Pastoral Landscapes

Graphite sketches and prints capturing serene views of nature, featuring roads, rivers, and coastal scenes inspired by 18th and 19th-century British artists.

Print made by William Miller, 1796-1882, British, Modern Italy, 1842. Etching; open etched state on thick, moderately textured, cream wove paper with cream chine-collé.

Capt. Thomas Hastings, 1778-1854, British, On the Road to the Needles From Cowes, 1826. Graphite on medium, slightly textured, cream wove paper.

Junction of the Greta and the Tees, Print made by John Pye, 1782-1874, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving; early, touched engraver's proof on medium, slightly textured, cream wove paper

Capt. Thomas Hastings, 1778-1854, British, In Bradley Vale, 29 May 1833, 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper.

English Coastal Town William Trost Richards (American, 1833-1905). English Coastal Town, August 25, 1879. Graphite on paper, Sheet: 10 1/16 x 14 1/16 in. (25.6 x 35.7 cm). American Art August 25, 1879

Capt. Thomas Hastings, 1778-1854, British, Llansteffan Castle, 28 July 1846, 1846. Graphite on medium, slightly textured, cream wove paper.

Untitled: Outside Battlement Walls, George Knapton, 1698-1778, British, after Giovanni Guercino, 1591-1666, Italian, Arthur Pond, ca. 1705-1758, British, 1740, Sheet: 8 x 10 7/8in. (20.3 x 27.6cm)

Pencil sketches by Ferdinand Georg Waldmüller created in 1827, illustrating figures, objects, and compositional arrangements in a sketchbook.

John Varley, 1778-1842, British, From an Album of Sixty-one Topographical Sketches. Graphite.

Atherton, Capt. Thomas Hastings, 1778-1854, British, 1827, Graphite on medium, slightly textured, cream wove paper, Sheet: 7 1/2 × 11 inches (19.1 × 27.9 cm)

Print made by William Miller, 1796-1882, British, Modern Italy, 1842. Etching; open etched state on thick, moderately textured, cream wove paper with cream chine-collé.

Design for a Stage Set. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Date: 1828-90. Museum: Metropolitan Museum of Art, New York, USA.

Capt. Thomas Hastings, 1778-1854, British, Mayo's Island, Cheshunt, 23 May 1814, 1814. Pen and brown ink on medium, slightly textured, cream wove paper.

A Ford at Wrentham, Suffolk, Benjamin West, 1738-1820, American, active in Britain (from 1763), undated, Pen and gray ink over graphite on medium, moderately textured, cream laid paper, Sheet: 6 7/8 x 9 1/8 inches (17.5 x 23.2 cm), artist, bridge (built work), cart, church, costume, donkey, equestrian, fence, landscape, reflections, trees, England, Suffolk, United Kingdom, Wrentham

Various sketches unknown

Rome, Armi, Giovanni Dall', Voogd, Hendrik, Italian landscapes, Tentamina Lithographica, Rocks with pools, verso - stamped, Overgrown rocks with water flowing in pools., print, engraving, prints, engravings, School for the graphic arts in Utrecht, height 392 mm, width 499 mm, Dutch, 1768-07-10 - 1839-09-04, print maker, printmaker, 1820 - 1820, paper, tone lithography, 1777 - 1829, printer

Caslte Stalker, Scotland, James Moore, 1762-1799, British, 1792, Graphite on medium, slightly textured, beige, wove paper, Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)

Sketches G. Hayter, Hayter, Sir George, 1792-1871, graphite, ink, watercolor, 1816

Fishing Boats, Hastings, 1877, etching and drypoint on Asian laid paper, MacDonald 2012, no. 163, state iii/iv, James McNeill Whistler (artist) American, 1834 - 1903

Pencil sketches by Franz Alt from his 1855-1867 sketchbook including multiple studies of landscapes, figures, and architectural elements.

Louis XIV (king of France), Paris, Swanevelt, Herman van, Variae campestru fantasiae a Hermano van Suanevelt invent et in lucem edita, Ovale fantasy landscapes, Landscape with three walkers, verso lower left - stamped, In an oval frame three walkers with sticks walk on a path in a shady landscape., print, prints, height 46 mm, width 72 mm, Northern Netherlands, 1604 - 1655, print maker, printmaker, 1650 - 1655, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, French, 1638-09-05 - 1715-09-01, granter of privilege

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Capt. Thomas Hastings, 1778-1854, British, On the Newport Road, April 1826, 1826. Graphite on medium, slightly textured, cream wove paper.

