Pastoral Landscape Views

Prints capturing serene landscapes and rural life, depicting travel scenes with farmers and waterways, reflecting the tranquility of agrarian life.

Haarlem, Schwegman, Hendrik, View of Narbonne, verso - stamped, View of the city of Narbonne. Travellers resting in the foreground., print, prints, height 149 mm, width 206 mm, Northern Netherlands, 1761-05-09 - 1816-01-24, print maker, printmaker, 1771 - 1816, paper, papier, etching, etchings, roulette, colour printing

Haarlem, Schwegman, Hendrik, View of Narbonne, verso - stamped, View of the city of Narbonne. Travellers resting in the foreground., print, prints, height 149 mm, width 206 mm, Northern Netherlands, 1761-05-09 - 1816-01-24, print maker, printmaker, 1771 - 1816, paper, papier, etching, etchings, roulette, colour printing

Landscape with farmers on their way to the Markt, Wenceslaus Hollar, after Jan Brueghel (I), 1652 print paper etching / drypoint landscapes in the temperate zone. farmers

Buyten de Cathrynenpoort in Utrecht

September; The twelve months, with village scenes. View of a village on a river, on which a boat is loaded with baskets and bags; A village between Woerden and Alphen on the Rhine, representing the month of September. At the top of the constellations belonging to this month: Libra. Ninth print from a series of twelve.

Two rowing boats on a river near a village, Jan van de Velde (II), 1639 - 1641 print Travelers are transported in large rowing boats on a river. They are approaching a village. On the left a rod and a bridge in the middle. 34th print of a series with 36 prints of landscapes, spread over six parts. Northern Netherlands paper etching rowing facing backward, pulling. prospect of city, town panorama, silhouette of city. bridge in city across river, canal, etc.. landscape with bridge, viaduct or aqueduct. river. angling. 'en route', traveller under way

A View of the Parade in St. James Park. Prints. 1750 - 1850. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Farmer with a pack horse on a country road, Jan van de Velde (II), 1639 - 1641 print A farmer with a pack horse on a path near a village. In the middle a meadow with cattle and on the right in the background a ruin (from the house ter Kleef in Haarlem). Eighteenth print of a series with 36 prints of landscapes, spread over six parts. Northern Netherlands paper etching village. pack-animal. landscape with ruins. bovine cattle House Ter Kleef

Arcadical Landscape with Graftombe, Michiel Elgersma, After Louis Fabritius Dubourg, 1721 - 1759 print Mountainous landscape with a city in the background. Along a lake, a man with a dog walks in the direction of two women and a resting man. On an elevation is a tomb with a bust and a woman on either side. print maker: Netherlandsafter design by: Amsterdam paper etching Pastoral, Arcadian Scenes

View of the Vecht near Nieuwersluis, Daniël Stopendaal, 1790 print Text in Dutch and French in the lower margin. Numbered: 46. print is part of an album. paper engraving / etching river (+ landscape with figures, staffage). village (+ city(-scape) with figures, staffage) Vecht. New -louse

The road to the Huis ter Nieuburch in Rijswijk. In the caption the two titles in French and Dutch. Part (print 1) of the series of fifteen prints on the Huis ter Nieuburch in Rijswijk and the peace negotiations held there, resulting in the Peace of Rijswijk concluded on 20 September 1697. The road to the House of the Nieuburch in Rijswijk, 1697 View of the road after the royal house in Rijswijk / View of the road that leads from Rijswick to the house of the peace conference (title on object) Series of fifteen prints on the House of the Nieuburch in Rijswijk and the peace negotiations, 1697 (series title) Le Chteau Roial de Ryswick Appell, print maker: Jan van Vianen, (mentioned on object), publisher: Anna Beeck, (mentioned on object), Staten van Holland en West-Friesland, (mentioned on object), print maker: Northern Netherlands, publisher: The Hague, 1697, paper, etching, h 221 mm × w 276 mm

November; The twelve months, with village scenes. Landscape with many figures on a country road including a pig powder with his herd at a village along a river; representative the month of November. Left is slaughtered for a brewery. Along the way another brewery. At the top of the constellations belonging to this month: Sagittarius. Eleventh print from a series of twelve.

