Passion Narrative Prints

Engravings illustrating significant moments from the Passion of Christ, featuring dramatic figures in ornate frames and detailed backgrounds.

The circumcision of Christ, Hieronymus Wierix, 1608 print The Christ child is circumcised by a priest on an altar in the temple. Maria and others watch. The show is caught in a cartouche and placed in the midst of the psalm text printed in a button pattern. print maker: Antwerppublisher: Paris paper engraving the book of Psalms. ornament ~ cartouche. circumcision of the Christ-child by the priest in the temple (Luke 2:21)

Meeting between Christ and Veronica, 1560 - 1600 print Christ carries the cross and meets Veronica. From series of 14 ovals with grotesken in which scenes from the passion are depicted. Shaded background. Netherlands (possibly) paper engraving Christ meets Veronica, who has a cloth to wipe Christ's face

François de Maucroix flanked by the church and hymen. The poet François de Maucroix on a base is flanked by the personification of the church, dressed as the pope, and the wedding god Hymen, which offers him the yoke of the wedding. The show is caught in an ornamental list.

Clergymen destroy a desk. Spiritual destroyed a desk with hammers. The performance is caught in an ornamental list of candles on either side.

Man by Devil's attacked, Zacharias Dezius, 1713 print A person is attacked by two devils. Behind a tralieraam is Christ. On the clouds man in the arms of Christ and saved from the devil. Around the performance ornaments. At the bottom of a cartouche a four -line verse about the show in Dutch. Rotterdam paper etching devil or demons attacking mortals. Christ triumphing over devil(s)

The circumcision of Christ, Hieronymus Wierix, 1608 print The Christ child is circumcised by a priest on an altar in the temple. Maria and others watch. The show is caught in a cartouche and placed in the midst of the psalm text printed in a button pattern. print maker: Antwerppublisher: Paris paper engraving the book of Psalms. ornament ~ cartouche. circumcision of the Christ-child by the priest in the temple (Luke 2:21)

Worship of Christ child through the three kings. The three kings offer gifts to the Christ child. The representation is shown in an octagonal frame with in four corners of medallions with Latin texts referring to the areas from which the kings with their gifts are traveled. The text under the frame also refers to the worship and the valuables such as gold and myre that meat the kings (Mattheus 2).

François de Maucroix flanked by the church and hymen. The poet François de Maucroix on a base is flanked by the personification of the church, dressed as the pope, and the wedding god Hymen, which offers him the yoke of the wedding. The show is caught in an ornamental list.

Holy altar, from Physique sacree, ou Histoire-naturelle de la Bible, 1732-1737, by Johann Jakob Scheuchzer (1672 - 1733), a Swiss scholar born at Zurich

Cartouche with allegory on the history of Israel; Title page for: Kornelis Westerbaen, General Histori, 1736. A Jewish high priest in conversation with an angel, with burning flame on the head as a symbol for belief. In addition to them a crowned woman who points to her scepter on the tables of the law. In the foreground putti that sheets sheets of paper on which the different names of the tribes of Israel. In the background the tent camp of the Israelites, with the copper hose, and the Sinai mountain. In the frame of the cartouche medallions with biblical performances.

Widewater bin with the crucifixion; VARIE INVENTIONI DI VASI DA ACQUA BENEDETTA FATTI AL MODERNO. The hoiding water bin is supported by three putti and six cherubs. The back plate is formed by an oval medallion, held by two angels, with Christ on the cross. From series of 6 sheets with copies to the Inuentions pour Faire des Plaques series ou des Aubenistiers Seruans aux orphes from Jean Lepautre. Designs for woodwater troughs. Print is part of an album.

Cartouche with the resurrection of Christ. Christ rises from his grave. The soldiers who are scared and flights around the grave. On the right in the background the arrival of the three holy women at the grave. The show is caught in a cartouche.

