Pastoral Landscapes and Sketches

A series of detailed etchings and sketches featuring serene rural scenes with farmers, animals, and landscapes, highlighting delicate lines and subtle shading.

Bella, Stefano della, View of a Farmhouse, verso - stamped, View of a Farmhouse. In the foreground on the left two men with a dog on the path and three cows in the grass. On the right a peasant couple on the path and a farmer with three donkeys., print, prent, prints, prenten, height 111 mm, width 211 mm, print maker, prentmaker, 1620 - 1664, paper, papier, etching, etsen, Work conception, Italian, 1610-05-18 - 1664-07-27, inspirator

Bella, Stefano della, View of a Farmhouse, verso - stamped, View of a Farmhouse. In the foreground on the left two men with a dog on the path and three cows in the grass. On the right a peasant couple on the path and a farmer with three donkeys., print, prent, prints, prenten, height 111 mm, width 211 mm, print maker, prentmaker, 1620 - 1664, paper, papier, etching, etsen, Work conception, Italian, 1610-05-18 - 1664-07-27, inspirator

John Varley, 1778-1842, British, From an Album of Sixty-one Topographical Sketches. Graphite.

Artist: Pieter van Mammeren, Dutch, possibly Russian, active ca. 1630, View of Attamanskoy-Gorod andAssach, ca.1630, Pen and brown ink and light brown wash over sketch in black chalk, sheet: 19.37 × 28.42 cm (7 5/8 × 11 3/16in.), Made in Russia, probablyRussian, 17thcentury, Works on Paper - Drawings andWatercolors

St. Cloud. Dated: 1843. Dimensions: sheet: 19.69 × 27.78 cm (7 3/4 × 10 15/16 in.). Medium: graphite with gouache on wove paper. Museum: National Gallery of Art, Washington DC. Author: American 19th Century after John Frederick Kensett.

Rudolf von Alt depicted the Schönbrunn garden parterre with the Gloriette in the background and two women sketched in the middle background using pencil.

Boy with basket, greeting each other Lord and lady and woman with baskets, 1643 - c. 1687 Three drawings stuck next to each other on a leaf. Zwolle paper. ink. chalk Three drawings stuck next to each other on a leaf. Zwolle paper. ink. chalk

Capt. Thomas Hastings, 1778-1854, British, On Hampstead Heath, 1830. Graphite on medium, slightly textured, cream wove paper.

Pronk, Cornelis, Donsbrüggen, Haen, Abraham de (II), Germerzeel, Castle at Germerzeel and views of Donsbrüggen in Germany, handwritten in gray pen, Sheet 27 recto from a sketchbook with 69 sheets., sketchbook sheet, drawings, Germerzeel, Donsbrugge, 1707-04-06 - 1748-08-08, draughtsman, draftsman, 1731 - 1731, second quarter 18th century, paper, ink, pencil, pen, Northern Netherlands, 1691-12-10 - 1759-09-29

Landscape with the city on the shore of the lake; Altdorfer, Albrecht (CA 1480-1538); The 1920s (1520-00-00-00-1529-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, lakes, landscapes

Antwerp, Hollar, Wenceslaus, Views in the vicinity of Albury, bey Alburye in Surrey, River landscape with swans near Albury, verso - stamped, print, prints, height 84 mm, width 155 mm, Czech, 1607-07-13 - 1677-03-25, print maker, printmaker, 1645 - 1645, paper, papier, etching, etchings

Rydal, February 1836, Capt. Thomas Hastings, 1778-1854, British, 1836, Graphite and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 10 5/8 × 16 3/8 inches (27 × 41.6 cm) and Binding: 10 5/8 inches (27 cm), architectural subject

A black ink landscape drawing by an anonymous artist from around 1535, with grid lines visible on the paper for compositional reference.

Jakob Alt drew a view of Maria Brunn in 1828 using pencil.

Country road along a canal, draughtsman: Jan van Goyen, 1653, paper, brush, h 120 mm × w 200 mm

Dwa widoki Santa Cruz de Tenerife - od strony lądu i od strony oceanu. Adalbert (książę pruski ; 1811-1873), draughtsman, cartoonist

River Landscape with Wagons on a Road near a Village 1586-1631 Joos de Momper the Younger Netherlandish This drawing by Joos de Momper shows a rural scene of a country road nearby a village with horses and carriages setting out. The composition served as design for a print that was part of a series of four landscapes, each symbolizing one of the four seasons. According to the inscription on the print after our design, this image was meant as an allegory of Spring. The print, made by Theodoor Galle (1571-1631), shows that in the final design some noticeable adjustments were made: sumptuous vegetation was inserted in the foreground and a detailed view of a bay with sailing boats has been added in the background. The tree depicted to the left of our drawing, moreover, features much more prominently in the print and the possibility exists that originally, this was the case in our drawing as well. The few branches peeking awkwardly into the picture could be the remnants of a tree that were

Capt. Thomas Hastings, 1778-1854, British, Wotton Bridge, 28 May 1829, 1829. Graphite on medium, slightly textured, cream wove paper.

