Pastoral Rural Scenes

Depictions of serene rural landscapes featuring cottages, waterways, and natural elements, showcasing soft lines and muted tones.

Dune Landscape with Figures along a Road, with a Cottage in the Distance, Jan Vermeer van Haarlem (I) (attributed to), c. 1650 - c. 1665, draughtsman: Jan Vermeer van Haarlem (I), (attributed to), draughtsman: Jan Wijnants, (rejected attribution), Haarlem, c. 1650 - c. 1665, paper, brush, h 176 mm × w 270 mm

A group Bacchae fighting with each other and with a group of nymphs. Between fighting naked figures walk naked children., print maker: Gerard Melder, Dating 1725.

Mill on a waterfront, c. 1803 - c. 1818 Along the water a path with two cyclists. Page 23 from a sketchbook with 74 pages. paper. pencil windmill in landscape (+ city(-scape) with figures, staffage). landscapes with waters, waterscapes, seascapes (in the temperate zone)

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), the four elements. Fire. Fourth issue of a suite of 4 rooms. (A. de Vesme 756; dutuit 136) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Watercolour - The Clyde George Heriot (1759-1839)

Four Chinese figures in a landscape, 1727 - 1775 print Four Chinese figures in a landscape with water in the background. On the left a child. In the middle two richly dressed Chinese men. On the right a man who bends. Print is part of an album. paper etching Chinese (+ men). Chinese (+ costume). landscapes in the temperate zone

Edward Alfred Goodall, 1819-1908, British, The Gipsy, 1834. Line engraving on moderately thick, slightly textured, beige, wvoe paper with gray chine colle.

Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle, Print made by Thomas Gainsborough RA, 1727-1788, British, between 1779 and 1780, Soft-ground etching on medium, slightly textured, blue wove paper, Sheet: 12 x 15 3/8 inches (30.5 x 39.1 cm) and Image: 12 x 15 3/8 inches (30.5 x 39.1 cm), birds, bridge (built work), building, cattle, cows, genre subject, horse (animal), landscape, man, shepherds, tower (building division), trees, water, woman

PastoralScene. Artist: Matthys van den Bergh, Dutch, 1615-1687

Landscape with a man playing a pipe under an old tree. Landscape. Watercolor, gouache, pen and black ink, graphite, black chalk on medium, cream, moderately textured laid paper on blue wove paper mount. Height: 375 mm (14.76 in); Width: 264 mm (10.39 in). Author: Paul Sandby.

John Claude Nattes, 1765-1822, British, Untitled, 1815. Pen and black ink and graphite on medium, slightly textured, cream wove paper.

Franz Innocenz Josef Kobell, Landscape Landscape

A Water-Wheel Driving a Transporter. Painting. Watercolor. Height: 287 mm (11.29 in); Width: 464 mm (18.26 in). Author: Thomas Rowlandson.

Print made by Thomas Gainsborough RA, 1727-1788, British, Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle, between 1779 and 1780. Soft-ground etching on medium, slightly textured, blue wove paper.

Landscape with Figure and House Made 1600-1699 Italy. Pen and brown ink on tan laid paper, laid down on ivory laid paper . Unknown Bolognese

Parts surrounded by a haemicycle driveway with walkers (Luxembourg Garden) [RECTO. Louis Lincler. Parts surrounded by a haemicycle alley with walkers, garden of Luxembourg (front). Feather and brown ink, green, pink and gray on paper.

Sir Robert Smirke the younger, 1781-1867, British, A Halt for the Evening of Our Guards and Attendants Between Messenia and Arcadia, 1802-1804. Graphite on moderately thick, moderately textured, beige, wovve paper.

Antonio Lafreri, 1512-1577, French, Speculum Romanae Magnificentiae, 1546-1590. Line engraving on medium, slightly textured, cream laid paper.

A Temple in Harewood Park. Date/Period: Ca. 1798. Landscape. Watercolor, gouache and charcoal/black chalk over graphite on medium, slightly textured, beige, laid paper. Height: 213 mm (8.38 in); Width: 176 mm (6.92 in). Author: Thomas Girtin.