Geloofsijver bespeelt een lier; Titelpagina voor: Benjamin Bennet, Godsdienstige Christen in zyn binnekamer, 1743.A woman with flame on the head, possible personification of belief, is in an arcadic landscape and plays on a winch. There are putti around her who are busy with religious lessons. One of them studies the stone tables, two other read each other from the Bible. The torture tools of Christ are on the ground. From the air a pigeon shines as a symbol of the Holy Spirit on the woman.

Coat of arms with ecclesiastical attributes and weaponry, Bernard Picart (workshop or), After Bernard Picart, 1722 print Crowned coat of arms with a cross. On the left ecclesiastical attributes, including a holy water vessel, songbook and incense. Right weapon. Amsterdam paper etching / engraving armorial bearing, heraldry. censer

Jost Amman, The Hierarchy of the Heavens, 1579 The Hierarchy of the Heavens

Various portraits of kings and stamps by Charlemagne, Dominique Sornique (Attributed to), 1729 - 1733 print Paris paper engraving / etching the Holy Roman emperor Charlemagne; possible attributes: crown, model of church, orb, sceptre, sword. king. emperor

Cartouche with allegory on the history of Israel, Jan Caspar Philips, 1737 print A Jewish high priest in conversation with an angel, with burning flame on the head as a symbol for troublemaker. In addition to them, a crowned woman who points with her scepter on the tables of the law. In the foreground putti that hold sheets of paper on which the different names of the tribes of Israel. In the background the tent camp of the Israelites, with the copper snake, and Mount Sinai. In the frame of the cartouche medallions with biblical performances. Utrecht paper etching / engraving division of the Kingdom, and story of Israel, the Northern Kingdom. the Israelites come to Mount Sinai and set up camp at the foot of the mountain. the brazen serpent (Numbers 21:4-9). the new tables of the law (Exodus 34)

Episodes in the Pentateuch involving sacrifice, worship and idol-worshipping. Engraving.

Mirror with the five wise and the five foolish virgins, Johann Sadeler (I), After Maerten de Vos, 1583 - 1587 print An ornamental mirror in which the five wise and the five foolish virgins are depicted. The five wise virgins keep their oil lamps up towards heaven where Christ appeared, while the foolish virgins are sleeping. In the ornamental frame above the mirror, two angels keep the Vera icon up. At the bottom of an angel with a thorns and a rosary. Antwerp paper engraving title-page. non-narrative representations of the wise and the foolish virgins. angels. ornament ~ medallion. 'Vera Icon', 'Sudarium', Veronica-portrait. mirror

Ornamental sermon wiser for church attendance in Leiden The Netherlands, Noach van der Meer (II), 1750 - 1759

Hanger with charitas; Charitas; In Timore AC Charitate the (...). Charitas in a picture frame of Arabesken. Sheet from series of pendants with virtues, consisting of a title page and 7 sheets. Three pearls hang on each pendant. Small costume jewelry shows around the hangers.

Four Biblical Scenes, Theodoor Koning, After Jacobus van Meurs, 1794 print Leaf with four biblical performances with title. Above a medallion with the parable of the sower (Mat 13: 1-9). In the middle on the left "the evil householder" (Mat. 24: 45-51; Luke 12: 42-48). In the middle on the right a performance with the two uneven brothers (Mat 21: 28-32). Under a shepherd with a sheep; A scene from the parable of the lost sheep (Luke 14: 4-7). This print is an illustration from 'sucked Biblit stories, to a reading book for the youth'. Amsterdam paper etching the lost sheep sought and found by the shepherd ~ parable of the good shepherd (Matthew 18:12-14; Luke 15:4-7)

Schepping van Eva; Geschiedenis van Adam en Eva.God makes Adam fall into a deep sleep while removing his rib and creates Eve. In the registration of the frame a Bible quote from Gen. in Latin. The print is part of an album.

