Pastoral and Mythological Themes

Engravings showcasing intimate scenes from mythology and pastoral life, featuring figures amidst nature in soft, romantic compositions.

Copper engraving and etching by Hendrick Goltzius from 1580-1700 showing children with a bird nest, highlighting figures, gestures, and detailed naturalistic elements.

Etching by Joseph de Longueil from 1750-1810 depicting intimate gestures and an attentive shepherd, showing figures, pastoral elements, and composition.

Copper engraving and etching by Hendrick Goltzius from 1580-1700 showing children with a bird nest, highlighting figures, gestures, and detailed naturalistic elements.

Copper engraving and etching by Bernard Picart between 1700 and 1733 depicting Zephyr and Flora, showing mythological figures in a classical composition using dotting techniques.

"Copper engraving and etching by Jacques-Philippe Le Bas depicting the historical figure Cimon, focusing on human figures and classical composition from 1727 to 1783."

Etching by Maria Anna Angelika Catharina Kauffmann from 1778 depicting Cleopatra decorating the grave of Marc Anton, showing historical figures and funerary scene.

Copper engraving and etching by Matthys Pool around 1690 depicting the childhood of Bacchus with putti, figures, and classical scenery in dotting manner.

Copper engraving by Nicolas Beauvais from 1750 to 1757 depicting Saint Jerome, highlighting figure detail, composition, and 18th-century engraving technique.

Etching by Andreas Seidl titled 'Spring Christ', created in 1783, depicting Christ in a spring setting, emphasizing religious and seasonal themes.

Etching by Alessandro Badiale from 1640-1668 depicting a goat shepherd, showing rural life and detailed figure composition.

Samuel De Wilde created an etching between 1770 and 1780 depicting St. Genevieve, illustrating 18th-century European religious art in a devotional context.

Etching and copper engraving by Étienne Fessard from 1758 depicting country music, showing musicians, instruments, figures, and rural setting.

A copper engraving by Schelte Adamsz. Bolswert from 1600-1659 depicting Pan playing a flute surrounded by goats in a mythological landscape.

Copper engraving by Willem van Swanenburg depicting the biblical story of Lot and his daughters, created in 1612.

Etching by Cosimo Mogalli produced between 1685 and 1740 depicting Abraham's victim, showing detailed figures and 17th- to 18th-century engraving techniques.

Etching by Louis Binet between 1760 and 1800 titled 'Anette,' showing a female figure.

Lot and his daughters; History of Lot; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. For a cave, lot is on the ground. He is embraced by one of his daughters. The other daughter gives him wine. On the left a table on which a scale is fruit. On the right in the background the destruction of the cities of Sodom and Gomorra. Lot with one of his daughters is sleeping on the left in the background. Under the show an explanatory text in Latin. Print is part of an album.

Copper engraving by Gerard Edelinck depicting the Holy Family of Franz I, produced between 1660 and 1707.

Copper engraving by Louis Desplaces from 1682-1739 depicting Paolo Veronese flanked by allegorical figures representing Virtue and Vice, showing detailed composition.

Bound Print (Italy)

Copper engraving and etching by Jean Jacques Le Veau from 1750-1786 depicting 'Recontens it dangerous', showing figures, gestures, and setting.

Clair-obscur woodcut by Hendrick Goltzius around 1589 depicting Tethys, the sea goddess, with detailed figures, gestures, and symbolic mythological elements.

Copper engraving and etching by René Gaillard, produced between 1742 and 1790, illustrating a theme of fertility.

Etching and copper engraving by Jacques-Philippe Le Bas from 1748 depicting the Galant Master, showing figure, attire, and compositional detail.

Copper engraving and etching by Simon Vallée depicting the biblical story of Abraham preparing to sacrifice Isaac, created between 1700 and 1730.

Photo production of a drawing of a family that flees a fire, Anonymous, After Carl Jager, c. 1871 - c. 1881 photomechanical print maker: Germanypublisher: München paper collotype rescue from fire

Etching by Nicolas de Larmessin III depicting a spring landscape, created between 1740 and 1745.

Photo production of an engraving to a painting or drawing: Genreecène with boy and shepherdess. .

Engraving by Jacob Gole showing a young man and woman in front of a table with shells, and a landscape with a lady of the courtyard and child, created between 1680 and 1724, depicting figures and outdoor settings.

Etching by Maria Anna Angelika Catharina Kauffmann depicting Penelope removing Odysseus bow from the wall, showing her figure, gestures, and interior details from 1791.

Etching by Bernard Baron around 1720 depicting the suspension of Moses, illustrating a biblical scene with figures and landscape elements.

Etching and copper engraving by Auguste Claude Simon Legrand from 1788-1815 depicting the childhood of Paul and Virginia, showing young figures in domestic or outdoor setting.