View from a Ridge to a Village and Distant Mountain. Dated: probably c. 1754/1765. Dimensions: Overall (approximate): 12.2 x 13.4 cm (4 13/16 x 5 1/4 in.) support: 15.6 x 21.5 cm (6 1/8 x 8 7/16 in.). Medium: graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hubert Robert.

Costumes of the town of Scilla, Louis Ducros, 1778, Drawing from the album 'Voyage en Italie, en Sicile et à Malte', 1778., draughtsman: Louis Ducros, 1778, paper, brush, h 183 mm × w 213 mm

View From Cori Towards Villetri, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 10 1/2 × 13 7/8 inches (26.7 × 35.2 cm)

Landscape. Artist: After Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5-1682 Rome); Johann Nepomuk Strixner (German, Altötting 1782-1855 Munich). Dimensions: sheet: 7 5/16 x 10 1/4 in. (18.6 x 26 cm)plate: 6 7/8 x 9 3/4 in. (17.5 x 24.8 cm). Date: ca. 1811. Museum: Metropolitan Museum of Art, New York, USA.

Part of the New Town of Misistra, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 8 7/8 × 11 1/4 inches (22.5 × 28.6 cm)

Landscape with a Shepherd and His Flock. Artist: Jan Lievens (Dutch, Leiden 1607-1674 Amsterdam). Dimensions: sheet: 9 1/8 x 15 3/16in. (23.2 x 38.5cm). Date: 1622-74. Museum: Metropolitan Museum of Art, New York, USA.

Jean Baptiste Camille Corot, Souvenir of Tuscany, 1844 Souvenir of Tuscany

View of Höchst, near Frankfurt, draughtsman: Johann Goll van Frankenstein (I), 1732 - 1785, paper, brush, h 222 mm × w 334 mm

Ink and feather drawing by Valentin Wagner from 1631-1638 showing an encounter between travel companies of V. Wagner and Widtman between Nuremberg and Regensburg, depicting figures and movement.

William Blake, 1757-1827, British, A Woody Landscape, ca. 1801. Watercolor and graphite on medium, slightly textured, cream laid paper.

Edelfelt, Albert, Sketch book, 1890-91, drawing, 21.5x30, Edelfelt, Albert, 1890-91, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

A brown pen drawing by Jan Lievens depicting a group of trees, a barrel, and a parked cart with detailed folds and vertical lines.

Thomas Gainsborough RA, 1727-1788, British, Open Landscape with Figures, Cows and Cottage, between 1785 and 1788. Brown chalk, white chalk with gray wash on medium, slightly textured, beige laid paper.

Pronk, Cornelis, Arnhem, Haen, Abraham de (II), Ruins of the monastery of Bethany near Arnhem, handwritten in gray pen, Sheet 62 recto from a sketchbook with 78 sheets., sketchbook sheet, drawings, Bethania near Arnhem 1731 cp., 1707-04-06 - 1748-08-08, draughtsman, draftsman, 1731 - 1731, second quarter 18th century, paper, ink, pencil, pen, Northern Netherlands, 1691-12-10 - 1759-09-29

View of Nemi. Artist: Camille Corot (French, Paris 1796-1875 Paris). Dedicatee: Dedicated to Madame C. Bouchot (French, active ca. 1840) , considered, but not given. Dimensions: Sheet: 5 11/16 x 8 15/16 in. (14.5 x 22.7cm). Date: 1843 or 1826. Museum: Metropolitan Museum of Art, New York, USA.

Pencil drawing by Ferdinand Olivier depicting Bey Aigen in Salzburg with blue-white cover color highlights, dated 1817.

Kruskopf, Pehr Adolf, work, Viipuri, sketch, pencil, drawing, 20 cm x 34.5 cm

Landscape with a scene from the parable of the Good Samaritan. The Samaritan anointed the wounds of the traveler, The Good Samaritan, draughtsman: Monogrammist NB (Italië), (possibly), Pieter Bast, 1600 - 1699, parchment (animal material), h 140 mm × w 181 mm

John Varley, 1778-1842, British, From an Album of Sixty-one Topographical Sketches. Graphite.

