Papyrus Fragments Collection

Ancient papyrus fragments inscribed in Demotic and Greek, offering a glimpse into historical writings.

Papyrus Fragment. Unknown 1st - 2nd century

Portion of a Historical Text Portion of a Historical Text, ca. 1809-1743 B.C.E. Papyrus, ink, 35.1446a-e: 11 1/2 × 71 5/8 in. (29.2 × 182 cm). When complete, the papyrus to which this fragment belonged measured almost seven feet long. The texts are written in a cursive form of hieroglyphs called hieratic. Differences in handwriting and in the historical events described demonstrate that different scribes added new inscriptions over several generations. The most important text recounts the efforts of a Thirteenth Dynasty Theban noblewoman named Senebtisi to establish legal ownership of ninety-five household servants, whose names indicate that forty-five were of Asiatic origin. The presence of so many foreigners in a single household suggests that the Asiatic population was increasing rapidly in Thirteenth Dynasty Egypt. As was customary, some of these foreigners no doubt married Egyptians, adopted Egyptian beliefs and cultural traditions, and were absorbed into the cultural mainstream.

Fragment. Egypt. Date: 201 AD-1000. Dimensions: 21 × 70 cm (8 1/4 × 27 9/16 in.). Origin: Egypt. Museum: The Chicago Art Institute, Chicago, USA. Author: Ancient Egyptian.

Fragment of a Sleeve 3rd-4th century. Fragment of a Sleeve 443996

Sampler 1813 Italian. Sampler. Italian. 1813. Silk on linen. Textiles-Embroidered

Fragment of a Sleeve 5th century. Fragment of a Sleeve 444017

Two leaves from an Unidentified Manuscript Indian. Two leaves from an Unidentified Manuscript, 19th century (). Ink on palm leaf, each leaf: 1 3/4 x 11 in. (4.4 x 27.9 cm). Asian Art 19th century ()

Karte von Portugal auf verwittertem Holz - Map of Portugal on weathered wood Karte von Portugal auf verwittertem Holz - Map of Portugal on weathered wood Copyright: xZoonar.com/lantapixx 9894138

Rosetta Stone. Found in 1799 inscribed with three versions of a decree issued at Memphis, Egypt in 196 BC during the Ptolemaic dynasty

Textile Fragment 12th century. Textile Fragment 449033

The south-east side of the obelisk at Xanthus

Property Transfer Document: Ananiah Gives Yehoishema Another Part of the House Aramaic. Property Transfer Document: Ananiah Gives Yehoishema Another Part of the House, November 25 or November 26, 404 B.C.E. Papyrus, ink, mud, Glass: 30 5/16 x 15 5/16 in. (77 x 38.9 cm). Egyptian, Classical, Ancient Near Eastern Art November 25 or November 26, 404 B.C.E.

An inscription of the seventh century, vintage engraving. An inscription of the seventh century, vintage engraved illustration. Magasin Pittoresque 1852. Copyright: xZoonar.com/PatrickxGuenettex 10673540

Papyrus Inscribed in Greek Papyrus Inscribed in Greek, 2nd century C.E. Papyrus, ink, Glass: 7 1/16 x 8 1/4 in. (18 x 21 cm). Egyptian, Classical, Ancient Near Eastern Art 2nd century C.E.

Cuneiform cylinder: inscription of Esarhaddon ca. 680-669 B.C. Assyrian. Cuneiform cylinder: inscription of Esarhaddon 321672

Central Asia. Pothi handwriting. Fragment of a leaf in Sanskrit

Blood on Thunder Fording the Red Sea, James Gillray, 1757-1815, British, Published by S. W. Fores, 1785-1825, 1788, Etching and stipple engraving, hand-colored on moderately thick, slightly textured, cream laid paper, Sheet: 9 7/16 x 13 1/4 inches (24 x 33.6 cm) and Image: 9 x 13 1/4 inches (22.8 x 33.6 cm), bleeding, blood, bodies, cape, caricature, carrying, costume, death, dying, fording, historical subject, judge, ministers, moneybags, political, politicians, robes, satire, sea, staff, whip

