Pastoral Landscapes & Figures

Etchings portraying serene landscapes with human figures, exploring themes of nature, journeys, and everyday life in historical contexts.

Joseph helps Mary off the donkey, print maker: Herman van Swanevelt, 1623 - 1655

Georg Andreas Wolfgang, the Elder, Jupiter and Io, 1665 Jupiter and Io

The two satyrs driving a flock (Bartsch 49) Herman van Swanevelt (1600-1655). The two satyrs driving a flock (Bartsch 49). Etching. 17th century.

Landscape with Hagar and the Engel, 1613 Landscape with Hagar in the middle, the second wife of Abraham. At the bottom left is her child Ishmael, who she left under a bush in the absence of water. An angel points Hagar to a water source behind her (Gen. 21:17). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching Landscape with Hagar in the middle, the second wife of Abraham. At the bottom left is her child Ishmael, who she left under a bush in the absence of water. An angel points Hagar to a water source behind her (Gen. 21:17). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching

L'enfant prodigue (4th plate) , Biblical events, Prodigal son Parable, Alphonse Legros (1837-1911)

Drawing, Design for a Fountain with Pegasus, for the Villa Albani, Rome; Architect: Carlo Marchionni (Italian, 1702-1786); Italy; pen and brown ink, brush and gray wash, graphite on cream laid paper; 31.9 x 35.1 cm (12 9/16 x 13 13/16 in.)

Święty Hubertus odpoczywający w drodze do biskupa Lamberta. Reinhart, Johann Christian (1761-1847), graphic artist

Gainsborough Dupont, 1754-1797, British, Landscape with figure on a footbridge, undated. Graphite on medium, moderately textured, beige, laid paper, mounted on, very thick, slightly textured, beige, card paper.

Jacques de Gheyn II, Landscape with Sleeping Peasants, c 1605 Landscape with Sleeping Peasants

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), four large landscapes in height. The shepherd on horseback in the middle of the stream. Fourth issue of a suite of 4 rooms. (A. de Vesme 784; Dutuit 186) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Landscape with trees and lumberjacks, Frederick Bloemaert, after Abraham Bloemaert, after 1647 print Two lumberjacks edit a folded tree with an ax. There are three more trees on the right. This print is part of a separate group of eleven prints, of which only the numbers 1-6 (later) Are numbered. paper engraving forest, wood. woodcutting, woodcutter ~ forestry. trees

Allart van Everdingen, Landscape with Millstone near a Cask, probably c 1645 1656 Landscape with Millstone near a Cask

A rocky landscape, in the middle a waterfall over which a bridge. In the foreground on the right a draughtsman with a boy next to him, rocky landscape with a waterfall., print maker: Hendrik Voogd, (mentioned on object), Rome, 1793, paper, etching, h 321 mm × w 256 mm

Attica Viewed from Mount Pentéli. Théodore Caruelle d'Aligny; French, 1798-1871. Date: 1845. Dimensions: 330 × 481 mm (image); 438 × 595 mm (plate); 342 × 488 mm (primary support); 496 × 640 mm (secondary support). Etching on ivory China paper, laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Branch of a tree Artist's working dates 1641-1675 Holland. Allart van Everdingen practiced multiple artistic tradesóas painter, etcher, and even art dealer. He traveled widely, especially to Norway and Sweden, and landscapes of his wanderings became one of his most frequent subjects. This etching is an independent work, though a number of landscape series in similar formats are featured among his oeuvre of some 166 prints.. Etching on ivory laid paper . Allart van Everdingen

Creation of man, 1613 Landscape with animals and the creation of man (Gen. 2: 7). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching Landscape with animals and the creation of man (Gen. 2: 7). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching

Mountainous landscape with hingers player, Valentin Lefèbvre, After Domenico Campagnola, After Titian, 1682 print Mountainy landscape with a bearded old man in the foreground who makes music with a hurdy -gurdy. He looks at a young woman who has put her arm around his shoulder. A stream flows in the distance and houses. The print is part of a 53-part series of prints to paintings by Titian and Veronese. paper etching landscapes with waters, waterscapes, seascapes (in the temperate zone). hurdy-gurdy - CC - out of doors

Baptism of Christ; Landscapes with biblical, mythological scenes and yacht scenes. River landscape. In the foreground Christ is baptized by John the Baptist in the Jordaan. Two angels hold his clothes. The print has an ornament list with flowers and animals. He is part of a twenty-four series of landscapes with biblical, mythological scenes and yacht scenes.

