Pastoral and Monastic Landscapes

Serene landscapes featuring monks and pastoral scenes, highlighting nature and solitude in detailed etchings from various artists.

Bileam exhorts his donkey to ride, but it is stopped by an angel with a sword. To the Bible story in Num. 22: 21-23. Print from a series of Italian landscapes, Bileam and the donkey Italian landscapes (title series)., print maker: Willem van Nieulandt (II), (mentioned on object), Paul Bril, (mentioned on object), publisher: Antoine Bonenfant, (mentioned on object), Antwerp, 1594 - 1635, paper, etching, h 237 mm × w 315 mm

Wilderness Landscape with Two Monks. Dimensions: plate: 25.2 x 36 cm (9 15/16 x 14 3/16 in.) sheet: 26 x 37 cm (10 1/4 x 14 9/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Marco Ricci.

Artist: Giovanni Domenico Tiepolo, Italian, 1727-1804, The Holy Family, from the series Idee pittoresche sopra la fuga in Egitto (Flight intoEgypt), Etching, platemark: 18.8 × 24.6 cm (7 3/8 × 9 11/16 in.), Made in Italy, Italian, 18thcentury, Works on Paper -Prints

Le repos du berger , Shepherds, Hills, Buildings, Alphonse Legros (1837-1911)

A Satyr Seated Beside a Statue of Priapus Satyr Seated at the Foot of a Term. 1645. Castiglione, Giovanni Benedetto, 1609-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

St. Francis, from Les Pénitents et Pénitentes (The Penitents) ca. 1632 Jacques Callot French. St. Francis, from Les Pénitents et Pénitentes (The Penitents). Les Pénitents et Pénitentes. Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1632. Etching; first state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Saint Mary Magdalen. Etching by G.J. Rossi after Annibale Carracci.

Amsterdam, Danckerts, Cornelis, Justus, Waterloo, Anthonie, Landscapes with rocks, Triple waterfall, verso lower left - stamped, On the right a triple waterfall flows between rocks covered with trees. On the right in the distance lies a town at the foot of a mountain. On the left a castle is depicted on a hill., print, prent, prints, prenten, height 117 mm, width 167 mm, Noord-Nederlands, 1609-05-06 - 1690-10-23, print maker, prentmaker, 1630 - 1663, paper, papier, etching, etsen, Publication (Event), Publication, publisher, uitgever, Publicatie, 1635-11-11 - 1701-07-16

Bileam exhorts his donkey to ride, but it is stopped by an angel with a sword. To the Bible story in Num. 22: 21-23. Print from a series of Italian landscapes, Bileam and the donkey Italian landscapes (title series)., print maker: Willem van Nieulandt (II), (mentioned on object), Paul Bril, (mentioned on object), publisher: Antoine Bonenfant, (mentioned on object), Antwerp, 1594 - 1635, paper, etching, h 237 mm × w 315 mm

Elijah Fed byRavens. Etcher: Dirck Volkertsz. Coornhert, Dutch, 1522-1590 After: Maerten van Heemskerck, Dutch, 1498-1574

Print, Flight into Egypt, ca. 1630-1631; Print Maker: Claude Lorrain (French, 1600-1682); France; etching on laid paper; Bequest of George Campbell Cooper; 1896-3-128

Landscape with a farmer and a farmer's; Landscapes with figures. In a rural area there are a farmer and a farmer's in the vicinity of a distant home to talk. Behind them is a small child with a sitting old woman. This print is part of a series of four edges of landscapes with figures.

Landscape with the Good Samaritan, Willem van Nieulandt (II), Paul Bril, 1594 - 1635.

