Peaceful Landscapes by Corot

Serene pastoral scenes featuring trees, gentle hills, and distant architecture. Soft colors and calming atmospheres evoke nostalgia and tranquility.

The Tuileries, Monet, Claude, 1875

A Torrent at Romagnes, after 1862, Jean-Baptiste-Camille Corot, French, 1796 - 1875, 14 1/8 x 20 1/8 in. (35.88 x 51.12 cm) (canvas), Oil on canvas, France, 19th century, France was defeated, broken in body and spirit, at the end of the bloody Franco-Prussian War in 1871. The comfort and beauty of landscape paintings was a balm, a boost to morale. Jules Castagnary, a critic at the time, commented, 'Landscape remains the strength and glory of our French school. Although the jury went through it like a plow through a green field, there are still enough beautiful examples to prove to foreigners that we have not degenerated, at least not in this area.' Corot became a poet of landscape painting with images like this, the women walking beside the torrential river representing the peace and wellness of the French after the war.

Recollection of Castelgandolfo, Souvenir de Castelgandolfo, by Camille Corot, circa 1865-8, Musee du Louvre, Paris, France, Europe

Jean-Baptiste Camille Corot (1796-1875). French painter. Chateau-Thierry, 1863. Oil on panel (32,3 x 47 cm). Calouste Gulbenkian Museum. Lisbon. Portugal.

Souvenir de Coubron Souvenir of Coubron. Date/Period: 1872. Painting. Oil on canvas. Height: 46 cm (18.1 in); Width: 55.3 cm (21.7 in). Author: Jean-Baptiste Camille Corot.

The Weir at the Mill L'écluse de la Loue. Date/Period: 1866. Painting. Oil on canvas. 64.5 cm x 54 cm. Author: GUSTAVE COURBET.

The big pebble and the invalids seen from the heights of Chaillot, 1835 HIMELY SIGISMOND (1801-1872). The big pebble and the invalids seen from the heights of Chaillot, 1835. Paris, 1835. Watercolor.

LA ALDEA DE ROSNY. Author: JEAN BAPTISTE CAMILE COROT. Location: LOUVRE MUSEUM-PAINTINGS. France.

John Constable, Dedham Church from Flatford, c. 1810, oil on canvas.

The White Horse, John Constable, 1818-1819,National Gallery of Art, Washington DC, USA, North America

The Tuileries, Monet, Claude, 1875

Corot, Camille (n.1796-07-16-D.1875-02-22), Canteleu (main title), 1872. Oil on canvas. Petit Palais, Museum of Fine Arts of the City of Paris. Canteleu (main title)

Homeward George Inness (American, 1825-1894). Homeward, 1881. Oil on canvas, 20 1/4 x 30 1/8 in. (51.5 x 76.5 cm). This picture was never completed, but the composition provides a fascinating glimpse of George Innesss rapid working process during the initial stages of painting. The background was first tinted overall with a gray-brown midtone. This was followed by a linear charcoal underdrawing, especially visible in the tree branches. Innesss expressive brushwork further defines the image with both wet and dry dragged paint, bold color, rubbing, and even the apparent use of the brush handle to define the oxs foreleg. This looser, more freely brushed style signals the direction of his mature work under the inspiration of French Barbizon art, which celebrated unidealized representations of nature. American Art 1881

Sketch for 'The Haywain', John Constable, 1776-1837, British, ca. 1820, Oil on canvas laid to paper, Support (PTG): 4 7/8 x 7 inches (12.4 x 17.8 cm), barges (flat-bottomed watercraft), building, chimneys (architectural elements), figures, house, impasto, men, path, tree, England, Europe, Stour, United Kingdom

The Seine below Pont d'Iena, Morisot, Berthe

Stormy Weather. Pas de Calais by Corot, Jean-Baptiste Camille (1796-1875) / State A. Pushkin Museum of Fine Arts, Moscow / Barbizon / c. 1870 / France / Oil on canvas / Landscape / 38x55

The Halage path (Le chemin de Halage), 1864, by Camille Pissarro (1830-1903).