Landscape around the city of Frascati. Two men are on their way to the city. The scene is framed in an oval. The oval is framed in a rectangular frame. In the lower margin a line of Italian text. Landscape around the city of Frascati Veduta III. dei contorni di Frascati nella campagna di Roma , print maker: Giuseppe dall'Acqua, (mentioned on object), intermediary draughtsman: Gabriel Perelle, (mentioned on object), print maker: Italy, intermediary draughtsman: France, 1770 - 1829, paper, engraving, h 220 mm × w 309 mm, h 181 mm × w 232 mm

Gezicht op de Rijn beneden Arnhem Gezigt op den Rijn Scenes from the surroundings of the city of Arnhem (series title), print maker: Henricus Wilhelmus Couwenberg, (mentioned on object), intermediary draughtsman: Abraham Johannes Couwenberg, (mentioned on object), publisher: Isaac Anne Nijhoff en Zn, (mentioned on object), Arnhem, 1838, paper, steel engraving, h 250 mm × w 300 mm

After: Jean-Baptiste-Alexandre Le Blond, French, 1679-1719, Palace andgardens, Etching, platemark: 21.6 × 29.7 cm (8 1/2 × 1111/16in.), Made in France, French, 17thcentury, Works on Paper -Prints

View at the Queen's Statue at Stowe, Buckinghamshire Jacques Rigaud French 1733-34 View more. View at the Queen's Statue at Stowe, Buckinghamshire. Jacques Rigaud (French, Marseilles 1681-1754 Paris). 1733-34. Pen and ink, brush and wash. Drawings

View of Bergen-Enkheim, near Frankfurt. Draughtsman: Johann Goll van Frankenstein (I). Dating: 1732 - 1785. Measurements: h 212 mm × w 327 mm. Museum: Rijksmuseum, Amsterdam.

View of the Amstel at the Omval, Matthijs Pool, 1708 - 1740 print Face along the Weespertrekvaart on the Amstel (rear) with the Watergraafsmeer right and the Omval on the left. Numbered in the bottom right: 8. paper etching / engraving river. sailing-ship, sailing-boat. rowing-boat, canoe, etc.. boat propelled by man or animal Amstel (river). Weespertrekvaart. Outfall, the

Village face with folk festival for a church, Richard de Saint-Non, after Jean Baptiste Bénard, 1755 print paper etching public festivities. city-view, and landscape with man-made constructions

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Molijn, Pieter de, Northern Netherlands, Velde, Jan van de (II), The Great Figurine Bible, Landscapes after Pieter de Molijn, Of the Baptism and Conquest of Christ, Display of the River Jordan, Activity in a River Landscape, at the bottom - handwritten in brown ink, Freighters on the Water and Anglers on the Bank in a River Landscape. In the context of the album and according to the caption, the river is interpreted as the Jordan. This print is part of an album., print, picture, album page, prints, pictures, 23, lower right - handwritten in brown ink, Vertooning van den vloet der Iordanen, height 207 mm, width 333 mm, Noord-Nederlands, 1593 - 1641-11-04, print maker, printmaker, 1604 - 1641, paper, papier, etching, etchings, Work conception, 1595-04-06 - 1661-03-23, after a design by, Publication (Event), Publicatie, 1586 - 1652-06-19, publisher, uitgever, 1592 - 1656-04

Ruin of the fountain in Bergen op Zoom, 1772 - 1780 print Visitors to the ruin of the fountain in Bergen op Zoom. Part of the series with ten faces of the ruins after the siege and the destruction of Bergen op Zoom by the French in June-September 1747. Northern Netherlands paper etching landscape with ruins Bergen op Zoom

Landscape with castle and company, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print paper engraving landscape with tower or castle. visiting; receiving guests; elegant company

Landscape with bathing people, Albert Meyering, 1665 - 1714 print Two naked figures climb on the banks of a river. On the other side of the river three figures and a dog. In the background a bridge and ruin on a mountain. Amsterdam paper etching / engraving river. washing and bathing - AA - in the open air. ruin of a building ~ architecture

Wenceslaus Hollar, Spring The Shooting Range, c 1628 1629 Spring: The Shooting Range

Coastal face with ruin and Apollo with the Sibille van Cumae, Richard Earlom, After Claude Lorrain, 1775 print London paper etching coast - HH - ideal landscapes. landscape with ruins - II - ideal landscapes. landscapes with waters, waterscapes, seascapes (in the temperate zone) - HH - ideal landscapes. the Cumaean Sibyl is granted long life: Apollo grants the Cumaean Sibyl as many years as she has grains of sand in her hand, in return for her love (Ovid, Metamorphoses XIV 136)