Artist: Canaletto (Giovanni Antonio Canal), Italian, 1697-1768, The Wagon Passing over a Bridge, from the series Vedute(Views), Etching, platemark: 14.3 × 12.5 cm (5 5/8 × 4 15/16in.), Italian, 18thcentury, Works on Paper -Prints

Meeting in the forest, Hendrik Jozef Franciscus van der Poorten, 1799 - 1874 print paper etching lovers' meeting. riding a horse, ass, or mule; rider, horseman

The Hague, Blommers, P. (Lithographic printing house of), Netherlands, Vosmaer, Carel, Last, Carel Christiaan Antony, Attraction of Leyden in June 1850, Cartoon from the Leiden student almanac, 1851, verso - stamped, Cartoon from the student almanac of the University of Leiden from the year 1851. People are moving towards Leiden from all sides. Cartoon on the masquerade and reunion of former students at the celebration of the 275th anniversary of the University., print, picture, cartoon, prints, pictures, Frederik Muller History plates, height 350 mm, width 448 mm, Dutch, 1808-12-11 - 1876-12-17, print maker, printmaker, 1851 - 1851, paper, lithography (technique), Work conception, 1826-03-20 - 1888-06-12, after a design by, printer

John Baverstock Knight, Warwick Castle from the Avon, 1837 Warwick Castle from the Avon

Landscape with Abraham and Isaac, draughtsman: Jacob Savery (I), 1590, paper, pen, brush, h 195 mm × w 288 mm

Gustave Leheutre (French, 1861 - 1932). Les Toits de Villeneuve, 1907. Etching.

View of an Italianate Sculpture Garden, Josua de Grave, in or after c. 1676 - 1712 drawing paper. ink pen / brush statues, sculptures in garden. water-works in garden

Album with Views of Rome and Surroundings, Landscape Studies, page 43a: Roman Landscape. Franz Johann Heinrich Nadorp (German, 1794-1876). Pen and ink;

Landscape with a monastery, Claes Jansz. Visscher (II), After Master of the small landscapes, After Johannes or Lucas van Doetechum, 1620 print Face around a tree -rich landscape with a monastery in the background. On the right in the foreground, two women walk and on the left a bird is sitting on a severed tree. Amsterdam paper etching cloisters ~ monastery. birds. trees

San Pietro in Vincoli, Rome 1798-1868 Germany. Graphite on ivory wove paper, hinged onto ivory laid paper . Johann Martin von Rohden

Campagna di Roma - One of 91 Sketches of France, Italy & Greece James Giles (Aberdeen, Scotland, 1801 - 1870) 1825 Sketchbook

View of the Pincio from the southeast, Rome, Gerard ter Borch (I), 1609, draughtsman: Gerard ter Borch (I), (signed by artist), Rome, 1609, paper, brush, h 136 mm × w 275 mm

Abklatsch of the chalk drawing on page 15. Page 14 from a sketchbook with 17 sheets.

The Koenigl. Circle and Leibgedingstadt New Bidczow recorded and raided by Joan. Venuto 1812.

Southern Landscape with Figures and Cattle at a River. Artist: Jan van der Meer the Younger (Dutch, Haarlem 1656-1705 Haarlem). Dimensions: sheet: 8 7/16 x 12 13/16 in. (21.4 x 32.6 cm). Date: 1686. Museum: Metropolitan Museum of Art, New York, USA.

