Pastoral and Mythological Themes

Engravings showcasing intimate scenes from mythology and pastoral life, featuring figures amidst nature in soft, romantic compositions.

Copper engraving and etching by Hendrick Goltzius from 1580-1700 showing children with a bird nest, highlighting figures, gestures, and detailed naturalistic elements.

Copper engraving and etching created by Pierre Etienne Moitte in 1768, portraying Italian costume with traditional dress elements.

Putto with a tambourine in a landscape.Leaves With His Foot. This print is part of an album.

Pencil drawing by Louis Marin Bonnet produced between 1770 and 1779 depicting the mythological figures Mars and Venus, showing their interaction and classical composition in 18th-century European style.

Brown ink drawing in a copper engraving style by Antoon Overlaet depicting Diana resting after a hunt, executed in 1750.

Bliżej Kultury Hanfstaengl, Franz (1804 1877), Metsu, Gabriel (1629 1667)

Etching and engraving depicting an old woman sleeping in a kitchen, showing figure, furniture, utensils, and interior elements. Produced between 1640 and 1677, emphasizing daily life and composition.

La femme à barbe. Honoré Daumier (1808-1879). Lithographs

Etching by Jean Moyreau circa 1729 titled 'Other', depicting figures and landscape elements with detailed composition and line work.

A copper engraving and etching by Nicolas Henri Tardieu from 1690-1749 depicting the story of Constantine the Great, showing scenes from his life and reign.

Copper engraving and etching by Pierre Viel from 1770-1792 showing the Roman goddess Diana in a bathing scene, with detailed classical composition.

Picture photography: Ignacy Jasiński (1833-1878), "Wedding of orphan", 1870; In: Album of Ignacy Jasiński; around 1880 (1870-00-00-1890-00-00);

Personification of Romagna; Numismata virorum illustrium ex Barbadica Gente. A console with a hearted woman on it. She still wears a helmet and a wreath of flax with the flowers. A dennent branch in her right hand. In her other hand, among other things, some pods and ears of corn. The print is part of an album.

Caricature of Endymion, Honoré Daumier, 1842 Paris paper Diana (Luna) visiting the sleeping Endymion. caricatures (human types)

Circe, Unknown, After Pierre Jean Baptiste Isidore Choquet, 1784 - 1824 print Nummered at the top right 7. France paper etching / engraving Circe - attributes

Etching in punctuation manner by Elisabeth Challiou around 1800 depicting a wedding scene with figures in ceremonial attire and architectural setting.

Mariane en infants, Daniel Nikolaus Chodowiecki, 1776 print Mariane and the young gentleman Säugling fall into each other on the banks of a stream. paper. pencil etching Literature. (lovers) embracing each other, 'symplegma'. brook

Funeral foolishness; Disparate funebre; Solve disparates (the follies); Los Proverbios (the proverbs). The spirit of a dead man rises from the lifeless body and is surrounded by shadows and samples. From a series of eighteen prints.

Sorry De Graaf, Daniel Nikolaus Chodowiecki, 1785 print paper etching Literature. garden. Regret

Cupid bird (dove unknown

Etching by Exshau depicting girls with a basket and two boys in hunting robes holding a shotgun, showing figures, gestures, attire, and outdoor activity, created in the 18th century.

Louise, Marie, si vous aimez un jour quelqu'un - ne le trompez jamais ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Etching and engraving by Johann Gottfried Haid, 1764, depicting a portrait of Rembrandt's mother with detailed facial features and formal attire.

Print, CON FOUÏ ou femme du palais de lEmpereur de la Chine; Designed by François Boucher (French, 1703-1770); After Antoine Watteau (French, 1684 - 1721); France; etching on laid paper

Caprichos: A Bad Night. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

Engraving by John Finlayson from 1770 depicting a kessel flicker with a pipe, showing figure, attire, and gesture.

