Pastoral Landscapes & Figures

Etchings portraying serene landscapes with human figures, exploring themes of nature, journeys, and everyday life in historical contexts.

Joseph helps Mary off the donkey, print maker: Herman van Swanevelt, 1623 - 1655

River landscape with riders; Fit Senio Natura Minor, Radice Sed Ipsa / Fish Beret, Generare Potten in terms of Ramulus Exit; Landscapes to Domenico Campagnola. River landscape with buildings on the waterfront. Right three riders on horseback. Fishermen in rowing boats on the river. Title in Latin in undermarge. Numbered at the bottom right: 1.

Plate 6: cows crossing a valley to left, a group of trees to left, a horseman and other cows in the background, a round composition, from 'Roman landscapes and ruins' (Paysages et ruines de Rome). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 5 1/4 x 5 3/8 in. (13.4 x 13.7 cm). Publisher: Pierre Mariette le fils (French, Paris 1634-1716 Paris). Series/Portfolio: 'Roman landscapes and ruins' (Paysages et ruines de Rome). Date: ca. 1643-48. Museum: Metropolitan Museum of Art, New York, USA.

Pyramus en Thisbe; Ovidius' Metamorfoses.

Prague, Sadeler, Aegidius, Savery, Roelant, Six landscapes, Drinking men in an inn, verso below - stamped, Drinking men at the stairs of a dilapidated inn on the edge of a forest. Front left a few trees. The fifth print in a six-part series with landscapes., print, prent, prints, height 220 mm, width 282 mm, Southern Netherlands, 1570 - 1629, print maker, printmaker, 1597 - 1629, paper, papier, etching, engraving, engraving (printing process), Work conception, Northern Netherlands, 1576 - 1639-02-25, after a design by, Publication (Event), Publication, publisher

Jean Claude Richard, Abbé de Saint Non, after Jean Baptiste Le Prince, Parte dell'antica via Appia (Section of the Old Appian Way), 1756 Parte dell'antica via Appia (Section of the Old Appian Way)

Landscape with a Traveler before a Cottage. Dated: 1638. Dimensions: plate: 16 x 24.1 cm (6 5/16 x 9 1/2 in.) sheet: 28 x 43.5 cm (11 x 17 1/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Ercole Bazicaluva.

Landscape with the shipwreck of Aeneas, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print In a severe storm, the ship of Aeneas is a shipwreck and the survivors of the crew are washed up at Carthage. The drowning people hide under a tree and gather wood to make a fire. Antwerp paper engraving Aeneas' fleet cast on the coast of Libya

Thatched Hut among Trees and Rocks. Allart van Everdingen; Dutch, 1621-1675. Date: 1641-1675. Dimensions: 129 x 111 mm (plate); 134 x 117 mm (sheet). Engraving on paper. Origin: Holland. Museum: The Chicago Art Institute, USA.

Landscape (Paysage). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Man with rake at a barn, Carel Lodewijk Hansen, c. 1780 - 1840 print Netherlands paper etching barn. landscapes (+ landscape with figures, staffage). agricultural implements: rake Tall

Figures at a stone bridge; Landscapes with figures. A stone bridge over the water leads to a village. Three figures were depicted at the bridge and a fourth person comes with a dog. A man is shown in a rowing boat. Above left is to see the letter m.

The inn in a ruin, Simon de Vlieger, 1610 - 1653 print An antique ruin in which an inn is located on the banks of a wide river. A spring pound with carriage and horses. Before the inn a number of guests, in the foreground shepherds with goats, a traveler and two packing fabrics. Low Countries paper etching / drypoint ruin of a building ~ architecture. hotel, hostelry, inn. ferry. (traveller) resting in the open air. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Landscape with stone bridge and figures at a village; Landscapes with round frame; Mirror of nature and school of the creativity (...). The print is part of an album.

Plate 1 for "Treatise on Etching". Artist: Maxime-François-Antoine Lalanne (French, Bordeaux 1827-1886 Nogent-sur-Marne). Dimensions: Plate: 7 3/16 × 4 9/16 in. (18.2 × 11.6 cm)Sheet: 9 in. × 6 1/8 in. (22.9 × 15.5 cm). Printer: Auguste Deltre (French, Paris 1822-1907 Paris). Publisher: Alfred Cadart. Date: 1866.Like many aspiring artists in nineteenth-century France, Maxime Lalanne moved to Paris, where he was able to work in the studio of an established history painter, and to exhibit at the public Salon. After meeting Alfred Cadart, he abandoned these goals in favor of etching. Lalanne became an active member of the Société des Aquafortistes and frequently contributed urban views to the group's albums. He was best known, however, for his Treatise on Etching, published in 1866. The text featured detailed instruction on each stage of production, from preparation of tools to printing techniques, in addition to more theoretical commentary on the ideal uses and distinct qualities of e

Aegidius Sadeler II after Paul Bril, July and August, 1615 July and August

Print made by Jean B. C. Chatelain, 1710-1771, French, Classical Landscape with Travellers, a Dog and House on the left, 1741. Etching on moderately thick, slightly textured, beige laid paper.