Farmhouses on the water Sheets from Sketchbook 165-1651 (series title), draughtsman: Jan van Goyen, 1650 - 1651, paper, brush, h 98 mm × w 157 mm

Untitled, from folio: Sketches in France & Germany, one of 22 sheets in FolioB. Artist: John Trumbull, American, 1756-1843

Landscape with a car approaching a stone bridge, Allaert van Everdingen, 1631 - 1675 drawing paper. ink pen / brush

Appuldurcombe, Isle of Wight, 29 December 1826, Capt. Thomas Hastings, 1778-1854, British, 1826, Graphite on medium, slightly textured, cream wove paper, Sheet: 4 7/8 × 7 3/8 inches (12.4 × 18.7 cm)

Rural landscape with a pond, on which trap-blade for crayfish, with L.S two walking characters (); Farm and government of buildings on both sides of the sandy road; Doetecum, Joannes Van I (1528/1532-1605), Doetecum, Lucas Van ( -1584/1589), Cock, Hieronymus (Ca 1510-1570), Bruegel, Pieter, I (Ca 1525-1569), master of small landscapes (Fl. Ca 1555); 1559-1561 (1559-00-00-1561-00-00);

Glama-Stroberle, Joaõ, 1708-1792, pencil, ink, chalk, wash, 1741, Sketchbook II of III dated 14 February 1741. It is dedicated on the first leaf to Sigr Abate Gioachino Rizzi Segretario dal Regimento di Ferrara, Two recipes, one for varnish and the other for acid for etching

Capt. Thomas Hastings, 1778-1854, British, Appuldurcombe, Isle of Wight, 29 December 1826, 1826. Graphite on medium, slightly textured, cream wove paper.

River landscape with a landing place, Anonymous, after Jan Brueghel (I), 1578 - 1675 drawing River landscape with a landing place on the right. paper. ink pen / brush river. sailing-ship, sailing-boat

Study for a Mural or Panel, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, A garden, with a large fountain, right. Groups of figures center and lower left. Wall and trees beyond. Below, single figures and notes on colors., USA, ca. 1895, mural designs, Drawing, Drawing

Landscape along a River. Attributed to Michel Ange Houasse; French, 1680-1730. Date: 1680-1730. Dimensions: 276 × 424 mm. Pen and brown ink, with brush and gray wash, over black chalk, on ivory laid paper, laid down on cream laid paper. Origin: France. Museum: The Chicago Art Institute, USA. Author: MICHEL ANGE HOUASSE.

View of Tivoli, sketch. Draughtsman: Hendrik Voogd. Dating: 1778 - 1839. Place: Italy. Measurements: h 358 mm × w 521 mm. Museum: Rijksmuseum, Amsterdam.

Pencil drawing by Blasius Höfel from August 15, 1837 depicting a view of Wiener Neustadt, included in a sketchbook from 1830-1844.

Banks of the Loire (Bord de la Loire). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

The harbor at Veere, draughtsman: Johannes Frederik Engelbert ten Klooster, 1883 - 1940, paper, pen, h 326 mm × w 390 mm

Manuscript page with a Project for a Fountain (recto) and Project and Plan for a Monumental Staircase (verso). Artist: Luigi Vanvitelli (Italian, Naples 1700-1773 Caserta). Dimensions: 6-7/16 x 9-3/4 in. (16.4 x 24.7 cm). Date: ca. 1740-60. Museum: Metropolitan Museum of Art, New York, USA.

A chalk and feather drawing by an anonymous artist showing a fortress on a channel leading to the sea, a sailboat on the canal, and staffage figures, composed from two parts overlapped in the middle.

View of the Biscari book in Catania; Kotsetzer, Jan Christian (1753-1795); 1781 (1781-00-00-1781-00-00);Bacciarelli, Marceli (1731-1818), Etna (Italy -volcano), Katania (Italy -Sicily), Paterno (Katania -Italy), Paterno -Castello, Ignazio (1719-1786), Weloński, Pius (1849-1931) - Collection, Italy (State), landscapes, landscapes, travel, artistic travels, Poland (culture), German drawings, Polish drawings, villas (architect.), Wulkany, Italian (culture)

Torbryan, William Brockedon, 1787-1854, British, 1800, Graphite, Sheet: 7 5/8 x 11 1/2in. (19.4 x 29.2cm)

Landscape with the Ponte Milvio, outside Rome, Gerard ter Borch (I), 1609, draughtsman: Gerard ter Borch (I), (signed by artist), Rome, 1609, paper, pen, h 138 mm × w 265 mm

Landscape with the sight of the tivoli in Tivoli; Vien, Joseph-Marie (1716-1809); around 1744-1750 (1725-00-00-1735-00-00);Library of the church of St. Mary Magdalene (Wrocław - Ante 1865) - collections, Hubrig, Ernst Wilhelm von (1712-1787) - collections, Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Sebisch, Albrecht von (1685 -1748) - collections, Stadtbibliothek (Wrocław - 1865-1945) - collections, Tivoli (Italy), Italy (state), albums "Desseins Originaux", landscapes, ruins, French drawings

Study. Probably a cityscape. Leaf 2 Verso from a sketchbook with 55 sheets.