Portrait of Anna Paulowna Romanowa and Nicolaas I Pavlovich. .

The Upset Basket. Medium: stipple engraving. Museum: National Gallery of Art, Washington DC. Author: C. -A. -L. Buisson after Charles Michel-Ange Challe.

Rocaille puts Twee Jonge Mannen, Antoine Aveline, After François-Thomas Mondon, 1736 print This series is numbered in the top left with a letter F. print is part of an album. paper etching rocaille ornament. youth, adolescent

Design for a room painting with women sitting in a niche and standing with a tomb, Dionys van Nijmegen, 1715 - 1798 drawing paper. ink. watercolor (paint). pencil brush / pen grave-building, monumental tomb

A bacchant surprised by a faun in a desolate mountain spot. At the faun's feet are his curved stick or pedum, seven-pipe flute or syrinx, and a Rhombus, a percussion instrument like a tambourine. At the bacchant's feet are a sacred staff or thyrsus decorated with a red ribbon, and a typanum drum decorated with a picture of a sistrum. Copperplate engraved by Tommaso Piroli from his own "Antichita di Ercolano" (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.

Copper engraving and etching by Hippolyte Louis Émile Pauquet depicting Madame de Lavallière, created between 1817 and 1871.

Amph's whisper; Z: "Tygodnik Ilustrowany" 1888, No. 282 (May 26), p. 333; Badowski, Adam (1857-1903), Ludwik (Fl. 1888-1889), Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939); 1888 (1888-00-00-1888-00-00);

This 1803 etching by Richard Earlom depicts the arrival of Aeneas and a religious scene of Maria Magdalena, featuring figures, landscape, trees, and detailed etching.

Copper engraving and etching by an unknown engraver, 19th century, depicting a scene of the first birth, showing figures, infant, and maternal imagery in a detailed composition.

Copper engraving and etching by Jeremias Falck, 17th century, depicting the four regions of the world and Greek monarchy with figures and symbolic elements.

1766 etching and copper engraving by William Walker showing Balthazar Gerbier with his family, capturing detailed facial features, clothing, and 18th-century portraiture techniques.

Copper engraving and etching by Maurice Blot depicting a faun, satyr, and forest nymphs, created between 1770 and 1818.

Copper engraving by Claude Mellan from 1625 showing an allegorical composition representing the talents of the soul with symbolic figures and attributes.

Copper engraving and etching by Maurice Blot from 1800 depicting the judgment of Paris, showing figures, gestures, attire, and mythological narrative in detailed composition.

Title Page to Krasicki's 'Rejuvenated Old Man'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1785. Prints; etchings. Etching

Two women and two children rest and eat in the open air, Jean Couvay, After Abraham Bloemaert, 1632 - 1675 This print is part of an album. paper etching This print is part of an album. paper etching

Goldsmith's Traveller, page 10, Thomas Medland, 1755-1823, British, after Francis Wheatley, 1747-1801, British, 1800

Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Peniston, William, and Frederick James Lamb: The Affectionate Brothers, 1791. Stipple engraving and etching on moderately thick, slightly textured, cream laid paper.

Copper engraving by Pieter Schenk depicting a woman and man interacting at a niche window, created between 1676 and 1711, showing figures, gestures, and architectural setting.

N'est-ce pas, p'pa, ce mosieu du petit jardin a une belle tête - Ton mosieu du petit jardin a une perruque ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Aquatint and engraving by Jean Pierre Marie Jazet depicting scenes related to 19th-century plagues, socialism, and cholera, created between 1800 and 1871. The artwork illustrates public health and societal impact.