Textile Fragment 3rd-4th century. Textile Fragment 443995

The Rosetta Stone is a fragment of a larger stele. No additional fragments were found in later searches of the Rosetta site. Owing to its damaged state, none of the three texts is absolutely complete. The Greek text contains 54 lines, of which the first 27 survive in full; the rest are increasingly fragmentary due to a diagonal break at the bottom right of the stone. The demotic text has survived best: it has 32 lines, of which the first 14 are slightly damaged on the right side. The hieroglyphic inscription has suffered the most damage. Only the last 14 lines of the hieroglyphic text can be seen.

Ostracon ca. 600-30 B.C. Late Period-Ptolemaic. Ostracon. ca. 600-30 B.C.. Pottery, ink. Late Period-Ptolemaic. From Egypt, Upper Egypt, Thebes, Medinet Habu, Davis excavations, 1912-13

Bound Manuscript of the Khamsa of Nizami Nizami. Bound Manuscript of the Khamsa of Nizami, late 16th century. Ink, opaque watercolor, pasteboard, leather, gold on paper, 8 1/4 x 13 3/8 in. (21 x 34 cm). Arts of the Islamic World late 16th century

Snakebite Papyrus Snakebite Papyrus, 589-525 B.C.E. Papyrus, ink, Overall: 10 5/8 × 68 7/8 in. (27 × 175 cm). Egyptian, Classical, Ancient Near Eastern Art 589-525 B.C.E.

Lombardy Milano Milan S. Ambrogio9. Hutzel, Max 1960-1990 Medieval: Founded 386-389 by S. Ambrogio, bishop at the time of emperor Teodosio. Remodelled 789, 859, 1098-1128, 1196. Decoration of basilica drastically altered over centuries, until 1858 when restored to original aspect. Restoration lasted until 1890. Exterior views of architecture and architectural sculpture, some of which contains re-used Roman fragments and architectural elements. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fragment, Willem Barents (1550-1597), 16th century, explorer, navigator, northern Arctic Ocean, Barents, Hermskerk, historical illustration 1885, Russia, Europe

Historic Spanish Record of the Conquest, South Side of Inscription Rock, N.M. Made 1873 United States. Following the end of the American Civil War, the United States Congress sponsored several major expeditions to chart the western lands, still largely unknown in terms of geography and resources. Such surveys brought together scientists, topographers, and photographers to document their findings. In 1871 Timothy OíSullivan, who had proven his proficiency in field photography during the war and on an earlier western expedition, was asked by George M. Wheeler to join a government survey of lands west of the 100th Meridian. Survey objectives included achieving a more precise record of the U.S.-Mexico border and studying rocks and plant life, as well as facilitating future commercial development. Factual and blunt, yet sophisticated in composition and often unexpectedly self-referential, OíSullivanís pictures have intrigued modern viewers. In this image of Inscription Rock in modern New Me

Snakebite Papyrus Snakebite Papyrus, 589-525 B.C.E. Papyrus, ink, Overall: 10 5/8 × 68 7/8 in. (27 × 175 cm). Egyptian, Classical, Ancient Near Eastern Art 589-525 B.C.E.

Fragment Made 1 CE-1532 Peru. Plain simple cloth (old card) .

Portion of a Historical Text Portion of a Historical Text, ca. 1809-1743 B.C.E. Papyrus, ink, 35.1446a-e: 11 1/2 × 71 5/8 in. (29.2 × 182 cm). When complete, the papyrus to which this fragment belonged measured almost seven feet long. The texts are written in a cursive form of hieroglyphs called hieratic. Differences in handwriting and in the historical events described demonstrate that different scribes added new inscriptions over several generations. The most important text recounts the efforts of a Thirteenth Dynasty Theban noblewoman named Senebtisi to establish legal ownership of ninety-five household servants, whose names indicate that forty-five were of Asiatic origin. The presence of so many foreigners in a single household suggests that the Asiatic population was increasing rapidly in Thirteenth Dynasty Egypt. As was customary, some of these foreigners no doubt married Egyptians, adopted Egyptian beliefs and cultural traditions, and were absorbed into the cultural mainstream.