Carlos de Haes / 'Thicket of the San Fernando Bridge'. Ca. 1872. Oil on canvas attached to canvas. Museum: Museo del Prado, Madrid, España.

DIA LLUVIOSO - SIGLO XIX. Author: JOAQUIM VAYREDA (1843-1894). Location: MUSEU NACIONAL D'ART CATALUNYA. Barcelona. SPAIN.

The hill of Montmartre with stone quarry (1886), Painting by Vincent Willem van Gogh (born 30 March 1853 in Groot-Zundert, died 29 July 1890 in Auvers-sur-Oise), Dutch painter and draughtsman, one of the founders of modern painting, Illustration, Reproduction from a painting. Authentic, exact date of the original unknown, Historical, Impressionist depiction of a hill with a mill and village in the background under a cloudy sky

'Ecouen', 1858, (c1915). Artist: Emile Lambinet.

The Drinking Pool (man in cart with oxen at pool). Date: 1895. oil on canvas. Museum: Smithsonian American Art Museum.

Homeward. Date: 1895. oil on canvas. Museum: Smithsonian American Art Museum.

Homeward George Inness (American, 1825-1894). Homeward, 1881. Oil on canvas, 20 1/4 x 30 1/8 in. (51.5 x 76.5 cm). This picture was never completed, but the composition provides a fascinating glimpse of George Innesss rapid working process during the initial stages of painting. The background was first tinted overall with a gray-brown midtone. This was followed by a linear charcoal underdrawing, especially visible in the tree branches. Innesss expressive brushwork further defines the image with both wet and dry dragged paint, bold color, rubbing, and even the apparent use of the brush handle to define the oxs foreleg. This looser, more freely brushed style signals the direction of his mature work under the inspiration of French Barbizon art, which celebrated unidealized representations of nature. American Art 1881

Peter DeWint, 1784-1849, British, By the Wayside, undated. Watercolor and gouache over graphite on thick, rough, cream wove paper.

The Fisherman; Le Pecheur. Henri Lebasque (1865-1937). Oil on canvas. Dated 1890. 40 x 50cm.

Souvenir of the Environs of Lake Nemi. Jean-Baptiste-Camille Corot; French, 1796-1875. Date: 1865. Dimensions: 98.4 × 134.3 cm (38 3/4 × 52 7/8 in.). Oil on canvas. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Luis Rigalt. "Paisaje con ciudad". Museum: COLECCION PARTICULAR.

THE MILL Felix Ziem (1821-1911). The mill. Oil on canvas.

The Departure of the Boatman. Date/Period: 1870/1872. Painting. Oil on canvas. Width: 92.7 cm. Height: 73.3 cm (without frame). Author: Jean-Baptiste-Camille Corot.

Painting titled 'On the River Banks' by Pierre-Auguste Renoir (1841-1919) a French artist. Dated 19th Century

Georges Michel, Landscape with Mill ,oil on canvas, Thyssen-Bornemisza National Museum, Madrid

fine arts, Corot, Jean-Baptiste Camille, (1796 - 1875), painting, ""the little carriage in the dunes"", circa 1865, oil on canvas, Art Gallery, Mannheim,

Ramon Marti i Alsina. "La siega". Siglo XIX. Museum: COLECCION PRIVADA.

"Sketch for A Boat Passing a Lock 1822-24 oil on canvas by John Constable, English 1776 - 1837"

Barges on the Stour John Constable (1776-1837 British) The Huntington-San Marino, California

Greenwich Yacht Club-Night Ernest Lawson (1873-1939/American) Oil on canvas David David Gallery, Philadelphia

A Fosset; La Crue. Fernand Khnopff (1858-1921). Oil on board. Signed and dated 1881. 11 x 21cm.

Figures at a fountain, Adolphe Joseph Thomas Monticelli, c. 1870 - c. 1886

Drying of nets on a lawn behind the dunes, Drying of nets, draughtsman: Frans Smissaert, 1872 - 1944, paper, brush, h 288 mm × w 218 mm

In Holland. Date: n.d. watercolor. Museum: Smithsonian American Art Museum.

