Pastoral Landscapes and Cattle Herding

Serene landscapes featuring pastoral scenes with herdsmen and agricultural activities, highlighting rural life and nature in various artistic interpretations.

Haarlem, Vinne, Jan Vincentsz. van der, Gesigten Buijten Haarlem, Done by JVV, Landscapes of the surroundings of Haarlem, 't Dorp Overveen, View of Overveen, verso lower left - stamped, Houses and an inn on a road in Overveen. In the foreground various figures and animals. Numbered lower right: 12., print, prent, prints, prenten, height 146 mm, width 187 mm, Noord-Nederlands, 1663-02-03 - 1721-03-01, print maker, printmaker, 1688 - 1690, paper, papier, etching, etchings

Landscape with Erminia and the Schaapsherder, Richard Earlom, After Claude Lorrain, 1777 print London paper etching cattle. Erminia. (scenes from) specific works of literature: Tasso, Gerusalemme Liberata. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Landscape with peasant woman tying corn together and a farmer harvesting corn. A man walking in the background left. Two figures under tree on right are cut out. Before the sky. Ninth print in a series of thirteen with months, Landscape with Wheat Harvest August The twelve months (series title) The coloured Drawings of the 12 Months (...) (series title), print maker: Johannes Janson, Johannes Janson, Leiden, 1783, paper, etching, h 143 mm × w 171 mm

Heuvellandschap with Shepherds, Maria Catharina Prestel, After Frederik de Moucheron, After Adriaen van de Velde, 1791 print Text in English in the lower margin. London paper etching low hill country (+ landscape with figures, staffage). herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. sunset

View of the Quarry at Campo Bello, Selinunte; Vuë take dance the Carrier from Campo Bello near Selinunte. Leaded Numbered: 78. Sicily.

Retour du marché (Saint-Jean-de-Monts) (The Return from the Market[Saint-Jean-de-Monts). Artist: Auguste Lepère, French, 1849-1918

Landscape with figures and left a man in a punter. Draughtsman: Bartholomeus Barbiers. Dating: after c. 1750 - 1808. Measurements: h 180 mm × w 232 mm. Museum: Rijksmuseum, Amsterdam.

Haarlem, Vinne, Jan Vincentsz. van der, Gesigten Buijten Haarlem, Done by JVV, Landscapes of the surroundings of Haarlem, 't Dorp Overveen, View of Overveen, verso lower left - stamped, Houses and an inn on a road in Overveen. In the foreground various figures and animals. Numbered lower right: 12., print, prent, prints, prenten, height 146 mm, width 187 mm, Noord-Nederlands, 1663-02-03 - 1721-03-01, print maker, printmaker, 1688 - 1690, paper, papier, etching, etchings

Artist: Fabio Berardi, Italian, 1728-1788, After: Giuseppe Zais, Italian, 1709-1781, Landscape with Ruins, from a series of4, ca.1740, Engraving, image: 29.7 × 40.2 cm (11 11/16 × 15 13/16 in.), Made in Italy, Italian, 18thcentury, Works on Paper -Prints

No. 94. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

The Castle above the Meadows (Liber Studiorum, part II, plate 8) 1808 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to detail peaceful meadows near a ruined castle on a rocky hill, with the foreground enlivened by boy piping near cows. Published states of the print include the letters "EP" in the upper margin, applied by Turner to landscapes within the set that echo the Arcadian sensibility of Claude and likely standing for Elevated Pastoral. They have not yet been added to this early engraver's proof.. The Castle above the Meadows (Liber Studiorum, part II, plate 8) 382977

James T. Willmore, 1800-1863, British, Richmond Terrace, 1838. Line engraving, 3rd state on moderately thick, slightly textured, cream, wove paper.

. An arcadic landscape with a pond. Links runs a way with a walker on it. It's storming. In the background a city. The print is part of a series with arcadic landscapes.

Dance Under the Trees (Landscape with Rural Dance). Artist: After Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5-1682 Rome); Etched by Jean-Baptiste-Claude Chatelain (British, London () ca. 1710-1758 London); Engraved by François Vivares (French, Saint-Jean-du-Bruel 1709-1780 London). Dimensions: sheet: 14 3/16 x 17 15/16 in. (36 x 45.5 cm)plate: 12 1/4 x 15 11/16 in. (31.1 x 39.8 cm). Publisher: Published London by Charles Knapton (British, 1700-1760). Date: 1742. Museum: Metropolitan Museum of Art, New York, USA.