Landscape with a walker, Cornelis Hendriksz Vroom, 1601 - 1661, draughtsman: Cornelis Hendriksz. Vroom, draughtsman: Adriaen Hendriksz. Verboom, draughtsman: Claes van Beresteyn, (rejected attribution), 1601 - 1661, paper, pen, h 144 mm × w 196 mm

Uden, Lucas van, Netherlands, Landscape with three trees on a hill, Hilly landscape with three trees in a group in the foreground in the middle. On the left a walker and on the right in the background a church tower., print, prent, prints, prenten, height 99 mm, width 119 mm, Zuid-Nederlands, 1595-10-18 - 1673, print maker, printmaker, 1605 - 1673, first quarter 17th century, second quarter 17th century, third quarter 17th century, paper, etching, etchings, Work conception, South Netherlands, after own design by

Six large upright landscapes with scenes from the Old Testament: The Unfaithful Prophet of Judah, 1640-90. Anthonie Waterloo (Dutch, 1609/10-1690). Etching;

Drinking men in an inn, Aegidius Sadeler (II), After Roelant Savery, 1597 - 1629 print Drinking men at the stairs of a dilapidated inn on the edge of a forest. Left front a few trees. The fifth print in a six -part series with landscapes. Prague paper etching / engraving forest, wood. inn, coffee-house, public house, etc.

Satyr i nimfa. Reinhart, Johann Christian (1761-1847), graphic artist

Apollo and Daphne (Hollstein 126) Anthonie Waterloo (1609-1690). Apollo and Daphne (Hollstein 126). Floor, mid-17th century.

Landscape with man waving mantle, Adriaen van der Kabel, 1648 - 1705

The Cottages at the Bank. Artist: Allart van Everdingen (Dutch, Alkmaar 1621-1675 Amsterdam). Dimensions: Sheet: 3 11/16 × 5 9/16 in. (9.4 × 14.2 cm). Museum: Metropolitan Museum of Art, New York, USA.

Mercury accuses BATTUS. Mercury holds the arm of Battus and graduates his hand. Battus reins. In the background the herd. Scene from Ovidius' Metamorphoses (with. II, 704-705).

La Fontana Egeria. Dated: 1792. Dimensions: plate: 27.9 x 37.1 cm (11 x 14 5/8 in.) sheet: 39 x 49 cm (15 3/8 x 19 5/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacob Wilhelm Mechau.

Artist: Anthonie Waterloo, Dutch, 1610-1690, The Chapel withSteps, Etching, platemark: 12.6 × 14.8 cm (4 15/16 × 5 13/16 in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Face on a shady lane; Faces on gardens with figures. On the right a ground floor. From series of 6 sheets.

. In an Italian landscape with overgrown ruins, Tobias and the angel are on their way. For them, the Tobias dog runs. Different figures and shepherds with their sheep walk in the landscape. There is a city on the opposite side of a river.

Village face with traveling figures, anonymous, after Hans Bol, 1548 - 1570 print A road with a few trees runs through a village. A few traveling figures can be seen on the road. In the front two marches, a woman on a horse-and-tun and two figures who transport a ton. Further on two horsemen and a covered car. print maker: Low Countriesafter design by: Low Countriespublisher: Antwerp paper etching public road in village (+ city(-scape) with figures, staffage). (farm) wagon, freight wagon, cart. pedlar

No. 103. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Louis XIV (King of France), Paris, Scotin, Gérard (I), Meulen, Adam Frans van der, Genoels, Abraham, Architectural gardens, Pond in an architectural garden, verso center bottom - stamped, A pond with fountain and swans in an architectural garden. The print is part of a series of six garden landscapes., print, prints, height 149 mm, width 209 mm, 1640 - 1723-05-10, print maker, printmaker, 1650 - 1690, paper, papier, etching, etchings, Work conception, after a design by, Publication (Event), Publication, South Netherlands, French, 1632-01-11 - 1690-10-15, publisher, uitgever, Frans, 1643 - 1715-11-16, printer, drukker, 1638-09-05 - 1715-09-01, verlener van privilege

Landscape with the peace on the flight to Egypt, Richard Earlom, After Claude Lorrain, 1774 print London paper etching lake. landscape with ruins. rest on the flight into Egypt - BB - landscape predominant

À Gentilly (AtGentilly). Artist: Auguste Lepère, French, 1849-1918

Marco Ricci / 'Landscape'. XVIII century. Pencil, Grey-brown ink on dark yellow paper. Museum: Museo del Prado, Madrid, España.