Design for a Monstrance 1610-64 Stefano della Bella Italian. Design for a Monstrance 338178

H. Bernardus van Clairvaux under the tree of the Cistercian, 1619 - 1623 print Saint Bernard is under the tree of the Cistercian with the monastery in Clairvaux in the background. paper etching Bernard of Clairvaux, Cistercian monk and abbot; possible attributes: beehive, chained dragon, crucifix, cross with instruments of the Passion, (three) mitre at his feet, white dog. monastic orders, monastic life: Cistercians. family lineage, pedigree, genealogical tree or table (+ variant)

Wapenschild van Nicolas François, kardinaal van Lotharingen.Coat of arms crowned with crown and cardinal hat. To the left there is an angel with a palm branch and a bishop's bow in the hands; On the right an angel with a laurel branch in hand and a bishop's mushroom next to itself.

Sacrifice of manoach; History of Simson; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Manoach and his wife rejected at the altar, where Manoach sacrificed a goat. The Archangel Gabriel, who announced Manoach and his wife the birth of a son, sails in the flames of the sacrifice. Print is part of an album.

Print of a medallion with a representation of the marriage of Christ with his church. Print of a medallion. Presentation of the marriage between Christ and the Church (Ecclesia). Above their heads the pigeon of the Holy Spirit and the Tetragram as a symbol of God the Father. Ecclesia holds a chalice in her hand and behind her stand faith, hope and love. Christ keeps the cross in his hand and stands on a framework of his victory over death. In the peripheral a bible verse in mirror image from Hoogl. 8: 6.

Rafail Zaborovskii Rafail Zaborovskyi, Metropolitan of Kiev, Halych, and Little Russia, 1676 or 7-1747. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

The Hellevaart and the resurrection of Christ; The credo. Printed of two blocks. Ornamental picture frame around two show. Links Christ in Hell with devil and three people, right Christ from grave stage, two against graftombe sleeping soldiers.

Title print for a series with the twelve apostles, Crispijn van de Passe (I), 1574 - 1637 print Cartouche with a Bible quote in Latin. In the in the under corners, two angels with a burning torch and in the upper corners two angels with cross. On the cartouche a lamb that is crowned by one of the angels. In the margin the serial title in Latin. Title print for a series with the twelve apostles. Cologne paper engraving symbols of Christ ~ animals

Coat of arms with Maltese cross. A coat of arms with the Order Sign of the Order of Malta. Above the weapon the Devies: Suum Cuique (everyone). The coat of arms is surrounded by leaf ornaments.

Burial monument with the coronation of Maria in Reliëf, Arnoud Schaepkens, 1831 - 1904 print paper etching / drypoint grave, tomb and other grave-forms and grave-markers. coronation of Mary by one or more angels

Clergy and knight stand; Four positions. Leaf with the mental stand and on the right the knight position. On the left a Rocaille cartouche with Christ on the cross with skull and snake. At the top a triangle with a ray wreath. On the left is a putto with a book and a sheep. Right a rocaille cartouche with helmet, weapons, castle tower and a flag. On the right is a putto with helmet, lance and an order band next to an open book with text. In the underwear two columns with two-legged German text. Publisher number XI.

Frame with performances from the New Testament. Ornamented frame with eight performances from stories from the New Testament, including the annunciation, worship by the shepherds and the flight to Egypt. Bottom right 'No. I. '.

Faith, Hope and Love, Cornelis Galle (I) (Attributed to), 1623 print The personifications of the three virtues faith, hope and love sit, surrounded by clouds, above an architectural setting with a Globe, garlands and the title of the book. Faith is in the middle with a crown on a wheel and holds the hands of faith with key and books and hope with anchor. Above them the pigeon as a symbol of the Holy Spirit. paper engraving the Three Theological Virtues

Vierde engel blaast op bazuin; Openbaring van op John of Patmos; Icons Revelationum s Iohs Evangelist in Pathmo; Treasure elegant icons being squeezed out of the New Testament contains stories of miracles Jesus Christi.The fourth angel blows on the trumpet and causes darkness on Earth. Another angel evokes: Wee! Wee! . Under the show a reference in Latin to the Bible text. 7. This print is part of an album.

Allegory on the Christian faith. The personification of faith is on a stone, who represents Christ as a cornerstone, with a cross and mislike in the hands, the flame of divine inspiration on the head, while she trampled the hose of evil. On the left, Abraham will stop through the angel to sacrifice his son Isaac. On the right shows a figure on the dining of law. In the ornamental frame, the symbols of the four evangelists are processed: angel, lion, bull and eagle.