Lost son who hates the pigs, Henri Mauperché, 1612 - 1686 print print maker: Parispublisher: ParisFrance paper etching / engraving the prodigal son tends the swine and eats from their trough

Rabasse, Jean, Rest on the Flight into Egypt, verso - stamped, print, prints, height 192 mm, width 251 mm, print maker, printmaker, 1645 - 1655, paper, papier, etching, etchings

Golden Age, Nicolaes de Bruyn, After Abraham Bloemaert, 1604 print In a paradise landscape, naked people enjoy the fruit that the generous nature gives them. They dance and sit too lover. A boy in the foreground blows soap bubbles from a pipe. Two putti hold a cartouche with a Latin text on the left. In the sky, the god Saturn watches over this Golden Age. The print refers to the mythologically inspired idea that people initially lived in an era of continuous spring. War or injustice were absent. During the Golden Age, everyone lived in bliss, in a world where people could enjoy fertile nature without working. Antwerp paper engraving the golden age, 'Aetas aurea'; men live happily, gathering fruits under the reign of Saturn

The Parable of theSower. Engraver: Unknown After: Jacob Matham, Dutch, 1571-1631 After: Abraham Bloemaert, Dutch, 1566-1651 Publisher: Claes Jansz. Visscher, Dutch, 1586-1652

party around a campfire, Simon Klapmuts, 1774.

France, French Crown, Paris, Henriet, Israel, Bella, Stefano della, Agreable diversity of figures, Diverse representations and figures, Two nurses on the ground beside a laden horse, verso - stamped, print, prints, height 77 mm, width 105 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1642 - 1642, paper, papier, etching, etchings, Publication (Event), Publication, French, 1590 - 1661, publisher, uitgever van privilege

The Sportsman near the Large Tree Allart van Everdingen Dutch. The Sportsman near the Large Tree 427727

Theonas as hermit, Johann Sadeler (I), After Maerten de Vos, 1583 - 1588 print H. Theonas as a recluse in a cave in the wilderness. He is in front of a work table and reads a Bible. A landscape with beggars in the background. Antwerp paper engraving male saints (with NAME). anchorite, hermit. beggar. cave, grotto

Venice, Guarinoni, Luca, Italy, Titian, Rota, Martino, Death of Peter the Martyr, verso - stamped, Saint Peter the Martyr, also known as Saint Peter of Verona, is killed by two Cathars in a landscape on his way to Milan. Two putti float above with a palm branch., print, prints, height 391 mm, width 269 mm, Italian, 1795 - 1583, print maker, printmaker, 1530 - 1583, paper, papier, engraving, engraving (printing process), Work conception, 1488 - 1576-08-27, after a design by, Publication (Event), Publication, publisher, uitgever

So-called fleeing Hungarian man. Baur, Johann Wilhelm (1607-1642), graphic artist

Landscape with Temple, Abraham Genoels, 1684 print An arcadian landscape with a temple. In the foreground some women on a forest edge. The print is part of a series with classical landscapes as a theme. Antwerp paper etching temple, shrine ~ Roman religion. forest, wood - HH - ideal landscapes (+ landscape with figures, staffage)

Audran, Charles, Rome, Swanevelt, Herman van, Old Testament representations, Balaam and the donkey with the angel, In a hilly landscape with trees, Balaam is depicted sitting on a shying donkey in the foreground on the left. In his right hand he holds a sword and before him stands an angel drawing a sword from its sheath., print, prent, prints, height 238 mm, width 314 mm, Noord-Nederlands, 1604 - 1655, print maker, prentmaker, 1629 - 1641, paper, papier, etching, etsen, Publication (Event), Publicatie, 1594 - 1674, publisher

Return from Egypt, Hendrik van der Borcht (II), After Titian, 1594 - 1660 print Maria rests. On her lap, Christ plays with John the Baptist. Both are two-three years old. To the left of her, Joseph ensures that the donkey can graze a bit. In the background on the right a ruin with two men, probably the two thieves who will be crucified with Christ later. The print has a Latin caption with an explanation about the return from Egypt, an apocrypha story. paper etching rest on the return of the Holy Family to Israel. landscape with ruins. Mary, the Christ-child and John the Baptist (as child) with others

Landscape with ruins, Abraham Genoels, 1650 - 1723 print A mountainous landscape with ruins from ancient times. In the foreground on the right, two figures rest at the foot of a broken column. Paris (possibly) paper etching landscape with ruins (+ city(-scape) with figures, staffage)

