Pastoral Landscapes

Serene rural scenes featuring fishing, sheep herding, and elegant countryside views with lush trees and soft lighting.

Villa in the Roman Campagna by Lorrain, Claude (1600-1682) Szepmuveszeti Muzeum, Budapest 1646-1647 Oil on canvas 68,8x91 France Baroque Landscape Painting

Landscape with Fisherman and Washerwoman. John Rathbone and George Morland; British, c. 1750-1807 and 1763-1804. Date: 1790. Dimensions: 12 × 16 5/16 in. (30.4 × 40.8 cm). Oil on panel. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Villa in the Roman Campagna by Lorrain, Claude (1600-1682) Szepmuveszeti Muzeum, Budapest 1646-1647 Oil on canvas 68,8x91 France Baroque Landscape Painting

Arcadian Landscape with Fishermen, Jan van Huysum, c. 1700 - c. 1749 painting Arcadian landscape, in the foreground some fishermen on the edge of a lake. Right classic temples, more back a city or temple complex. On the left a shepherd with his herd of sheep. Pendant of SK-A-186. copper (metal). oil paint (paint) pastorals, Arcadian scenes. angling. landscape with ruins - II - ideal landscapes

view of the Bilbao sandbank, Luis Paret and Alcazar,. 1784, oil on panel, Museo de Bellas Artes, Bilbao, Spain.

Shepherds Resting by a Stream. Dated: 1779. Dimensions: overall: 77 x 101 cm (30 5/16 x 39 3/4 in.). Medium: gouache and pastel on linen. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Pillement.

Jacques d' Arthois / 'Paseo a la orilla de un río', 17th century, Flemish School, Oil on canvas, 245 cm x 242 cm, P01359. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

PAISAJE CON REBAÑO - SIGLO XIX. Author: JOAQUIN DAMIS Y CORTES (1842-1920). Location: MUSEO DE CADIZ-BELLAS ARTES. Cadiz. SPAIN.

fine arts, Rembrandt Harmensz van Rijn, (15.7.1606 - 4.10.1669), painting, ""Landschaft mit der Taufe des Kaemmerers"" (Landscape with baptism of the chamberlain), 1636, 85,5 cm x 108 cm, State Gallery, Hanover, Germany,

Nicolas Poussin (1594-1665). French painter. Spring (The Earthly Paradise). 1660. Classicism. Oil. Louvre Museum. Paris. France. (Photo by: PHAS/UIG)

Bathing Girls, Cornelis van Poelenburch, after c. 1646 painting Bathing girls. Landscape with a group of five bathing women, three are drying on the bank, two just got out of the water. Pendant of SK-A-310. panel. oil paint (paint) taking a bath - AA - in the open air

Country inn with a horse at the trough. Dating: 1643. Measurements: h 52 cm × w 69 cm. Museum: Rijksmuseum, Amsterdam. Author: Isaac Van Ostade.

A Merry Company in an Arbor by Venne, Adriaen Pietersz. van de (1589-1662) J. Paul Getty Museum, Los Angeles 1615 Oil on wood 16,4x23 Holland Baroque Landscape,Genre Painting

Silesian Museum of Fine Arts (Wrocław - 1880-1945) - Kolekcja

The mill Jean-Louis Demarne (1744-1829). The mill. Oil on canvas. Museum of Fine Arts of the City of Paris, Small Palace

A Romany Encampment, Circle of Francis Wheatley, 1747-1801, British, ca. 1790, Oil on canvas, Overall: 27 × 33 1/2 inches (68.6 × 85.1 cm), bridge (built work), donkeys, genre subject, horses (animals), landscape, tent

Three Figures in a Landscape - Fragment of a Painting

View of Genoa, 1825, by Giuseppe Bisi (1787-1869), oil painting, Italy 18th-19th Century.

Sir Augustus Wall Callcott, 1779-1844, British, Windsor from Eton, between 1808 and 1809. Oil on canvas.

Cicero with his friend Atticus and brother Quintus, at his villa at Arpinum. Date/Period: Ca. 1771-75. Painting. Oil on canvas. Height: 121.80 mm (4.79 in); Width: 174.50 mm (6.87 in). Author: RICHARD WILSON.