Sampler 19th century German. Sampler. German. 19th century. Silk and cotton on cotton. Textiles-Embroidered

Pocket Book 19th century Japan. Pocket Book 59878

Textile Fragment 4th-5th century. Textile Fragment 443217

Man's Shirt (Woloru Nyawru), 20th century, 39 x 90in. (99.1 x 228.6cm), Cotton; mudcloth (bogolanfini); dyed, Mali, 20th century

Textile Fragment mid-11th century. Textile Fragment 448059

Rubbing of Seated Monkeys 20th century Cambodia. Rubbing of Seated Monkeys 62506

Karte von Vermont auf verwittertem Holz - Map of Vermont on weathered wood Karte von Vermont auf verwittertem Holz - Map of Vermont on weathered wood Copyright: xZoonar.com/lantapixx 14572673

Brief Aan Héloïse Bernard-Bodin, Émile Bernard, 1897 letter paper. ink writing (processes) / pen

A plan of the interior of a slave ship, 1808 (1965). Artist: Unknown

Karte von Bolivien auf verwittertem Holz - Map of Bolivia on weathered wood Karte von Bolivien auf verwittertem Holz - Map of Bolivia on weathered wood Copyright: xZoonar.com/lantapixx 11571459

Snakebite Papyrus Snakebite Papyrus, 589-525 B.C.E. Papyrus, ink, Overall: 10 5/8 × 68 7/8 in. (27 × 175 cm). Egyptian, Classical, Ancient Near Eastern Art 589-525 B.C.E.

Snakebite Papyrus Snakebite Papyrus, 6th-4th century B.C.E. Papyrus, ink, a: Glass: 15 13/16 x 27 5/8 in. (40.2 x 70.2 cm). Egyptian, Classical, Ancient Near Eastern Art 6th-4th century B.C.E.

Textile Fragment 2nd-3rd century. Textile Fragment 443649

Woodcut from Albrecht Dürers workshop showing the top half of text number 9 on the honorary gate of Emperor Maximilian I, produced on pear wood stick in 1515.

Lazio Roma Rome SS. Giovanni e Paolo, Museum93. Hutzel, Max 1960-1990 Medieval: Ceramic fragments, sculptural fragments, fresco fragments, inscribed tomb markers. Houses one of the best collections of Malagan medieval ceramics for casting wall monuments, copies of which are housed in campanile. Specific Location: Museum Antiquities: Ceramic fragments, sculptural fragments, architectural fragments Object Notes: Basilica has separate record and is filed separately. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Hugo, Victor (N.1802-02-26-D.1885-05-22), Cotau for sea workers, I, III, 5 (dummy title), 1864. Ink on paper. Houses of Victor Hugo Paris - Guernsey.

Three Illustrated Palm Leaves from a Pancharaksha Manuscript Three Illustrated Palm Leaves from a Pancharaksha Manuscript, 11th-12th century. Opaque watercolors and ink on palm leaves, Each: 2 1/2 x 12 3/4 in. (6.4 x 32.4 cm). Asian Art 11th-12th century

Names and weapons of the Edd. Eighty Heeren councils in the Vro Gereedschap / der Stadt Utrecht the Iare 1618. By the Lord Stad holder for Gaende / Nomination of the Vroedschap uyt a double number.

