Peasants in 17th Century Interiors

A series of etchings depicting peasants in various settings, engaging in activities like drinking, playing music, and storytelling in rustic interiors.

Paris, Basan, Pierre François, Teniers, David, France, Le concert flamand, Vlaams concert, verso - stamped, print, prints, height 432 mm, width 307 mm, French, 1723-10-23 - 1797-01-12, print maker, printmaker, 1733 - 1797, paper, papier, engraving, engraving (printing process), after, after painting by, Publication (Event), Publication, publisher

Amsterdam, Visscher, Claes Jansz. (II), Ostade, Adriaen van, Suyderhoef, Jonas, Three peasants sitting around a bench, verso - stamped, Interior with three peasants sitting around a bench. The man on the left plays the violin, the man on the right raises his glass and the man in the middle holds a pipe in his hand. At the bottom in the margin a four-line verse in Dutch., print, prent, prints, prenten, height 285 mm, width 223 mm, 1613 - 1686-05-09, print maker, printmaker, 1647 - 1652, paper, papier, engraving, engraving (printing process), Noord-Nederlands, 1610-12-19 - 1685-04-28, after, after painting by, Publication (Event), Publication, 1586 - 1652-06-19, publisher

Philosopher in his study disturbed by an angry woman, Louis Antoine Carolus, 1824 - 1865 print paper etching scholar in his study. Rage, Anger

Northern Netherlands, Houbraken, Arnold, The homecoming of the prodigal son, verso lower left - stamped, The prodigal son, dressed as a swineherd, kneeling in the foreground, returns to his father, who has covered his eyes with his hands. Scene from the biblical parable of the prodigal son., print, prent, prints, prenten, height 123 mm, width 108 mm, 1660-03-28 - 1719-10-14, print maker, prentmaker, 1670 - 1719, paper, papier, etching, etsen

The peasant paying his ecot (Bartsch 42) Adriaen van Ostade (1610-1685). Picart-Gole publishers (18th century). The peasant paying his ecot (Bartsch 42). Floor and dry tip, blood print, 1647-1653

A group of peasants drinking in a tavern, 17th century. Two men seated on barrel chairs raise their jugs and tankards in a toast. Women stand in front of a hearth behind them. Copperplate engraving by David Deuchar from A Collection of Etchings after the most Eminent Masters of the Dutch and Flemish Schools, Edinburgh, 1803.

Spinster sitting on the threshold of a house in conversation with Man, Adriaen van Ostade, 1666 - 1670 print paper etching / drypoint winding of yarn on reels or spools

De Old age, Cornelis Dusart, 1680 - 1704 print Two old men and an old woman by the fireplace. The men smoke and drink and the woman has a bowl in the hands. A print with the personification of death hangs on the wall. The print is part of a series of four prints about the ages of humans. paper engraving Womanhood. Old Age, 'Senectus'; 'Vecchiezza' (Ripa). warming oneself at a fire (or hearth, stove, fire-pan, brazier). Death as skeleton

The Pater Familias 1648 Adriaen van Ostade Dutch. The Pater Familias 396659

Paris, Basan, Pierre François, Teniers, David, France, Le concert flamand, Vlaams concert, verso - stamped, print, prints, height 432 mm, width 307 mm, French, 1723-10-23 - 1797-01-12, print maker, printmaker, 1733 - 1797, paper, papier, engraving, engraving (printing process), after, after painting by, Publication (Event), Publication, publisher

Joseph's jacket is shown to Jacob. Copy to the Print of the same name by Rembrandt.

In an inn, a man raises his glass while another plays the violin. A third is listening and has a pipe in his hand. Men playing violin, smoking and drinking, print maker: Jacob Hoolaart, (mentioned on object), Adriaen van Ostade, (mentioned on object), Dordrecht, 1723 - 1789, paper, h 231 mm × w 190 mm

Saying Grace, 1653. Adriaen van Ostade (Dutch, 1610-1684). Etching;

Dutch Fire Side, Print made by William Finden, 1787-1852, British, after Charles Robert Leslie, 1794-1859, British, 1823, Line engraving on medium, slightly textured, cream wove paper

The Taste 1610-85 Adriaen van Ostade Dutch. The Taste 396324

In a room, a family celebrates Epiphany Eve. There is singing, eating, drinking and playing music. Broken eggs and a pipe lie on the floor, Epiphany Eve, print maker: Elisabeth Barbara Schmetterling, (mentioned on object), after: Jan Havicksz. Steen, (mentioned on object), Netherlands, 1814 - 1882, paper, etching, engraving, h 142 mm - w 93 mm