Mercurius a Heis, Albert Meyering, 1665 - 1714 print In a landscape, the three daughters of Cecrops walk on the right in the foreground. They rest with the fountain. In the air, Mercurius, who falls in love with Herse, flies the most beautiful of the three. Amsterdam paper etching / engraving Mercury falls in love with Herse, when seeing her and her companions carry baskets full of flowers to the temple. utilitarian, public pump or water fountain. landscapes in the temperate zone

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), various landscapes, two horsemen who pass a river. (A. de Vesme 759. Dutuit 88) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Landscape with flight to Egypt, B. Chiboust, After Jean François Millet (I), 1700 - 1738 print print maker: Francepublisher: Paris paper etching rest on the flight into Egypt. river - HH - ideal landscapes

Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance, Louisa Augusta Greville, 1743-active 1762, British, after Giovanni Guercino, 1591-1666, Italian, 1770, Etching in brown ink on moderately thick, moderately textured, cream laid paper, Sheet: 12 5/16 x 18 1/2 inches (31.2 x 47 cm), Plate: 11 3/16 x 17 5/16 inches (28.4 x 44 cm), and Image: 10 11/16 x 16 13/16 inches (27.1 x 42.7 cm), birds, building, child, dog (animal), fording, fort, genre subject, landscape, men, river, riverbanks, staffs, trees, woman

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The two men, seen from the front, bearing stick the water Baton (Bartsch 22) Herman van Swanevelt (1600-1650). The two men, seen from the front, bearing stick the water Baton (Bartsch 22). Etching. 17th century.

Woman with child and man with donkey in landscape, Egbert van Drielst, 1755 - 1818 drawing On the left a woman with a child on a country road. In the middle a dog drinks from a rain puddle. On the right a man with mule. Behind three oaks the outskirts of a ruin of a castle. paper. sepia (ink). watercolor (paint). pencil pen / brush low hill country. landscape with ruins

Print made by George Cooke, 1781-1834, British, Gledhow, 1816. Etching and line engraving Engraver's proof on medium, slightly textured, cream wove paper.

. Landscape with two farmers at a cart, drawn by three oxs and a horse. Right rear a donkey at a farm.

Parijs, Jean, Auguste (uitgever), Basan, Pierre François, Amsterdam, Ottens, Reinier (I) & Josua, Waterloo, Anthonie, Landschappen met bebouwing, Drie vissers op een brug, Paris, verso lower right - stamped, Three fishermen can be seen on a small bridge over a river. They are accompanied by a dog. Behind there are a few houses and in the distance a church is depicted., print, prints, height 95 mm, width 141 mm, Noord-Nederlands, 1609-05-06 - 1690-10-23, print maker, printmaker, 1630 - 1663, paper, papier, etching, etchings, Publication (Event), Publicatie, Nederlands, publisher, uitgever, Frans, 1723-10-23 - 1797-01-12

View of the surroundings of Doorwerth, Joris van der Haagen, 1650, draughtsman: Joris van der Haagen, 1650, paper, pen, brush, h 195 mm × w 259 mm

No. 100. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Liber Veritatis: No. 39, A Landscape with Herdsman Playing a Bagpipe and Goats Browsing, 1774. Richard Earlom (British, 1743-1822). Etching and mezzotint;

Francois Vivares, 1709-1780, French, A Group of Peasants, One sleeping, on a River Bank, 1753. Engraving on moderately thick, moderately textured, beige, laid paper.

Landscape with Farmers and Woodsmen, 1723-30 (published 1730), Marco Ricci, Italian, 1676-1730, 9 15/16 × 14 1/8 in. (25.24 × 35.88 cm) (plate)12 1/2 × 16 1/4 in. (31.75 × 41.28 cm) (sheet), Etching, Italy, 18th century, Marco Riccis itinerant career makes it difficult to place him into a single school of art. While training in Venice with his uncle, Sebastiano Ricci, another important painter, in the 1690s, young Marco murdered a gondolier in a bar fight and fled to Dalmatia. Later he worked in Milan, Florence, Rome, the Netherlands, and England, before returning to Venice some twenty years later, in 1716. Back in Venice, he forged a successful career as a stage set designer, landscape painter, and etcher. Here, Ricci depicts farmers gathering fruit and woodsmen transporting logs in a resplendent forest. To evoke the dappled bright light of a summer day, he utilizes the white of the page, illuminating passages of the tree trunks and ground throughout. His novel combination of realism

