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Pastoral and Seasonal Engravings

Etchings portraying rural life and seasonal themes, illustrating human activities amid natural settings, with a focus on engaging life scenes.

Jacob de Weert engraved a copper print between 1589 and 1625 depicting the baptism of Christ, showing Christ, John the Baptist, water, and surrounding figures in a religious composition.
Jacob de Weert engraved a copper print between 1589 and 1625 depicting the baptism of Christ, showing Christ, John the Baptist, water, and surrounding figures in a religious composition.
352 assets in this story
6145-52855972
Depicts a landscape featuring shepherds and horses, created as an etching between 1825 and 1862.
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An etching by Jakob Gauermann titled 'The Emm Output,' created in 1806, showing figures in a landscape setting.
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Jean Moyreau's 1739 etching 'L'hyver' depicts a winter scene with people engaging in seasonal activities, executed in copper engraving with detailed figures and landscape.
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PANURGE FAIT Noyer Le Marchand et Les Moutons, Livre IV, Ch. VIII; Bracquemond, Félix (1833-1914), Salmon, Alfred (1825-Ca 1894), Lemerre, Alphonse (1838-1912); 1882 (1882-00-00-1882-00-00);PANURGE (lit.), Rabelais, François (1493 -1553), Rabelais, François (1493 -1553)-iconography, Rabelais, François (1493 -1553). Gargantua et pantagruel, French (culture), illustrations, literature, marine, literary characters, ships, purchase (provenance), sailing ships
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Etching by Giovanni Battista Fontana depicting Romulus and Remus, created between 1573 and 1575, showing the twin founders of Rome with the she-wolf and symbolic elements.
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Etching by Gabriel Huquier between 1715 and 1772 showing a Chinese woman with three children, focusing on costume, posture, and cultural representation.
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A copper engraving by Monogrammist C.C. around 1546 depicting the biblical Massacre of the Innocents and the narrative of the three brothers.
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Etching by Richard Earlom (1774) showing a landscape with bandits and a separate view of a port, including figures, buildings, and terrain.
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Etching by Jacques Bacheley depicting the entrance to the Meuse River, created between 1732 and 1781.
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Bound Print, Char de l'Hymen.; Print Maker: Noël Le Mire (French, 1724-1800); Published by François Blondel, Marguerite Caillou Chéreau (French, active 1729-1755); France; engraving on laid paper
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Ceiling paintings in the dome of the Val-du-Grace church: O.A. Engelen and Prophets.
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Etching by Salomon Savery for book illustrations of fables and proverbs, produced between 1615 and 1683, depicting allegorical, narrative, and educational scenes.
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Print, Pl. 1 of 6e suite de trofées de chasse par Ranson from Oeuvres contenant un recueil de trophées, attributs, cartouches, vases, fleurs, ornemens, et plusieurs dessins agréables pour broder des fauteuils; composés et dessinés par Ranson, et gravés par Berthaut et Voysard
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Ake. Ruined structure on mound Ake. Mound called El Palacio. Stephens, John Lloyd, 1805-1852. Illustrations, Prints. 1843. Rare Book Division. Yucatán (Mexico : State) , Description and travel, Mounds (Landforms) , Mexico , Yucatan
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Etching by Matthys Pool depicting the death of Seneca, created between 1690 and 1732, representing historical and philosophical themes in 17th-18th century art.
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Romulus and Remus in fight, 1572 - 1573 Romulus and Remus get into a fight through the judgment of the afurs. Romulus and his followers fight against Remus and his followers. The fight ends with the death of Remus. The print is part of an album. Italy paper etching Romulus and Remus get into a fight through the judgment of the afurs. Romulus and his followers fight against Remus and his followers. The fight ends with the death of Remus. The print is part of an album. Italy paper etching
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Etching by Wenzel Hollar from 1552-1554 showing scenes from Vergil's works, depicting figures, landscapes, and classical motifs for book illustration.
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Etching by Giuseppe Maria Crespi depicting Cacasenno sitting backwards on a horse and eating a bowl of pasta, created around 1710.
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Tombeau d'un sainton Kirghize. Zaleski, Bronisław (1820-1880), graphic artist, Beillet (Paryż ; wydawnictwo ; ca 1850-ca 1875), publishing house, Szewczenko, Taras (1814-1861), draughtsman, cartoonist
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Print, LA MUSIQUE; Designed by Pierre-Clément Marillier (French, 1740 - 1808); France; etching and engraving on laid paper
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Copper engraving and etching by Charles Dupuis from 1744-1797 depicting a prince ensuring the safety of his people, showing figures and ceremonial elements.
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Woodcut by Erhard Schön depicting a Landsknecht and his wife in a Landsknechtszug, created after 1491.
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Destruction of the Egyptian army in the Red Sea, 1643 print After the Israelites have reached the other side of the Red Sea, the water flows back from the Red Sea, drowning Pharaoh and his army. Under the performance a reference in Latin to the Bible text in ex. 14:23. This print is part of an album. Amsterdam paper engraving Pharaoh and his army engulfed in the Red Sea (Israelites not or barely visible)
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Etching by Giuseppe Maria Mitelli depicting St. Sebastian with Marcus and Marcellianus, created 1654-1718.
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Etching by Albert Flamen from 1635-1669 depicting fish and sea animals, showing Baroque marine composition, species, and ornamental details.
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Etching by Johannes Glauber depicting an American native wearing feather jewelry on a cloud with putti, as an allegorical scene, created between 1661 and 1726.