Grave monument with the portrait of Johann Caspar Lavater, Jacob Ernst Marcus, after Derk Anthony van de Wart, 1801 print Grave monument with portrait of the Swiss theologian Johann Kaspar Lavater. Two women in antique robes mourn in a tomb in a landscape. According to the praise under the performance, these are the personifications of humanity (right) and religion (left). In the background a dome on which the word: virtus. At the top left the grave monument floats a putto that represents immortality. In his hand an Ouroboros, a snake that bites in his own tail, as a mythical symbol for eternity. Amsterdam paper etching / engraving historical persons. theologian

Les Maléfices de la Beauté 1830-76 Narcisse-Virgile Diaz de la Peña. Les Maléfices de la Beauté. Narcisse-Virgile Diaz de la Peña (French, Bordeaux 1808-1876 Menton). 1830-76. Lithograph. Prints

Suzanna and the elders, William Unger, After Rembrandt van Rijn, 1857 - 1908 print print maker: Germanyafter painting by: Amsterdampublisher: Viennaprinter: Vienna paper. ETCHING / ROUCH the elders spying upon Susanna

Pencil drawings of various figures by Gilles Demarteau, created between 1742 and 1776, illustrating 18th-century clothing, postures, and expressions.

Vestigia delle Terme di Tito. Muse and polish. Quadro from the decoration of the room of the room 21; Carlone, Marco (1742-1796), Smuglewicz, Franciszek (1745-1807), Manna, Pietro (17 ..- 18 ..); after 1776 (2nd edition of black and white) (1776-00-00-1801-00-00);Mr., Bożek, figure, mythology, Rome, Sas-Zubrzycki Jan, Collection, Sylen, figure, mythology, Vestigia delle Terme di Tito, 1776, illustration, archeology, muse, antiquity, purchase (provenance)

Etching in crayon manner by Marguerite Gérard between 1780 and 1837, portraying Genoveva von Brabant.

Etching by Jean Jacques Pasquier from 1745 depicting a male nude figure, emphasizing classical form and anatomical structure.

'On porte beaucoup de fleurs, ce printemps, surtout sur les chapeaux.' - Fashionable magazine ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Copper engraving and etching by Gilles Rousselet from 1620-1686 depicting a Sibyl figure, showing drapery, pose, and classical decorative elements.

Etching by Christian Gottlieb Geyser, 1762-1803, depicting the children of Caspar Netscher, with detailed figures, clothing, and domestic or outdoor setting.

Les Amans Surpris (The Surprised Lovers) 18th century René Gaillard French. Les Amans Surpris (The Surprised Lovers) 413501

Tristes presentimientos de lo que ha de acontecer.. Goya, Francisco (1746-1828). 1810. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Peninsular War, 1807-1814 , Atrocities

Reproduction of Le Sphinx by Jean Auguste Dominique Ingres, Charles Michelez, After Jean Auguste Dominique Ingres, c. 1873 - In or Before 1878 photomechanical print paper painting, drawing and the graphic arts. sphinx (lion/woman); 'Sfinge' (Ripa) - AA - female human figure

Amsterdam, Vinkeles, Reinier (I), Two women with fruits and flowers, verso - stamped, Two women gather fruits and flowers. A bird sits on the head of a hen. Behind the other lady lies a harp., print, prints, height 81 mm, width 118 mm, Northern Netherlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1773 - 1773, paper, papier, etching, etchings, engraving, engraving (printing process)

Quoi! jeune vierge du désert, je te soustrais à d'infmes ravisseurs, - je protège tes jours, je te sauve l'honneur...et tu m'appelles - cornichon! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Etching and copper engraving by Jean Daullé from 1754 showing a portrait of Marie-Justine-Benoît Favaart.

Caprichos: When Day Breaks We Will Be Off. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

Memorial for Pieter Nieuwland. A memorial in memory of professor in the Ewel and Physics Pieter Nieuwland. A woman is irrorating under the monument with the portrait of Pieter Nieuwland in hand.

Illustration from Les Amours pastorales de Daphnis et Chloe 1787 edition

Copper engraving and etching by Pierre Joseph Tavernier depicting a Circassian figure in a bath, created in 1814. The print shows the figure, water, and surroundings.