Italian Landscape, Nicolaes Pietersz Berchem, 1650 - 1683 painting Italian landscape. Shepherds with cattle along the waterfront. copper (metal). oil paint (paint) (high) hill

Waldbrunnen bei Ariccia / The Well in the Wood at Ariccia. Date/Period: 1831. Painting. Oil on canvas. Height: 47 cm (18.5 in); Width: 61 cm (24 in). Author: Adrian Ludwig Richter.

Philips Wouwerman / 'Cacería de liebres', ca. 1665, Dutch School, Oil on canvas, 77 cm x 105 cm, P02148. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Ely Cathedral, unknown artist, nineteenth century, Formerly attributed to Paul Sandby RA, 1731-1809, British, ca. 1800, Oil on canvas, Support (PTG): 21 5/8 x 29 7/16 inches (54.9 x 74.8 cm), architectural subject, bathers, boats, cathedral, children, costume, horse (animal), leisure, men, nude, river, rowboats, smoke, steeple, swimmers, swimming, washing, wind, women, Cambridgeshire, Ely, England, Ouse, United Kingdom

View of Kazan by Martynov, Andrei Yefimovich (1768-1826) / State Tretyakov Gallery, Moscow / 1816 / Russia / Oil on canvas / Landscape /

Canaletto, English Landscape Capriccio with a Palace, Italian, 1697 - 1768, c. 1754, oil on canvas

The Three Droves, Nicolaes Pietersz. Berchem, 1656

The Cemetery 1860 G. Kloss (19th C. German) Oil On Canvas Pushkin Museum of Fine Arts, Moscow, Russia

Landscape with Travellers before an Inn near a Watering Place, Salomon van Ruysdael, 1660 painting Stopping place. For an inn, some cars and riders stop to rest. In the foreground, cows drink from a ditch, also a shepherd and a few chickens. panel. oil paint (paint) herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. hotel, hostelry, inn

'Ulysses and Nausicaa'. Holland, 1640. Dimensions: 56x70 cm. Museum: State Hermitage, St. Petersburg. Author: BARTHOLOMEUS BREENBERGH.

attributed to Paul Sandby RA, 1731-1809, British, View in Wales, undated. Watercolor, pen and brown ink and graphite on medium, slightly textured, cream card.

Cottage Scenery A31100 George Caleb Bingham (American, 1811 - 1879 ), Cottage Scenery, 1845, oil on canvas, Corcoran Collection (Museum Purchase, Gallery Fund and Gifts of Charles C. Glover, Jr., Orme Wilson and Mr. and Mrs. Lansdell K. Christie) 2014.79.6

Italian Landscape with Hertsmen, Willem de Heusch, 1650 - 1692 painting Italian landscape with shepherds. On a country road a spinning shepherdin with goats and a shepherd with a donkey and sheep pass each other. copper (metal). oil paint (paint) herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. (high) hill

A Morning. The dance of the Nymphs by Corot, Jean-Baptiste Camille (1796-1875) / Musee d'Orsay, Paris / 1850 / France / Oil on canvas / Landscape,Mythology, Allegory and Literature / 98x131 / Barbizon

'Ruins on the Terrace in Marly Park'. France, Early 1780s. Dimensions: 59x87sm. Museum: State Hermitage, St. Petersburg. Author: HUBERT ROBERT.

'Sea Harbour'. Flanders, 1640s. Dimensions: 46,5x63 cm. Museum: State Hermitage, St. Petersburg. Author: BONAVENTURA PEETERS I.

Jean Honoré Fragonard, A Game of Horse and Rider, c 1775 1780 A Game of Horse and Rider

Recollections of Mortefontaine - 1864 - 65x89 cm - oil on canvas. Author: JEAN BAPTISTE CAMILE COROT. Location: LOUVRE MUSEUM-PAINTINGS. France.

Ruins in Italy, Nicolaes Pietersz Berchem, 1658 painting Landscape with Italian ruins. A shepherd leads his cattle through the water, a shepherdin drives on an ox. panel. oil paint (paint) landscape with ruins. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Latona and the Lycian Peasants. No one insults a goddess and remains unpunished. Tired and parched, Latona, the mother of Apollo and Diana, halts to quench her thirst at a pond. Some peasants working nearby, however, prevent her from doing so. Latona curses them by changing them into frogs and condemning them to spend eternity in the mire. Two peasants already have a frogs head.