Capt. Thomas Hastings, 1778-1854, British, Near Newport, Isle of Wight, February 1826, 1826. Graphite on medium, slightly textured, cream wove paper.

Print made by Sir Frank Short, 1857-1945, British, View of a River from a Terrace, Macon, 1896. Etching with mezzotint printed in brown ink on Medium, slightly textured, cream wove paper.

Two mills on a waterfront. Sailboats lie on the water. Leaf 2 recto from a sketchbook with 42 sheets.

Chieta, 1740-1817. Artist: Richard Cooper. After: Jacob Moore. From 'A Book of Six Views in Italy' after Jacob Moore.

Capt. Thomas Hastings, 1778-1854, British, East Cowes, Isle of Wight, undated. Watercolor and graphite on medium, slightly textured, cream wove paper.

Road with Trees, Ditches and Houses, Rembrandt van Rijn (school of), in or after c. 1660 drawing Amsterdam prepared paper. ink pen / brush public road (+ city(-scape) with figures, staffage). small canal, ditch. bridge. canals, waters (in village)

Berlin, Liebermann, Max, Landscape with gate and mill, recto left - stamped in red, print, prints, Karl. u. Faber 26, 260. III. 1927, recto bottom - handwritten in pencil, verso - stamped, height 100 mm, width 137 mm, 1847 - 1935-02-08, print maker, printmaker, 1857 - 1935, paper, papier, drypoint, dry needle

Wooded Landscape, Showing a View of a City, Built on a Hillside, in the background, and Two Figures Walking up a Dirt Path, in the Foreground, Henry Swinburne, 1743-1803, British, undated, Pen and brown ink, over graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 16 3/8 × 11 1/16 inches (41.6 × 28.1 cm) and Sheet: 5 1/2 × 7 5/8 inches (14 × 19.4 cm)

Schjerfbeck, Helene, work, Sketch book, 1876, drawing, 9.2 cm x 13.7 cm, part: Raasepori castle ruins. Marked year: 18 20/8 76, timing:, Helena Sofia Helene Schjerfbeck 1862 - 1946, Finnish modernist painter, known for her realist works, self-portraits, landscapes and still lifes, finland.

Edward Lear, 1812-1888, British, Catania, 1847. Pen and brown ink, pen and black ink, and graphite on medium, smooth, beige wove paper.

View of a village, Jan Veth, 1874 - 1925 drawing cardboard. chalk prospect of village, silhouette of village. prospect of village, silhouette of village

May Day Celebrations at Xeuilley ca. 1624-25 Jacques Callot French Born in the Duchy of Lorraine, Callot spent his formative years at the Medici court in Florence where he recorded elaborate court pageants and festivals in an elegant Mannerist style. Following the death of Cosimo deMedici in 1621, he returned to Nancy where he embarked upon a successful career as a printmaker, treating a wide range of subjects from the court to the countryside, from military battles to biblical scenes. This boldly-worked sheet is a study for an etching depicting a May Day celebration in a village recently identified as Xeuilley, a small town in Lorraine where Callots family owned property. A massive oak tree dominates the village green, providing shade for the dancing villagers and seating for the musicians. The subject gave Callot the opportunity to mix country folk with more elegantly dressed observers in an expansive sun-washed space, reminiscent of a theatrical set. The scene echoes, albeit on a

Schjerfbeck, Helene, work, Sketch book, 1876, drawing, 9.2 cm x 13.7 cm, part: Two trees. Marked: Sågars / 76 / MS. Magnus Schjerfbeck, timing:, Helena Sofia Helene Schjerfbeck 1862 - 1946, Finnish modernist painter, known for her realist works, self-portraits, landscapes and still lifes, finland.

Edward Lear, 1812-1888, British, Cefalù.

Drawing, Study for a Mural or Panel; Francis Augustus Lathrop (American, 1849 - 1909); USA; graphite on paper; 17.1 × 22.2 cm (6 3/4 × 8 3/4 in.); 1914-38-224

Sketch made on Indian Reservation, Montana, 19th century, Walter Shirlaw, American, 1838 - 1909, 4 x 6 7/8 in. (10.16 x 17.46 cm), Graphite, United States, 19th century

Bomenlaan with figures, 1834 - 1903 Leaf 30 Recto from a sketchbook with 43 sheets. paper. pencil lane, alley (+ city(-scape) with figures, staffage). trees

Rev. William Gilpin, 1724-1804, British, Landscape with Three Figures on a Road, between 1745 and 1748. Gray and brown wash with pen and black ink over graphite on medium, moderately textured, beige laid paper, prepared with orange wash.