Etching by Michel Dissard, created between 1817 and 1837 in punctuation manner, depicting the awakening of beauty.

Anne Varice de Vallière Als Pomona, Michel Dossier, After Hyacinthe Rigaud, 1694 - 1738 print Paris paper engraving / etching historical persons - BB - woman. Vertumnus, in the guise of an old woman, wooing Pomona

Two men view a woman, Daniel Nikolaus Chodowiecki, 1779 print paper etching Literature

Adelina Patti, Soprano Adelina Patti with rose garland title page of Die Bomb , László frecskay -, Caricaturist, Carl Angerer -, Engraver

Copper engraving and etching by Maurice Blot in 1786 depicting Monsignor the Dauphin with Madame, daughter of the king.

Etching by Alexandre Chaponnier between 1773 and 1830, showing a scene described as 'The officious Waiting Woman'.

Achille Devéria, La leçon de paysage, 1810-1857, lithograph on wove paper.

Plate 17 from 'Los Caprichos': It is nicely stretched (Bien tirada está.) 1799 Goya (Francisco de Goya y Lucientes) Spanish. Plate 17 from 'Los Caprichos': It is nicely stretched (Bien tirada está.) 360415

Sitting naked; Paintings in the Sixtin Chapel. Naked man sitting on a pillow, partially rotated to the right, with a garland of fucks. One of the 'Ignudi' (naked men) from Michelangelo's ceiling painting. Numbered at the bottom right: 8. The print is part of an album.

Landscape with a lute woman and a woman who points to a classic column, Reinier Vinkeles (I), 1751 - 1816 print Amsterdam paper etching / engraving bee-hive. column, pillar ~ architecture. tuning the lute - CC - out of doors

Copper engraving and etching by Gerard Edelinck produced between 1660 and 1707 showing The Return to Virtue, an allegorical 17th-century European print with refined detail.

Design for a painting, Design for a hall piece: statue of sense hearing, next to it a young man with musical instruments., draughtsman: Dionys van Nijmegen, 1715 - 1798, paper, brush, pen, h 388 mm × w 246 mm

Copper engraving and etching by William Walker depicting Saint John as a boy with a lamb. Created in 1767, illustrating a biblical scene from the life of John.

Thermidor (Leeuw, July 19 - August 17); The twelve months of the French Republican calendar. Thermidor (Leeuw, July 19 - August 17). Bathing woman is holding a swan at the chest.

Francisco de Goya y Lucientes, Sopla (Blow), 1799, etching , aquatint , drypoint , burin.

Bliżej Kultury Hanfstaengl, Fr.

The cries of Paris. The charming cating Edme Bouchardon (1698-1762), French sculptor. The cries of Paris. The charming Catin. Watercolor lead and watercolor monte on beige card stock, between 1698-1762.

A Woman Sitting by the Window (Evening Thou Bringest All”), from the first issue of Specimens of Polyautography Published 1803 United Kingdom. Specimens of Polyautography (published 1803), the portfolio of lithographs that included Fuseliís print (as well as James Barryís Eastern Patriarch and Benjamin Westís Angel of the Resurrection), contained the first lithographs published in Britain.Lithography is a form of printing in which a drawing is made directly on limestone, which is then moistened and inked, the ink adhering only to the drawn marks. The resulting print thus retains the immediacy of the original drawing. The Greek inscription on Fuseliís print, a quote from the ancient Greek lyric poet Sappho which was reversed in the printing process, means ìEvening, thou bringest all [things home.î. Lithograph in black on cream wove paper, tipped onto mount with aquatint border in gray on cream wove paper . Henry Fuseli

Man gives wife a kiss on the hand, Cornelius Heinrich Hemerich, after Johann Esaias Nilson, 1731 - 1780 print In a landscape with a rocaille ornament, a man gives a piping woman a kiss on the hand. London (possibly) paper etching / engraving pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.). kissing the hand (lovers)