Polycrates and the Fisherman 1663-1665 Italy. Salvator Rosa developed a kind of dramatic landscape in which nature is presented as wild, dangerous, and filled with striking effects of light, broken trees, jagged cliffs, and dark grottoes. A native of Naples, Rosa settled in Rome in 1649, producing dramatic works that are regarded as counter-parts to the calm, classical landscapes of Claude Lorrain and Nicolas Poussin. Rosaís dark style is well suited to the subject of this pair of paintings; they recount an episode from the Greco-Persian Wars as told by the ancient Green historian Herodotus. The ruler of the island of Samos, Polycrates, had been blessed with remarkable good fortune. In an effort to ward off a reversal of fortune, he cast a precious ring into the sea, but it was returned to him, swallowed by a fish. His good fortune came to an end, however, when he was entrapped by Oroetus of Sardis and put to death.. Oil on canvas . Salvator Rosa

John Varley, 1778-1842, British, Classic Composition, ca. 1800. Watercolor and graphite on thick, moderately textured, cream wove paper.

Seaside in Scheveningen with fishing boats. Vlieger, Simon de (ca 1600 aut 1601-1653), painter

Fantasy landscape with ancient ruins. 1730. (Giovanni Paolo Panini 1691 Piacenza-1765 Rome)

Shore in Scheveningen; Heerans, Thomas (1641-1694); 1689 (1689-00-00-1689-00-00);Scheveningen (Haga - District), Churches, Dutch painting, landscapes, aquatic landscapes, characters, coast, dunes, buildings, purchase (provenance)

Thomas Sully, 1783-1872, American, Girl on Lane, Entering Wooded Area, 1834. Watercolor, graphite, gouache, gum arabic, scratching out, and sponging on thick, smooth, beige, wove paper.

The Mill of Montmartre probably ca. 1820 Georges Michel French In the first quarter of the nineteenth century Montmartre was still a picturesque suburb of Paris, where about forty windmills could be seen. Michel loved this stretch of land and painted many views of it throughout his career. The detailed observation and the rather precise technique of this picture suggest that it was done around 1820.. The Mill of Montmartre. Georges Michel (French, Paris 1763-1843 Paris). probably ca. 1820. Oil on canvas. Paintings

Landscape with ruins; Marieschi, Michele (1696-1743); 1930s in the 1840s (1730-00-00-1750-00-00);State Art collections (Warsaw - 1922-1939) - collections, architecture, romantic landscape, Italian landscapes, landscapes with the river, Venetian painting, Italian painting

The Cattle Ferry, Nicolaes Pietersz Berchem (Copy After), 1700 - 1799 painting The ferry. Copy to Berchem's painting, SK-A-31. In the foreground, shepherds with their herds of cows and sheep and a woman are waiting on a horse on the ferry to cross the river. canvas. oil paint (paint) ferry. river. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. cow. sheep

Anonymous / 'Landscape with Figures'. XVII century. Oil on panel. Museum: Museo del Prado, Madrid, España.

The White Swan Inn, by Salomon van Ruysdael (ca 1602-1670).

Farmstead with the Gentleman Farmer and his Wife and the Painter in the foreground. Dating: 1650 - 1680. Measurements: h 39 cm × w 58 cm; d 7 cm. Museum: Rijksmuseum, Amsterdam. Author: Jan Pietersz Opperdoes.

Rev. William Gilpin, 1724-1804, British, Two Figures on Shore with Mountain Rising Behind, between 1745 and 1748. Brown and gray wash with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper, prepared with yellow wash.

Sunset from the Forest of Fontainebleau. Dated: 1848. Dimensions: overall: 32.2 x 45.9 cm (12 11/16 x 18 1/16 in.). Medium: oil on paper over black chalk or conté crayon, laid down on canvas, on stretcher. Museum: National Gallery of Art, Washington DC. Author: Theodore Rousseau.

Thomas Jones (1742-1803). English painter. Landscape with Dido and Aeneas (Storm), 1769. The State Hermitage Museum. Saint Petersburg. Russia.