Face in Emmen, Gerrit Hendrik Gobell, 1832 drawing paper. chalk. pencil brush prospect of village, silhouette of village Emmen

No. 104. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Party in Puławy. Norblin de la Gourdaine, Jean Pierre (1745-1830), draughtsman, cartoonist

Bridge and Cows (Liber Studiorum, part I, plate 2) June 11, 1807 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe cows standing in a shallow water near a rustic wooden bridge, with trees shading the scene and two pairs of figures on the bank. The print demonstrates Turner's mastery of eighteenth-century picturesque and interest in Gainsborough's soft-ground etchings, with the "P" in the upper margin indicating the category of Pastoral landscape.. Bridge and Cows (Liber Studiorum, part I, plate 2) 382908

Krajobraz z młynem i bydłem przechodzącym przez rzekę. Reinhart, Johann Christian (1761-1847), graphic artist

A Landscape, with the Story of Apollo and Marsyas, Print made by Richard Earlom, 1743-1822, British, after Claude Lorrain, 1600-1682, French, Published by John Boydell, 1720-1804, British, 1775, Mezzotint and etching, printed in brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 10 7/8 x 16 5/8 inches (27.6 x 42.2 cm), Plate: 8 1/8 x 10 1/4 inches (20.6 x 26.1 cm), and Image: 7 7/16 x 10 3/16 inches (18.9 x 25.9 cm), (story of) Marsyas - death, bulls, cattle, cliffs, contest, cows, death, fighting, god, grazing, Greek mythology, landscape, mountains, nailing, punishing, punishment of Marsyas: he is flayed by Apollo, religious and mythological subject, river, skinning, torture, torturing, trees

Landscape with Hagar and the angel at a ruin, Richard Earlom, After Claude Lorrain, 1776 print London paper etching cattle driving, cattle driver. landscape with ruins - II - ideal landscapes. an angel meets Hagar at the fountain on the way to Shur and persuades her to return

Landscape with cattle drivers and bandits with swords, Richard Earlom, After Claude Lorrain, 1774 print London paper etching cattle driving, cattle driver. robbery. landscape with tower or castle. landscape with bridge, viaduct or aqueduct. violent death by sword - EE - death not certain; wounded person

Ice Entertainment on a Stadssingel.

View of the Schinkel with a sailing ship and a fisherman, draughtsman: Gerard van Rossum (1698/99-1772), 1762, paper, pen, brush, h 269 mm × w 390 mm

Christian Wilhelm Ernst Dietrich's 1763 drawing depicts dancing shepherds with cattle near a ruinous round construction, using gray brush and washes to emphasize figures, animals, and architectural elements.

Print (Netherlands), 1618-1677; Print Maker: Antoni Waterloo (1618-1677); etching on paper; Bequest of George Campbell Cooper; 1896-3-200

Perelle, Gabriel, Southern Netherlands, Galle, Cornelis (I), Landscape with Christ and the Disciples on the Road to Emmaus, verso - stamped, print, prints, height 125 mm, width 183 mm, 1576 - 1650-03-29, print maker, printmaker, 1586 - 1650, paper, papier, etching, etchings, Work conception, French, 1603 - 1677-03-06

Hobbema, Meindert, Boland, Johannes Arnoldus, Amsterdam, Sluyter, Dirk Jurriaan, Landscape with two figures on a country road, verso middle - stamped, print, prints, height 122 mm, width 162 mm, Dutch, 1811-11-14 - 1886-05-29, print maker, printmaker, 1864 - 1886, paper, papier, etching, etchings, engraving, engraving (printing process), 1838-12-19 - 1922-12-30, intermediary draughtsman, after a drawing by, Work conception, 1638-10-31 - 1709-12-07

Rider in conversation with a standing man in a field, Herman Saftleven, 1627 print paper etching riding a horse, ass, or mule; rider, horseman. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. landscape with tower or castle

Landscape with travelers; Landscapes with farmers. Landscape with a man, a woman and two children with their two horses at a river. In undermargain a four-line verse in Italian. Numbered bottom left: No. 7-3. Numbered at the bottom right: c.c. No 8.