Landscape with Stadspoort, Johannes Gronsveld, after Jan van Goyen, 1679 - 1728 print Landscape with Stadspoort and a man on horseback and to his left two men in conversation. Sixth print from a series of eight with landscapes. Amsterdam paper etching / engraving city-gate

Pronk, Cornelis, Folkema, Jacob, Ancient clothing of Batavian women, Domestic life of the Batavians, recto - stamped, Agriculture, cattle breeding and hunting at a Batavian settlement. On the right, Batavian women walk with children in hand, in the distance women bathe naked in a river. Print marked top left and right: I. Part Fol. 10 - I. Part Fol. 11., print, prent, prints, prenten, height 305 mm, width 415 mm, Dutch, 1692 - 1767, print maker, printmaker, 1702 - 1767, paper, papier, etching, etsen, Work conception, Noord-Nederlands, 1691-12-10 - 1759-09-29

Vredenoord Siende to (1) The plaets of the HR: / boendermaker and on (2) Gunterstein. // Vredenoord, Regardant Vers (1) Le Lieu de Sr: / Boendermaker et (2) Gunterstein.

Activity on a river, Jan Vincentz. van der Vinne, c. 1717 - In or after 1779 print Three rowing boats and a sailing ship on a river near a falling evening. On the right a gallows field. Numbered in the bottom right: 7. paper etching river. sailing-ship, sailing-boat. rowing-boat, canoe, etc.. dusk, evening twilight. instruments of torture, execution or punishment: gallows Haarlem

Farm chosm in the village, ca. 1750. Farm chosm in the village, ca. 1750. On a stage a quack presents itself a bowling game and dancing farmers for an inn.

Campfire near Ruin, Matthäus Merian (I), After Adam Elsheimer, 1603 - 1650 print paper etching night. camp-fire; watch-fire. landscape with ruins. landscapes with waters, waterscapes, seascapes (in the temperate zone)

unknown artist, nineteenth century, Hampton, Middlesex, 1809. Engraving.

On the Canal in Vienna 1819 Johann Christoph Erhard German. On the Canal in Vienna 368188

An etching by Sébastien Bourdon depicting an ox cart, illustrating rural life and transportation in the 17th century.

Figures on a frozen river, Franz Edmund Weirotter, after Jan van Goyen, c. 1760 print Numbered at the top right: 4. Paris paper etching winter ~ human activities (the four seasons of the year). sleigh, sledge (non-sport). horse-sleigh

Park landscape with two dogs. View in a garden flanked by columns. Two dogs in the foreground. In the background sitting figures and a figure on the back at a water basin.

View of the glory Mariekerke, 1745, Hendrik Spilman, After Cornelis Pronk, 1754 - 1792 print View of the glory Mariekerke, in the situation around 1745. paper etching prospect of village, silhouette of village Mariekerke

. A public bath in an architectural garden. The print is part of a series of six garden landscapes.

Village face to breop with drawing tray on the fight.

View on Boom on the Rupel, Jacques Aliamet, After Aert van der Neer, 1750 - 1788 print print maker: Franceafter painting by: Netherlandspublisher: Paris paper etching / engraving evening. moonlight. sailing-ship, sailing-boat. prospect of village, silhouette of village. river Tree. Rupel

View of the Sterrenbos in the garden of Huis ter Meer in Maarssen, Hendrik de Leth, c. 1740 print View of the star forest in the French garden of Huis ter Meer in Maarssen. Figures walk in the foreground, a berceau on the left. The print is part of a series with 26 faces at Huis ter Meer and the accompanying estate in Maarssen. paper etching country-house. French or architectonic garden; formal garden House Ter Meer

River landscape with fishermen and workers, Aegidius Sadeler (II), after Pieter Stevens (II), 1597 - 1629 print A river with fishing rods and workmen on the bank. A water mill in the background. The sixth print of an eight -part series with landscapes in Bohemen Prague paper etching / engraving river (+ landscape with figures, staffage). commercial fishery. watermill in landscape Bohemia

Canaletto (Italian, 1697-1768), Mestre, c. 1735-1746, etching on laid paper

View of Ixelles, Hans Collaert (I), After Hans Bol, after Jacob Grimmer, 1530 - 1580 print View of the Ixelles area, near Brussels. The print is part of a series with faces from the Brussels area. Antwerp paper engraving meadow, pasture (+ landscape with figures, staffage) The eles