Mummy label of Pkyris (son of) Besis and Senpnouth A.D. 3rd century Roman Period. Mummy label of Pkyris (son of) Besis and Senpnouth. A.D. 3rd century. Wood, ink. Roman Period. From Egypt; Probably from Northern Upper Egypt, Akhmim (Khemmis, Panopolis)

Skiopticon image from the Department of Photography at the Royal Institute of Technology. Use by Professor Helmer Bäckström as teaching material. Bäckström was Sweden's first professor in photography at the Royal Institute of Technology 1948-1958. The picture shows a page in the Codex Argentus (the silver bib) written on the now extinct language gothic from the beginning of the 500s. Originally, the silver bib had at least 336 blades but of these 188 pieces known. 187 of the pages stored at Carolina Rediviva in Uppsala and the 188th leaf was found in 1970 and stored in the cathedral in the German city Speyer. (In the picture written Uffilebibeln, Upsala, Svedberg and Nordlund.)

Tuscany Grosseto Grosseto Museo Diocesano di Arte Sacra4. Hutzel, Max 1960-1990 Post-medieval collection of paintings, sacred objects and manuscripts from the Duomo and other city churches. There are a significant number of late Medieval Madonnas & Child paintings as well as High Renaissance paintings from the Bolognese school. The objects include a processional cross, and two reliqueries. Additionally there are some photos of manuscript pages of hymnals with objects they are displayed with. Object Notes: Hutzel notes are undated. The objects in the Musea Diocesano are included in his notes for the Duomo. We have kept Hutzel's numbering for the objects. There are also two prints for almost all the negatives, and the details were so similar (even if one photo is cropped more closely) that we have treated them as though there were two prints for each negative. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The resul

Sutra Cover 17th century() China. Sutra Cover 69836

Sweden, Blekinge, Blekinge, Karlskrona, Karlskrona, external marina (depicted, town).Sweden, Blekinge, Blekinge, Karlskrona, Karlskrona, External War Gogs (depicted, City)

Cover (Needlework) Made 1850-1900 United States. Cotton, twill weave; embroidered with wool in a variety of stitches . Susanna Lewis

Anefo photo collection. Gift from Queen Wilhelmina to Winston Churchill. Number of letters from the Duke of Marlborough, originating from the Archive of Raadionary Heinsius (originally a national archive) that were given by Queen Wilhelmina to Churchill .. October 25, 1945

Textile Fragment 3rd-4th century. Textile Fragment 443225

Folio 162, Verso; Roger Fenton (English, 1819 - 1869); London, England; 1856; Salted paper print

Huang: Emblem of the North China. Huang: Emblem of the North 43078

Textile Fragment 3rd-4th century. Textile Fragment 443262

Sampler 19th century Italian. Sampler 228356

Aramaic Papyrus Aramaic. Aramaic Papyrus, Oct. 1, 399 B.C.E. Papyrus, ink, Overall: 5 1/16 × 9 1/2 in. (12.8 × 24.2 cm). Egyptian, Classical, Ancient Near Eastern Art Oct. 1, 399 B.C.E.

Engraving based on fragmented clay tablets depicting a Babylonian cuneiform table of the phases of the Moon. Dated 20th Century

musical dirty paper surface texture musical dirty paper surface texture Copyright: xZoonar.com/SerhiixPavlovx 1765305

Oracle bone inscriptions (Chinese: 骨; pinyin: jiǎgǔ) are the ancient Chinese characters carved on animal scapulas (shoulder blades) or turtle plastron (underside). The oracle bone inscriptions were mainly used for divination and keeping records of events that happened in the late Shang Dynasty (c. 1300 - 1050 BCE). Before the discovery of the oracle bone inscriptions, the major historical records of the Shang Dynasty were based on the Shiji (Historical Records) of Sima Qian (司馬遷), who lived in the days of the Western Han Dynasty (206 BC - AD 25) and is generally regarded as the father of Chinese historiography. However, the lack of archaeological evidence caused many scholars to doubt the reliability and credibility of this account. The discovery of oracle bone inscriptions provided the first scientific verification of Sima Qian's historiography and proves the existence of the former Shang Dynasty.