Landscape with Merciful Samaritan, Jean Pesne, After Annibale Carracci, After Agostino Carracci, 1666 - 1695 print paper etching landscapes. the good Samaritan (Luke 10:30-37)

The Rock in the Middle of the River. Artist: Allart van Everdingen (Dutch, Alkmaar 1621-1675 Amsterdam). Dimensions: Plate: 3 15/16 × 5 3/4 in. (10 × 14.6 cm)Sheet: 4 13/16 × 6 11/16 in. (12.3 × 17 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

St. John Baptist in theWilderness. Artist: Giovanni Battista Caracciolo, called Il Battistello, Italian, 1578-1635

Recto: Landscape with Trees and Figures ( Remarks on the Winds and the Lay-out of the City; Vitruvius, Book 1, Chapter 6, nos. 2, 3): Verso: Blank. Artist: Attributed to a member of the Sangallo family (Florence, ca. 1530-1545). Author: Original Treatise Written by Marcus Pollio Vitruvius (Roman, active late 1st century B.C.). Dimensions: sheet: 6 5/16 x 5 1/2 in. (16 x 14 cm). Date: 1530-45. Museum: Metropolitan Museum of Art, New York, USA.

November, Joos de Momper (II), 1590 - 1610, The month of November. Man with stick to knock acorns out of tree, on left a herd of trusses and a swineherd. Design for a print., draughtsman: Joos de Momper (II), 1590 - 1610, paper, pen, brush

Music shepherds in a landscape.

Huwelijk van Isaak en Rebekka (blad 1).Left sheet of a representation of the Huwepijk van Isaak and Rebekka, consisting of four blades printed of four plates. To this specimen a part of the following leaf is attached to the right side, printed from the second plate.

Landscape with Tobias and Archangel Rafael cleaning fish; Tobias Angeli Iussu Piscem Quendam Capit Excecatq; Story of Tobias.

Amsterdam, Danckerts, Cornelis, Justus, Waterloo, Anthonie, Landscapes with rock formations, Large waterfall, verso lower left - stamped, In a densely wooded, rocky landscape flows a large waterfall., print, prints, height 117 mm, width 168 mm, Northern Netherlands, 1609-05-06 - 1690-10-23, print maker, printmaker, 1630 - 1663, paper, papier, etching, etchings, Publication (Event), Publicatie, publisher, uitgever, 1635-11-11 - 1701-07-16

This brown ink drawing by Hans Bol depicts a dry stream bed with a mill, using lavings, created around 1579.

Genoels, Abraham, Paris, Landscape with ruins, verso bottom center - stamped, A mountainous landscape with ruins from antiquity. In the foreground on the right two figures rest at the foot of a broken column., print, prent, prints, prenten, height 94 mm, width 133 mm, 1640 - 1723-05-10, print maker, prentmaker, 1650 - 1723, paper, papier, etching, etsen, Work conception

Venus and Adonis, anonymous, after Philips Galle, after Hans Bol, c. 1550 - c. 1650 print Venus and Adonis are under a tree. Amor is sitting next to them. In the clouds an empty car is waiting for the gods. Southern Netherlands paper etching Venus and Adonis as lovers

Hagar in the desert, Jurriaan Cootwijck, after Eustache Lesueur, 1759 print Hagar is located on the ground in a mountainous landscape. An angel points her to a water source. On the right is Ismaël, the child of Hagar, hidden under a bush. paper an angel appears and reveals a well of water to Hagar

Fall of Icarus, Adriaen Collaert, After Hans Bol, 1582 - 1586 print Landscape with field. Daedalus and Icarus in the air. Icarus flies too high at the sun, the wings of his wings melts and it falls out of the sky. In the foreground, a farmer looks up of plowing, while two shepherds look at the sky and point. The print has an ornamental list of flowers and animals. He is part of a four -legged -part series of landscapes with Biblical, mythological scenes and hunting scenes. Antwerp paper engraving death i.e. the fall of Icarus (Daedalus present). cultivated land (+ landscape with figures, staffage). flowers ~ ornament. ornamental birds. crustaceans: crab (+ ornamental variants of animals). rodents: mouse (+ ornamental variants of animals). dog (+ ornamental variants of animals)