Walker at a haystack, Allaert van Everdingen, 1631 - 1675 print Netherlands paper etching hay-stack

Design for a print, Landscape with travelers on a country road, draughtsman: Johann Georg Wagner, 1754 - 1767, paper, brush, h 140 mm × w 186 mm

Monastery of San Francesco in the Sabine Mountains. Joseph Anton Koch; German, 1768-1839. Date: 1810. Dimensions: 151 x 213 mm (image); 165 x 222 mm (plate); 210 x 276 mm (sheet). Etching on paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Antwerp, Wtenbrouck, Matheus Moysesz. van, The Hague, Moyses van, Arcadian landscapes, Landscape with the temple of Vesta, verso lower left - stamped, In a landscape with a round, classical temple an angel holds a man by the hand (Tobias and the angel). On the left a shepherdess with her flock., print, prints, height 124 mm, width 185 mm, Northern Netherlands, 1600 - 1647, print maker, printmaker, paper, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, - 1660, publisher, 1645 - 1660

Landscape with Arched Rocks. Antoine de Marcenay de Ghuy (French, 1724-1811). Etching;

Rock landscape with inn and houses, Aegidius Sadeler (II), After Roelant Savery, 1624 - c. 1650 print Rock landscape with inn (right) and a few houses (left). Fourth print of a six -part series with mountain landscapes from Tirol. print maker: Praagpublisher: Praagpublisher: Venice paper etching / engraving rocks (+ landscape with figures, staffage). inn, coffee-house, public house, etc. Tyrol

. Boomy landscape with three resting people at a grave monument.

Rockshust of Campania with city and travelers. River landscape with two travelers, rocky coast, city and figures, mirror times have been copied from a portion of Paul glasses, the wall with two columns and an architraph on the right have been added.

Landscape with four columns, Adam Perelle, 1648 - 1695 print paper etching landscape with ruins

Two Men on a Mountain Top. Giovanni Francesco Grimaldi; Italian, 1606-1680. Date: 1626-1680. Dimensions: 177 x 278 mm. Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, FLORENCIA, USA.

Herman van Swanevelt, Man and Woman at the Mouth of a Cave Man and Woman at the Mouth of a Cave

Dilated cottage (Bartsch 38) ALLART VAN EVERDINGEN (1621-1675), Dutch painter. Dilated cottage (Bartsch 38). Water-strong on paper, 1645-1675.

Brother Joseph in the Alps. Artist: Johann Christoph Erhard (German, Nuremberg 1795-1822 Rome); After Lori. Dimensions: plate: 5 3/16 x 3 7/8 in. sheet: 6 1/8 x 4 11/16 in.. Date: 1820. Museum: Metropolitan Museum of Art, New York, USA. Author: Johann Christoph Erhard. After Lori.

Utrecht, Everdingen, Adrianus van, Landscape with two trees along a path, verso - stamped, print, prints, height 73 mm, width 92 mm, 1832 - 1912-09-04, print maker, printmaker, 1842 - 1912, paper, papier, etching, etchings

Wood engraving, England, by Thomas Bewick.

After Thomas Gainsborough, Rocky Landscape with Herdsman Conversing with a Girl, Goats, Cows Drinking at a Fountain and Distant Hills, 18th century, watercolor over graphite on cream wove paper.