Vlieger, Simon de, Netherlands, Access road to a city, verso lower left - stamped, Along the road a row of houses built against a ruin. On the road a covered wagon and a herdsman with cows. At a well two horses, a group of people in and next to a cart and two pigs., print, prints, height 182 mm, width 280 mm, Northern Netherlands, 1601 - 1653-03-13, print maker, printmaker, 1610 - 1653, first quarter 17th century, second quarter 17th century, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

Amsterdam, Jonghe, Clement de, Roghman, Roelant, Landscapes in the Northern Netherlands (Roelant Roghman), Aen Uytrecht, River view near Utrecht, verso - stamped, View of a river (possibly the Lek) in the vicinity of Utrecht. Two fishermen are standing on the waterfront and a horseman is riding on the dike. In the background a drawbridge and the contours of a church. Numbered at the bottom in the margin: 5., print, prent, prints, prenten, height 132 mm, width 208 mm, Noord-Nederlands, 1627-03-14 - 1692-01-03, print maker, prentmaker, 1637 - 1677, paper, papier, etching, etsen, Publication (Event), Publicatie, 1624 - 1677, publisher

January. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jan Van de Velde II.

Coastal landscape with cattle drivers and fight on a bridge, Richard Earlom, After Claude Lorrain, 1776 print London paper etching cattle driving, cattle driver. coast - HH - ideal landscapes. landscape with bridge, viaduct or aqueduct - II - ideal landscapes. battle, fighting in general

Arrival of Willem V and Wilhelmina van Pruisen at the Haarlemmerpoort, 1768, Simon Fokke, 1768 - 1769 drawing Arrival of the procession with Stadholder Willem V and Princess Wilhelmina van Pruisen at the Haarlemmerpoort in Amsterdam, on 30 May 1768. With large groups of spectators on the quays and on the water. Northern Netherlands paper. pencil Historical Events and Situations. Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. Historical Persons Haarlemmerpoort

Winter (Hyems), with constellations, Jan van de Velde (II), 1617 print View of a village with church tower behind trees. In the foreground water in which a boat drawn by a horse on the towpath. In the air the three constellations: ram (left), bull (center) and twins (right). Imagination of the season spring, first print of a series of four. Amsterdam paper etching / engraving zodiacal signs of the winter season. winter ~ human activities (the four seasons of the year). winter, 'Hyems'; 'Inverno' (Ripa). winter landscape; landscape symbolizing winter (the four seasons of the year) (+ with scenes showing human occupations ~ seasons and months)

Francesco I d'Este Sets Out for the Seige of Cremona, Crosses the Trench Between Himself and the Spanish, and Takes the City with Great Force, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII .... Artist: Bartolomeo Fenice (Fénis). Author: Domenico Gamberti. Dimensions: Sheet: 4 13/16 × 6 3/8 in. (12.3 × 16.2 cm)Plate: 4 13/16 × 6 5/16 in. (12.3 × 16 cm). Published in: Modena. Series/Portfolio: L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII .... Date: 1659.This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matt

Landscape at the Rhederoord house in the alley. Two figures in conversation on a path along a house in a wide landscape. A carriage on the road.

Vissershaven with boats, Richard Adam, 1654 - Before 1693 print Vissershaven with boats. In the foreground, three men with a rope pull a boat to the bank. On the left a tower. Netherlands (possibly) paper etching harbour

Face from the colonnade on the garden of house to lake too Maarssen; Seeing Uyt de Colonade through the Bosch to the mountain / vue de la Colonade fresh le tertre à Travers le bois; The old Adelyk Huys and Ridderhofstad ter Meer. Face from the colonnade on the French garden of home to MORESS, with walking figures. The print is part of a series of 26 faces at home in the lake and the associated estate at Maarssen.

Views of Amsterdam. Plate 3. De Meulen by de Blaeu brugh., Abraham Blooteling, etcher, 1663-1690, etching, Jacob Isaacksz van Ruisdael (c. 1628/9-1682) was a Dutch painter, draughtsman and etcher. He is generally considered the pre-eminent landscape painter of the Dutch Golden Age, a period of great wealth and cultural achievement. Ruisdael created uncanny dramas from looming clouds passing over wheat fields, windswept trees, and towering windmills. He demonstrates remarkable skill in locating the exact point at which the creative faculty comes into contact with a lucid mind, the famous German writer Johann Wolfgang von Goethe once wrote of the painter.