Glaud and Peggy, Print made by David Allan, 1744-1796, British, born in Scotland, after David Allan, 1744-1796, British, born in Scotland, Published by Watt & Baillie, active 1808, British, 1808, Etching and aquatint on moderately thick, slightly textured, cream wove paper, Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm), Plate: 10 1/4 x 7 15/16 inches (26.1 x 20.1 cm), and Image: 8 7/8 x 7 1/16 inches (22.6 x 17.9 cm), aprons, barrel, basket, bench, birds, bonnets, bowl, breeches (trousers), cane, cat (Felidae), cauldron, chairs, chickens, chicks, cloth, coats, cooking, counter, cupboards, dishes, dog (animal), dresses, elderly, fire, flue, food, genre subject, gesture, hat, housewife (person), illustration, interior, kerchief, labor, meat, men, mirror, onions, pastoral, peasants, pipe, poem, posts, rafters, smoking, spoons, straw, sunlight, tub, windows, women, working, Europe, Scotland, United Kingdom

Pancake Bakster, Jan van de Velde (II), 1603 - 1641 print An old woman, in the light of a fire in an interior, bakes pancakes for a number of children. Northern Netherlands paper engraving pancakes. cooking food. old woman

The Curate and Barber Disguising Themselves to Convey Don Quixote Home (Six Illustrations for Don Quixote). Artist: William Hogarth (British, London 1697-1764 London). Author: Illustrates Miguel de Cervantes Saavedra (Spanish, Alcalá 1547-1616 Madrid). Dimensions: sheet: 9 5/8 x 6 11/16 in. (24.5 x 17 cm). Date: 1756 or after. Museum: Metropolitan Museum of Art, New York, USA.

Two piping farmers near Schouw, Anonymous, After David Teniers, 1700 - 1799 print Two piping farmers, one standing the other sitting in front of a big fireplace. And jug on the ground. (To Teniers) paper etching

Berchem, Nicolaes Pietersz., Noordelijke Nederlanden, Visscher, Jan de, Boerendans, Northern Netherlands, verso - stamped, In a barn a couple is dancing exuberantly, accompanied by the playing of a violinist and a man with a hurdy-gurdy. Others are watching, smoking their pipes or having a conversation. In the foreground a kissing couple., print, prent, prints, prenten, height 465 mm, width 379 mm, Noord-Nederlands, 1633 - 1692, print maker, printmaker, 1643 - 1692, paper, papier, etching, etchings, engraving, engraving (printing process), 1620 - 1683-02-18

Farmer's family near chimney, Cornelis Ploos van Amstel, After Adriaen van Ostade, 1767 print Interior with a family around the chimney. A mother feeds her baby. Amsterdam paper etching open hearth, fire-place. interior of the house. family life at home

Drinking farmers, Willem de Broen, After Adriaen van Ostade, 1705 print Three farmers are sitting under a shed near a shed and smoking and drinking around a table. There is a placard with two swans on the wall of the house. Under the show a Dutch verse. Amsterdam paper etching / engraving inn, coffee-house, public house, etc.

Title Page of a volume about Eugène Delacroix (1798 - 1863); French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.

Cipier, David van der Kellen (1827-1895), 1837 - 1882 print In a departure of a prison, a jailer puts a key in the lock of the door for him, focusing his gaze on the viewer. The jailer has a jug in his left hand and a bread under his arm, next to the door is a lantern. paper etching prison, jail. prison personnel: jailers, warders, guards

Reproduction of a painting: Aleksander Lesser (1818-1884), Prince John Casimir in prison in France. Gorazdowski, Edward (1843-1901), engraver, Lesser, Aleksander (1814-1884), painter

The PancakeWoman. Artist: Cornelis Visscher, Dutch, ca. 1629-1658

A Harlot's Progress, Plate 5 April 1732 William Hogarth British. A Harlot's Progress, Plate 5 399548

Interior with a mother and her three children, Laurent Cars, After Jean-Baptiste Greuze, c. 1764 print print maker: Franceprint maker: Francepublisher: Paris paper etching / engraving mother and baby or young child. child (at home). (playing with) toys. breasts giving milk

The Holy Family, c. 1632, Rembrandt Harmensz. van Rijn, Dutch, 1606-1669, 3 3/4 x 2 13/16 in. (9.5 x 7.1 cm) (sheet), Etching, The Netherlands, 17th century, Rembrandt had a great gift for conveying intimacy with just a few etched lines. Here he places the Holy Family in a setting of comfortable domesticityso comfortable, in fact, that Mary has kicked off her shoe while nursing. In this fashion, Rembrandt humanizes the sacred to make it more accessible.