Daniel Mignot, Pendant with Double Cross at Centre, Surrounded by Four Large Table Stones Pendant with Double Cross at Centre, Surrounded by Four Large Table-Stones

Allegory on the Sacred Heart of Christ, Crispijn van de Passe (I), After Joachim de Jong, 1574 - 1637 print Allegorical representation with various biblical scenes that present the arrival of Christ as the solution to evil. In the middle in a heart -shaped frame (the humble Sacred Heart of Christ) the worship by the shepherds. In addition, two angels keep the monogram of Christ up. In the corners, four oval frames with the resurrection of Christ, the Ascension of Mary, the expulsion of Adam and Eva from paradise and the archangel Michael who expires Satan from heaven. In between two bander rolls with Bible quotes from Luc. 14 and Jak. 4. In a frame a ten -line caption in Latin. In the margin a two -way caption with an assignment in Latin. unknown paper engraving the Sacred Heart (+ variant). IHS ('Iesus Hominum Salvator') ~ symbol of Christ. adoration of the Christ-child by the shepherds; Mary and Joseph present. Resurrection of Christ. the assumption of Mary ('assumptio corporis'): sh

Pendant with fides; Fides; In Timore AC Charitate the (...). Fides in a frame of curl work. Sheet from series of pendants with virtues, consisting of a title page and 7 sheets. Three pearls hang on each pendant. Small costume jewelry shows around the hangers.

Panegiryk title card: The Image of One of All, and of All, Perillustratus and Magnifent Monsters D. Stanislao Christopher Nicholas Pain. Moestis from the Death of the Best Parent's Filijs represented by Leo Pogirski Phil. Acad. Vilnen: Vilnae, Printed ACAD. Society of Jesus in 1640. Stefan Pac (1587 1640) LITESWKI LITESWSKI Podkranclers. Genealogical tree of the Pac family. unknown

Mary and Child surrounded by saints. unknown, graphic artist

Christ stripped of his clothing, Hieronymus Wierix, 1608 print Two soldiers pull the clothes of Christ's body. The show is caught in a cartouche and placed in the midst of the psalm text printed in a button pattern. print maker: Antwerppublisher: Paris paper engraving the book of Psalms. ornament ~ cartouche. Christ disrobed

Drawing that point to fall in the world. Ornamental frame with eight numbered medallions with signs that indicate the downfall of the world from the Gospel of Matthew: Christ with his students in the court of Getemane; False prophets perform wonders; People continue to celebrate until Noah goes on board from the Ark and loosens the flow; peoples pull against each other; People are punished with hunger and teasing; Two women turn to a mill, one of them is taken; The master punishes his servant with the sword; Eclipse of the sun, stars fall from heaven and the moon no longer gives a light. In the middle an altarpiece with the arrival of the man's son and on the side panels Explanation of the performances in Latin. In the margin a caption in Latin.

Engel holds cloth on which title Ad Sacrum Speculum, Boëtius Adamsz. Bolswert, after Abraham Bloemaert, 1612 print Engel holds cloth on which title and presentation of objects for ascetics including a rosary, oil lamp, Bible and a scourge for self -chastisement. paper engraving ascetic life and practice. angels. aids for prayer, e.g. rosary

Kruisiging en martelaarschappen van de apostelen in bloemvormig ornament.Centrally the crucifixion of Christ with Maria, Johannes and Maria Magdalena under the Cross. All around twelve performances with the martyrolls of the twelve apostles. At the bottom of a representation of a temple where figures worship an image. On the left someone is dragged to the temple. On the right someone is chased by a man with a sword.