Untitled (Peasant family with dogs and lambs in alandscape). Artist: Unknown

Democritus Mediterend, Jonas Umbach, 1634 - 1693 print Democritus meditating between ruins. paper etching scholar, philosopher. landscape with ruins

Christ and St. John as Children Playing with aLamb. Woodcutter: Christoffel Jegher, Flemish, baptized 1596-1652/53 After: Peter Paul Rubens, Flemish, 1577-1640

Two Mastiffs beside a Fountain. Dated: probably c. 1640/1642. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jan Fyt.

Tobias and the angel en route; The story of Tobias. The angel extends his arm to Tobias, who wears the fish. Numbered as iii.

Fijt, Joannes, unknown, Dogs, Two reclining dogs, verso - stamped, print, prints, height 174 mm, width 222 mm, 1611 - 1661-09-11, print maker, printmaker, 1642 - 1667, paper, papier, etching, etchings, Work conception, after own design by

Vertumnus and Pomona ca. 1550-55 Anonymous, French, 16th century French. Vertumnus and Pomona. Anonymous, French, 16th century. ca. 1550-55. Etching. Prints

Scenes of the Prophet Elijah: Elisha and Elijah's Chariot of Fire, 1604. Jan Saenredam (Dutch, 1565-1607), Jan Saenredam (Dutch, 1565-1607), after Abraham Bloemaert (Dutch, 1564-1651). Engraving; sheet: 25.5 x 19.5 cm (10 1/16 x 7 11/16 in.).

Rural view with a lumberjack, Frederick Bloemaert, after Abraham Bloemaert, after 1647 print A lumberjack is a fallen tree on the small heels. A farm in the background. This print is part of a separate group of eleven prints, of which only the numbers 1-6 (later) Are numbered. paper engraving landscapes. woodcutting, woodcutter ~ forestry

Girl Carrying a Basket of Fruit. Dated: 1770. Dimensions: plate: 15.9 x 18.4 cm (6 1/4 x 7 1/4 in.) sheet: 28 x 38.4 cm (11 x 15 1/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Salomon Gessner.

Landscape with a man with a basket on his shoulder and a sitting man, Landscape with two men, draughtsman: Jean Bernard, 1775 - 1833, paper, h 191 mm × w 301 mm

Spring. After: Pierre Mignard, French, 1612-1695

Hercules and the Nemean Lion: Hercules grasps the front right leg of the lion, which lifts its snout upward, in the middle ground Hercules pulls the skin from the lion's corpse, from the series 'The Labors of Hercules' 1608 Antonio Tempesta Italian. Hercules and the Nemean Lion: Hercules grasps the front right leg of the lion, which lifts its snout upward, in the middle ground Hercules pulls the skin from the lion's corpse, from the series 'The Labors of Hercules' 397672

Shepherd leaning against a tree, around him stands his cattle, Shepherd and his cattle near a tree, draughtsman: Nicolaes Pietersz. Berchem, (possibly), 1630 - 1683, paper, pen, brush, h 140 mm × w 178 mm

On the bank of a wide river, a shepherdess with a spinning bucket stands amidst the cattle. In the background a village with harbor and a ship on the river, Shepherdess with spinning top on bank of a river Pastoral Landscapes after Berchem III , print maker: Jan de Visscher, (mentioned on object), Nicolaes Pietersz. Berchem, (mentioned on object), publisher: Reinier Ottens (I) & Josua, (mentioned on object), print maker: Northern Netherlands, publisher: Amsterdam, 1725 - 1751, paper, etching, engraving, h 150 mm × w 228 mm

Rest on the Flight into Egypt ca. 1641 Etched by Stefano della Bella Italian. Rest on the Flight into Egypt 373933