Landscape with Shepherds, c. 1700. Domenico I Piola (Italian, 1627-1703). Pen and brown ink and brush and brown wash over traces of black chalk; framing lines in brown ink; sheet: 35.7 x 47.8 cm (14 1/16 x 18 13/16 in.); secondary support: 35.7 x 47.8 cm (14 1/16 x 18 13/16 in.).

Arcadian river landscape with column Italian and German landscapes (series title), Arcadian river landscape with a column on which a vase is placed. In the center of the foreground two women are sitting on the banks of a river. The print is part of a 40-part series of prints with representations of Italian and German landscapes., Landscapes with waters, waterscapes, seascapes (in the temperate zone), column, pillar, architecture, Adolf van der Laan, Amsterdam, 1721 and/or 1710 - 1747, paper, etching, h 240 mm × w 367 mm

Alphonse Legros, Little Burner of Grass (Le petit bruleur d'herbe) Little Burner of Grass (Le petit bruleur d'herbe)

River landscape with travelers with trunks. Draughtsman: Guercino (attributed to). Dating: 1601 - 1666. Measurements: h 288 mm × w 410 mm. Museum: Rijksmuseum, Amsterdam.

Bagelaar, Ernst Willem Jan, Netherlands, Landscape with two walkers, print, prints, height 74 mm, width 130 mm, Dutch, 1775-09-16 - 1837-02-08, print maker, printmaker, 1798 - 1837, fourth quarter 18th century, first quarter 19th century, second quarter 19th century, paper, papier, etching, etchings, intermediary draughtsman

Seascape with Three Figures to the Right. Dated: probably c. 1645/1656. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: ALLART VAN EVERDINGEN.

Robbery on a country road, Anonymous, After Matthäus Merian (I), After Anton Mirou, After 1620 print paper etching traveller(s) attacked by robber(s). fringe, edge of the wood. river. road, path

Meeting on the road, Anonymous, After Philips Galle, After Hans Bol, c. 1550 - c. 1650 print Two travelers meet on a road near a tree. One wears a bag, the other is dressed in a long cloak and hat. The man with the hat shows the other person. Southern Netherlands paper etching New Testament. metamorphoses ~ classical mythology. asking the way

Landscape with rainbow and shepherds, anonymous, After Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1709 print Antwerp paper engraving landscapes in the temperate zone. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. pastorals, Arcadian scenes. rainbow

Oven with shovel, Hermanus Fock, 1781 - 1822

Title print with wall and fountain; Animals.

Peasant with Cow and Calf, in the Unterberg near the Berchtesgaden. Artist: Johann Christoph Erhard (German, Nuremberg 1795-1822 Rome). Dimensions: plate: 4 3/16 x 7 5/16 in. sheet: 9 3/8 x 12 5/8 in.. Date: 1818. Museum: Metropolitan Museum of Art, New York, USA. Author: Johann Christoph Erhard.

Women Bathing in Pond. John William Taverner; English, 1703-1772. Date: 1765-1770. Dimensions: 300 × 380 mm. Pen and brown ink with watercolor, over graphite, on tan laid paper, laid down on tan laid paper. Origin: England. Museum: The Chicago Art Institute, USA.

Study for the Frontispiece, for Varie Vedute del Gentile 1750-1760 France. Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper, tipped onto ivory wove paper . Jean Baptiste Le Prince

Plate 4: landscape with man leading a pack horse across a wooden bridge, three figures in right foreground, the silhouette of a man standing at a fence beyond, from 'Landscapes' 1723-30 Marco Ricci Italian. Plate 4: landscape with man leading a pack horse across a wooden bridge, three figures in right foreground, the silhouette of a man standing at a fence beyond, from 'Landscapes' 416107

Paysage : troupeau de porcs.. 1845. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Swine

La Fiore de Gondreville pièce appelée aussi La Fête du Village, La Petite Foire, Le Bal Champêtre, Le Jeu de Boules (The Fair at Gondreville also called The Village Festival, The Little Fair, The Country Dance, The Game of Bowls) 1624-25 Jacques Callot French. La Fiore de Gondreville pièce appelée aussi La Fête du Village, La Petite Foire, Le Bal Champêtre, Le Jeu de Boules (The Fair at Gondreville also called The Village Festival, The Little Fair, The Country Dance, The Game of Bowls). Jacques Callot (French, Nancy 1592-1635 Nancy). 1624-25. Etching; second state of four (Lieure). Prints

