolor over graphite; sheet: 35.5 x 51.7 cm (14 x 20 3/8 in.); secondary support: 43 x 57.2 cm (16 15/16 x 22 1/2 in.).

Beulah Spa, Norwood, Print made by Henry Wallis, 1805-1890, British, after John Cuthbert Salmon, 1844-1917, British, or John Salmon, 1808-1886, British, before 1838, Engraving

Francis David Soiron, Born 1764, The Promenade in St. James's Park, 1793. Aquatint.

View of the Champs-Elysées in Paris towards the Jardin des Tuileries; 50th. Vue d'Optique Representant La Grande Allée des Champs Elisées and Face des Thuileries a Paris. Numbered in the title: 50.

Thomas Vivares, c.1735-c.1790, British, View from Nature. Hand colored soft ground etchings.

Coach Changing Horses. Thomas Rowlandson; English, 1756-1827. Date: 1827. Dimensions: 156 × 241 mm. Pen and brown ink with brush and watercolor, over traces of graphite, on ivory wove paper, laid down on board. Origin: England. Museum: The Chicago Art Institute, USA.

Fitting Diffend Die Vorcedete Vieden Und Via Vien , Fit Value of Veshrn Fellows, Vienna, Vienna Camer, Artarian, Artist, Artarish, Publishing House

A View in Smithfield, Charles G. Lewis, 1808-1880, British, And Frederick Christian Lewis the Elder, 1779-1856, British, after unknown artist, undated, Aquatint, hand-colored

Fox-hunting set of four: (1) Meeting / Colonel Jollyffe's Hounds Meeting of Chipstead Church, Dean Wolstenholme, 1798-1882, British, after Dean Wolstenholme, 1757-1837, British, no date, Aquatint, colored by hand, Sheet: 9 1/4 x 12 3/4in. (23.5 x 32.4cm)

Sadlers Flying Artillery. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 12 1/8 × 16 1/8 in. (30.8 × 40.9 cm). Date: September 3, 1798. Museum: Metropolitan Museum of Art, New York, USA.

Anonymous. "The Place de la Concorde seen from the Tuileries terrace around 1820". Oil on canvas. Paris, Carnavalet museum. 24170-1 Dettete, public garden, concord place, tuileries, terrace view, oil on canvas, walking

George Dawe, 1781-1829, British, Set of nine: (8) The Life of a Nobleman. Aquatint, colored by hand.

Set of four: A Celebrated Stag Hunt. Plate 1. Meeting at the Oakes, Robert Havell, 1769-1832, British, John Doyle ('H.B.'), 1797-1868, Irish, 1835, Aquatint, hand-colored, Sheet: 16 1/4 x 26 5/8in. (41.3 x 67.6cm)

Attributed to Edward Edwards, 1738-1806, British, St. Winifred's Well, Holywell, Flintshire, Wales with the Artist in the Foreground.., undated. Watercolor, gouache, pen, ink, and graphite on medium, slightly textured, cream wove paper.

Traveling party for inn at night. Draughtsman: Nicolaes Aartman. Dating: 1758. Measurements: h 118 mm × w 193 mm. Museum: Rijksmuseum, Amsterdam.

Francois Vivares, 1709-1780, French, The Moat Island, 1772. Hand colored engraving on thick, rough, cream, laid paper.

Liebwerda for noon.

Prévost-Dumarchais, Hippolyte Adrien Démetrius (or Provost-Dumarchais), outside the aquarium of the acclimatization garden (dummy title), 1870. Lead mine, rejoice of watercolor. Carnavalet museum, history of Paris.

Etching by Lorenz Janscha from 1790-1810 depicting Erlaw with a waterfall near Liesing, showing buildings, river, and landscape elements, colored print.

PISI, Pierre-Evente-Augustin de of Ranked # 1755 - D.1832), scene de fanchon aux douben du temple bran. (Title Factice). CAFRAV APOTHECATET, Histoister.

Illustration of the Kayserlich lust chasing so zu dero kayßl, Wedding , Wedding celebrations Leopold I, With Margarete Theresia, Imperial pleasure hunt in Prater Bärenhazt on December , Melchior Küsell -, Copper Engraver

The doppelganger, Holbeins comedy Gallerie Droller and interesting Scenen for the theater newspaper, th year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

View of the town hall and the harbor in Marseille, Remondini family (attributed to), 1700 - 1799 print Ships and boats lie on the water. There are groups of figures with goods on the waterfront on the right. Nummered in the bottom left: m 2. Publisher: Bassano del Grappaprint Maker: Italy paper. watercolor (paint) etching / brush sea (seascape) (+ landscape with figures, staffage). sailing-ship, sailing-boat. rowing-boat, canoe, etc.. harbour. townhall Town hall. Marseille

View of the city of Middelburg and the Havenkanaal, Basset, 1700 - 1799 print publisher: Parisprint maker: France paper. watercolor (paint) etching / brush city-view in general; 'veduta' (+ city(-scape) with figures, staffage). canal. sailing-ship, sailing-boat. rowing-boat, canoe, etc. Middelburg

Daniel Thomas Egerton, c.1800-1842, British, Fashionable Bores, or Coolers in High Life, 1824. Aquatint, colored by hand.