Arounding musicians, Adriaen van Ostade, 1652 - 1656 print Two musicians, a flute player and a little boy with a drum, stand in front of a house where some spectators have gathered. A few children are coming. paper etching vocal music, singing. child

Print, Beggars Receiving Alms at the Door of a House, 1648; Rembrandt Harmensz van Rijn (Dutch, 1606-1669); Netherlands; etching on paper; 16.6 × 12.9 cm (6 9/16 × 5 1/16 in.); Bequest of George Campbell Cooper; 1896-3-168

Meal at Emmaus. Draughtsman: Gerard ter Borch (I) (signed by artist). Dating: 1617. Place: Zwolle. Measurements: h 190 mm × w 150 mm; h 243 mm × w 360 mm. Museum: Rijksmuseum, Amsterdam.

Herberginier, Jacques -Philippe le Bas, After David Teniers (II), 1717 - 1760 print Paris paper etching / engraving inn, coffee-house, public house, etc.. pipe ~ tobacco. alcoholic drinks

Flemish Interior, 1856-66. Rodolphe Bresdin (French, 1822-1885). Etching and roulette; sheet: 32.5 x 25.2 cm (12 13/16 x 9 15/16 in.); platemark: 23 x 14.1 cm (9 1/16 x 5 9/16 in.).

The HolyFamily. Artist: Rafael Sadeler I, Flemish, 1560-1628

Rafael and the Fornenazina.

Faust: Tragédie de M. de Goethe, translated into French by Albert Stapfer.: Illustrations for Faust: Méphistophelés is at Marthe, 1828. Eugène Delacroix (French, 1798-1863), Chez Ch. Motte, Éditeur, distributed by Chez Sautelet, Libraire. Lithograph;

Nicolas Delaunay after Jean Honoré Fragonard, Les Baignets, probably 1782 Les Baignets

Amsterdam, Craalinge, Jan, Ostade, Adriaen van, Northern Netherlands, Visscher, Jan de, De Haspelaar, Man and a woman winding yarn onto a spool, verso - stamped, In a messy interior a man and a woman are busy winding yarn onto spools. Between them stands a child, leaning on the woman's leg, watching. A dog lies sleeping among the eggshells and broken pipes., print, prints, height 299 mm, width 248 mm, 1633 - 1692, print maker, printmaker, 1655 - 1673, paper, papier, etching, etchings, 1610-12-19 - 1685-04-28, after, after painting by, Publication (Event), Publication, 1630, publisher

The Voyage to Paris. Dated: 1798. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Daniel Nikolaus Chodowiecki.

Suyderhoef, Jonas, Kapakassa, (1000 - 2003), copper engraving, graphics, sheet width 17.8 cm, sheet height 22.5 cm

Interior of a house. A man sits on a chair under a wall clock and reads. Two women talk to each other through an open window. A dog in the foreground., Interior with man reading, print maker: Jan Chalon, Jan Chalon, Northern Netherlands, (possibly), 1748 - 1795, paper, etching, drypoint, h 100 mm × w 80 mm

The Triumph of Sentiment. Artist: After Thomas Rowlandson (British, London 1757-1827 London); Samuel Collings (British, active 1784-95). Dimensions: Sheet: 12 1/2 in. × 16 in. (31.8 × 40.7 cm). Publisher: E. Jackson (London). Date: January 15, 1787. Museum: Metropolitan Museum of Art, New York, USA.