Formal Garden with Ruiters, Sieuwert Van Der Meulen, 1707 print Face in a formal garden with a pond with fountain. On the left a building. Riders in the foreground. Netherlands paper etching garden fountain

Wenceslaus Hollar, 1607-1677, Bohemian, By the Waterhouse, 1665. Etching.

Monier, Pierre, Poussin, Nicolas, Baudet, Etienne, Landscape with a woman collecting the ashes of Phocion, print, prints, height mm, width mm, 1638 - 1711-07-08, print maker, printmaker, 1648 - 1711, paper, papier, etching, etchings, engraving, engraving (printing process), French, 1594-06 - 1665-11-19, after, after a painting by, 1641-03-17 - 1703-12-29, intermediary draughtsman

Plate xi./ vüe / circus or Naumachie, / taken from point K.

Two faces on the villages rawerded and Deersum; Torp Rauwerd; 't Village Deersum.

Park with statues, temples and monuments; Bosco Sacro D'Alltide (...). A park full of statues, temples and monuments. Three figures run over a lane towards a temple. Numbered at the top right: CII.

View of the village Lembeek, draughtsman: Josua de Grave, 24-Jul-1675, paper, pen, brush, h 97 mm × w 149 mm

Face from the end of the Overtoom at the Leidse Veerhuis, Gerardus Condet, After Abraham Rademaker, 1725 - 1764 print Schinkel, seen in a southerly direction, from the end of the Overtoom at the Leidse Veerhuis. On the left the rear of the first houses on the Amstelveenseweg at the current Schinkelhavenstraat. On the right the Sloterkade. paper etching rowing-boat, canoe, etc.. canals, waters (in city). sailing-ship, sailing-boat. two-wheeled vehicle drawn by one animal Schinkel. Vertoom

The Group in Action 1817 Horace Vernet. The Group in Action. Horace Vernet (French, Paris 1789-1863 Paris). 1817. Lithograph; only state. Prints

Francesco I d'Este Remains Dedicated to the Cause of the War, Having been Involved for Many Years, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... 1659 Bartolomeo Fenice (Fénis) Italian This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico di Modena.. Francesco I d'Este Remains Dedicated to the Cause of the W

Italian landscape with farmer's wedding, François Vivares, after Francesco Zuccarelli, 1775 print London paper etching wedding feast, wedding meal - DD - out of doors. wine ~ alcoholic drinks. landscape with ruins - II - ideal landscapes. (high) hill - HH - ideal landscapes

View of Harderwijk, Aelbert Cuyp, c. 1630 - c. 1691 drawing paper. chalk brush Harderwijk

Buitenplaats Quoerendo, Anonymous, After Daniël Stendaal, 1725 - 1768 print paper etching / engraving French or architectonic garden; formal garden North Holland

The Departure of the Two Fishermen Made 1630-1690 Holland. Etching on paper . Anthonie Waterloo

View of Leer, Reinier Vinkeles (I), After C.B. Meyer, 1751 - 1816 print Silhouette of the city leather. In the foreground activity on a river. Amsterdam paper etching / engraving river. prospect of city, town panorama, silhouette of city. sailing-ship, sailing-boat Leather (Germany)

Pantheon from the Terrace of the Luxembourg Gardens, 1893. James McNeill Whistler (American, 1834-1903). Lithograph;

Farm on a Channel, Anonymous, Gillis van Scheyndel (I), 1605 - 1652 print View on a farm on a canal, with sailing ships. On the road next to the canal there are two figures who are talking to each other. The print is part of a series consisting of eight flat landscapes. Netherlands paper etching farm or solitary house in landscape. castle. conversation, dialogue; conversation piece

View of the first flower beds on the Clingendael estate, Laurens Screen, 1710 - 1746 print View of the first flower beds surrounded by Hagen on the Clingendael estate in The Hague. In the foreground an elegant company. paper etching French or architectonic garden; formal garden Landgoed Clingendael

Landscape with bathing nymphs, Hubertus van Hove, 1784 - 1795 print A landscape with four bathing nimpphs on the right in the foreground. On the left a river and a bridge in the background, right buildings. The Hague paper etching landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage). nymphs (in general); 'Ninfe in commune' (Ripa)

Figures on the ice; Landscapes in ovals. A winter landscape with figures on the ice at a house and pollard willows, a farm in the background. Print from a series of eight with landscapes representations, all in an oval.