Etching by Rembrandt Harmensz. van Rijn titled 'The Big Escape to Egypt', executed around 1652 on a Seghers plate, showing figures, landscape, and detailed etching techniques.

Autumn. Artist: Charles-François Daubigny (French, Paris 1817-1878 Paris). Dimensions: sheet: 8 x 11 7/8 in. (20.3 x 30.2 cm)image: 4 1/2 x 7 3/4 in. (11.4 x 19.7 cm)plate: 6 x 10 1/4 in. (15.2 x 26 cm). Printer: Printed by A. Beillet (French, active 19th century). Date: 1848. Museum: Metropolitan Museum of Art, New York, USA. Author: Charles-Francois Daubigny.

Waterloo, Antonie, work, Merkurius and Argus, (1000 - 2000), etching, graphics, 29.6 cm x 24.8 cm

Arcadian landscape with six women near a tomb Italian and German landscapes (series title), Arcadian landscape with six women and a dog near a tomb. In the background two figures are kneeling in front of a statue. The print is part of a 40-part series of prints with representations of Italian and German landscapes, dog, landscapes with waters, waterscapes, seascapes (in the temperate zone), grave, tomb, statues, paintings, etc., objects of worship in Roman religion, Adolf van der Laan, Amsterdam, 1721 and/or 1710 - 1747, paper, etching, h 240 mm × w 367 mm

Landscape with figures on a bank that ignites a fire, Richard Earlom, After Claude Lorrain, 1774 print London paper etching camp-fire; watch-fire. moonlight. lake

Print made by John Browne, 1741-1801, British, Africa, 1775. Line engraving on medium, slightly textured, cream wove paper.

An Arcadian landscape by Jurriaan Andriessen featuring an Apollo and Daphne monument, executed with gray and brown pen or brush, watercolor over black chalk.

Landscape with Windmill 18th century Anonymous, Dutch, 18th century Dutch. Landscape with Windmill 335262

No. 44. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Rom, 1859. Post, Karl Borromäus, 1834-1877, printmaker. 1859 The distant view of Rome, with Saint Peter's and the Colosseum just visible, is after a painting by Károly Markó. In the foreground figures are depicted on a balustraded terrace set within a lush vegetative landscape. Inscription: Vom oesterreichischen Kunstverein in Wien. Pecci-Blunt's collector's mark, in black ink, in the lower right hand corner and one on the verso in the lower center. Imprint: Rome. Trimmed within plate mark. Anna Laetitia Pecci-Blunt collected prints, published works, drawings and paintings thematically focused upon the city of Rome. Her collection included views, plans, maps of Rome and depictions of the inhabitants of the city in popular costume. As intense urban development under Mussolini transformed Rome in the 1930's, interest in the city's past grew among certain circles in Rome. Pecci-Blunt's collection came to be known as "Roma Sparita" because of its nostalgic focus on the Rome of a bygone era

No. 62. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

A drawing by Johannes de Bosch depicting an Arcadian ruined landscape with a man and woman in conversation, executed in gray and black pen, watercolor, black chalk, and graphite pencil.

The Bouvier Claude Gell�e (said Lorraine, around 1600-1682). "The Bouvier", 1636. Floor. Museum of Fine Arts of the city of Paris, small palace.

Wooded Landscape with Two Country Carts and Figures. Dated: 1779/1780. Dimensions: plate: 29.5 x 39 cm (11 5/8 x 15 3/8 in.) sheet: 32.3 x 41.7 cm (12 11/16 x 16 7/16 in.). Medium: soft-ground etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Thomas Gainsborough.

The Straw Yard, plate 7 from Liber Studiorum Published 1808 England. Etching and engraving in brown on ivory paper . Joseph Mallord William Turner

Ex libris van Josef Saar, Friedrich Hermann Beier, 1880 - 1949 paper etching / drypoint church (exterior). triumphal column with helical friezes

At Twickenham, Arthur Evershed, 1836-1919, Printed by Auguste Deltre, 1822-1907, French, Published by Gazette des Beaux-Arts, active 1859-2002, French, 1876, Etching on moderately thick, slightly textured, beige laid paper, Sheet: 7 1/16 x 11 inches (17.9 x 27.9 cm) and Plate: 3 15/16 x 7 13/16 inches (10 x 19.8 cm), boats, fishermen, fishing, genre subject, houses, landscape, punts, river, trees, England, Greater London, Thames, Twickenham, United Kingdom