Country scene by Adriaen van de Velde, Oil on canvas, 1667, 1636-1672, Netherlands, Amsterdam, Rijksmuseum, 178x148

'Landscape with the Rest on the Flight into Egypt'. Patinir, Joachim (attribited). Netherlands, Circa 1524. Dimensions: 51x96 cm. Museum: State Hermitage, St. Petersburg. Author: Patinier (Patenier), Joachim (attributed).

The Flight into Egypt, Elsheimer, Adam (1578-1610)

Landscape with the Good Samaritan, c. 1837, Gabriel Alexandre Decamps, French, Paris 1803-Fontainebleau 1860, 18 1/8 x 25 3/8 in. (46.04 x 64.45 cm) (canvas)30 1/2 x 37 1/4 x 5 in. (77.47 x 94.62 x 12.7 cm) (outer frame), Oil on canvas, France, 19th century

Italian Ruins, Nicolaes Pietersz. Berchem, 1658

Fahlcrantz, Carl Johan, work, Rauniomaisema, oil on canvas, painting, 49.5 cm x 69.5 cm

Beach with Fishermen, attributed to Simon de Vlieger, 1630 - 1653

Landscape with Rinaldo and Armida (Erminia and Tancredi), by Gaspard Dughet (1615-1675), oil on canvas, 139x225 cm.

Parable of the Good Samaritan; about 1622 Oil on panel Domenico Fetti Italian Roman; about 1589-1623

The Harvesters' Return, c1804-1849, (1936). Artist: Peter de Wint

A Fox Hunt Signed in black paint, lower center: " J Wootton", John Wootton, 1682-1764, British

Cain the farmer and Abel the shepherd, Genesis cycle, (creation scenes), Jacob Bouttats, 17th-18th century, oil on copper, Museum of Navarra, Pamplona, Navarra,Spain.

Hadrian's Villa. Date/Period: Between 1775 and 1782. Painting. Oil on canvas. Height: 438 mm (17.24 in); Width: 337 mm (13.26 in). Author: RICHARD WILSON.

'Little Fowlers'. Holland, First half of the 1650s. Dimensions: 23,2x29,8 cm. Museum: State Hermitage, St. Petersburg. Author: PHILIPS WOUWERMAN.

Giuseppe Bisi (1787-1869). View of the Port of Genoa.

John Varley, 1778-1842, British, Chiswick, 1814. Watercolor and graphite on moderately thick, slightly textured, cream wove paper.

The Bridge Stone of Honour by Joseph Mallord William Turner. Oil on canvas. This excellent landscape shows the fortress of Ehrenbreitstein, near Coblenz, at the meeting of the rivers Rhine and Mosel. Turner visited the site in August 1817, on his first tour down the Rhine, where he made further studies of the area.

The Ferryman, Camille Corot, circa 1865, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

Ferry Boat, Adriaen van de Velde, 1666 painting The ferry. In an Italian landscape, some shepherds and shepherds wait for the approaching ferry on the banks of a river. canvas. oil paint (paint) herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. ferry

Landscape in Oski; Dalens, Dirck, I (Ca 1600-1676); 1644 (1644-00-00-1644-00-00);cattle, Italianism, Dutch painting, mountain landscapes, characters, ruins, tondo, purchase (provenance), sea bays

Style of Hubert Robert, The Seesaw The Seesaw

Landscape from scenes "Return from Egypt"; Arthois, Jacques D '(1613-1686); XVII century (1600-00-00-1699-00-00);Archangel Rafał (Bible), Brussels (Belgium), Angels, Baroque (style), Trees, Flemish painting, landscapes, Return of the Holy Family from Egypt, Stawy, Holy Family (Bible)

Thomas Girtin, 1775-1802, British, London from Highgate Hill, 1792. Watercolor with pen and black ink over graphite on moderately thick, slightly textured, beige wove paper.

Imaginary view: Port with ruins and waterfall, by Giuseppe Bernardino Bison (1762-1844).

Feast of the gods; Govaerts, Abraham (1589-1626), Francken, Frans, II (1581-1642); 1625 (1625-00-00-1625-00-00);Amphitrite (mitol.), Neptune (Mitol.), Stanisław August Poniatowski (Polish King - 1732-1798), Stanisław August Poniatowski (Polish King - 1732-1798) - gathering, Flemish painting, pejzers, forest landscapes, pejs mythological, feast of the gods (iconogr.)