Study for 'Elijah', Peter DeWint, 1784-1849, British, 1828, Pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 7 1/8 x 11 inches (18.1 x 27.9 cm), cattle, clouds, figures, landscape, mountains, prophets, road, trees

Noc Walpurgii, droga na Brocken. Ruscheweyh, Ferdinand (1785-1846), graphic artist, Cornelius, Peter von (1783-1867), draughtsman, cartoonist, Wenner, Johann Friedrich (1772-1835), publisher

Jupiter succeeded by the goat Amalthea. A shepherd and a nymph hold the goat amalthea. The child Jupiter drinks milk from one of the goat udders. On the left is a second nymph with a bowl. On the right is a shepherd with three goats.

Berchem, Nicolaes Pietersz., Northern Netherlands, Visscher, Jan de, Girl milking a goat, verso - stamped, View of a landscape with mountains, with a young woman milking a goat in the foreground., print, prent, prints, prenten, height 261 mm, width 334 mm, Noord-Nederlands, 1633 - 1692, print maker, printmaker, 1643 - 1692, paper, papier, etching, etchings, engraving, engraving (printing process), 1620 - 1683-02-18

Paris, Langlois, François, Nancy, Callot, Jacques, Life of Mary in Emblems, A deer licking the wound of another deer, verso lower left - stamped, Representation of a deer licking the wound of another deer, which has been shot. The hunter appears on the left. This sheet is part of the emblem series 'Life of Mary in Emblems'. The first state of this series contains, besides a title page and 26 emblems, three sheets with hymns to Mary in letterpress without an illustration., print, emblem, prints, height 60 mm, width 82 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1625 - 1629, second quarter 17th century, paper, etching, etchings, Publication (Event), Publication, 1589-05-12 - 1647-01-14, publisher, 1646 - 1646

Landscape with Romulus and Remus fed by the Wolvin, Anonymous, After Annibale Carracci, 1570 - 1620 drawing paper. graphite (mineral). ink pen / brush

Landscape with travelers near Herberg; Six landscapes with travelers. Two travelers walk into a rolling landscape (a man with a basket on his back and a boy) with a dog along a river, to which an inn is. This print is part of a series of six landscapes with travelers.

Circe With Companions of Ulysses Changed Into Animals. 1650 - 1651. Castiglione, Giovanni Benedetto, 1609-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Weeds under wheat; Landscapes with biblical, mythological scenes and yacht scenes. Landscape with a field and the shaping of the parable of Christ about the weeds between wheat. Some farmers sleep in the foreground. In the meantime, the devil sows weed between the grain. The print has an ornamental list of flowers and animals. He is part of a twenty-four series of landscapes with biblical, mythological scenes and yacht scenes.

Rijn, Rembrandt van, The little lion hunt: with two lions, verso lower left - stamped, print, prints, height 155 mm, width 123 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1630 - 1634, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

Mounted Peasant with a Child in Her Arms, plate six from The Six Large Views of Rome and the Campagna Made 1654 Italy. This etching by Stefano della Bella is from a series of landscapes of Rome and the Campagna. Unlike most etchers of the 17th century, who also made paintings, Della Bella devoted himself almost entirely to printmaking. His etchings are particularly admired for their intense textures and atmospheric effects. The contrast between the coarse tree bark and the plush bundles of foliage exemplify Della Bellaís style.. Etching on ivory laid paper . Stefano della Bella

Park with a fountain with various animals, draughtsman: David de Coninck, (attributed to), draughtsman: Melchior d'Hondecoeter, (rejected attribution), 1646 - 1695, paper, h 308 mm × w 445 mm

Venus thinks the Dead Adonis. The swans drawn with Venus and Amor drops down at Adonis, which has been killed by the wild boar, which is torn in the background by dogs. Next to Adonis are hunting horn and spear.