Steelink, Willem (II), Netherlands, Lute player playing from sheet music, verso - stamped, print, prints, height 100 mm, width 103 mm, Dutch, 1856-07-16 - 1928-11-27, print maker, printmaker, 1866 - 1928, paper, papier, etching, etchings, plaattoon

Saying grace. prints, etchings, drypoints, works on paper

The Parable of the Leaven (The Parables of Our Lord and Saviour Jesus Christ). Artist: After Sir John Everett Millais (British, Southampton 1829-1896 London). Dimensions: image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm)sheet: 7 5/16 x 6 1/16 in. (18.6 x 15.4 cm). Engraver: Engraved and printed by Dalziel Brothers (British, active 1839-1893). Date: 1864.It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, "I can do ordinary drawings as quickly as most men, but these designs can scarcely be regarded in the same light--each Parable I illustrate perhaps a dozen times before I fix the image." After completing a design, Millais transferred it to a woodblock coated with "Chinese" white for skilled engravers to carve. Finally, he reviewed proofs, and final adjustments were made before the final printing.The Parable of th

Adriaen van Ostade, Cobbler, 1671 Cobbler

St. Jerome in His Cell, 1511. Albrecht Dürer (German, 1471-1528). Woodcut;

Wenzel the Lazy, Inventor of theSeal. Artist: Hugo Bürkner, German, 1818-1897

Charles Heath, 1785-1848, British, Stratford-on-Avon, 1824. Line engraving on wove paper.

The Satyr and the Peasant 1764 Christian Wilhelm Ernst Dietrich German. The Satyr and the Peasant 399688

Newspaper reader in Interieur, Cornelis Ploos van Amstel, After Adriaen van Ostade, 1766 print In an interior, a man reads the newspaper and gives a woman to eat a child. A man leans on the opened door. Amsterdam paper etching interior of the house. mother and baby or young child. newspaper, news-sheet

Piskijker, Jacob Folkema, After Caspar Netscher, 1702 - 1767 print A piskijker is working behind a table on which books, an hourglass and a skull. He holds it urinary against the light. A veiled woman stands with a pot in her hands next to his desk. In the background there are two figures at the fireplace, the left supports sinks against the wall. In the margin under the performance, two weapons are crowned in a medallion. paper etching / engraving examination of urine

The Violin Player Seated in the Inn. Artist: Cornelis Dusart (Dutch, Haarlem 1660-1704 Haarlem). Dimensions: sheet: 10 15/16 x 9 7/8 in. (27.8 x 25.1 cm). Date: 1685. Museum: Metropolitan Museum of Art, New York, USA.

Man Sitting by a Window (copy) 1610-85 After Adriaen van Ostade Dutch. Man Sitting by a Window (copy) 396255

Steen, Jan Havicksz., Netherlands, Steelink, Willem (II), As the old sang, so the young piped, verso - stamped, A merry family around a table. A woman is having her glass poured. A dog in the foreground. At the bottom left in the margin a coat of arms on a twig with leaves., print, prints, height 260 mm, width 343 mm, 1856-07-16 - 1928-11-27, print maker, printmaker, 1888 - 1891, paper, papier, etching, etchings, Noord-Nederlands, 1626 - 1679-02

The Rat Catcher, Anonymous, After Rembrandt van Rijn, After 1632 print paper etching rat exterminator

Italy, Raphael, Raimondi, Marcantonio, Dente, Marco, Mary with the Long Thigh, Holy Family with the Young John the Baptist in Front of a Ruined Building, verso - stamped, The Holy Family sits with the young John the Baptist in front of a ruined building. The Christ Child sits on his crib and leans against Mary's thigh. John leans against Mary's knee and holds a note in his hands. Joseph sits on the left. In the background on the right is a man peering at the Holy Family., print, prent, prints, height 403 mm, width 267 mm, Italian, 1486 - 1527, print maker, printmaker, 1498 - 1532, paper, papier, engraving, engraving (printing process), Work conception, 1482 - 1534, after print by, 1483-04-07 - 1520-04-07

The Quack 1610-85 Adriaen van Ostade Dutch. The Quack 396493

Figures eat pancakes in an interior, Jan Gillisz. van Vliet, 1634

Amsterdam, Jonghe, Clement de, Ostade, Adriaen van, Suyderhoef, Jonas, Two farmers sitting at a table, verso - stamped, Two farmers are sitting at a table. One is raising a glass, the other is holding a pipe in his hand. In the background a woman seen from the back., print, prent, prints, prenten, height 226 mm, width 181 mm, 1613 - 1686-05-09, print maker, printmaker, 1643 - 1677, paper, engraving, engraving (printing process), Northern Netherlands, 1610-12-19 - 1685-04-28, after, after painting by, Publication (Event), Publication, 1624 - 1677, publisher

Woman fills a burning oil lamp, Jan Luyken, wed. Pieter Arentz, Cornelis van der Sys II, 1711

Copper bearing, Anonymous, After Jan Gillisz. van Vliet, 1635 - 1685 print Two buyers in a workshop; One of them insists on a tub, the other cuts a copper plate. paper etching coppersmith, brassworker. industries ~ metal