The oath or the false münzer, from Auber Gallerie Droller Scenen to the theater newspaper, th year, No, Andreas Geiger -, Copper Engraver

William Hincks, 1752-1797, Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality, 1791. Stipple engraving.

The Boston Common, 1858. Winslow Homer (American, 1836-1910). Wood engraving;

Rossie Honworks. County of St. Lawrence, State of NewYork. Artist: Eugène Ciceri & Lafosse, French After: Salathiel Ellis, American, 1803-1879

Matlock Baths, Derbyshire, William Day, 1764-1807, ca. 1789, Watercolor, pen and brown ink, gray ink, and graphite on medium, moderately textured, blued white, laid paper, mounted on, thick, smooth, cream, wove paper, Mount: 17 3/8 × 22 1/2 inches (44.1 × 57.2 cm), Contemporary drawn border: 14 5/16 × 19 5/8 inches (36.4 × 49.8 cm), and Sheet: 13 13/16 × 19 3/16 inches (35.1 × 48.7 cm), cityscape, cliffs, genre subject, houses, men, mountains, women, workers, Derbyshire, England, Europe, Matlock Bath, United Kingdom

Print made by George Cooke, 1781-1834, British, Hanover Terrace, Regent's Park, 1827. Etching and line engraving on medium, slightly textured, cream wove paper.

Country Inn 1787 Thomas Rowlandson. Country Inn. Thomas Rowlandson (British, London 1757-1827 London). 1787. Etching and aquatint. Prints

Village of St. Udy, Cornwall, from "Sketches from Nature" 1822 Etched by Thomas Rowlandson. Village of St. Udy, Cornwall, from "Sketches from Nature". "Sketches from Nature". Etched by Thomas Rowlandson (British, London 1757-1827 London). 1822. Hand-colored etching and aquatint. Prints

William Daniell, 1769-1837, British, Harwich, Essex, ca. 1820. Brown wash, brown ink, and white chalk over graphite on moderately thick, slightly textured, brown wove paper.

On the Vecht / by P. Remmers "Pencil Verso r.o.

View of Neva Quay at Letny Summer Garden by unknown artist, lithograph, 1822

Klemsic, village of German Settlers near Adelaide, Australia. Vintage Illustration from South Australia Illustrated, by George Angas, 1847

The Rustic Hut. Jean Francois Janinet (French, 1752-1814); after Adriaen van Ostade (Dutch, 1610-1685). Date: 1774. Dimensions: 240 × 205 mm (image); 320 × 255 mm (plate); 390 × 284 mm (sheet). Etching and wash manner in color on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Jean François Janinet.

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Marche aux Fleurs and Pont-au-Change, William Radclyffe, 1780-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1835, Etching and engraving, third state on Not signed

Entrance to the Tomb of Absalom and Cave of Jehosophat. Ingresso all Tombe di Assalonne e di Giosofat. Handcoloured copperplate engraving after Giulio Ferrario in his Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1833. Copied from Luigi Mayers Views in Egypt, Palestine and Other Parts of the Ottoman Empire, 1804.

Park, Dornbach, near Vienna, Austria, 18th century watercolour

Negroes Sunday-Market at Antiqua, Anthony Cardon, 1772-1813, Flemish, after unknown artist, ( W. Beastall ), c. 1806, Color aquatint, Sheet: 16 1/4 x 19 1/2in. (41.3 x 49.5cm)

Four pastoral figures in a landscape, c. 1654 Four pastoral figures in a landscape under a poem on the melody of Vrindinne, you are the most beautiful. The poem is about the contrast between luxury at the court and the pastoral simplicity. Gesina has added two lines at the bottom. Zwolle paper. ink. watercolor (paint) brush / calligraphy Four pastoral figures in a landscape under a poem on the melody of Vrindinne, you are the most beautiful. The poem is about the contrast between luxury at the court and the pastoral simplicity. Gesina has added two lines at the bottom. Zwolle paper. ink. watercolor (paint) brush / calligraphy

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