Winter landscape with figures skating on a frozen body of water in a roundel composition; a church and trees in the foreground; a bridge, churches, and windmills beyond ca. 1625-60 Matthijs van Plattenberg Flemish. Winter landscape with figures skating on a frozen body of water in a roundel composition; a church and trees in the foreground; a bridge, churches, and windmills beyond 399195

Benazech, Peter Paul, inventor: Joseph Vernet, work, Le retour de la peche, 1771, copper engraving, graphics, leaf width 59.9 cm, leaf height 44 cm, image width 59.8 cm, image height 39 cm

A holiday in the park, draughtsman: Jean Honoré Fragonard, 1775 - 1780, paper, brush, h 348 mm × w 430 mm

Ryne, Peter van, England, London, Whittle, Robert Laurie & James, A view of the Admiralty at Amsterdam, of the store houses, wharfes and docks, belonging to it, and to the East India Company of Holland, View of the Admiralty warehouse in Amsterdam, verso center - stamped, In the background on the right the Utrechtsepoort., print, prent, opticaprent, prints, prenten, opticaprenten, height 262 mm, width 402 mm, Publication (Event), Publicatie, Engels, publisher, uitgever, 1794-05-12 - 1794-05-12, paper, papier, watercolor (paint), waterverf, etching, etchings, brush, Borstel, print maker, prentmaker, intermediary draughtsman

Design for a theater scene, Federico Mastrozzi, after Francesco Galli Bibiena, in or after 1722 print Design for a theater scene with two men and two women in a garden. Italian title in the end margin. Italy paper etching theatre, theatrical performance. garden. actor (on the stage)

On the edge of a village, Hendrik Roosing, 1786 - 1826 print Face on the edge of a village. On the left a few houses, figures and a haystack. On the right a rider at a fence, in conversation with a man. Amsterdam paper etching riding a horse, ass, or mule; rider, horseman. village. hay-stack

Berchem, Nicolaes Pietersz., Rotterdam, Groenendijk, Jacob, Landscape with shepherds, verso bottom center - stamped, A landscape with a shepherd and his wife in the foreground crossing a river with their herd of cows and goats. In the background a classical temple ruin. According to the Dutch and French inscription, the print is after a painting by Nicolaes Berchem, kept in the cabinet of AA Hoebenaar., print, prent, prints, prenten, height 227 mm, width 568 mm, 1762 - 1814, print maker, prentmaker, 1790 - 1790, paper, papier, etching, etchings, kleurdruk, Noord-Nederlands, 1620 - 1683-02-18

unknown, Hondius, Hendrick (I), Vinckboons, David (I), The Hague, The four seasons, Aestas, Summer, a company at a lake, verso lower left - stamped, In a landscape with trees and scattered rural houses, on the left in the foreground, sheep are being sheared and naked boys are swimming in the water. One of them is undressing. On the right in the foreground an elegant company in front of an inn, with a covered wagon. Below the scene a text in Latin. Print from a series of the four seasons., print, prints, D. Vincboo s invent., lower right on piece of wood - engraved, Hhondius sculpsit et excudit, Cum privill., lower right - engraved, AESTAS, lower center in the margin - engraved, Mundi annique vigor...omnibus addo., height 378 mm, width 507 mm, Noord-Nederlands, 1573-06-09 - 1650-10-25, print maker, printmaker, 1618 - 1618, paper, papier, engraving, engraving (printing process), Work conception, 1576-08-13 - 1629, after a design by, Publication (Event), Publication, publisher, issuer, gr

Beijer, Jan de, Amsterdam, Philips, Caspar Jacobsz., The village of Aquoi, along the river Linge, View of Acquoy, verso lower left - stamped, View of the village of Acquoy, on the river Linge. Numbered upper right: 12., print, prent, prints, prenten, height 147 mm, width 203 mm, Noord-Nederlands, 1732-04-16 - 1789-03-19, print maker, printmaker, 1758 - 1758, paper, papier, etching, etchings, 1703-09 - 1780-02-15, intermediary draughtsman