Quixote being cared for by the innkeeper's wife and daughter , Healing, Quixote, Don Fictitious character, Cervantes Saavedra, Miguel de, 1547-1616. Don Quixote. William Hogarth (1697-1764). Prints

The Quacksalver Made 1648 Holland. Etching in black on ivory paper . Adriaen van Ostade

Wit and Wisdom, from Boswell's Tour of the Hebrides. Thomas Rowlandson; English, 1756-1827. Date: 1786. Dimensions: 275 × 380 mm (sheet). Etching on paper. Origin: England. Museum: The Chicago Art Institute, USA.

The Bossu Violin Player (Bartsch 44) Adriaen van Ostade (1610-1685). The Bossu Violin player (Bartsch 44). Forte, circa 1654. Museum of Fine Arts in the city of Paris, small palace.

The last thin according to the image of Aleksander Kotsis. A clipping of ears 1872 (1) 4 Zajkowski, Andrzej (1851 1914), Kotsis, Aleksander (1836 1877)

Print, Cottage Interior; After Adriaen van Ostade (Netherlandish, 1610 - 1685); France; lithograph on paper; 15.5 × 21 cm (6 1/8 × 8 1/4 in.); 1896-31-113

Company in an interior, Nicolaas van der Worm, After Christina Chalon, 1772 - 1828 print A group of people of different ages have gathered around a table in a simple interior. A few of them hold a jug or a pipe. Leiden prepared paper etching communal rooms. family group, especially parents with their child(ren)

Ten peasants in a ruined house with a seated man at center reading a paper ca. 1640-70 Jacques Dassonville. Ten peasants in a ruined house with a seated man at center reading a paper. Jacques Dassonville (French, ca. 1619-ca. 1670). ca. 1640-70. Etching. Prints

Interior with a lute woman; Maria Tesselschade plays on a lute. In a departure of the Muiderslot, a woman is in a chairs and plays on a lute. P.C. Hooft holds a music sheet for her.

Plate 2 for 'Moral and Satiric Content'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1778. Prints; etchings. Etching, laid down

Three children with a goat, Pieter Steenwijck, 1625 - 1656 print Three children with a goat. The front boy, seen on the back, sits on a box. Netherlands paper etching child between toddler and youth (of undetermined sex). goat

Painter in his studio, Adriaen van Ostade, 1645 - 1649 print Painter at work in his studio, he sits behind his donkey by the window with a book on a ton next to him. Two assistants or students prepare paint at a table under a staircase. Under the show is a Latin verse in four lines. Haarlem paper etching / drypoint / engraving painter at work, in his studio. painter preparing colours

Three smokers behind an open window, Nicolaes van Haeften, 1673 - 1715 print Three drinking and smoking men are behind an open window. There are two images on the outside of the window; Under a man with a hat and top right a cheerful drinker. Antwerp paper drinking-vessels. pipe ~ tobacco. picture, painting. print, e.g.: engraving, etching, lithograph

A standing and a seated peasant both smoking pipe by the fire, left a jar, David Teniers (II) (mentioned on object), Dating 1626 - 1740

François-Nicolas Quantle (1825-1901). "Sketch for the illustration of the last scene of Hernani". Lavis and gouache on paper. 1877. Paris, house of Victor Hugo. 60597-5 Last scene, drawing, romantic drama, sketch, woman, gouache, heroine, man, illustration of litterian work, lavis, piece theater

Wijck, Thomas, Man tying his shoelaces, verso lower left - stamped, A group of men on the street. One of them, seen from the back, leans his foot on a raised platform and ties his shoelaces., print, prints, height 88 mm, width 76 mm, Noord-Nederlands, 1624 - 1677-08-19, print maker, printmaker, 1626 - 1677, paper, papier, etching, etsen

Iron founder in apron and cap using a ladle pouring molten metal into a mould in an ironworks. Flames leap from a furnace behind him. Woodblock engraving from The Book of English Trades, or Library of Useful Arts, F.C.& J. Rivington, London, 1821.