The Drawing of the Clyde, Etched by Joseph Mallord William Turner, 1775-1851, British, after Joseph Mallord William Turner, 1775-1851, British, 1809, Etching printed in brown ink Engraver's proof on medium, slightly textured, cream wove paper, Sheet: 11 5/8 × 17 1/4 inches (29.5 × 43.8 cm), Plate: 8 1/8 × 11 3/8 inches (20.6 × 28.9 cm), and Image: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)

Amor kneeling in a symbolic heart, Jan van Vianen, 1686 print Amor is kneeling for a construction that a burning heart presents, from which tears can flow into one. The tears translate the burning heart of a lover. Fort -time and last emblem from Emblemata amatoria. Northern Netherlands paper etching (story of) Cupid, Amor (Eros). flame. profane heart symbolism ~ love

Genoels, Abraham, Two satyrs with a herd, verso center bottom - stamped, Two staters. They drive a herd of goats in a mountain landscape., print, engraving, prints, engravings, diameter 100 mm, 1640 - 1723-05-10, print maker, printmaker, 1650 - 1724, paper, papier, etching, etchings, Work conception

Each Moment Has Its Sickle Artist's working dates 1772-1798 England. Watercolor on tan wove paper . Charles Reuben Ryley

Theonas, saint.

Bacchanales: The Satyr's Family , 1763. Jean-Honoré Fragonard (French, 1732-1806). Etching; sheet: 18 x 24.5 cm (7 1/16 x 9 5/8 in.); platemark: 14.5 x 21.4 cm (5 11/16 x 8 7/16 in.).

Sketches of a Wooded Site, Dogs and Pheasants in Landscape. Jean Louis André Théodore Géricault; French, 1791-1824. Date: 1813-1814. Dimensions: 173 × 230 mm. Graphite with brush and brown wash, on cream wove paper, perimeter mounted on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Landscape with Actaeon and Diana and her companions, Cigoli, 1569 - 1613 drawing paper. chalk. ink pen Actaeon changed into a stag: as punishment for seeing her bathe, Diana changes Actaeon, the hunter, into a stag (Ovid, Metamorphoses III 193)

Le repos du berger , Shepherds, Hills, Buildings, Alphonse Legros (1837-1911)

Landscape with figures and a large willow in the foreground, draughtsman: Guercino, (attributed to), 1601 - 1666, paper, pen, h 273 mm × w 387 mm

Alphonse Legros, Man Foraging (L'homme au fourrage) Man Foraging (L'homme au fourrage)

River landscape with playing figures, Jean -Baptiste Corneille (attributed to), after Annibale Carracci, 1659 - 1695 print Numbered in the bottom right: 22. France paper etching / engraving landscapes. board-games

The Holy Family on a Rocky Path, from the series Idee pittoresche sulla fuga in Egitto (Flight intoEgypt). Artist: Giovanni Domenico Tiepolo, Italian, Venice, 1727-1804

Satyr Resting beneath a Herm. Giovanni Benedetto Castiglione; Italian, 1609-1664. Date: 1645-1647. Dimensions: 118 x 213 mm (sheet). Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

The Baptism of The Eunuch. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Sheet (Trimmed): 7 1/4 × 8 9/16 in. (18.4 × 21.7 cm). Date: 1641. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

. Hagar is in desperation on the floor with the empty jug next to itself. Her son Ismaël is next to her. An angel saves Hagar by pointing her to the waterfall. At the top of the arcuate rock is a shepherd with his sheep. Print from a series of Italian landscapes.

. Landscape with Juno scattering the eyes of Argus on a peacock tail. Mounted on 16th-century album leaf together with other ETS Duperac and on verso two prints by Johannes Saderer

Georg Haas (1751-1817), ET Bondslagmal, 1751 - 1817

Lying calf for a ruin, Anonymous, 1798 - 1848

L'Arrestation du Christ (The Arrest of Christ). Artist: Rodolphe Bresdin (French, Montrelais 1822-1885 Sèvres). Dimensions: Mount: 5 11/16 × 7 7/8 in. (14.5 × 20 cm)Sheet: 2 7/16 × 3 9/16 in. (6.2 × 9 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Elisa cursed annoying children; Landscapes with biblical, mythological scenes and yacht scenes. Heuven landscape. In the foreground the prophet Elisa, surrounded by children. They called him and he cursed them in the name of the Lord. A bear comes from the forest and shields the children. The print has an ornament list with flowers and animals. He is part of a twenty-four series of landscapes with biblical, mythological scenes and yacht scenes.