BOORE Van Christus, Johann Christoph Steinberger, after Johann Evangelist Holzer, 1719 - 1727 print The birth of Christ. Maria and Joseph, two men and a woman worship the Christ child that lies in the manger. In the landscape in the background, a woman with a jug arrives on the head and two other figures arrive. A rocaille frame around the show. Twice a seven -line German and Latin text in the lower margin. Augsburg paper etching adoration of the Christ-child by Mary and Joseph

Christ and St. Francis by a tree containing the effigies of various saints. The image is surrounded by a text in Latin, Christ and St. Francis by a tree with saints., print maker: Frans Heylan, (mentioned on object), Bonaventura Berlinghieri, (mentioned on object), Spain, 1608, paper, engraving, h 297 mm × w 399 mm

Abraham goes sacrificing Izaäk; Flat decorations with scenes from the Old Testament in a picture frame of grotesken. In the middle a fire burns on the altar where striking points. From series of 6 sheets.

The family tree of Maria, Anonymous, After Master W with the key, 1500 - 1550 print Anna with Mary and Christ child on their lap. The family tree sprouts behind the throne. Two figures next to throne, including King David with harp. Low Countries paper engraving family lineage, pedigree, genealogical tree or table. 'Anna selbdritt', i.e. Anna, Mary and Christ-child close together. tree of Jesse: genealogical tree showing Christ's ancestors, sprouting from Jesse's loins.

Parted Curtains Revealing Angels Upon Clouds Worshipping a Monstrance (Design for a Stage Set) 1698-1765 Attributed to Giovanni Battista Natali III Italian. Parted Curtains Revealing Angels Upon Clouds Worshipping a Monstrance (Design for a Stage Set) 362004

. Cartouche with a Bible quote in Latin. In the blades Two angels with a burning torch and two angels with cross in the upper corners. On the cartouche a lamb crowned by one of the angels. In the margin the serene title in Latin. Title Print for a series with the twelve apostles.

Ancient Arab zodiac

Saint Benedict () or Saint Audomar (Omer) (): he mortifies his flesh by lying down naked on thorns. Engraving, 1587.

Assumption of theVirgin. Artist: Unknown

Glydtig you, O Christian Youth! / By seeing Deezer Prent -Tafreelen (...), 1806 - 1830 print Leaf with 7 medallions with scenes from the life of Christ, such as the crucifixion of Christ and the crossing. The performances are connected to each other with ribbons and flower vines. The whole is caught in a frame. Under the image a verse in three columns. Numbered at the top right: No. 252. Print Maker: Netherlands Print Maker: Netherlands Publisher: Zaltbommel paper letterpress printing series of scenes from the life of Christ. New Testament

Cartouche with allegory on the history of Israel, Jan Caspar Philips, 1737 print A Jewish high priest in conversation with an angel, with burning flame on the head as a symbol for troublemaker. In addition to them, a crowned woman who points with her scepter on the tables of the law. In the foreground putti that hold sheets of paper on which the different names of the tribes of Israel. In the background the tent camp of the Israelites, with the copper snake, and Mount Sinai. In the frame of the cartouche medallions with biblical performances. print maker: Amsterdampublisher: Utrecht paper etching / engraving division of the Kingdom, and story of Israel, the Northern Kingdom. the Israelites come to Mount Sinai and set up camp at the foot of the mountain. the brazen serpent (Numbers 21:4-9). the new tables of the law (Exodus 34)

What Mensch has launched that life must be once before 't last judgment. Leaf with 2 performances. Above the last judgment, among godly figures. The whole captured in a decorative frame of flower drinks. Numbered at the top right: 70.

The lodge of an apprentice Freemason, showing the emblems appropriate to that grade Date: 18th century

Cartouche with God the Father, Jan Caspar Philips, 1752 print Cartouche with God the Father on a cloud, with scepter and palm branch in hand. In the background the flood and the temple of Solomon. Amsterdam paper etching / engraving other representations ~ God the Father

S. Ananie, S. Azarie et S. Misaël (St. Ananias, St. Azarius, and St. Misael), December 16th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Ananie, S. Azarie et S. Misaël (St. Ananias, St. Azarius, and St. Misael), December 16th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Crucifixion of Christ; The seven penal agents; Septem Psalmi Davidici. Christ hangs on the cross. A soldier sticks him into his side with a lance. The performance is caught in a cartouche and placed in the middle of the psalm text printed in a button pattern.