Amsterdam, Ploos van Amstel, Cornelis, Berchem, Nicolaes Pietersz., Körnlein, Johannes, Woman on a mule, verso cardboard and verso print - stamped, A woman rides a mule along a river. Next to the donkey are cows, sheep and a goat. On the water a barge., print, prints, height 148 mm, width 229 mm, - 1772, print maker, printmaker, 1769 - 1769, paper, print drawing, etching, crayon method, through printing, roulette, Northern Netherlands, 1620 - 1683-02-18, intermediary draughtsman, after a drawing by, 1726-01-04 - 1798-12-20, supervision, etchings

View in the Barracano de Martianez, Port Orotava, Tenerife, looking Northward, Alfred Diston, active 1818-1829, 1820, Pen and brown ink, brown wash and gray wash on medium, slightly textured, beige wove paper, Sheet: 6 1/8 × 8 inches (15.6 × 20.3 cm), bridge (built work), cliffs, figures, landscape, passage, ravine, Europe, Spain, Tenerife

William Hodges, 1744-1797, British, An Irrigation Well, between 1781 and 1783. Pink and gray wash, pen and black ink, and graphite on laid paper, laid down on 19th Century wash mount.

Edward Lear, 1812-1888, British, Turin, Italy, after 1872. Pen in brown ink with brown wash over graphite on moderately thick, moderately textured, cream wove paper.

Laozi Passing theBarrier

The Northern Entrance of Gundecotta Pass, Thomas Anburey, ca. 1780-1820, British, ca. 1792, Watercolor and graphite on medium, moderately textured, blued white, wove paper, Sheet: 17 1/8 × 22 inches (43.5 × 55.9 cm)

Anne Rushout, ca. 1768-1849, British, From Window at Daylesford, October 20, 1830, 1830. Watercolor, pen and gray ink, and graphite on moderately thick, slightly textured, cream wove paper.

'Lincoln', early 19th century, (1934). Creator: Peter de Wint.

A Farmer Entrusting the Plow to His Son. Artist: Jean-Baptiste Greuze (French, Tournus 1725-1805 Paris). Dimensions: 15 7/16 x 19 1/2 in. (39.2 x 49.5 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

At the Foot of Fuji. Katsushika Hokusai (Japan, 1760-1849). circa 1834. Books. Double-page book illustration; black and white woodblock print

View of a dike. Draughtsman: Allaert van Everdingen. Dating: 1631 - 1675. Measurements: h 49 mm × w 82 mm. Museum: Rijksmuseum, Amsterdam.

Hugh William Williams, Carne River from Loudoun Castle, Ayrshire, 1804, watercolor over graphite on cream wove paper, lined with fabric, mounted on canvas.

Study of a Bridge, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige, wove paper, Sheet: 5 1/2 × 8 3/8 inches (14 × 21.3 cm), Italy, Venice

Embroidered picture, Medium: silk embroidery on silk foundation Technique: embroidered in stem and speckling stitches on plain weave foundation, Black and white silk embroidery of trees and rural buildings; some of the embroidery has worn away., England, early 19th century, embroidery & stitching, Embroidered picture

British Isles Sketchbook Francis William Edmonds (American, 1806-1863). British Isles Sketchbook, 1841. Graphite on cream, moderately thick, slightly textured wove paper, 4 3/4 x 6 5/16 x 1/4 in. (12.1 x 16 x 0.6 cm). Francis William Edmonds used this sketchbook during his three-week journey through the British Isles, recording important monuments he encountered along the way in places such as Warwick, Liverpool, Glasgow, Edinburgh, and Stratford-upon-Avon. In one of the most striking sketches, combining precise outlines and exacting details, Edmonds rendered the Romanesque and Gothic architectural styles of Jedburgh Abbey, looming over the Scottish town. Since he was primarily a genre painter, this sketchbook provides a rare example of his work in land- and townscape composition. American Art 1841

Inferno IX, Sandro Botticelli (Florence, Italy, 1445 - 1510) 1887

Montana Indian Reservation I, 19th century, Walter Shirlaw, American, 1838 - 1909, 5 x 13 1/4 in. (12.7 x 33.66 cm), Watercolor, United States, 19th century

Chateau de Chaumont, Henry Swinburne, 1743-1803, British, undated, Pen and brown ink, over graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 16 5/16 × 9 5/16 inches (41.4 × 23.7 cm) and Sheet: 3 15/16 × 6 3/8 inches (10 × 16.2 cm)

River landscape with a man, woman and dog in the foreground, Anonymous, 1700 - 1800 drawing paper. watercolor (paint) brush dog

Triumphant project for the arrival of Emperor Alexander; Varenne, Charles Santoire de (1763-1834); 1815 (1815-00-00-1815-00-00);Alexander I (Russian emperor - 1777-1825), Athena (Mitol.), White Eagle (coat of arms), Justice (Personification), Warsaw (Masovian Voivodeship), Neoclassicism (style), unknown (provenance), Panoplia, Plac Trzech Krzyży (Warsaw), Poland (culture), Russian (culture), chariots, entrances, triumphant arches (architect)

A Cottage Wall and Window. Drawing. Watercolor over graphite on medium, smooth, cream wove paper. Height: 175 mm (6.88 in); Width: 225 mm (8.85 in). Author: James Ward.