Hilly landscape with in the foreground a cross and two men in conversation. In the background a house between the trees, Hilly landscape., print maker: François Deroy, (mentioned on object), after: David Teniers, (mentioned on object), Southern Netherlands, 1758 - 1762, paper, etching, h 213 mm × w 153 mm

Wooded Landscape 17th century Gillis van Coninxloo. Wooded Landscape. Gillis van Coninxloo (Netherlandish, Antwerp 1544-1607 Amsterdam) Style of. Netherlandish. 17th century. Pen and brown ink, brush and brown and blue ink and washes in the same colors. Drawings

Plate 7: 'Ancient altar on which sacrifices were performed in antiquity, surrounded by other ruins' (Ara antica sopra la quale si facevano anticamente i sagrifizi, con altre ruine all' intorno), from the series 'Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian Architect: dedicated to Nicola Giobbe' (Prima parte di Architetture, e prospettive inventate, ed incise da Gio. Batt'a Piranesi Architetto Veneziano dedicate al Sig. Nicola Giobbe) 1743 Giovanni Battista Piranesi Italian. Plate 7: 'Ancient altar on which sacrifices were performed in antiquity, surrounded by other ruins' (Ara antica sopra la quale si facevano anticamente i sagrifizi, con altre ruine all' intorno), from the series 'Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian Architect: dedicated to Nicola Giobbe' (Prima parte di Architetture, e prospettive inventate, ed incise da Gio. Batt'a Piranesi Architetto Veneziano dedicate al Sig.

Plate 4: two fishermen on the bank of a stream at right, a waterfall at center, from 'Landscapes in the manner of Salvator Rosa' (Die Landschaften in Sal. Rosa's) ca. 1700-25 Franz Joachim Beich. Plate 4: two fishermen on the bank of a stream at right, a waterfall at center, from 'Landscapes in the manner of Salvator Rosa' (Die Landschaften in Sal. Rosa's). 'Landscapes in the manner of Salvator Rosa' (Die Landschaften in Sal. Rosa's). Franz Joachim Beich (German, Ravensburg 1665-1745 Munich). ca. 1700-25. Etching; second or third state of three. Prints

Spring (Le printemps). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Lying beef, seen on the back, Marcus de Bye, After Paulus Potter, 1728 - c. 1761 print paper etching cow

Paris, Lesueur, Eustache, Amsterdam, Cootwijck, Jurriaan, Hagar in the desert, verso cardboard and verso print - stamped, Hagar lies on the ground in a mountainous landscape. An angel points her to a source of water. On the right lies Ishmael, the child of Hagar, hidden under a bush., print, prent, prints, prenten, height 141 mm, width 185 mm, Noord-Nederlands, 1714-05-10 - 1798-01-16, print maker, prentmaker, 1759 - 1759, paper, papier, prenttekening, doordruk, crayonmanier, Frans, 1617-11-19 - 1655-04-30, intermediary draughtsman

Big Klit on the Water, Eugène Bléry, 1842 print France paper. etching / drypoint / engraving plants (in general). water course

Jan Van Londseel (1571-1625); Gijsbert Gillisz. the Hondecoets (1604-1653); , The disobedient prophet is attacked by a Loeve, Third Quarter 1600's

Polyphemus chases the fleet of Aeneas, 1663 print The one -eyed giant Polyphemus pursues the fleet of Aeneas. Numbered: XII. The print originally belonged to Liber 22 of the Atlas of Rome by Michiel Hinloopen (Schijnvoet Book 10). paper etching the Trojans escape from Polyphemus and the Cyclopes

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