Copper engraving and etching by Pierre François Basan between 1740 and 1797 depicting Venus giving Amor nectar and Mercury teaching Amor, presenting classical mythological instruction and symbolism.

Copper engraving and etching by Jean Charles Le Vasseur depicting 'The Heater,' created between 1750 and 1816, showing a domestic interior scene.

Etching by Carl Schroeder depicting Judith, showing a female figure, clothing, gestures, and classical attributes in 18th-century engraving style using punctuation technique.

Copper engraving and etching by Jean Daullé around 1762 depicting Latone's revenge from mythology, showing Latone, figures, gestures, divine punishment, and landscape elements.

Etching and copper engraving by Nicolas Joseph Voyez l'âiné between 1762 and 1806 depicting Apollo, the classical Greek god of the sun, music, and prophecy.

Young woman and girl make a sacrifice to Prussia, Daniel Nikolaus Chodowiecki, 1797 print Berlin paper etching Offering; "Offerta overo offering" (bank). Adolescent, Young Woman, Maiden. Child

Reinoud Jan van Golstein and Frits at a dying horse, Reinier Vinkeles (I), 1809 - 1810 print At night, Reinoud Jan van Golstein and Frits take care of a dying horse that lifts his head once more. The print is part of an album. print maker: Amsterdampublisher: Haarlem paper etching / engraving horse. the soldier; the soldier's life

Print made by Peltro W. Tomkins, 1760-1840, British, Sylvia, 1786. Stipple engraving on medium, moderately textured, beige laid paper.

Birth of Bacchus, after Sir Joshua Reynolds RA, 1723-1792, British, Louis Sailliar, 1748-1795, French, 1788, Stipple engraving on thick, moderately textured, beige, wove paper, Sheet: 20 5/8 × 15 1/2 inches (52.4 × 39.4 cm), Plate: 14 1/8 × 11 inches (35.9 × 27.9 cm), and Image: 12 × 10 3/8 inches (30.5 × 26.4 cm), god, grapes, vines

Photo production to a print with a woman who kisses Amor at a source, Rudolf von Bohr, after Anonymous, 1860 - 1872 Photograph. visit card This photo is part of an album. Vienna photographic support. cardboard albumen print (story of) Cupid, Amor (Eros). (lovers) kissing each other

Copper engraving and etching by René Gaillard depicting a shepherd and sheep, illustrating pastoral life in a rural landscape.

Landscape car, horses and bridge, and three performances of figures, Fortuné Férogio, 1839 - 1845 print Print is part of a cover with five prints. Paris paper landscape with bridge, viaduct or aqueduct. four-wheeled vehicle drawn by two animals. street-trader - BB - women engaged in trade and commerce. parents with their children. child between toddler and youth (of undetermined sex)

Copper engraving by Jan Harmensz. Muller depicting the legendary robbery of the Sabine women, created around 1598.

Copper engraving and etching titled 'Abraham's Victim' by Pierre Drevet, created in 1707, depicting the biblical story of Abraham and his son.

Photo production of a drawing of a scene from a play by Friedrich Schiller with an upcoming robbery, by Carl Jaeger, Friedrich Bruckmann, after Carl Jaeger, c. 1870 - in or before c. 1875 photograph London (possibly) photographic support albumen print robbery

Faut que je voye après mon poulet...voyons, mosieu Charmé, ne fais - pas de bêtises!...et tiens l'échelle ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Amor visits a young woman at De Fontein, Salomon Gesner, 1771 print paper etching (story of) Cupid, Amor (Eros). garden fountain. adolescent, young woman, maiden

Woman with two lovers and a coupler, Narcisse Virgile Diaz de la Peña, 1844 print Paris paper. kissing the hand (lovers). lovers brought together by a third person. procuress

Copper engraving and etching by Johann Gotthard von Müller between 1762-1830 depicting St. Cäcilia playing the violin, showing figure, musical instrument, and composition.

Print made by John Condé, 1765-1794, French, active in Britain, Mrs. Fitzherbert, 1792. Stipple engraving and line engraving on medium, slightly textured, cream laid paper.

Tiburtine Sibille; Tiburtina; Paintings in the Sixtin Chapel. Tiburtine Sibille sitting with a scroll. Links two small figures. One of the sibilles of Michelangelo's ceiling painting. Title in undermarge and numbered at the bottom right: 26. The print is part of an album.

Amalthea sucks the young Jupiter, 1660 print On the right is the nymph with Jupiter. On the left, two men blow on a decorated horn. In the background a mountain landscape with a water feature. This print is part of an album. paper etching Amalthea, the nymph, usually in the shape of a goat, suckles the new-born Jupiter

Etching by François Boucher depicting a boy holding three bottles alongside a group of five beggars, produced between 1717 and 1726.