Hamlet with man on horseback, Allaert van Everdingen, 1631 - 1675 print View of wooden houses on either side of a path with large boulders. In the foreground a man and a woman, a little further a man on horseback. Netherlands paper etching / drypoint village (+ city(-scape) with figures, staffage)

Hagar Comforted by the Angel, from Six Large Upright Landscapes with Scenes from the Old Testament Made 1650-1660 Holland. Etching in black on ivory laid paper . Anthonie Waterloo

Mountain landscape with horse and wagon, Allaert van Everdingen, 1631 - 1675 print Bergpad with a person with a basket on the back and a horse and carriage. A house on top of the mountain. Netherlands paper etching (farm) wagon, freight wagon, cart

Tomb of Marat with Cordeliers, 1793.

The two men of condition (Bartsch 54) ALLART VAN EVERDINGEN (1621-1675), Dutch painter. The two men of condition (Bartsch 54). Water-strong on paper, 1645-1675.

Allart van Everdingen, The Inscription on the Rock, probably c 1645 1656 The Inscription on the Rock

Mercury with the Head of Argus 1558 Flanders. Etching on paper . Hieronymus Cock

Jan Smees, Sleeping Shepherd Sleeping Shepherd

. Legal under numbered 4.

Landscape with wooden bridge in Octagonal Framework, Paul Bril, 1648 print paper etching landscape with bridge, viaduct or aqueduct

Black chalk drawing with brown traces by Franz Schütz depicting a Rhine landscape with a mill, villages, and castles, 18th century.

Wooded Landscape with Stag Hunt. Artist: Tobias Verhaecht (Netherlandish, Antwerp 1561-1631 Antwerp). Dimensions: sheet: 8 5/16 x 15 1/2 in. (21.1 x 39.3 cm). Date: late 16th-early 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Jean Honoré Fragonard, The Little Park (Le petite parc), c 1763 The Little Park (Le petite parc)

. View of the ruins of the Brederode Castle, to Haarlem. In the foreground some walkers and hunters. The print has a Dutch and Latin caption and is part of a four-part series with landscapes as theme.

Italian Fall Landscape with Monte Porzio and an Offering to Pan, 1763. Date/Period: 1763. Pen, bister, black and red chalk, brush, watercolor, Indian-ink and bister wash, heightened with white, on bluish paper. Pencil, sanguine, black chalk and ink on paper. Author: Charles-Joseph Natoire.

Mercury with the Head of Argus. Hieronymus Cock; Flemish, c. 1510-1570. Date: 1558. Dimensions: 224 × 325 mm. Etching on paper. Origin: Flanders. Museum: The Chicago Art Institute, USA.

Anonymous / 'Landscape'. XVIII century. Pencil on dark yellow paper. Museum: Museo del Prado, Madrid, España.

Italian Park with a Tempietto. Dated: 1763. Dimensions: overall: 31.5 x 44.8 cm (12 3/8 x 17 5/8 in.). Medium: red chalk on laid paper; laid down. Museum: National Gallery of Art, Washington DC. Author: Hubert Robert.

Le pont' by Charles François Daubigny (1817-1878), created in 1862

View of Nocera Umbra and view of Castelnuovo di Porto in Italy, Abraham Hogenberg (Possible), 1596 - 1597 print paper etching / letterpress printing city-view, and landscape with man-made constructions. castle. fortress. fortified city Nocera Umbra. Castelnuovo di Porto

The Ford, original impression 1862, printed in 1921. Charles François Daubigny (French, 1817-1878). Cliché-verre; sheet: 29.5 x 36.5 cm (11 5/8 x 14 3/8 in.).