Rock landscape in Stiermarken, On the left a man with a mule, Ernst Willem Jan Bagelaar, 1819 print paper etching / drypoint rocks Bulls marks

Netherlands, Bagelaar, Ernst Willem Jan, Pan and Syrinx, The nymph Syrinx flees from Pan in the reeds. In the bottom margin a reference to the first book of Ovid's Metamorphoses in which this scene is described., print, prent, prints, prenten, height 73 mm, width 72 mm, Dutch, 1775-09-16 - 1837-02-08, print maker, prentmaker, 1798 - 1837, fourth quarter 18th century, first quarter 19th century, second quarter 19th century, paper, papier, etching, etsen, Expression creation

Louis XIV (King of France), Paris, Meulen, Adam Frans van der, Boudewyns, Adriaen Frans, Landscapes with hunters, Landscape with fox hunt, verso - stamped, print, prints, height 324 mm, width 455 mm, 1644 - 1711, print maker, printmaker, 1666 - 1681, paper, papier, etching, etchings, Work conception, South Netherlandish, French, 1632-01-11 - 1690-10-15, after a design by, Publication (Event), Publication, publisher, uitgever, Frans, 1638-09-05 - 1715-09-01, granter of privilege

Three nymphs bathed in a lake, Jan van Call (I), 1666 - 1706 print Illustration for Ecloga 9 from Virgilius. Three nymphs will bathe in a lake in an arcadian landscape. Amsterdam paper etching (story of) Galatea; 'Galatea' (Ripa). nymphs (in general); 'Ninfe in commune' (Ripa)

Oven with brooms, Hermanus Fock, 1809

Bril, Paul, Nieulandt, Willem van (II), Landscape with the Emmaus pilgrims, recto lower left - handwritten, In an Italian landscape, with two arched bridges over a river, the Emmaus pilgrims walk. Christ walks between them. After the Bible story in Luke. 24: 13-27., print, prints, verso - stamped, 49, recto lower right - handwritten, Lucas 24: 15, height 236 mm, width 315 mm, Noord-Nederlands, 1584 - 1635, print maker, printmaker, 1594 - 1635, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1554 - 1626-10-07

Alphonse Legros, Little Burner of Grass (Le petit bruleur d'herbe) Little Burner of Grass (Le petit bruleur d'herbe)

Krajobraz z wodospadem w Tivoli. Dietrich, Christian Wilhelm Ernst (1712-1774), graphic artist

Landscape with a boy strangled by a snake, Etienne Baudet, After Nicolas Poussin, 1701 print Numbered in the bottom right: 3. Paris paper engraving / etching city-view, and landscape with man-made constructions. violent death by strangling. snakes. armorial bearing, heraldry

Papal court, Imperial court, Bril, Paul, unknown, Sadeler, Raphael (II), Landscape with a cross on a hill, verso lower left - stamped, Wooded landscape with in the foreground some shepherds with sheep. In the middle ground a cross on a hill. Two horsemen rush up the hill. In the background travelers in a wagon., print, prent, prints, engravings, height 202 mm, width 273 mm, Southern Netherlands, 1584-12-20 - 1632, print maker, printmaker, 1604 - 1632, paper, engraving, engraving (printing process), Work conception, 1554 - 1626-10-07, after a design by, granter of privilege

Bartolomeo Schedoni drawing of the Holy Family resting under a tree with John the Baptist as a child, executed in ink with feather pen.