Copper engraving and etching by Leveque depicting Venus and Amor, showing the mythological figures in a classical composition.

Engraving by Nicolaas Verkolje depicting a brothel scene, created around 1700.

Paul and Virginia 1805-27 Alexandre Joseph Desenne. Paul and Virginia. Alexandre Joseph Desenne (French, Paris 1785-1827 Paris). 1805-27. Lithograph. Giraldon Bovinet et Cie. Prints

Shakspeare. First part of King Henry IV : Plain near Shrewsbury. Prince Henry, Hotspur, and Falstaff , Plains, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. King Henry IV. Thomas Pennant Barton Collection

Three philosophers in a mountainous landscape, 1660 print On the left an old man with a passer and a meant leaf. Next to him a man with turban. On the floor is a man with a passer and a square. He looks at a cave. This print is part of an album. paper etching / engraving group of scholars or philosophers. cave, grotto

Kneeling woman who reaches the arms to a sitting man, F.B. Lorieux, After P.J. Chaillou, 1791 print France paper etching kneeling figure - AA - female human figure. sitting figure

Three farm children in a landscape, Pierre Augustin Massé, After Thomas Gainsborough, 1880 - 1894 print paper etching child. sisters (second degree family relationships). woodgathering, woodgatherer

Annunciatie, anonymous, after Anthony van Dyck, 1615 - 1691 print The Archangel Gabriël appears with a lily on Mary. Maria kneels with a desk with an open book on it. Above her the Holy Spirit in the form of a pigeon. Low Countries paper etching the Annunciation: Mary kneeling

Copper engraving and etching by Nicolas Ponce between 1765 and 1831 depicting a dramatic scene of a kidnapping at night.

Print made by William Bromley, 1769-1842, British, Cardinal Wolsey Receiving a Letter Sent by Henry VIII, 1811. Etching and line engraving on thin, slightly textured, cream wove paper.

Copper engraving and etching by Jourdeville Jourd'Heuil from 1774-1781 depicting Mercury and Aglaure, showing mythological figures, gestures, and classical composition.

Etching by Nicolas de Larmessin (III) created between 1740 and 1755 portraying romantic encounters and courtship in rural 18th-century settings, with figures interacting among hedgerows.

Pastoral 1896 France. Lithograph in black on light gray chine . Henri Fantin-Latour

Copper engraving by Jan Wierix created between 1570 and 1620 depicting Mary Magdalene, showing human figure, gestures, and religious context in late 16th- and early 17th-century style.

Man and wife come across Witch, Henri Charles Antoine Baron, 1850 print Paris paper witch, sorceress

Copper engraving by Gilles Rousselet between 1627 and 1686 depicting Jesus with John the Baptist as children.

Copper engraving and etching by Michel Aubert from 1726 depicting the apostles Philip and Bartholomew.

Scene from the descoror, Daniel Nichoella Chodowiecki, 1774 print The farm girl Hannchen in conversation with Alexis. Nummered at the bottom left: 3. Berlin paper etching Literature

A copper engraving and etching by François de Poilly the Elder created between 1658 and 1704 depicting the Holy Family with young John at the cradle, showing figures and religious composition.

Young Sater on the Oever, Stefano della Bella, 1656 print A young sater is on the shore of a stream in a landscape. Further on is a second satar in the water. paper etching satyr(s) (in general). taking a bath - AA - in the open air

Mr. The full -length plays on his guitar, while three ladies and a gentleman listen, Daniel Nikolaus Chodowiecki, 1798 print paper etching adolescent, young woman, maiden. landscapes. actor (on the stage). one person playing string instrument (plucked) - CC - out of doors

Print, A Group of Women in a Landscape; Designed by François Boucher (French, 1703-1770); Print Maker: Gabriel Huquier (French, 1695-1772); France; etching on laid paper

Death and Cupid shoot each other's arrows and old man makes young wife the court, ca. 1707-1708; The Ontayige Minnery and the juvenile assistance death. Shown by the emblem of the two accidental sleeping; The steadfast monarchye of death / 't Lusthof from MoMus. Allegory in which an old man (Louis XIV) a young woman (Madame de Maintenon) makes the court and die and cupid each other's arrows, ca. 1707-1708. A monkey with glasses roar movements from the old man's exhibition. Numbered: 2 and marked: p. 7. Part of: The steadfast monarchye of death, a series of 8 old plates with verses adapted for use as cartoon on the French in the context of the Spanish Succession War. Part of the printing work under the collective title 't Lust Court of Momus with the bundled series of cartooning during the 1901-1713 of the Spanish Succession War.