Collection Dutch Heidematschappij. Paper wood / frost list. undated

Embroidered darning sampler 1747 Dutch. Embroidered darning sampler 228073

XXIVe dynastie Apis Unique, 1857, Paris, Publisher, Gide, Serapeum (aqqārah, Egypt), Photolithographs

Portion of a Historical Text Portion of a Historical Text, ca. 1809-1743 B.C.E. Papyrus, ink, 35.1446a-e: 11 1/2 × 71 5/8 in. (29.2 × 182 cm). When complete, the papyrus to which this fragment belonged measured almost seven feet long. The texts are written in a cursive form of hieroglyphs called hieratic. Differences in handwriting and in the historical events described demonstrate that different scribes added new inscriptions over several generations. The most important text recounts the efforts of a Thirteenth Dynasty Theban noblewoman named Senebtisi to establish legal ownership of ninety-five household servants, whose names indicate that forty-five were of Asiatic origin. The presence of so many foreigners in a single household suggests that the Asiatic population was increasing rapidly in Thirteenth Dynasty Egypt. As was customary, some of these foreigners no doubt married Egyptians, adopted Egyptian beliefs and cultural traditions, and were absorbed into the cultural mainstream.

Vice Admiral Sir Francis Drake (1540 -96) was an English sea captain, privateer, navigator, slaver, a renowned pirate, and a politician of the Elizabethan era. Elizabeth I of England awarded Drake a knighthood in 1581. He was second-in-command of the English fleet against the Spanish Armada in 1588, subordinate only to Charles Howard and the Queen herself. He died of dysentery in January 1596 after unsuccessfully attacking San Juan, Puerto Rico. His exploits were legendary, making him a hero to the English but a pirate to the Spaniards. King Philip II was claimed to have offered a reward of 20,000 ducats, about US $6.5 million by modern standards, for his life. He led the first English circumnavigation of the world, from 1577 to 1580, during which time he met native American tribes in California, which he claimed for Britain, and visited the Spice Islands in the East Indies Indonesia.

Tuscany Siena Montalcino (environs) Abbey of S. Antimo Abbey church3. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (9th century, 1118, c. 1250), wooden crucifix, painting, frescoes. Post-medieval: Fresco depicting the Resurrection Object Notes: Two photocampaigns were made of this site, one of which occurred in 1983. Hutzel's notes document only the 1983 campaign; these prints are all found in the Medieval core collection. General Notes: When these photos were sent, mislabelling of prints and negatives had occurred. Intermingling with prints and negatives of S. Agostino may have occurred. Please note that negative sleeves have been labeled Abbazia di S. Antimo. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the

Sprechende Trommel der Duala Talking drum of the Duala, Cameroon. African culture and antiquities. Publication of the Meyers encyclopedia, Vol. 7, Leipzig, Germany, 1910. LicenseRF Copyright: xZoonar.com/SergeyxKohlx 23206181

Cuneiform tablet: account regarding temple sheep, Ebabbar archive ca. 519 B.C. Achaemenid. Cuneiform tablet: account regarding temple sheep, Ebabbar archive 321776

Cuneiform tablet: promissory note for barley and wheat, Esagilaya archive ca. 604-562 B.C. Babylonian. Cuneiform tablet: promissory note for barley and wheat, Esagilaya archive 322004

Textile Fragment 5th-6th century. Textile Fragment 444249

GRABADO - PICTOGRAMAS DE UN MANUSCRITO MESOAMERICANO - SIGLO XVI. Location: INSTITUTO DE COOPERACION IBEROAMERICANA. MADRID. SPAIN.