No. 46. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Rider in a harvest field, Gerardus Emaus de Micault, 1854 print Five people are harvesting on a field in front of a farm. A rider on horseback appeals to a sixth person. Netherlands paper etching harvest Houten

Winter, Victor Marie Picot, 1744-1805, French, after Philippe-Jacques de Loutherbourg, 1740-1812, French, active in Britain (from 1771), 1794, Engraving on moderately thick, slightly textured, cream, wove paper, Sheet: 17 5/8 × 22 1/8 inches (44.8 × 56.2 cm) and Image: 15 1/16 × 20 7/16 inches (38.3 × 51.9 cm)

Paris, Chéreau, widow François, France, Ozanne, Jeanne Françoise, Views of Paris, Vues de Paris, View of the Dôme des Invalides in Paris, verso center - stamped, View from a park of the Dôme des Invalides in Paris., print, prints, height 79 mm, width 156 mm, 1735 - 1795, print maker, printmaker, 1755 - 1790, third quarter 18th century, fourth quarter 18th century, paper, papier, etching, etchings, Publication (Event), Publicatie, publisher

Both, Jan, work, Bullock carts (Le Chariot attelé de boeufs), (1000 - 2004), line etching, graphics, leaf width 21 cm, leaf height 27.2 cm

William Bernard Cooke, 1778-1855, British, Plymouth Dock, from Mount Edgecumbe, 1816. Etching and engraving, first published state on moderately thick, moderately textured, cream, wove paper.

A soldier and a woman rest on a tree trunk. The woman holds a jug and a glass in her hands. Near them stands a man. A boy is playing with a dog., Resting figures by a tree trunk, print maker: Adrianus Serné, (mentioned on object), Pieter Bartholomeusz. Barbiers, (mentioned on object), , Netherlands, 1783 - 1853, paper, etching, h 167 mm × w 210 mm

William Radclyffe, 1780-1855, British, Blenheim, Oxfordshire, 1833. Line engraving and etching, 3rd state on moderately thick, moderately textured, beige, wove paper.

No. 11. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

The Angel and Tobias (Number 7), Joseph Powell, 1780-1834, British, Printed by Salvator Rosa, Italian, 1615-1673, Italian, 1815, angel, Old Testament, religious and mythological subject, river, rocks (landforms), Tobias and the angel Raphael continue their journey; usually Tobias carrying the fish

Carington Bowles, 1724-1793, British, Twelve Illustrations of Robinson Crusoe, 1783.

Bril, Paul, Nieulandt, Willem van (II), Venus and Adonis, recto lower right - handwritten, Venus tries to stop Adonis from hunting. Adonis holds a spear in her hand. Next to Venus stands a hunting dog. On the right a landscape extends with a river and a mountain with a castle on top., print, prints, verso - stamped, 38, height 244 mm, width 314 mm, Northern Netherlands, 1584 - 1635, print maker, printmaker, 1594 - 1635, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1554 - 1626-10-07

No. 88. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Vuës prise dans les Environs et près du Lieu ou l'on pense qu'etoit autrefois située L'antique Ville d'Heraclea dans le Grandes-Grece sur les bords du Golfe de Tarente et près des petites Villes d'Anglone et Policoro dans la Basilicate, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile, Chastelet, Claude-Louis, 1753-1794, Choffard, Pierre-Philippe, 1730-1809, Clousier, Maritier, Saint Non, Jean Claude Richard de, 1727-1791, Engraving, 1781-1786, plate number 42, facing page 85.

Capt. Thomas Hastings, 1778-1854, British, Paradise Lane, Cheshunt, 21 May 1814, 1814. Graphite and pen and black ink on medium, slightly textured, cream wove paper.

No. 58. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

A c.1776 brush drawing by Johann Sebastian Bach depicting an idyllic landscape with Silenen and a bacchus herm on the water, showing figures, landscape, and architectural feature.

Explosion of a Grenade (L'Explosion d'une grenade). Dated: 1854. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Gerhardus Emaus de Micault.

View of Batavia with figures in the foreground; Batavia. Title in undermarge.