Robert Smirke, 1752-1845, British, The Seven Ages of Man: The Schoolboy, 'As You Like It,' II, vii, between 1798 and 1801. Oil on panel.

Peasants Crossing a Stream, c. 1670. Jan Siberechts (Flemish, 1627-c. 1703). Oil on canvas; framed: 119 x 143 x 9 cm (46 7/8 x 56 5/16 x 3 9/16 in.); unframed: 99.7 x 122.5 cm (39 1/4 x 48 1/4 in.).

View of the Royal Palace in Madrid from the Principe Pio Mountain - 1836 - oil on canvas. Author: JOSE MARIA AVRIAL Y FLORES (1807-1891). Location: MUSEO DE HISTORIA-PINTURAS. MADRID. SPAIN.

Souvenir de la plage de Naples Reminiscence of the Beach of Naples. Date/Period: From 1870 until 72. Painting. Oil on canvas. Height: 175 cm (68.8 in); Width: 84 cm (33 in). Author: Jean-Baptiste-Camille Corot.

'Landscape', 17th century, Oil on canvas, 95 x 123 cm, P1005. Author: BARTOLOME ESTEBAN MURILLO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

'Landscaspe with Golgotha'. Germany, 18th century. Dimensions: 97x135 cm. Museum: State Hermitage, St. Petersburg. Author: German painter. 18th century.

Conway Castle. Date/Period: 1809. Painting. Oil on cardboard. Height: 864 mm (34.01 in); Width: 711 mm (27.99 in). Author: George Howland Beaumont.

'Architectural Landscape with Figures'. Flanders, Between 1650s and 1660s. Dimensions: 58x82,5 cm. Museum: State Hermitage, St. Petersburg. Author: JAN PEETERS.

The harvesting, detail from The summer, by Antonio Diziani (1737-1797), painting.

Travellers on the Way, by Jan Brueghel the Elder, Rockoxhuis, Antwerp, Belgium, Europe

Perspective box of black lacquered wood with three painted glass plates: river view with spring house, perspective case glass plate glass wood oak wood brass, handpainted Perspective cupboard made of black lacquered oak (circa 1875-1900). Metal wackets on both sides. On one side brass knob to pull the box out of the storage box. In the closet at equal distances from each other three painted glass plates (circa 1775-1810): foreground center and background giving rise to three-dimensional effect optics perspective glass painting diafanorama

Landscape with farmhouse; 1758 Francois Boucher; French (1703 Paris - 1770 Paris)

View on the Maas. Date/Period: 17th century. Painting. Oil on canvas Oil. Height: 635 mm (25 in); Width: 810 mm (31.88 in). Author: Aelbert Manner of Cuyp.

Moulin near Martigues F�lix Ziem (1821-1911). Moulin near Martigues. Oil on wood.

Stoke Poges Church (recto). Date/Period: Ca. 1840. Painting. Oil on panel. Height: 111 mm (4.37 in); Width: 149 mm (5.86 in). Author: Thomas Churchyard.

'View in Environs of Sorrento'. France, 18th century. Dimensions: 60,0x111,0 cm. Museum: State Hermitage, St. Petersburg. Author: CLAUDE-JOSEPH VERNET.

Winter Landscape near a Town, Nicolaes Pietersz. Berchem, 1647

Russia, Saint Petersburg, Hermitage State Museum, Lion Hunt in Mexico, Eugene Ferdinand Victor Delacroix, 1854

Anime landscape of shepherds Philipp Jakob II of Loutherbourg (1740-1812). "Animated landscape of shepherds". Oil on canvas.

Italian Landscape, Nicolaes Pietersz Berchem, 1650 - 1683 painting Italian landscape. On the road a cart is pulled by oxen, along the road a shepherd with cattle. canvas. oil paint (paint) two-wheeled vehicle drawn by more than three animals. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. rock-formations

The Farrier early or mid-1650s Aert van der Neer Dutch Van der Neers preoccupation with light effects in nature led him to paint dozens of nocturnal views. In this case the warm light of a forge and a bonfire set off the cool glow and reflections of the moon.. The Farrier. Aert van der Neer (Dutch, Gorinchem 1603/4-1677 Amsterdam). early or mid-1650s. Oil on wood. Paintings

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