St. Bertrand, France, Henry Swinburne, 1743-1803, British, undated, Pen and brown ink, over graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 9 5/16 × 16 1/4 inches (23.7 × 41.3 cm) and Sheet: 6 11/16 × 8 7/8 inches (17 × 22.5 cm)

Windsor Park Paling. Drawing. Black and white chalk on medium, moderately textured, beige laid paper. Height: 311 mm (12.24 in); Width: 518 mm (20.39 in). Author: James Ward.

Mills at Kortenhoef, draughtsman: Johannes Gijsbert Vogel, (mentioned on object), Kortenhoef, 1890, paper, h 138 mm × w 217 mm

Capt. Thomas Hastings, 1778-1854, British, On the Stour near West Gate, Canterbury, 1806. Graphite on medium, slightly textured, cream wove paper.

Anne Rushout, ca. 1768-1849, British, From Window at Cadland, September 24, 1824, 1824. Watercolor and graphite on moderately thick, slightly textured, cream wove paper.

Allegory of the ElementWater. Artist, attributed to: Carel van Falens, Flemish, 1683-1733

Embroidered Picture (England); silk embroidery on silk foundation

A pencil drawing by Maximilian Kurzweil depicting the town or coastal scene of Concarneau, rendered on brown paper, showing architectural and landscape elements.

Guillaume Lethière, Boat docked in a port (Barque arrimée dans un port), early 19th century, Black chalk.

A Family Cooking Under A Tree, John Thomas Smith, 1766-1833, British, undated, Pen and black ink and gray wash on medium, slightly textured, beige wove paper, Sheet: 10 7/8 × 7 3/8 inches (27.6 × 18.7 cm)

Henry Swinburne, 1743-1803, British, Lormont Point, France, undated. Pen and brown ink on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper.

Umbria Terni Amelia Palazzo Petrignani8. Hutzel, Max 1960-1990 Post-medieval: 16th century frescoes, restored ; views of exterior. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Verso: Upper left part of the elevation of a table, whose leg is shaped as a baluster and the corner of the frame as bracket, and at left drawn vertically and indistinct design. Date: ca. 1845. Graphite on cream-colored paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Attributed to Anonymous Fabriczy, View of Fondi, second half 16th century View of Fondi

Meadow and a statue, Hans Bol, 1560 drawing Meadow between tall trees and on the right a study of a statue of a female figure. paper. ink pen river. monument, statue

Riva, No. 2. James McNeill Whistler; American, 1834-1903. Date: 1878-1880. Dimensions: 208 x 305 mm (plate); 275 x 377 mm (sheet, sight, bound). Etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Henry Swinburne, 1743-1803, British, Lozère Near Montpellier, undated. Pen and brown ink, over graphite on medium, moderately textured, blue, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper.

After Claude Lorrain, The Rest on the Flight into Egypt, late 17th century The Rest on the Flight into Egypt

Knole, Kent. Date/Period: 1840s. Drawing. Graphite, black chalk and watercolor on thick rough cream wove paper. Height: 441 mm (17.36 in); Width: 591 mm (23.26 in). Author: David Cox.

Entering the estate of Egeria; Burger, Ludwig (1825-1884); 1873 (1873-00-00-1873-00-00);

Peace of 1814 and Centennial of the House of Brunswick: "The Effect Previous to Discovering the Illuminated Temple of Peace and Concord in St. James's Park, London, August 1, 1815" should be 1814 ca. 1814 Anonymous, British, 19th century British. Peace of 1814 and Centennial of the House of Brunswick: "The Effect Previous to Discovering the Illuminated Temple of Peace and Concord in St. James's Park, London, August 1, 1815" should be 1814 341744

Village face, 1908 print Left part of the print is not printed properly. paper etching / drypoint prospect of village, silhouette of village

John Robert Cozens, 1752-1797, British, Monmeliant, undated. Graphite on thin, slightly textured, cream laid paper.

John Robert Cozens, 1752-1797, British, The Coast of Posillipo, October 16, undated. Graphite on thin, slightly textured, cream laid paper.