Francesco Bartolozzis etching, created between 1750 and 1815 in punctuation manner, portrays King Vortagen and Rowena with fine engraving detail.

Print, Rocaille Ornament Design; Designed by François-Thomas Mondon (French, ca. 1709 - 1755); Print Maker: Antoine Aveline (French, 1691 - 1743); France; etching on laid paper

Copper engraving and etching by Auguste Thomas Marie Blanchard depicting Faust and Marguerite in a seduction scene, created in 1853.

The cantinière. / The shot.

Copper engraving and etching by Jacques Bouillard circa 1796 depicting the mythological figures Borée and Orthythia.

Etching and copper engraving by Laurent Cars created between 1719 and 1771 depicting a fall, likely mythological or biblical in context.

Copper engraving print by Hendrick Goltzius from 1589-1600 depicting Jahel, showing figure, gesture, and narrative composition.

Copper engraving and etching by Jean Charles Le Vasseur depicting a scene of Italian cleaning, created between 1749 and 1816.

Copper engraving and etching by Jean-Baptiste Raphael Massard from 1795-1849 depicting 'Forgiveness', showing two figures in gesture of reconciliation and setting details.

Le Mare au diable. Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jean Jacques Outhwaite after Charles-François Daubigny.

Camille and her maid Betty bend over the grave of Sir Robert, Daniel Nikolaus Chodowiecki, 1787 print Berlin paper etching Literature. night ~ landscape (sometimes titled 'Nox'). lantern. grave, tomb. weeping

The Flemish Mother. Dated: 1820. Dimensions: plate: 22.4 x 18.5 cm (8 13/16 x 7 5/16 in.) page size: 44.5 x 29.9 cm (17 1/2 x 11 3/4 in.). Medium: etching on chine coll. Museum: National Gallery of Art, Washington DC. Author: Sir David Wilkie.

Print, Femme de MATSMEY a la terre dIeço; Designed by François Boucher (French, 1703-1770); After Antoine Watteau (French, 1684 - 1721); France; etching on laid paper

Etching by Johann Adam von Bartsch from 1800-1803 showing Mary seated on clouds with the blessing child on her lap, rendered in copper engraving with puncture stitch technique.

This copper engraving by Johann Sadeler d. Ä., created in 1587, depicts the elements of Sea and Earth. The print reflects Sadeler's mastery in representing natural elements with precision and artistry.

Print made by Charles Grignion, 1717-1810, British, Illustrations for 'Gil Blas', plate III, 1781. Line engraving on medium, slightly textured, cream wove paper.

Etching by Girolamo Rossi depicting two children playing, created between 1650 and 1664, illustrating childhood and natural interaction in a seventeenth-century setting.

Pencil drawing by Gilles Demarteau depicting a satyr, showing mythological attributes and posture, created between 1742 and 1776.

Copper engraving and etching by Ignaz Sebastian Klauber from 1773-1817 depicting an allegorical scene titled 'Confident Love' with classical 18th-century figures.

Plate 63 from 'Los Caprichos': Look how solemn they are! (Miren que grabes!) 1799 Goya (Francisco de Goya y Lucientes) Spanish. Plate 63 from 'Los Caprichos': Look how solemn they are! (Miren que grabes!) 380703 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 63 from 'Los Caprichos': Look how solemn they are! (Miren que grabes!), 1799, Etching, aquatint and drypoint, Plate: 8 5/16 x 6 5/16 in. (21.1 x 16.1 cm) Sheet: 11 5/8 x 8 1/4 in. (29.5 x 21 cm). The Metropolitan Museum of Art, New York. Gift of M. Knoedler & Co., 1918 (18.64(63))

Twee gelts, Gilles Denarteau, AFTER Franis brochers, 1756 - 1776 print Two loved ones hug each other, sitting on the ground in a landscape. print maker: Francepublisher: Paris paper (lovers) embracing each other, 'symplegma'

Allegory on flood of 1775, Reinier Vinkeles (I), After Jacobus Buys, 1778 print Allegorical representation of the flood of 14-18 November 1775 as a punishment of God. The Dutch virgin with Bible and anchor prays to God with broken dike. In the clouds of angels and the all -seeing eye. Below reference to: page. 64. Northern Netherlands paper etching / engraving dike-break. personifications of countries, nations, states, districts, etc.. the all-seeing eye, triangle with eye ~ symbol of God the Father. God's wrath (+ angels floating in the air) Netherlands

The Mushroom Seller, 1768, Jean-Baptiste Le Prince, French, 1734 - 1781, 4 5/8 x 3 13/16 in. (11.75 x 9.68 cm) (image)5 3/8 x 4 in. (13.65 x 10.16 cm) (plate)7 1/4 x 5 1/16 in. (18.42 x 12.86 cm) (sheet), Etching, France, 18th century

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