Syster Anna Sister Anna. Date/Period: 1877. Painting. Oil on canvas. Height: 1,030 mm (40.55 in); Width: 650 mm (25.59 in). Author: Carl Fredrik Hill.

Joaquín Sorolla/ Valencia Beach, 1890. Oil on canvas. Museum: MUSEO SOROLLA, MADRID, SPAIN.

The enchanted castle by Maris, Matthijs (1839-1917) / Gemeentemuseum Den Haag /Holland / Oil on canvas / Landscape / 37x47,5

Summer 1874 Claude Monet (1840-1926 French) Oil on canvas National Gallery, Berlin, Germany

Bliżej Kultury Verlag of A.E. Seemann in Leipzig, Buchholz, Karl (1849 1889)

"Blanchisserie à Scheveningen" Bleachery at Scheveningen (recto), "Femme de Scheveningen" Woman from Scheveningen (verso); Vincent van Gogh, Dutch, 1853 - 1890; 1882; Watercolor heightened with white gouache; 31.8 x 54 cm (12 1/2 x 21 1/4 in.)

The Hill of Montmartre with Stone Quarry, Vincent van Gogh, 1886,

Untitled. Date: 1874. Watercolor on paper. Museum: Smithsonian American Art Museum.

The Beach at Trouville (Trouville, La Plage) Eugène Louis Boudin (French, 1824-1898). The Beach at Trouville (Trouville, La Plage), ca. 1887-1896. Oil on canvas, 14 3/8 x 23 in. (36.5 x 58.4 cm). Here, Eugène Louis Boudin depicted local workers in a horse-drawn cart crossing a beach that, at other times, was filled with fashionable urban tourists. He was committed to working en plein air (outdoors) to capture with freshness and immediacy the play of light on water and clouds in patches of color. This approach had a profound influence on his younger friend Claude Monet, who recalled: One day Boudin said to me: ‘Learn to draw well and appreciate the sea, the light, the blue sky.’ I took his advice and together we went on long outings during which I painted constantly from nature. This was how I came to understand nature and learned to love it passionately.. I have said it before and can only repeat that I owe everything to Boudin and I attribute my success to him.” European Art ca. 188

URGELL INGLADA , MODEST. PINTOR ESPAÑOL . BARCELONA 1839 - 1919. " PLAYA CON BARCA " , OLEO SOBRE LIENZO.

Pierre-Georges Jeanniot, Coming Storm, 1905, oil on canvas.

Bleachery at Scheveningen (1882), Bleachery in Scheveningen (1882), Painting by Vincent Willem van Gogh (born 30 March 1853 in Groot-Zundert, died 29 July 1890 in Auvers-sur-Oise), Dutch painter and draughtsman, one of the founders of modern painting, Illustration, Reproduction from a painting. Authentic, exact date of the original unknown, Historical, Village with wide fields under a cloudy sky, peaceful winter landscape

The sloping Tiber is shown in the right foreground, its left bank in the left foreground. The Castle rises in the central middle distance. Written, bottom left: "St. Angelo/ and Claudes villa". Bottom right: "No-1" on verso: "Claudes villa- two parts (one)". Date: 1868-69. Brush and oil, pencil on cardboard. Museum: Cooper Hewitt, Smithsonian Design Museum.

The Garden of the Villa Borghese, Thomas Jones, 1742-1803, British, active in Italy (1776-83), ca. 1776, Watercolor and oil paint on moderately thick, moderately textured, cream laid paper, Sheet: 11 x 16 inches (27.9 x 40.6 cm), cityscape, garden, Grand Tour, landscape, Rome

Trekvaart. Dating: c. 1860 - c. 1888. Measurements: h 35 cm × w 32 cm; d 9 cm. Museum: Rijksmuseum, Amsterdam. Author: Anton Mauve.

Martigues, in front of Ziem's __house F�lix Ziem (1821-1911). Martigues, in front of Ziem's __house. Watercolor on paper. Nineteenth century.

Athens. From the journey to Greece. Ciągliński, Jan (1858-1913), painter

Culebra Cut; 1913; Oil on canvas Jonas Lie; American; 1880-1940

Peter DeWint, 1784-1849, British, The Wagon, undated. Watercolor over graphite on medium, rough, cream wove paper mounted on card.