Wallant Vaillant, after Gerard ter Borch (II), after Jan de Bisschop, 1668 print A messenger, with a trumpet on his back, a woman reaches a letter. She does not seem to want to take the letter, she has crossed her arms. Amsterdam paper letter, envelope. dog

Rijn, Rembrandt van, Peter and John healing a cripple at the temple gate, verso lower left - stamped, print, prints, Rembrandt f. 1659, lower left, 48 St, verso top center - black chalk, height 180 mm, width 215 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1659 - 1659, third quarter 17th century, Oriental paper, etching, etchings, drypoint, dry needle, burin, Work conception, after own design by

Leiden, Vliet, Jan Georg van, Occupations, Basket makers, verso lower left - stamped, Two basket makers weave baskets in an interior with an open upper door., print, prints, height 210 mm, width 162 mm, Northern Netherlands, 1610 - 1668, print maker, printmaker, 1635 - 1635, paper, papier, etching, etchings

The Last Toilet of Charlotte Corday 1869 or after Lumb Stocks Charlotte Corday, who murdered the Jacobin Jean-Marie Marat, is seen here imprisoned in the Conciergerie (a medieval palace in Paris) awaiting execution. An artist who has just finished her portrait packs away his paints, and a jailor who wears a Cap of Liberty cuts Charlotte's hair to prepare her for the guillotine. The print is based on a painting shown at the Royal Academy of Arts, London in 1863 (no. 124) titled "La Toilette des Morts." The image offers a grim variation on a woman's dressing ritual, with the jailor replacing a hairdresser, and the canvas taking the place of a mirror. First published in London's "The Art Journal" in February 1869 the engraving here comes from a later American edition.The following lengthy review accompanied the print in "The Art Journal," demonstrating that contemporary readers could be assumed to have a good grasp of French Revolutionary history."If assassination may be under any circums

The King Drinks. Jacques Claude Danzel (French, 1737-1809); after Gillis Van Tilborgh, the Younger (Flemish, c. 1625-c. 1678); coat of arms etched by Baisiez (French, active in 1764 and 1768). Date: 1766. Dimensions: 408 × 448 mm (image); 419 × 469 mm (plate); 454 × 533 mm (sheet). Etching with engraving on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Marcolfa Finds Bertoldino Hatching Eggs. 1701 - 1800. Crespi, Giuseppe Maria, 1665-1747. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Varkenslacht, Cornelis Ploos van Amstel, after Jan Saenredam, 1778 - 1787 print A man and a woman slaughter a pig in a courtyard. Amsterdam paper etching butcher, slaughterman. slaughtered ox or pig

Interior with a fisherman's family. Draughtsman: Herman Frederik Carel ten Kate. Dating: 1847. Measurements: h 93 mm × w 138 mm. Museum: Rijksmuseum, Amsterdam.

- Now what Are we going to continue hunting during the rain - Not at all! The animals are just as afraid of the rain as we are They might not be able to find this shelter, and we would end up losing too many of them!,” plate 5 from Croquis De Chasse 1859 France. Lithograph in black on white wove paper . Honoré-Victorin Daumier

Schoolmaster with three students at table, Adriaen van Ostade, 1671 - 1679

Estelle and N, print maker: Jules David (1808-1892), (mentioned on object), Jules David (1808-1892), (mentioned on object), printer: Benard Lemercier & Cie, (mentioned on object), Paris, 1841 - 1843, paper, h 567 mm × w 398 mm

Nicolas François Regnault, Soir (Evening), 1780s Soir (Evening)

Courtyard with farmers, Johannes Christiaan Janson, Christina Chalon, 1778 - 1823

Saint Jerome. Woodcut after A. Dürer, 1511.

LA Families (Bartsch 46) Adriaen van Ostade (1610-1685). The family (Bartsch 46). Forte, in 1647. Museum of Fine Arts in the city of Paris, small palace.

The Circumcision in the Stable. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1654. Dimensions: 96 x 145 mm (image/sheet, cut within platemark). Etching on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

A painter (Bartsch 32) Adriaen van Ostade (1610-1685). A painter (Bartsch 32). Floor and dry point, circa 1647. Museum of Fine Arts in the city of Paris, small palace.

The Holy Family., circa 1632, Netherlands, by Rembrandt van Rijn. Gift of Sir John Ilott, 1967.

March, Cornelis Dusart, 1679 - 1704 print Village face in a snow shower in which men and women throw snowballs. In front of a sled with tub and fishnet. The print is part of a series of twelve prints with the twelve months of the year. print maker: Haarlemafter painting by: Haarlempublisher: Amsterdam paper engraving March and its 'labours'. throwing snowballs. sleigh, sledge (non-sport)

The Forge 1861 James McNeill Whistler American. The Forge 372523

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