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Inwoners van Cabo de Santo Agostinho, 1726, 1726 print Man and wife from Cabo de Santo Agostinho in Brazil, dressed in local costume, in the background a bay with ships. Plate no. 508 in Part XX of the prints: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. print maker: Amsterdampublisher: Leiden paper etching / engraving folk costume, regional costume. Native peoples of South America Lime. Cabo de Santo Agostinho
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Woodcut by Hans Burgkmair the Elder depicting The Kunig von Gutzin, created from the early 16th to 18th century, showing historical or literary subject matter with detailed woodcut technique.
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Aquatint by an unknown engraver depicting ruins with shepherds and livestock on the water, created in the 18th century, showing rural landscape, animal transport, and pastoral life.
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Lithography depicting the large triumphal car with the pair of teams Experience and Solertia, created by Albrecht Dürer after 1800.
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Photo production of the print The Lost Son by Albrecht Dürer, Anonymous, After Albrecht Dürer, c. 1860 - in or before 1870 photograph photographic support carbon print print, e.g.: engraving, etching, lithograph. the prodigal son tends the swine and eats from their trough
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Single portrait by Lucas Kilian executed with copper engraving and etching, dating from the 16th to 17th century.
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Etching by Johann Adam Klein depicting scenes of shoe-making and cobblers at work, showing tools, shoes, and interior workshop details from 1812-1875.
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The nightmare. (IT)
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Etching by Fried. Geissler showing Moses during the burial of the Egyptian, including figures, gestures, landscape, and dramatic composition, dated 1798-1853.
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...Mais, voyons, Limousin, avec un méchant budget d'une cinquantaine de - mill'ons, qu'est-ce que tu peux fiche ,. Paul Gavarni (1804-1866). Lithographs and Other Works
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Picture.
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Looking Stars, Reinier Vinkeles (I), 1815 print At a city palace, two men and two children look at the stars. The man on the right points up. The print is part of an album. print maker: Amsterdampublisher: Haarlem paper etching / engraving stars. firmament, sky
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Two photo productions of paintings, representing a woman points a man on horseback and Willem sees the ghost appearances of the Carmilhan crew for the cave of Steenfoll, Anonymous, After Mikoláš Aleš, after Hanuš Schwaiger, c. 1891 - in or before 1895 photomechanical print Prague paper riding a horse, ass, or mule; rider, horseman. ghost-ship, spectral ship. materialization, appearance of spirit or ghost
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Art - Taste - Beauty, leaflets of female elegance, June 1929, No. 106, 9th year, p.24. Advertent Voor Stoffen Van Racine. Pagina uit Het modetijdschrift Art-Taste-Beauty (1920-1933).
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The death of Longinus Podbipięta - illustration for the novel by Henryk Sienkiewicz 'With Fire and Sword'. Sheet X from the album. Juliusz Kossak (1824-1899), draughtsman, cartoonist, Trzemeski, Edward (1843-1905), creator of photographic print
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Etching by François Godefroy, 1781, depicting the tomb of J.J. Rousseau on the Island of the Poplars, showing funerary architecture, landscape, and commemorative elements.
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Copper engraving by Philipp Galle from 1550-1612 depicting the Massacre of the Innocents in Bethlehem with soldiers, children, mothers, and architectural elements.
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Bound Print (France); Collaborator: François Boucher (French, 1703-1770)
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The Barbier, 1840-1841. The Barber. Running man with lantern. Numbered: 14. Illustration in the book 'The Netherlands: character sketches, clothing forces, attitude and occurrence of different positions', a book with character sketches, professions and marketing forces of Dutch people from 1841.
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The Madame B Album Made 1870-1879 France. Albumen print with watercolor (in album) . Marie-Blanche Hennelle Fournier
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Etching by Joseph Mössmer from 1800-1845 depicting a landscape with tower ruins and children playing, highlighting architecture, nature, and daily life.
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Upper right corner of a print of the scene of Cebes; Tabula Cebetis Carta Vitae. Allegory about the Salvation of Man. Life as a city with three walled sites, with a temple in the middle. At the outer gate, the souls of children are waiting, ready to enter the adult life. Before entering, they get something to drink seduction (Seductio), which makes them ignorant. The first walled terrain shows all kinds of and distractions, such as prejudice (Opinio), desire (Cupiduas), doubt (Error) and ignorance (Ignorantia). They prevent the youthful man to penetrate the next circle. Only by following the personifications from repentance (Poenitentia), hope (SPES) and good desire (Bonnem Desiderium) can manage to access the second circle. There he is taught in all forms of worldly knowledge. On the left are the seven artes liberales and on the right arguing different scholars. Man is put to the test in this circle and confronted with false knowledge (Falsa Disciplina). With the help of self-control
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Copper engraving and etching by Auguste Gaspard Louis Boucher Desnoyers around 1829 depicting the Muses and Pierids, illustrating classical Greek mythology and artistic allegory.
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Nauplie. Le port au couchant. Frédéric Boissonnas (Swiss, 1858 - 1946)
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Image reproduction: Wojciech Kossak (1856-1942), Trip to the bear; Z: "Kłosy", 1880, No. 694, p. 249; Kossak, Wojciech (1856-1942), Gorazdowski, Edward (1843-1901), Kłosy (Warsaw; magazine; 1865-1890); 1880 (1880-00-00-1880-00-00);
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Disembarking the pedestal. .