Brayette. Culture: German. Dimensions: H. 9 5/16 in. (23.5 cm), W. 17 7/8 in. (45.5 cm); Diam. (outside) of link type 1 15/32 in. (12.2 mm); Diam. (inside) of link type 1 11/32 in. (8.9 mm); Diam. (outside) of link type 2 15/32 (11.4 mm); Diam. (inside) of link type 2 11/32 in. (8.4 mm); Diam. (outside) of link type 3 13/32 in. (10.7 mm); Diam. (inside) of link type 3 5/16 in. (7.9 mm); Wt. 2 lbs. 6.8 oz. (1.1 kg).. Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Textile Fragment 3rd-4th century. Textile Fragment 443489

Imitation of an Ancient Greek Inscription. Unknown

Portion of a Historical Text Portion of a Historical Text, ca. 1809-1743 B.C.E. Papyrus, ink, 35.1446a-e: 11 1/2 × 71 5/8 in. (29.2 × 182 cm). When complete, the papyrus to which this fragment belonged measured almost seven feet long. The texts are written in a cursive form of hieroglyphs called hieratic. Differences in handwriting and in the historical events described demonstrate that different scribes added new inscriptions over several generations. The most important text recounts the efforts of a Thirteenth Dynasty Theban noblewoman named Senebtisi to establish legal ownership of ninety-five household servants, whose names indicate that forty-five were of Asiatic origin. The presence of so many foreigners in a single household suggests that the Asiatic population was increasing rapidly in Thirteenth Dynasty Egypt. As was customary, some of these foreigners no doubt married Egyptians, adopted Egyptian beliefs and cultural traditions, and were absorbed into the cultural mainstream.

Embroidered sampler Mary A. Cheever American 1812

Lazio Roma Velletri Museo Civico di Velletri29. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects

Lazio Roma Albano Laziale Museo Civico Archeologico82. Hutzel, Max 1960-1990 Post-medieval: Architecture, exterior (neoclassical); wall panels and painted ceiling Antiquities: Roman inscriptions, relief, sculpture, sarcophagi, brickstamps on bi-pedale fragments, cippi Object Notes: Bibliographic material housed in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Tibetan alphabet is an abugida of Indic origin used to write the Tibetan language as well as the Dzongkha language, Denzongkha, Ladakhi language and sometimes the Balti language.

Dry Dock Number 4, Specimen of Metal Sheet Piling From Caisson Excavation, The Holbrook, Cabot and Rollins Corporation, Contractor. Glass Plate Negatives of the Construction and Repair of Buildings, Facilities, and Vessels at the New York Navy Yard.

Side view of Spine and pages of an ancient Botanical book published in 1799, France Pierre-Joseph Redoute, public domain

A Thousand Names

Bound Manuscript of the Khamsa of Nizami Nizami. Bound Manuscript of the Khamsa of Nizami, late 16th century. Ink, opaque watercolor, pasteboard, leather, gold on paper, 8 1/4 x 13 3/8 in. (21 x 34 cm). Arts of the Islamic World late 16th century

Snakebite Papyrus Snakebite Papyrus, 589-525 B.C.E. Papyrus, ink, Overall: 10 5/8 × 68 7/8 in. (27 × 175 cm). Egyptian, Classical, Ancient Near Eastern Art 589-525 B.C.E.

Sheet Fragment 4th century Coptic. Sheet Fragment 475071

Illustration showing Babylonian Cuneiform, representation of the phases of the moon

Sutra Cover 16th-early 17th century China. Sutra Cover 70234

From the time of Joseon Dynasty (1392 - 1910) to Republic of Korea (1948~)

Close up of old grunge antique paper

Stone inscription tablet, Kesava Temple, Keshava temple, Somnathpur, Somanathapura, Karnataka, South India, India, South Asia, Asia

Lazio Latina Terracina Museo Archeologico5. Hutzel, Max 1960-1990 Antiquities: Stone figures, both full-length and busts; ancient altars, sarcophagi, inscriptions and stone fragments from the Temple of Giove Anxur and from the ancient town. Object Notes: Hutzel campaign notes are undated. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

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