Wish letter with the Annunciation, 1766 print Wish letter with described cartouche within a decorative framework with a performance of the Annunciation. Handwritten message in calligraphy by Izabella Roelands to the Lord and Miss Laaijman. Marked in the middle: D. paper. ink etching / pen the Annunciation: Mary kneeling. angels. adoration of the Christ-child by the shepherds; Mary and Joseph present

Thomas van Aquino, Jacob Bos, 1584 - 1585 print Portrait of Thomas van Aquino. Oval medallion with bust to the right. The Scholastic philosopher Thomas of Aquino is wearing a monks. Two cartouches left and right of the portrait with Latin inscriptions. A coat of arms at the top. At the bottom a cartouche with a dedication to cardinal Michael Ghisleri. paper engraving the Dominican theologian, 'Angelic Doctor' Thomas of Aquino; possible attributes: book, (chain with) sun, dove, girdle of chastity, lily, model of church, monstrance (or chalice), mitre (under feet), star (on breast)

Fourth angel blows on trumpet; Van den Apocalipsis of Openbaeringh Iohannis; Revelation of John on Patmos; Icone Revelationum S Iohs Evangeliste in Pathmo; Den Grooten Figuer Bibel (...). The fourth angel blows on the trumpet and causes darkness on earth. Another angel evokes: 'Wee! Wee! '. Under the show a reference in Latin to the Bible text. 8:13. This print is part of an album.

Christ in the Wijnpers, 1596 - 1598 print Christ with the cross in a wine press, the whole in Cartouche and with four -line caption in Latin. In addition to the cartouche, Engelen show the passion tools. Title print of a series of performances of the suffering story. Print is part of an album. paper engraving Christ in the Wine-Press, 'Christ in the Kelter' (Is. 63: 3). Ornament ~ cartouche. 'Arma Christi' (+ angel (s))

Allegory in Heavenly Jerusalem, Abraham Delfos, 1758 print Allegory in the heavenly Jerusalem in Cartouche. Female personification with incense vessel sitting in the picture of the great city of God, held by small angels. In the background Silhouette from Stad Jerusalem. Frame with animals such as a lion, snake, squirrel and birds that are on ornaments derived from plant forms paper etching the New Jerusalem. the all-seeing eye, triangle with eye ~ symbol of God the Father

Putto with the Tables of the Law, Crispijn van de Passe (I), 1594 print Medallion with a putto that leans on the tables of the law and makes a blessing gesture. In the background an altar with a burnt offering. The print has a frame with a Bible quote from Gal. 3 in Latin. Cologne paper engraving angel(s) represented as child(ren). the new tables of the law (Exodus 34). sacrificing a burnt offering ~ Jewish religion

Evangelist Mattheüs; S. Mattheus; Vier evangelisten.The Evangelist Matthew with a book in his hands and an angel on his side. In a picture frame of flowers. Four lines text under the show, in Latin. The print is part of an album.

Glydtig you, O Christian Youth! / By seeing Deezer Prent -Tafreelen (...), 1797 - 1813 print Leaf with 7 medallions with scenes from the life of Christ, such as the crucifixion of Christ and the crossing. The performances are connected to each other with ribbons and flower vines. The whole is caught in a frame. Under the image a verse in three columns. Numbered at the top right: No. 63. print maker: Netherlandsprint maker: Netherlandspublisher: Amsterdam paper letterpress printing series of scenes from the life of Christ. New Testament

Greeting letter with passage through the Red Sea, Moses and the Last Supper. Greeting letter with unwritten cartouche within a decorative frame with performances of the passage through the Red Sea, Moses and the Last Supper.

Patriots vignette, 1795; We are quite right and brothers. Patriots vignette of freedom, equality and brotherhood, with freedom standing next to a gun and for an altar on which inscription and emblem (dancing to the freedom tree), 1795. On the cannon the French rooster, on the right a Keeshond.

Medal with the portrait of Charlemagne, Roman emperor, on a throne, flanked by angels. On the other side Charlemagne as a knight on horseback.