Smyrna, John Foster, ca. 1787-1846, British, ca. 1812, Graphite and brown wash on medium, slighlty textured, cream wove paper, Sheet: 11 1/2 × 17 5/8 inches (29.2 × 44.8 cm)

Rivierlandschap met enkele boten op de Nijl. Gezichten rond de Middellandse Zee (series title). Draughtsman: Johan Teyler. Dating: 1679 - 1683. Measurements: h 118 mm × w 231 mm. Museum: Rijksmuseum, Amsterdam.

Rijn, Rembrandt van, House hidden among trees, center right, print, prints, Rembrandt f 1652, lower right, height 122 mm, width 211 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1652 - 1652, third quarter 17th century, paper, papier, drypoint, dry needle, Work conception, after own design by

View of the fortress of Montmélian, 1726, 1726 print View of the fortress of Montmélian. Plate no. 343 in Part XIV of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title and inscriptions in French. print maker: Northern Netherlandspublisher: Leiden paper etching fortress Montmélian

Bridge Over the Arno at Levane, 30 Miles from Florence, Sir Robert Smirke the younger, 1781-1867, British, 1804, Graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)

A brown ink drawing by Lodewyk Toeput depicting a park landscape with a villa and fountain.

Drawing by Ferdinand Boberg. Stockholm, Kungsholmen, Kungsklippan Nordic

GRABADOS-PANORAMICA DE"CARTAXO"(PORTUGAL) S XVI. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Ely from Stuntney, 1916, United Kingdom, by Henry Brown. Gift of Mrs Harold Wright, 1965.

BUHOT, Félix (n.1847-07-09-D.1898-04-26), Les Grandes Chaumières (Boucard-Goodfriend 150) (Main title), 1881. Eau-tie, dry point, aquatin on vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

View of Chiatanone Veduta del Chiatanone v. Del Castello dell'uovo, Antoine Eugène Ernest Buttura, 1851 - 1900, paper, pencil, brush, h 168 mm × w 233 mm

Taking the Berbiz for Fortress in Bosnia by Feldmarschall Laudon on July , Markin, Copper Engraver

The Temple of Jupiter in the Island of Aegina, Etched by Samuel Middiman, ca. 1750-1831, British, Engraved by John Pye, 1782-1874, British, after Joseph Mallord William Turner, 1775-1851, British, 1828, Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream laid paper, Sheet: 22 1/8 × 31 3/8 inches (56.2 × 79.7 cm), Plate: 20 3/8 × 26 1/2 inches (51.8 × 67.3 cm), and Image: 15 × 22 3/4 inches (38.1 × 57.8 cm)

Card 37: Two loose sketches in a sketchbook, containing landscapes, views, sketches of objects. unknown

The village of Nederhorst and the castle from the south.Roghman created a picturesque portrayal of Nederhorst, the church and castle, and a carriage making its way across the bridge right up to the gate. The drawings original panoramic character became clear when this sheet was reunited with the recently gifted right half. It was not unusual for art dealers to cut drawings into separate pieces. Two or three individual drawings often fetched more than a single large one.

Place de Louis XV. Dated: 1770. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JEAN MICHEL D. J. MOREAU.

Kaskada na Kwisie w okolicach Lubania. Blaschnik, Arthur (1823-1918), draughtsman, cartoonist

Landscape with mills near water, draughtsman: Anton L. Koster, 1869 - 1937, paper, brush, h 412 mm × w 253 mm

Ambrose Poynter, 1796-1886, British, Paris from the Boulevard de L'Hopital, undated. Graphite on medium, slightly textured, cream wove paper.

Philippe-Jacques de Loutherbourg, 1740-1812, French, active in Britain (from 1771), The Front at Brighton, undated. Gray wash with pen and brown ink over graphite on thick, moderately textured, cream wove paper.

Landscape. Constant Bourgeois (French, 1767-1841); printed by Comte de Charles Philibert Lasteyrie du Saliant (French, 1759-1849). Date: 1816. Dimensions: 190 × 290 mm (image); 268 × 358 mm (sheet). Lithograph in black, pen-and-ink style, on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Huizen, Jan Veth, 1874 - 1925 drawing paper. chalk

Venetian 16th Century, Probably Titian, The Villa Imperiale, 1530s The Villa Imperiale

Album 'Maarten de Vos sketchbook', sheet 10v(12), Ruins and fantasy landscapes, draughtsman: anonymous, Low Countries, 1550 - 1570, paper, pen, brush, h 153 mm × w 225 mm

The Teertuinen, George Hendrik Breitner, 1867 - 1923

Henry Swinburne, 1743-1803, British, Aquillon, undated. Pen and brown ink, over graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper.