The Goldweigher's Field, 1651, Rembrandt Harmensz. van Rijn, Dutch, 1606-1669, 4 3/4 x 12 7/8 in. (12.07 x 32.7 cm) (plate, sheet), Etching and drypoint, The Netherlands, 17th century, Saint Bavo, the great church of the town of Haarlem, stands on the horizon at left in this panoramic landscape. The fine country estate, with a tower and gatehouse amid a grove of trees at right, was long thought to belong to a tax receiver who had assisted Rembrandt in building his career; hence the etching came to be known as The Goldweigher's Field. Twentieth-century scholars discovered the country house was in fact Saxenburg, an estate belonging to Christoffel Thijsz., to whom Rembrandt was deeply in debt and behind on his mortgage payments.

Thomas Creswick, 1811-1869, British, Shrimpers on the Shore, undated. Pen, black ink and brown ink on medium, lightly textured, cream wove paper.

TARRAGONA - DIBUJO - AGUADA - 1563 - 271X1270 CM. Author: ANTON VAN DEN WYNGAERDE 1512 o. Location: ASHMOLEAN MUSEUM. OXFORD. ENGLAND.

Project: a fountain in honor of Emperor Napoleon, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Horizontal rectangle. Shown like 1938-88-1774. The design is a variation of that of 1938-88-1774. Urns containing fires stand upon the enclosure. Upon the ledges stand genii, blowing trumpets, upon trophies of arms, Neptune stands before the pavilion. No inscription is shown but a statue is written in the pavillion. Dark brown framing band. Framed by gray-blue paper stripes., Rome, Italy, 1796-1801, architecture, Drawing, Drawing

Isaak Major depicted Felsenlandstrasse along a river bank using dark and light brown ink in the first half of the 17th century, showing landscape and road details.

A pencil and watercolor sketch by Friedrich Gauermann from September 1837 depicting hikers, possibly including a self-portrait, at the Ruin Losenheim, showing figures and landscape.

Whistler, James Abbott McNeill, Dordrecht, View of Dordrecht, verso bottom center - stamped, View of the city of Dordrecht from the water, with some sailing ships., print, prints, JW, recto bottom - pencil, View of the city of Dordrecht from Papendrecht, in the middle the Groothoofdspoort. Mirror image., height 150 mm, width 227 mm, American, 1834-07-10 - 1903-07-17, print maker, printmaker, 1884 - 1884, fourth quarter 19th century, paper, etching, etchings, drypoint, dry needle, color printing, Work conception, after own design by

Amsterdamse Poort in Haarlem.Leaf 21 Verso and 22 Recto from a Sketchbook with 41 Sheets.

Farm with cows and milk girl, Johannes or Lucas van Doetechum, after master of the small landscapes, 1559 - 1561 print Farm surrounded by trees. In the foreground cows and a milk girl. Antwerp paper etching farm (building)

Thomas Gainsborough RA, 1727-1788, British, Open Landscape with Horsemen and Covered Cart, between 1780 and 1788. Gray and black wash, with traces of black and white chalk on medium, slightly textured, cream laid paper.

Tour du Kalif Yezid; Fontaine Tchechmeh-i-Ali, Rhey Ray.. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Windsor, circle of David Cox, 1783-1859, British, mid-19th century, Watercolor and black chalk on medium, moderately textured, cream wove paper, Sheet: 6 x 12 3/8 inches (15.3 x 31.4 cm), castle, landscape, United Kingdom, Windsor, Windsor Castle

Meadow and a Statue, Hans Bol, 1560, Meadow between tall trees and on the right a study of a statue of a female figure., draughtsman: Hans Bol, 1560, paper, pen, h 195 mm × w 283 mm

Sketches of Park Views, Heads, a Horse 1813-1814 France. Graphite with brush and brown wash on tan wove paper, perimeter mounted on ivory laid paper . Jean Louis André Théodore Géricault

Face on duffel; Duffel. View on Duffel, May 29, 1675.

Landscape with buildings, anonymous, c. 1890 - c. 1910 print paper etching village - II - ideal landscapes. landscapes. landscape with tower or castle

Lap House, Inner Harbor, Macao, George Chinnery, 1774-1852, British, 1841, Graphite and pen and brown ink on medium, smooth, beige wove paper, Sheet: 9 1/4 x 13 1/8 inches (23.5 x 33.3 cm), boats, figures, harbors, trees, Asia, China, Macau

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