'The Village Road, Auvers', 1872-1873, Oil on canvas, 46 x 55 cm. Author: PAUL CEZANNE. Location: MUSEE D'ORSAY. France.

Winter in a small town, sketch; Gierymski, Maksymilian (1846-1874); 1872 (1872-00-00-1872-00-00);Society of encouragement of Fine Arts (Warsaw - 1860-1940) - collection, carriages, huts, roads, horses, towns, landscapes, landscapes with relay, realism (style), sketches, Munich school, views of the town, peasant cars

The Approaching Storm. Dated: 1849. Dimensions: overall: 116.2 x 157.5 cm (45 3/4 x 62 in.) framed: 159.4 x 199.7 x 17.8 cm (62 3/4 x 78 5/8 x 7 in.). Medium: oil on canvas on board. Museum: National Gallery of Art, Washington DC. Author: CONSTANT TROYON.

John Constable, Stratford Mill , 1820 , Oil paint on canvas, London,.

Study I for Shepherd children". Chełmoński, Józef (1849-1914), painter

Village in Brittany. Charles François Daubigny; French, 1817-1878. Date: 1844. Dimensions: 9 1/4 × 14 in. (23.5 × 35.7 cm). Oil on paper, mounted on canvas. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Charles Francois Daubigny.

ARTE SIGLO XIX . ALEMANIA. FRIEDRICH, GASPAR DAVID. (1774-1840 ). ES UNO DE LOS MEJORES REPRESENTANTES DE LA PINTURA ROMANTICA ALEMANA. " PLAYA CON PESCADORES " . AÑO 1807.

Wanderer in the Storm. Artist: Julius von Leypold (German, Dresden 1806-1874 Niederlnitz). Dimensions: 16 3/4 x 22 1/4 in. (42.5 x 56.5 cm). Date: 1835.The figure of a wanderer in an untamed natural setting personified restless yearning for the German Romantics. Man's loneliness and nature's transience, themes clearly stated in this picture, find direct parallels in the works of the painter Caspar David Friedrich and the composer Franz Schubert, notably his song cycle Die Winterreise, or Winter Journey (1827). Museum: Metropolitan Museum of Art, New York, USA.

Jean Baptiste Camille Corot, Bridge on the Saône River at Mcon, 1834 Bridge on the Saône River at Mcon

Oostzijdse Mill along the River Gein by Moonlight, by Piet Mondrian, c. 1903, Dutch oil painting. Under the influence of Art Nouveau, Mondrian emphasized the fluid shapes creating a non-realistic, decorative painting (BSLOC_2016_2_32)

Painting titled "The Leaping Horse" by John Constable dated 1824

fine arts, Constable, John, (1776 - 1837), painting, ""The Old Mill"", oil on canvas, Lazaro Galdiano Museum, Madrid,

Rafael Estrany i Ros / 'Barcas y bueyes'. Colección privada.

Carlos de Haes / 'Una alquería (Elche)', ca. 1861, Spanish School, Paper, 32 cm x 40 cm, P05672. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Floyd's Grave, Where Lewis and Clark Buried Sergeant Floyd in 1804. oil on canvas. Date: 1832. Museum: Smithsonian American Art Museum.

Crozard Road, Little Fog and Frost; Route de Crozard, Petit Brouillard et Gelee Blanche. Armand Guillaumin (1841-1927). Oil on canvas. Painted in 1910. 54 x 64.8cm.

Sisley / L'ile Saint-Denis / 1872

Snow-Covered Field with a Harrow, after Millet, Vincent van Gogh, 1890,

Caprice with ruin bow and seaport Francesco Guardi (after). "Caprice with ruin bow and sea port". Oil on wood. Paris, Cognacq-Jay Museum.