Teniers, David, work, Peasant sitting around the fire, timing: (1000 - 2000), etching, graphics, leaf width 14.2 cm, leaf height 10.4 cm

The 'Boelo Sepong' near Maros, J.G. Loten (possibly), c. 1750, draughtsman: J.G. Loten, (possibly), c. 1750, paper, brush, pen, h 429 mm × w 618 mm

Part of Chester Castle, William Byrne, 1743-1805, British, after Joseph Mallord William Turner, 1775-1851, British, 1803-1810, Line engraving Open etching

John Byrne, 1796-1847, British, Rome from Monte Mario, 1818-1820. Etching and engraving on moderately thick, smooth, cream, wove paper, with cream, chine colle.

Print made by Richard Earlom, 1743-1822, British, View of a Portico by the Side of a River, with Herdsmen and Cattle, 1774. Mezzotint and etching, printed in brown ink on moderately thick, slightly textured, cream laid paper.

Etching by S. Hill depicting a landscape featuring a shepherd couple, produced around 1750.

Jean B. C. Chatelain, 1710-1771, French, View with a Cart and Figures in a Wooded Landscape, undated. Etching counterproof with graphite and brown ink on thin, slightly textured, cream laid paper.

Arcadisch Landschap Met Grafmonumenten, Wilhelm Friedrich Gmelin, after Nicolas Poussin, 1770 - 1820 print Rome paper etching / engraving landscapes - HH - ideal landscapes. grave, tomb

Clovelly Bay and Lundy Island, Print made by William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1814 to 1826, Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with chine-collé, Sheet: 11 × 16 7/8 inches (27.9 × 42.9 cm), Plate: 9 × 11 7/8 inches (22.9 × 30.2 cm), Chine collé: 9 3/4 × 11 5/8 inches (24.8 × 29.5 cm), and Image: 5 3/4 × 8 3/4 inches (14.6 × 22.2 cm)

Skater at a village, Anthonij van der Haer, after Adriaen van de Velde, c. 1745 - 1785 print Northern Netherlands paper etching skates (winter sports). landscape with bridge, viaduct or aqueduct. village (+ city(-scape) with figures, staffage). small sleigh (winter sports)

. A landscape with a shepherd and his wife in the foreground and crossing a river with their herd of cows and goats. In the background a classic temple ruins. According to Dutch and French inscription, the print to a painting by Nicolaes Berchem, preserved in the cabinet of A.A. Hoebenaar.

Wenceslaus Hollar, Albury, 1645 Albury

Landscape with fishermen in a boat and a harvestman on a bridge, draughtsman: Jacob Cats (1741-1799), 1780, paper, pen, brush, h 58 mm × w 85 mm

Landscape with fishermen and shepherds near Châtelain, Richard Houston, 1745 - 1794 print Numbered: 1. London paper etching low hill country (+ landscape with figures, staffage). fisherman Squire

Amsterdam, Greve, Barent, Isaac, Moucheron, Isaac de, Hall pieces in the house of Mr. DB Mezquita, Hall pieces in the house of Mr. Mesquita, Landscape with a sculpture, fountain and harbour view, Landscape with a sculpture of a woman on the left. At the foot of it two figures. On the right a fountain with a water-spitting dolphin. Behind it a square with several figures and behind the balustrade a harbour view. After the painted wall panel in the hall of the house of the merchant David Bueno de Mesquita., print, ornamental print, prints, ornamental prints, height 334 mm, width 245 mm, 1667-11-23 - 1744-07-20, print maker, printmaker, 1677 - 1744, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, after, after painting by, Publication (Event), Publication, 1677-11-17 - 1757-10-04, publisher, uitgever, Publicatie, Nederlands, 1707 - 1766-06-24

William Miller, 1796-1882, British, Palace of LaBelle Gabrielle, 1826-1837. Line engraving, 1st state on thick, slightly textrued, beige, wove paper, with gray chine colle.

Korenveld, Hendrik Dirk Kruseman van Elten, 1839 - 1904 drawing paper. pencil brush harvest

How often I have loitered o’er thy green” from The Deserted Village. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

The agriculture of Batavieren, Engelbertus Matthias Engelberts, in or after 1783 - in or after 1785 drawing Livestock and agriculture at the Batavians. Design for a print. paper. ink. pencil pen / brush extinct, 'historical' peoples (with NAME)

A View of the Tombs of Secundrii Sikandra near Agra, William Hodges, 1744-1797, British, ca. 1783, Gray wash, pen and black ink and graphite on laid paper, laid down on 19th century wash mount, Sheet: 19 9/16 x 26 1/4in. (49.7 x 66.7cm)

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