Jatchinen a Luxembourg ( The PANTHONONY, CARRY THE EARRY OF THE CARE OF THE Luxembourg Gardens. Soon as a Terromors who had to be in Jardinal du in Luxembourg. In you are the coepel van het panthoon.

Lazio Viterbo Bagnaia Villa Lante44. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Der Rhein bei Mainz. Halm, Peter von (1854-1923), graphic artist

The Chimneys, Portsmouth. Artist: Childe Hassam (American, Dorchester, Massachusetts 1859-1935 East Hampton, New York). Dimensions: Plate: 4 7/8 x 8 1/8 in. (12.4 x 20.7 cm)Sheet: 9 3/8 x 11 7/8 in. (23.8 x 30.1 cm). Date: 1915. Museum: Metropolitan Museum of Art, New York, USA.

Henry Swinburne, 1743-1803, British, Mouth of the Guadalquivir River in Spain, 1775 to 1776. Graphite on medium, moderately textured, cream, wove paper, mounted on, moderately thick, slightly textured, cream, wove paper.

Edward Lear, 1812-1888, British, Genezzano, 17 May 1838, 1838. Graphite with stumping and gouache on moderately thick, moderately textured, gray wove paper.

Sketches of a landscape and figures in boats; Travel sketches made in India.

Sketch of the Solphatara at Pozzuoli, outside of Naples.

Winter scene, Gerard ter Borch (II), 1634, Winter scene with horses and sleds at the edge of a frozen pond., draughtsman: Gerard ter Borch (II), draughtsman: Pieter de Molijn, (rejected attribution), Haarlem, 1634, paper, h 196 mm × w 310 mm

At Charleroi. Draughtsman: Constantijn Huygens (II). Dating: 14-Aug-1677. Measurements: h 102 mm × w 167 mm. Museum: Rijksmuseum, Amsterdam.

Italian City Scene. Dated: probably c. 1754/1765. Dimensions: Overall: 7.1 x 14.8 cm (2 13/16 x 5 13/16 in.) support: 15.6 x 21.5 cm (6 1/8 x 8 7/16 in.). Medium: black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hubert Robert.

Crowd near a building, Huibert Gerard Brian Nahuys, 1842 - 1869 print In the middle on a cartouche with the presentation of a crowd near a building. All around decorative patterns, garlands and putti. On the banderol the text: New Batavia. Vivat! Cresca (t) Floriat! Indonesia paper etching crowd, mob. unidentifiable plant forms ~ ornament. cupids: 'amores', 'amoretti', 'putti'

Allegorical landscape evoking the death of Louis XVI and Marie-Antoinette (TF)

At Concarneau, Finistère. Maxime Lalanne; French, 1827-1886. Date: 1874. Dimensions: 125 × 208 mm (image); 160 × 238 mm (plate); 282 × 400 mm (sheet). Etching on cream Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Chûte du Bend-Amir. Plaine de Persépolis.. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

The French driven from Antwerp, 1583, 1583 - c. 1585 print The French soldiers are driven away from the city by the armed civilians of Antwerp, January 17, 1583. Soldiers flee the city via the Kipdorppoort. With caption of 10 lines in German and 2 lines in French. Nummered in the bottom left: 185. The print is part of an album. Cologne paper etching Chicken village gate

Two Landscapes, Christian Friedrich Fritzsch, 1729 - 1774 print Two the same landscapes on top of each other with left and right houses, in the middle a figure runs over the road. The upper landscape is a print to be worked out, the lower landscape has been completed. Printed from two plates, the lower print is numbered with a 6. paper etching landscapes

Gezicht op L. Van de Brug to Rome ; Once the bridge is now four main Fabricts prospect ; Romeinse fall ; Praecipva Aliqvot Roman Antiqvitatis RVINAM As for living can look forward to true imitation Affabre labeled . Gezicht op L. Van de Brug to Rome , right Tibereiland net . Deze prent maakt deel uit van list .

Commercial and Schutzstadt Hayda, Leitmeritzer Kr. To Rainer Mussial Rimmed by J. Venuto 1815.

Study for Covent Garden Market, Westminster Election, from Microcosm of London. Augustus Charles Pugin (English, born France, 1762-1832); Thomas Rowlandson (English, 1756-1827). Date: 1807-1808. Dimensions: 196 × 261 mm. Graphite on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

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