The Omval 1645 Rembrandt (Rembrandt van Rijn) Dutch This landscape represents a familiar spot outside Amsterdam that Rembrandt recorded in several drawings. It is a peninsula, known then and now as "De Omval," after a ruin that had once stood there (the Dutch word omvallen means to fall down). On the far bank of the Amstel River sit houses and a mill near the Watergraafsmeer neighborhoods ring dike, whose waters flow into the river. The distant structures are clearly composed with confident etched lines. In contrast, the large willow tree that dominates the scene and conceals a pair of lovers in its blurred, almost textural shadows dramatically demonstrates the effect of combining etching and drypoint.. The Omval 359969

Classicist Landscape, Isaac de Moucheron, 1677 - 1744 drawing paper. ink pen

. Landscape with Mercury killing Argus, mounted on 16th-century album leaf with other ETS Duperac

Landscape with Castle, Print made by Bernard Lens, 1659-1725, British, after Dirk Maes, 1659-1717, Dutch, undated, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 5 15/16 × 8 3/8 inches (15.1 × 21.3 cm) and Image: 5 3/4 × 8 3/8 inches (14.6 × 21.3 cm)

Carracci, Annibale, France, Caylus, Anne Claude Philippe, Cabinet du Roy, River landscape with a boat rowed by a woman, verso - stamped, Numbered top right: 104., print, prent, prints, prenten, height 281 mm, width 206 mm, 1692 - 1765-09-05, print maker, printmaker, 1702 - 1765, paper, papier, etching, etchings, Italian, 1560-11-03 - 1609-07-15, intermediary draughtsman

Sales scene at a farm, draughtsman: anonymous, , 1600 - 1699, paper, pen, h 113 mm × w 104 mm

Rowing boat at the passage in De Rots, Allaert van Everdingen, 1631 - 1675 print A rowing boat with three people sails in the water at a passage in a dense rocky. Netherlands paper etching rowing-boat, canoe, etc.

Ferdinand Bol depicts young Tobias opening a fish using brown ink and lavation, showing Tobias, fish, gestures, and scene on paper with supplemented upper corners in the second half of the 1640s.

Landscape with corn sheaves Harvest time (title on object), print maker: Joseph Hartogensis, (mentioned on object), Charles Rochussen, (mentioned on object), The Hague, 1856, paper, etching, h 100 mm × w 187 mm

Landscape with the kidnapping of Europe, Antonio Tempesta, 1565 - 1630 print A wide landscape with sea and trees and the robbery of Europe. Europe is being carried on the back of Jupiter in the form of an OS. The service stations of Europe look in panic from the coast. paper etching Jupiter, usually in the shape of a white bull, abducts Europa and carries her across the water. landscapes - HH - ideal landscapes

Jacques Callot, The Agony in the Garden, c 1624 1625 The Agony in the Garden

Landscape with a sculpture, fountain and port face; Room pieces in the house of Mr Mesquita; Room stucco in 't Huys van de Hr. D.B. Mezquita. Landscape with left the sculpture of a woman. Two figures at the base. On the right a fountain with a water-pushing dolphin. Behind it a square with a few figures and a port face behind the balustrade. To the painted wall panel in the hall of the house of Koopman David Bueno de Mesquita.

Allegory on the province of Holland; Title page for: Thomas Salmon and Jan Wagenaar, nowadays of the United Netherlands, sixth part, 1746; Title page for: Thomas Salmon, contemporary history, or present state of all peoples, Xvide part, 1746. View of people at work in the province of Holland province. In the foreground two putti with maps of areas around Delft and the Rhine. They flank the weapon of The Hague. Right cheeses, cods and barrels with herring. In the margin a four-line caption in Dutch.

Drawing (Italy)

Selva (Woods). Dated: 1870. Dimensions: plate: 18.6 × 24.4 cm (7 5/16 × 9 5/8 in.) sheet: 24.1 × 32.5 cm (9 1/2 × 12 13/16 in.). Medium: etching on chine collé. Museum: National Gallery of Art, Washington DC. Author: Walter Teodoro Bosio.