Landscape with a group of horsemen and shepherds. By a river, some houses and in the distance a town, Landscape with horsemen Small landscapes after Titian (series title), print maker: Lucas van Uden, Titiaan, (possibly), publisher: Frans van den Wijngaerde, (mentioned on object), Low Countries, 1605 - 1673, paper, etching, h 88 mm × w 132 mm

Souvenir of Italy 1871 Camille Corot French. Souvenir of Italy. Camille Corot (French, Paris 1796-1875 Paris). 1871. Transfer lithograph; first state of two. Prints

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), pleasant diversity of figures, view of a forest with a deer hunt. Fourth issue of a series of 13 pieces (A. de Vesme 120. Dutuit 84) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Washerwoman by a Brook. Artist: Attributed to Jean Pillement (French, Lyons 1728-1808 Lyons). Dimensions: 13 x 8 7/16 in. (33 x 21.5 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Apollo Doodt Coron, anonymous, after Philips Galle, after Hans Bol, c. 1550 - c. 1650 print Apollo kneels in panic for the dead Coronis. Coronis was his mistress, but continued with another. That is why Apollo shot with an arrow to her. Southern Netherlands paper etching Apollo shoots Coronis, but repenting his act he tries in vain to recall her to life

Haven with rowing boats, figures and cattle, Willem van Nieulandt (II), After Paul Bril, 1594 - 1635 print Harbor on a river with moored rowing boats. Different figures and a herd of cattle on the left bank. On the right bank is a woman with a child in a sling at some sitting figures. paper etching / engraving / brush rowing-boat, canoe, etc.. river. harbour

Abraham and Isaac on the way to Sacrifice. Artist: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp); Possibly after Matthijs Cock (Netherlandish, ca. 1509/10-1540/48 Antwerp). Dimensions: Sheet: 12 1/8 x 8 7/8 in. (30.8 x 22.5 cm). Date: 1558. Museum: Metropolitan Museum of Art, New York, USA.

A scene with a hunter unknown

unknown, France, Langlois, François, Bella, Stefano della, Paysages et ruines de Rome, Landscapes and ruins at Rome, Landscape with waterfall, verso - stamped, A landscape with a waterfall. In the background houses and a shepherd with a herd of cattle., print, prints, height 130 mm, width 130 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1589-05-12 - 1647-01-14, publisher, uitgever van privilege

Landscape with the Merciful Samaritan. The Merciful Samaritan finds the wounded and robbed man and takes care of his wounds. In the landscape the two passers-by, who left the injured man left.

Landscape with cattle and figures; sketch for the Rustic Courtship 1755-97 Gainsborough Dupont British. Landscape with cattle and figures; sketch for the Rustic Courtship 341672

Covered wagon on a path in a mountainous river landscape, Jan van de Velde (II), 1616 print A man with a dog and a covered wagon on a country road along a river with a stone bridge. On the left a building on a mountain. Ninth print of a series of a total of 52 prints with landscapes, spread over two parts of 26 prints each. Northern Netherlands paper etching river. landscape with bridge, viaduct or aqueduct. covered wagon, hooded wagon. (high) hill

The Sending Out of the Apostles. Artist: Adriaen Collaert (Netherlandish, Antwerp ca. 1560-1618 Antwerp); After Hans Bol (Netherlandish, Mechelen 1534-1593 Amsterdam). Dimensions: sheet: 5 9/16 x 8 3/16 in. (14.2 x 20.8 cm). Date: ca. 1584. Museum: Metropolitan Museum of Art, New York, USA.

Landscape with a fountain, monument and people, Etienne Baudet, After Pierre Monier, After Nicolas Poussin, 1684 print print maker: ParisFrance paper etching / engraving landscape with monument. armorial bearing, heraldry

Lying calf for a ruin, Pieter Gerardus van Os, 1798 print Netherlands paper etching calf

Figures around a campfire, Gillis van Scheyndel (I), 1631 - 1653

Praag, Sadeler, Aegidius, Savery, Roelant, Six landscapes, Rabbit hunt in a forest landscape, verso below - stamped, Trees with large roots in the foreground. On the right a hunter aiming his rifle at a group of rabbits. The sixth print in a six-part series with landscapes., print, prent, prints, prenten, height 224 mm, width 284 mm, Zuid-Nederlands, 1570 - 1629, print maker, printmaker, 1597 - 1629, paper, papier, etching, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1576 - 1639-02-25, after a design by, Publication (Event), Publicatie, publisher

Landscape with the Great Ruins, from The Small Landscapes Printed 1633-1645 Flanders. Schelte Adamsz. Bolswert was best known for his reproductive engravings of the work of Flemish painter Peter Paul Rubens. This engraving is from a lengthy series called Small Landscapes, which shows humans in all-encompassing, dramatic landscapes. The human figures in this composition, who graze sheep and fetch water from the stream, interact with and blend into their surroundings.. Engraving on ivory laid paper . Schelte Adamsz. Bolswert