Water Mill At Opwetten (1884), Water Mill in Opwetten (1884), Painting by Vincent Willem van Gogh (born 30 March 1853 in Groot-Zundert, died 29 July 1890 in Auvers-sur-Oise), Dutch painter and draughtsman, one of the founders of modern painting, Illustration, Reproduction from a painting. Authentic, exact date of original unknown, Historical, Historical mill by the river with a dull sky and soft play of light

John Inigo Richards RA, 1730/31-1810, British, Corfe Castle, Dorset, 1764. Oil on canvas.

Sphinx by the moonlight. From the journey to Egypt. Ciągliński, Jan (1858-1913), painter

The Toy Boat. Ernest Lawson (1873-1939). Oil On Canvas.

Vintage; Slevogt, Max (1868-1932); 1900-1910 (1900-00-00-1910-00-00);Modernizm (Styl)

The Boatyard at Matrat; Chantiers a Matrat. Alfred Sisley (1839-1899). Oil on canvas. Signed and dated 1889. 54.3 x 65.3cm.

Breakdown by Hugo Muhlig, oil on canvas, (1854-1929), USA, Philadelphia, Pennsylvania, David David Gallery

Farmyard. Dated: 1870. Dimensions: overall: 12.3 x 9.5 cm (4 13/16 x 3 3/4 in.). Medium: pen and ink with watercolor. Museum: National Gallery of Art, Washington DC. Author: Adolphe Hervier.

Early Morning, Tarpon Springs 1892 United States. In 1878 the painter George Inness wrote in Harperís magazine ìDetails in the pictures must be elaborated only enough fully to reproduce the impression that the artist wishes to reproduce. When there are more details, the impression is weakened or lost, and we see simply an array of external things which may be cleverly painted and may look very real, but which do not make an artistic paintingÖ . The one is poetic truth, the other is scientific truth; the former is aesthetic, the latter is analytic.îIn the course of his lengthy career, Inness increasingly eschewed precision of detail in his paintings, conveying mood and emotion through richness of tone and broadness of handling. He first visited Florida about 1890, and he subsequently established a house and studio in Tarpon Springs, where he executed this painting. In a pink-and-blue morning light, a lone man studies a cluster of buildings in the middle distance. Through blurred outli

CASAS i CARBO, Ramn (1866-1932). Landscape with figures. Modernism. Oil on canvas. SPAIN. GALICIA. Pontevedra. Pontevedra Museum.

Auguste Renoir/Vue de Cagnes/ post 1900

Harvest in a field. Makowski, Tadeusz (1882-1932), painter

Winslow Homer (American, 1836 - 1910), The Green Hill, 1878, watercolor, gouache, and graphite on gray-green paper faded to brown

African Chief 1870 Spain. Oil on canvas . Mariano Fortuny y Marsal

Staging in California, 1889. Borglum, John Gutzon de la Mot.

AIGUABLAVA. Author: FRANCISCO GIMENO ARASA (1858-1927). Location: CASON DEL BUEN RETIRO-PINTURA. MADRID. SPAIN.

Armand Guillaumin, Quay in the Snow, c. 1873, oil on canvas, mounted on Masonite.

Arnold Böcklin (born 16 October 1827, died January 1901), Swiss painter, draughtsman, graphic artist and sculptor of Symbolism: Spring Day (The Three Life Ages) (1883), Painting, Reproduction of the painting, Work of art, Historical, Two people sitting in a meadow under bare trees, a house in the background under a cloudy sky

The Harvest Moon. Date/Period: Ca. 1833. Painting. Oil on paper, laid on panel. Height: 222 mm (8.74 in); Width: 276 mm (10.86 in). Author: Samuel Palmer.

Old Virginia Home. David Gilmour Blythe; American, 1815-1865. Date: 1864. Dimensions: 52.7 × 73 cm (20 3/4 × 28 3/4 in.). Oil on canvas. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

PUESTO DE CAZA - 1768 - RELIEVE EN CERA. Author: FRANCESCO PIERI GIOVANNI (1699-1773). Location: PALACIO REAL-RELIEVES. Riofrío. SEGOVIA. SPAIN.

(Untitled). Charcoal, pastel, watercolor and pencil on paper. Date: (1902). Museum: HIRSHHORN MUSEUM AND SCULPTURE GARDEN.

of 2