The Road Crossing Mount Praco, from Ricci to Genoa. Dated: c. 1764. Dimensions: sheet (trimmed to plate mark): 14.7 x 11.8 cm (5 13/16 x 4 5/8 in.). Medium: etching on laid paper proof state. Museum: National Gallery of Art, Washington DC. Author: Franz Edmund Weirotter.

Italianizing landscape with men, horses and dogs, Nicolaes Pietersz Berchem, 1630 - 1683 drawing Landscape with men, horses and dogs; On the right a ruin. paper. chalk counterproof landscape with ruins (+ city(-scape) with figures, staffage). riding a horse, ass, or mule; rider, horseman. hunting, chase

The village dance. (Robert-Dumesnil 24, Mannocci 20) Claude Gell�e (said Lorrain) (around 1600-1682). Village dance. (Robert-Dumesnil 24, Mannocci 20). Etching. 1637.

Landscape with ruins. Draughtsman: Dionys van Nijmegen (possibly). Dating: 1715 - 1798. Measurements: h 294 mm × w 374 mm. Museum: Rijksmuseum, Amsterdam.

Three boys with dogs, Anthonie Waterloo, 1630 - 1765 print Along a forest path, three boys with dogs are depicted. A second forest path runs on the left and a house can be seen in the distance. At the top right, the letter C is depicted. Amsterdam (possibly) paper etching / drypoint forest, wood. rural housing, e.g. country-house, villa, cottage. boy (child between toddler and youth). dog

Landscape with shepherd at antique sarcophagus, Sébastien Bourdon (attributed to), 1626 - 1671 drawing paper. ink pen / brush pastorals, Arcadian scenes. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. landscape with ruins

Classicistic landscape. Draughtsman: Isaac de Moucheron. Dating: 1677 - 1744. Measurements: h 218 mm × w 157 mm. Museum: Rijksmuseum, Amsterdam.

Houses between trees near water, Gerard ter Borch (II) (possibly), 1630 - 1636, draughtsman: Gerard ter Borch (II), (possibly), draughtsman: Pieter de Molijn, (follower of), Haarlem, 1630 - 1636, paper, h 181 mm × w 193 mm

The devil sows weeds among the grain. Draughtsman: anonymous. Draughtsman: Hans Bol (rejected attribution). Dating: 12-Jul-1643. Measurements: h 193 mm × w 300 mm. Museum: Rijksmuseum, Amsterdam.

Wooded Landscape with Country Cart and Figures Walking down a Lane. Date/Period: Ca. 1760. Drawing. Pen and brown ink with gray wash over graphite on medium, slightly textured, cream laid paper, laid onto contemporary (wash-line) mount. Height: 270 mm (10.62 in); Width: 340 mm (13.38 in). Author: Thomas Gainsborough.

Night Fishing near Fortified Bridges. Dated: 1600/1615. Dimensions: sheet: 23.8 × 37.4 cm (9 3/8 × 14 3/4 in.), cut to platemark. Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Aegidius Sadeler II after Pieter Stevens.

An Inhabited Ruin on the Bank of a River ca. 1630-40 Jan van de Velde II Dutch Jan van de Velde II reproduced this drawing, in reverse and with some modifications, for the last of his numerous printed landscape series (see 2014.733.3). Published shortly after Van de Veldes death by Claes Jansz. Visscher, another enormously important maker of such series, under the title “PLAYSANTE LANTSCHAPPEN ende vermakelycke GESICHTEN” (“Pleasant landscapes and amusing views”), this series features thirty-five views of fields, rivers, and rustic buildings, all evoking the local Dutch landscape.[1 The titlepage of the series, designed by Visscher, explicitly notes that Van de Velde drew the scenes from life (“na t leven”). The present drawing, depicting a dilapidated building on the bank of a river (and the corner of a second overgrown structure at far right), is indeed suggestive of direct observation. Rapid marks made with a flat-tipped quill capture the varied textures of grass, leaves, and mos

of 4