The Village Dance. Thomas Rowlandson (British, 1756-1827). Watercolor;

A collection of pencil sketches by Austrian painter Ferdinand Georg Waldmüller from 1827, showing various subjects and compositional studies.

Building a Hayrick. Genre subject. Watercolor and graphite on medium, cream, rough wove paper. Height: 133 mm (5.23 in); Width: 206 mm (8.11 in). Author: Peter DeWint.

Samuel Davis, 1757-1819, British, Native and Horseman by a Ruin, undated. Watercolor, pen, and ink on medium, slightly textured, cream wove paper.

James Stark, 1794-1859, British, Dover, undated. Watercolor over graphite on medium, slightly textured, cream wove paper.

Trifylia, Greece, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Blue wash, gray wash and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)

On the Seashore, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and bistre and black on paper, At right is a corner of a 16th century castle. A man and a dog walk beside it; he holds his hat on account of the strong wind. Boats are shown., France, Paris, France, 1793-1877, Drawing, Drawing

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GRABADO-VISTA DE PERA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

View of an ermitage at Mariaspring, Anonymous, 1770 - 1816 print Handwritten text in German on the Verso. paper. ink etching / writing (processes) 'White friends' 'Stammbuch'. Hermitage Mariaspring

Hospital tent, Harrisons landing, Surgeon Boyd, 1862, drawing on tan paper pencil, 18.2 x 26.5 cm. (sheet), 1862-1865, by Alfred R Waud, 1828-1891, an american artist famous for his American Civil War sketches, America, US

De Hemelpoort, Jan Luyken, 1708 - 1710 drawing Design for a print. paper. ink pen / brush devil(s) and demons. angels. the gate of heaven, entrance to heaven, 'porta coeli'. globe

Sigtuna. Artist: Carl Johan Billmark, Swedish, 1804-1870Printer: Rose-Joseph Lemercier, French, 1803-1887

Figure in a Doorway. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Overall: 4 x 6 1/8 in. (10.2 x 15.5 cm). Date: 1832. Museum: Metropolitan Museum of Art, New York, USA.

Anne Rushout, ca. 1768-1849, British, Flower Garden, Finborough Hall, September 1828, 1828. Watercolor on moderately thick, slightly textured, cream wove paper.

Sketch for Screen, late 18th century, Maruyama Ōkyo, Japanese, Shijō, 1733 - 1795, 9 1/8 × 20 7/16 in. (23.18 × 51.91 cm) (image)38 9/16 × 24 3/4 in. (97.95 × 62.87 cm) (without roller), Ink on paper, Japan, 18th century

after Francis Nicholson, 1753-1844, British, Stourhead, Wiltshire, undated. Watercolor over graphite on medium, slightly textured, cream wove paper.

The Port at Saint Tropez (Le Port de Saint-Tropez) Paul Signac (French, 1863-1935). The Port at Saint Tropez (Le Port de Saint-Tropez). Lithograph in colors on wove paper, 10 13/16 x 14 1/2 in. (27.5 x 36.9 cm). European Art

Michel Jean Cazabon, 1814-1888, Trinidadian, active in France ca. 1839-1847, Corbeaux Town, Port of Spain, 1857. Pen and black ink, gray ink, gray wash, black wash, graphite and gouache on moderately thick, slightly textured, beige, wove paper.

The Balloon-Shed. Dated: 1916. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

The Adam and Eve, Old Chelsea James Abbott McNeill Whistler (American, 1834-1903). , 1879. Etching, Sheet: 9 3/4 x 13 5/16 in. (24.8 x 33.8 cm). American Art 1879

Edward Francis Burney, 1760-1848, British, Pastural, undated. Watercolor and pen and black ink on medium, slightly textured, cream wove paper.

Zijgevel van tempel van Juno Lucina. Vue latérale du Temple de Junon Lucine, prise du côté de la Ville (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 365 mm × w 510 mm. Museum: Rijksmuseum, Amsterdam.