Holy Marinus, bishop of Irschenberg and his deacon Anianus, Anonymous, 1600 - 1699 print Germany paper etching saints Irschenberg

S. Nestor, évêque et martyr (St. Nestor, Bishop and Martyr), February 26th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Nestor, évêque et martyr (St. Nestor, Bishop and Martyr), February 26th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Lucas van Leyden, The Crucifixion, 1509 The Crucifixion

Daniel Mignot, Pendant with Two Double Crosses Pendant with Two Double Crosses

H. Christoffel; Sanctus Cristoferus; Religious performances. The Sacred Christoffel walking with the Christ child on his shoulder.

The Evangelist Johannes in Cartouche.; Comperimentorum quod vocant plywood genus .... Cartouche with the representation of the Evangelist Johannes. Leaf from series consisting of a title page and 15 of the 16 sheets with cartouches with biblical and mythological performances in a frame of rollerwork and grotesken.

Design for title page with Christ surrounded by figures. Christ troning in the midst of saints and figures from the Old Testament. Design for a title page.

Putto as Salvator Mundi, Crispijn van de Passe (I), 1594 print Medallon with putto as Salvator Mundi who tramples a devil and death. In the background the crucifixion and the resurrection of Christ. The print has a frame with a Bible quote from Joh. 4: 9 in Latin. Cologne paper engraving angel(s) represented as child(ren). 'Salvator Mundi', making a blessing gesture; an orb in his hand or at his feet (+ devil(s)). crucified Christ with Mary, John, and Mary Magdalene. Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers - EE - the tomb closed (with unbroken seals)

Memorie sheet of the Societas of Augustine for Albrecht of Austria, 1621; HANC icons, UT Memosynon Gratissimum Alberti Pii Austriaci Belgarum Principis. Memorie magazine of the Societas of Augustine for the deceased Archduke Albrecht of Austria, August 13, 1621. Crowned necklace of the order of the golden fleece around God the father with cross. Orded chain decorated with banners with scenes of the theft of the mislift from the Sint-Goedele church in Brussels. For a stretched cloth as a background decorated with flames. At the bottom of a cartouche with inscription in Latin, underneath the legend A-H in Latin.

Ornament: Monogram of Maria: MRA made up of Mariaymbols, Michael Snijders, 1608 - 1630 print Monogram of Maria Mra, made up of Mariaymbols. The M consists of the lily with Pennon on which Ave Maria Gratia Plena, the attributes that belong to the birth of Christ and his presentation in the temple and a heart, pierced with the 7 swords (7 sorrows of Mary). The R consists of the 'Civitas dei', the 'Hortus Conclusus', the palm tree and other trees. The A consists of the Templum dei, the Turris Davidica, Porta Caeli, Porta Clausa, the Fons Signatus, Scala Caeli and Stella Maris. Above the R a crown in a wreath of stars, underneath the Halve Maan with the snake. The whole in Krans of fire with the attributes of the four church fathers in the corners. paper engraving symbols of Mary. monograms of Mary

. Middle pad of a map of Palestine, with inscriptions that relate to the events of the old and New Testament. In the lower edge six performances from the old and New Testament. From left to right: the Apostle Tomas, a tabernacle, the apostle Jacob de Minerere, the apostle Philip, an altar and the apostle Bartholomeüs. At the bottom of a cartouche in the middle with the title of the print. Above the cartouche Christ with two angels. The Evangelists are Marcus and Lucas on the side of Christ.

Design for a chalice.

Pius IV., Papa.

God sends Jona to Nineve; History of Jonah. God sends Jona to Nineve to preach there into the pagan residents. The performance is caught in a circular picture frame with a Bible quote from Jona in Latin.