Design for a Fountain with Pegasus, for the Villa Albani, Rome, Pen and brown ink, brush and gray wash, graphite on cream laid paper, A horse stands on naturalistic rocky arch with a shallow cascading fountain below that is flanked by park-like walls. A lion sits in left middle ground, while a man in lower right foreground looks upward at the arch. There are trees and low vegetation throughout the composition, which is framed by a ruled border of pen and brown ink on three sides., Rome, Italy, ca. 1750, architecture, Drawing, Drawing

Beech Grove. Dated: 1840. Dimensions: plate: 28.2 x 20.8 cm (11 1/8 x 8 3/16 in.) sheet: 44.5 x 31.5 cm (17 1/2 x 12 3/8 in.). Medium: etching with drypoint and roulette on chine coll. Museum: National Gallery of Art, Washington DC. Author: Eugène Bléry.

Landscape with Christ and the Samaritan woman at De Put, Sébastien Bourdon, 1626 - 1671 print Paris paper etching / engraving landscapes. Christ and the woman of Samaria: sitting at Jacob's well he asks her for a drink from her jug

July: Shaving sheep (lion); Iulius; The twelve months (part 2). Landscape that depicts the month of July. Landscape with sheep shearders. At the top left the symbol for the constellation lion.

Landscape with the parable of the GoodSamaritan. Etcher: Johannes van Doetecum, the Elder, Dutch, active 1554-ca. 1600Etcher: Lucas van Doetecum, Dutch, died before 1584 After: Maerten van Heemskerck, Dutch, 1498-1574

Paul Bril's drawing shows an Italian mountain monastery above a waterfall, drawn in brown ink with watercolor, highlighting buildings, waterfall, and terrain.

Figures around a campfire, Gillis van Scheyndel (I), 1631 - 1653.

Figures and farmer's carts at an inn; t 'Drunk Huysie t'enden t' Bos; Landscapes of the Haarlem area, copies; Sigtten Buijten Haarlem. At an inn there is a farmer's cart, of which the stretched horses eat from a rare. A hiker with a dog in the foreground. In the distance another cart with figures.

Jupiter kidnaps Ganymedes, Anonymous, After Philips Galle, After Hans Bol, c. 1550 - c. 1650 print Jupiter, in the form of an eagle, flies with Ganymedes to the Olympus. Southern Netherlands paper etching the rape of Ganymede: he is carried off through the air by Jupiter in the form of an eagle, or by the eagle of Jupiter

Mountainous landscape with horseman, two men and three dogs on a path. With the sky. Tenth print in a series of thirteen with months, Landscape with horseman September The twelve months (series title) The coloured drawings of the 12 Months (...) (series title), print maker: Johannes Janson, Johannes Janson, Leiden, 1783, paper, etching, h 142 mm × w 170 mm

A red chalk drawing by Anthonie Waterloo depicting a watermill situated under trees, with traces of a horizontal fold.

. An Italian landscape with left on a hill. Ruin of a round temple, perhaps the temple of the Sibille in Tivoli. Left in the foreground a man, two women, a child and a dog walk. On the left on a rock three shepherds and a goat.

Depiction of a family sitting by a stream with four dancing figures by Albert Flamen using brown feather; left side shows a brown stain.

Attributed to Joseph Mallord William Turner, 1775-1851, British, The Temple of Jupiter in the Island of Aegina, between 1813 and 1823. Etching, printed in brown ink on medium, slightly textured, cream wove paper.

Italy, Landscape with shepherds and cattle, recto lower right - handwritten in brown ink, Landscape with a rapid and hills. In the foreground on the right three shepherds and five cattle. Title in Latin in the bottom margin., print, prent, prints, engravings, verso - stamped, 14, height 260 mm, width 383 mm, print maker, prentmaker, 1600 - 1699, paper, papier, etching, etchings

Allart van Everdingen, Two Carts, probably c 1645 1656 Two Carts

View of the source of Geronstère at Spa, Allaert van Everdingen, c. 1655 print Landscape with trees and a stone building in the background. At a tower -like building in the foreground, people in turn wait to get water. Netherlands paper etching spring (fluids extracted from the earth) Source of Geronstère. Spa

Landscape, Nicolas Perelle, c. 1680 - c. 1695 print Landscape. Design for painting above chimney mantle or door Print is part of an album. paper etching village (+ city(-scape) with figures, staffage). popular music, street music - CC - out of doors

Italian Landscape with Ruins. Jonas Umbach the Elder; German, 1624-1693. Date: 1644-1693. Dimensions: 80 x 105 mm (image/plate); 83 x 106 mm (sheet). Etching in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Souvenir of Italy (Souvenir d'Italie). Dated: 1871. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste-Camille Corot.