Southern harbor, Leendert Brasser, 1766 drawing paper. ink pen / brush harbour

Fines of fishing nets, Adolf van der Laan, Sieuwert van der Meulen, Pieter Schenk (II)

The Garden of Monsieur de Nue in S. Marsiou, suburb ofParis. Artist: Reinier Nooms, Dutch, 1623-1664

View of the craft called Hoog- en Woudharnas 't Dorp Hoog- en Woudharnasch , print maker: Anna Catharina Brouwer, (mentioned on object), intermediary draughtsman: Maas van Altena, (mentioned on object), Amsterdam, (possibly), 1791 - 1801, paper, etching, h 150 mm - w 120 mm

The West Prospect of Ludlow Castle. Sep. 16. 1721, Itinerarium curiosum, or, An account of the antiquities, and remarkable curiosities in nature or art, observed in travels through Great Britain, Baker and Leigh, Stukeley, William, 1687-1765, Engraving, 1776, Copper, Plate 44. It is the second plate following page 74.

View in the avenue to the waffle maker at Zuilenstein Castle; Suits Vande Utrechtse Weg, Naat Waffle-Yser / Vüe du Chemin d'Utrecht Fresh Le Gaufrier; Faces at Zuilenstein castle in Leersum. View from the Utrechtseweg, the current Rijksstraat road, between Amerongen and Leersum in a lane that leads to the so-called waffle maker, a forest crossing paths, belonging to the Park Castle Zuilenstein in Leersum. In the foreground a rider and a carriage pulled by six horses.

Arcadian landscape, draughtsman: D. Nachenius, 20-Jan-1770, paper, brush, h 266 mm × w 180 mm

Arcadian castle park by Isaac de Moucheron featuring a basin and large Neptune fountain, executed in watercolor, cover colors, and graphite, dated 1739.

Face in the avenue to the waffle iron at Kasteel Zuilenstein, Daniël Stendaal, 1682 - 1726 print Face from the Utrechtseweg, the current Rijksstraatweg, between Amerongen and Leersum in a avenue that leads to the so -called waffle iron, a forest intersecting with each other, belonging to the Zuilenstein castle in Leersum. In the foreground a rider and a carriage pulled by six horses. Amsterdam paper etching lane, alley Zuilenstein Castle

Landscape with Wagon. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Sebastien Bourdon.

Hispalis (Seville), Silvestre, Israël, the Younger (1621-1691)

The Hague, Hartogensis, Joseph, Landscape in the vicinity of The Hague, Sailing boat on a river, verso - stamped, print, prints, height 76 mm, width 110 mm, Dutch, 1822-05-07 - 1865-07-16, print maker, printmaker, 1856 - 1856, paper, papier, chine collé, etching, etchings

Vignette, Locality with a Factory at a Port, Wood engraving on paper, The port with two moored boats and a row boat is in the right foreground and middle distance., possibly France, ca. 1840, Print, Print

MAY-DAY IN THE LAST CENTURY, PAINTED BY ANTHONY, FROM THE EXHIBITION OF THE SOCIETY OF BRITISH ARTISTS

View of Rozendael Herberg and View of Herberg de Schulp, Anonymous, After Daniël Stopendaal, 1725 - 1768 print Above a face on Herberg Rozendael. Numbered at the top right: 55. Under a face on the shell inn. Numbered at the top right: 56. A Dutch and French title among both prints. paper etching / engraving hotel, hostelry, inn Amsterdam. Watergraafsmeer

Part of Maarsen where in the Huys in (1) Boelestyn and (2) Vechtleven.

A woman standing on an empty street, gazing up at the Olympian gods in the sky; set design from 'Il Fuoco Eterno' 1674 Mathäus Küsel One of twelve plates depicting the stage sets designed by Lodovico Burnacini for 'Il Fuoco Eterno Custodito Dalle Vestali', an opera celebrating the birth of Maria Anna Antonia, Archduchess of Austria in 1672. The Archduchess was the daughter of Emperor Leopold I and his second wife Claudia Felicitas, heiress of Tirol. Composed by Antonio Draghi with a libretto by Nicoló Minato, the opera was performed in the Hoftheater in Vienna on October 30, 1674.. A woman standing on an empty street, gazing up at the Olympian gods in the sky; set design from 'Il Fuoco Eterno'. Mathäus Küsel (German, 1621-1682). 1674. Etching

of 2