Little Nell. J.A. Whipple (American, 1822 - 1891)

Quoi! jeune vierge du désert, je te soustrais à d'infmes ravisseurs, - je protège tes jours, je te sauve l'honneur...et tu m'appelles - cornichon! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Fountain with waterfall in Saint Cloud in Paris Illumination de la grande cascade de S. Cloud. (title on object), garden cascade, ornamental fountain (in village), lighting, lamps, Parc de Saint-Cloud, Philibert-Louis Debucourt (mentioned on object), France, 1813, paper, h 297 mm × w 393 mm

Kneeling woman for man with bare torso, M. de Gouy, After A. le Grand, after Karl von Schalle, 1770 - 1805 print France paper etching (scenes from) specific works of literature: Bernardin de Saint-Pierre, Paul et Virginie

When Day Breaks We Will Be Off, plate 71 from Los Caprichos. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1797-1799. Dimensions: 173 x 127 mm (image); 198 x 149 mm (plate); 301 x 205 mm (sheet). Etching and aquatint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Boy and girl at a pond, Johann Esaias Nilson, after François Boucher, 1731 - 1788 print Printed in the top left number xxxxiii and top right 1. Augsburg paper engraving / etching couple of lovers. pool, puddle - HH - ideal landscapes

Smart choice, Daniel Nikolaus Chodowiecki, 1779 print During a walk with her lover, Baron von Ilow, Luise meets her former fiancé Warneck. Numbered in the top right: 7. paper etching walking, hiking (recreation)

Autumn. Schoor, Lodewijk van (Flemish, 1666-1726) (author of design) painter Borcht, Jacques van der (the elder) (Flemish, act.1676-1710) (workshop) weaver c. 1680-1700 Tapestry Dimensions: H 10'10" x W 11' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Baumgarten coll. England, Greater London, London, Victoria and Albert Museum. Female figure of Autumn stands holding sheaf of corn in left arm, at her feet are sickle & shovel (R of center), seated female figure with bunches of flowers & foliage in each hand, man plowing in field with 2 oxen (R, middle ground), group of female figures gathering (center, background) Borders missing. See related photographs in Baumgarten & Company: Photographic records, 1870-1930, ref. 99.P.15. Hunter, Practical book of Tapestries (1925), 156 Related Works: Panels in set: GCPA 0238207-0238210

Two British sailors offer a watch and mirror for the fruit of an Indian wife, Charles Knight, After Henry Singleton, 1794 print London paper etching watch. landscapes in the non-temperate zone, exotic landscapes - KK - ideal landscapes. mirror. fruits: pineapple. mountains. Asiatic races and peoples: Indians. Europeans: Englishmen. bargaining. sailor India

Farándula de charlatanes.. Goya, Francisco (1746-1828). 1810. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Peninsular War, 1807-1814 , Atrocities

France, Drouais, François Hubert, Italy, Melini, Carlo Domenico, Two boys with a marmot, verso - stamped, Two boys with a marmot and a hurdy-gurdy in a landscape. Two-line French text in bottom margin., print, prints, height 370 mm, width 493 mm, Italian, 1735 - 1795, print maker, printmaker, 1750 - 1795, paper, papier, engraving, engraving (printing process), etching, 1727-12-14 - 1775-10-21

Etching by Michel Dissard titled 'Friendship Remains', produced between 1817 and 1837, depicting two figures symbolizing enduring friendship.

Allegory of Drawing, Edward Francis Burney, 1760-1848, British, undated, Pen and black ink, graphite, and watercolor on medium, slightly textured, cream wove paper, Sheet: 3 1/4 x 4 3/4in. (8.3 x 12.1cm), allegory, books, carrying, cherubs, compass, easel, flowers, palette, portfolio, religious and mythological subject, scrolls, sculpture, vines

Gerhard Ludvig Lahde (1765-1833), Wing Genius The following a bulk, 1765 - 1833

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