Vue du Tombeau de Virgile from Differentes vues dessiné d'après nature... dans les environs de Rome et de Naples 18th century Adélaide Allou French. Vue du Tombeau de Virgile from Differentes vues dessiné d'après nature... dans les environs de Rome et de Naples 639486

Landscape with Diogenes that throws away his drinking nap, Etienne Baudet, After Nicolas Poussin, 1701 print Numbered in the bottom right: 2. France paper engraving city-view, and landscape with man-made constructions - II - ideal landscapes. Diogenes throws away his drinking-cup on seeing a boy drink from his cupped hands

The two riders (Bartsch 79) Herman van Swanevelt (1600-1655). The two riders (Bartsch 79). Floor, 17th century.

Temptation in the desert; Landscapes with biblical, mythological scenes and yacht scenes. Forest landscape. In the foreground, the devil invites Christ to change two stones into loaves. In the background the mountain top serving Satan Christ for a third time. The print has an ornament list with flowers and animals. He is part of a twenty-four series of landscapes with biblical, mythological scenes and yacht scenes.

Two performances about the human influence on the landscape, Gottfried Chodowiecki, After Daniel Nikolaus Chodowiecki, 1774 print With caption: tab. Xxxi. paper etching landscapes - HH - ideal landscapes. man and (wild) animal. civic architecture; edifices; dwellings. traffic and transport. cattle

Landscape with Schrag, Allaert van Everdingen, 1651 - 1675 print Landscape with dilapidated hut between trees and bushes. On the waterfront, a person sits on a tree trunk next to a pointing man. In the background a chat and a third person suffered from tree trunks. Netherlands paper etching timber yard, lumber stack

Small landscape with figures under a rock arch, draughtsman: Johannes de Bosch, 1775, paper, pen, brush, h 98 mm × w 70 mm

Landscape with figures resting in a tomb, print maker: Albert Meyeringh, 1695 - 1714

Landscape with ruin and shepherd on donkey; Landscapes with shepherds and cattle. Landscape with a ruin and a shepherd sitting on a hill. Front right a shepherd on a donkey, flanked by a dog and a shepherd. Sixth print from a series of six with landscapes with shepherds and cattle.

River Landscape with High Cliffs. Dated: 1546. Dimensions: plate: 5 13/16 x 7 1/16 in. (14.7 x 18 cm) sheet: 15.9 x 18.6 cm (6 1/4 x 7 5/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Augustin Hirschvogel.

unknown, France, Langlois, François, Bella, Stefano della, Paysages et ruines de Rome, Landscapes and ruins at Rome, Herd in a valley, verso - stamped, A landscape with a herd of cattle in a valley. In the background a forest and a ruin on a hill., print, prints, height 133 mm, width 136 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1589-05-12 - 1647-01-14, publisher, uitgever van privilege

Landscape with Narcissus, Antonio Tempesta, 1565 - 1630 print Landscape with the handsome Narcissus that rings away while he looks endlessly at his own mirror image in the water of a stream. paper etching Narcissus, gazing in a fountain, falls in love with his own reflection; possibly the nymph Echo peeps at the scene. landscapes - HH - ideal landscapes

Landweg next to a river, Aegidius Sadeler (II), After Pieter Stevens (II), 1624 - c. 1650 print A country road next to a river. On the foreground a cross. The seventh print of an eight -part series with Bohemian landscapes. print maker: Praagpublisher: Venicepublisher: Venice paper etching / engraving public road (+ city(-scape) with figures, staffage). 'en route', traveller under way. the cross ~ symbols of Christ Bohemia

Drawing by Arnold van Maas depicting bandits with prisoners in a wooded landscape. Executed with black-gray brush and gray wash over black chalk, with visible vertical fold and brownish spots.

A Landscape with Three Figures and a Dog. Dimensions: sheet: 6.6 x 7.8 cm (2 5/8 x 3 1/16 in.). Medium: pen and brown ink with gray ways graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Theodore Rousseau.

Southern landscape in round frame Landscapes with round frame , print maker: Cornelis Danckerts (I), (mentioned on object), Perelle, (mentioned on object), publisher: Cornelis Danckerts (I), (mentioned on object), Netherlands, 1613 - 1656, paper, h 131 mm × w 135 mm

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