Nativity and Passion of Christ, 1511. Wolf Traut (German, c. 1486-1520). Woodcut; Broadsheets, in which the images are accompanied by text, depict extraordinary happenings, omens, historical events, portraits, and traditional folktales. Nativity and Passion of Christ demonstrates clearly the practical function of broadsheets in a semi-literate society. The illustrations are placed around a German prayer which tells of Christ's birth and the redemption of mankind through his Passion. The Nativity with an Adoration of the Shepherds is represented in the center, above which a hand is shown indicating various scenes from the Passion of Christ, which would be pointed out as the prayer was recited. Members of the Christian estate are represented on either side: on the left is a group of ecclesiastics behind a figure of the Pope, and on the right a cluster of secular figures are assembled behind the Holy Roman emperor.

The coronation of the Virgin, God and the dead man and different saints (Bartsch 150, Hollstein 446) Israel van Meckenem (v.1445-1503). The coronation of the Virgin, God and the dead man and different saints (Bartsch 150, Hollstein 446). Burin, 15th century.

Pendant with a peace godin with palm branch in the middle; Monilium bulllarum inauriumque ... icons; Goldship. Suite of 10 pieces. In the middle of the pendant is a peace goddess with palm branch, flanked by two warriors with weapons. No 8 out of series of 10 sheets with fronts of pendants. Precious stones in settlements of grotesken and rollerwork.

Oval Medallions and Rondels, from Variae tum Passionis Christi tum vitae beatae Mariae Virginis; Les Mystères de la Passion suite appelée aussi Mystères de la Vie de Jésus et Mystères de la Vie de Jésus et de la Vie de la Ste. Vierge (The Mysteries of the Passion, also called the Mysteries of the Life of Jesus, and the Mysteries of the Life of Jesus and of the Virgin) ca. 1631 Jacques Callot French The scenes depicted in these oval medallions and roundelles are (from left to right and top to bottom): The Adoration of the Shepherds, The Visitation, The Adoration of the Magi, Christ in Limbo, The Descent of the Holy Ghost, and The Entombment.. Oval Medallions and Rondels, from Variae tum Passionis Christi tum vitae beatae Mariae Virginis; Les Mystères de la Passion suite appelée aussi Mystères de la Vie de Jésus et Mystères de la Vie de Jésus et de la Vie de la Ste. Vierge (The Mysteries of the Passion, also called the Mysteries of the Life of Jesus, and the Mysteries of the Life of Jesu

A la Santísima Virgen de San Juan de los Lagos To the Most Holy Virgin of San Juan de los Lagos. Posada, José Guadalupe, 1852-1913. Vanegas Arroyo, Antonio, 1852-1917. text. Prints, Broadsides, Illustrations, Ephemera. 1890 - 1920. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Politics and culture , Mexico, Christian art and symbolism , Mexico

Miraculous fishing; Passion of Christ. Christ appears on the shore of Lake Tiberias. Christ recommends his students to collect the nets. There is so much fish that they have trouble dragging it into the boat. Peter runs over the water to Christ. The performance is caught in an ornamental picture frame that is decorated with insects and shells.

A brown ink drawing on parchment by Jan Wierix from 1599 depicting the biblical scene 'Behold the Man,' showing Christ presented to the people.

Monogram of Christ. The Monogram of Christ, IHS, with banderoles on which in Hebrew, Greek and Latin's text 'Jesus of Nazareth, King of Jews'. A crucifixion scene for the monogram. Eromore representations of the Gregory Mass (top left), the stigmatization of the Holy Francis (top right), the Saint Antonius (bottom left) and a female holy (bottom right). This print was originally part of a finish.

Cardinal de Lugo: his coat of arms as cardinal. Photograph after an engraving.

Vignette with faith and truth. Faith gives a Bible to Truth. On the right two putti at the dining of law. The performance is caught in an ornamental frame.

Seven sorrow from Maria. Gothic Monstrans with seven medallions with Maria's sorrows. The crucifixion, burial, the commandation, the crossing, the circumcision, Christ in the temple in discussion with the scholars and the flight to Egypt. Around handwritten texts in black and red.

Moses with the tables of the law. Moses with the tables of the law, in arched architectural frame. To his right hand the personification of the righteousness (Pietas). On his left hand of the charity (Caritas). On the two dining the text of the Ten Commandments and a text from Matthew.

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