George Chinnery, 1774-1852, British, A Garden in India, undated. Watercolor and graphite on textured, moderately thick, cream wove paper.

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

John Linnell, 1792-1882, British, Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's, after 1812. Watercolor, brown ink, and graphite on moderately thick, slightly textured, cream wove paper.

Robert Dixon, 1780-1815, British, Figures Outside the Boar Inn, undated. Watercolor, with pen, in browni ink, and graphite on medium, moderately textured, beige, laid paper, mounted on, very thick, moderately textured, beige, cardboard.

Sir Robert Smirke the younger, 1781-1867, British, Tomb of Theron, 1802-1804. Watercolor and graphite on moderately thick, moderately textured, beige, wove paper.

Punishment of the Lader, Jan Brandes, 1777 drawing Color drawing where the bad speaker is depicted on the one hand as a shit fly that is almost hired by a swallow. On the other hand, the pillory in a summer Dutch landscape. With inscription. Explanation on the back. Part of Jan Brandes' sketchbook, dl. 1 (1808), p. 29 And see p. 30 statement. Doetinchem paper. pencil. watercolor (paint) brush song-birds: swallow. insects: fly. spiders. slander. in the pillory, in the stocks

Tawahquena Village. Dated: 1861/1869. Dimensions: overall: 46.7 x 61.9 cm (18 3/8 x 24 3/8 in.). Medium: oil on card mounted on paperboard. Museum: National Gallery of Art, Washington DC. Author: George Catlin.

Painting depicting an Arab village on the borders of Egypt

A couple of knowledge in the field; Makowski, Tadeusz (1882-1932); around 1924 (1920-00-00-1929-00-00);Peasants, rakes, genre scenes against the background of the landscape, purchase (provenance)

The Damrak in winter, draughtsman: Hendrik Pothoven, after: Jacob Isaacksz van Ruisdael, after: Salomon van Ruysdael, 1735 - 1807, paper, brush, h 207 mm × w 278 mm

unknown artist, Gloucester Cathedral, ca. 1795. Watercolor and graphite on medium, slightly textured, cream laid paper.

Windmill, St. Benet's Abbey, John Cotman

Album Title Page: Hanging Scene 19th century Anonymous, French, 19th century French. Album Title Page: Hanging Scene 362228

Night, 1769. Paul Sandby

Garden at Clifton Hall Written 1845 England. Watercolor over graphite on ivory wove paper . Elizabeth Murray

Patterns for painting on porcelain: landscapes, fruits, candle. Handcoloured copperplate engraving by A. Lutz after an illustration by Cornelis Borsteegh from Anna Barbara van Meertens Penelope, Or Maandwerk aan het Vrouwelijk Geslacht Toegewijd (Penelope, Monthly Magazine dedicated to the Female Sex), G.J.A. Beijerinck, Amsterdam, 1821. Van Meerten was an educator, writer and pioneer in womens rights in Holland.

Louis XV (King of France), Paris, Rigaud, Jacques, La Salle aux Marronniers, View of the Salle des Marronniers in the Garden of Versailles, In the bottom margin two lines of French text., print, prent, opticaprent, prints, prenten, opticaprenten, height 244 mm, width 475 mm, Publication (Event), Publicatie, publisher, uitgever, 1700 - 1799, paper, papier, cardboard, kaart, watercolor (paint), waterverf, etching, etchings, brush, schilder, Frans, 1681 - 1754, print maker, prentmaker, 1710-02-15 - 1774-05-10, granter of privilege

Parijs, Rigaud, Jacques, Le Bassin des Muses dans le jardin de Marli, View of the Bassin des Muses in the garden of the Château de Marly, Paris, In the bottom margin three lines of French text., print, prent, opticaprent, prints, prenten, opticaprenten, height 241 mm, width 474 mm, Publication (Event), Publicatie, publisher, uitgever, 1700 - 1799, paper, papier, cardboard, karton, watercolor (paint), watercolor, etching, etchings, brush, schilder, Frans, 1681 - 1754, print maker, prentmaker

Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, Baug near Ahmednagar, undated. Watercolor, gouache, and graphite with pen and black ink on medium, slightly textured, cream laid paper.

Landscape with a view of a city, Herman Breckerveld (Possible), 1623 - 1673 drawing Landscape with a mill in the foreground on the left, a tree in the middle, people talking to each other with tools and two children playing. In the background on the left a castle, on the right a village. parchment (animal material). ink. pencil pen

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