Pencil Sketches of Landscapes and Figures

A collection of delicate pencil sketches depicting riders, landscapes, and waterways, showcasing dynamic arrangements and serene scenes in a soft, muted style.

Sketch of landscape with monumental building, Adrianus Everssen, 1828 - 1897 drawing paper. pencil

Studies of Lago Maggiore and and the Entrance to a Palazzo. Dated: c. 1700. Dimensions: overall: 36.1 x 49.9 cm (14 3/16 x 19 5/8 in.). Medium: brown ink over graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Gaspar van Wittel.

Lepère, Auguste (n.1849-11-30-D.1918-11-20), the Flore pavilion and the quay (dummy title). Pencil. Carnavalet museum, history of Paris.

The Harvest (for Émile Bernard). Date/Period: Arles, August 1888. Drawing. Reed pen and brown Indian ink over graphite pencil on wove paper. Height: 241 mm (9.48 in); Width: 318 mm (12.51 in). Author: VINCENT VAN GOGH.

Nouvelle Calédonie: Grande case indigène sur le chemin de Ballade à Poëpo, 1845., 1863, France, by Charles Meryon. Gift of Horace Fildes, 1937.

Capt. Thomas Hastings, 1778-1854, British, Helm Hill, or the Lion and the Lamb, 1835. Graphite and pen and brown ink on medium, slightly textured, cream wove paper.

Poelzig Hans (1869-1936): Sketchbook F1

The Cliff Dwellers of New York. Artist: Mary Nimmo Moran (American (born Scotland), Strathaven 1842-1899 East Hampton, New York). Dimensions: sheet: 12 5/8 x 18 7/8 in. (32 x 47.9 cm)plate: 8 1/16 x 11 15/16 in. (20.5 x 30.3 cm)image: 8 1/16 x 11 15/16 in. (20.5 x 30.3 cm). Date: 1881. Museum: Metropolitan Museum of Art, New York, USA.

Study for The Post Office, from Microcosm of London. Augustus Charles Pugin (English, born France, 1762-1832); Thomas Rowlandson (English, 1756-1827). Date: 1807-1809. Dimensions: 197 × 262 mm. Graphite on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Barth Erwin (1880-1933), Bismarckplatz in Stolp (1928): Break break from Inv.-No. 41113: Perspective view with a view over the square on the Bismarck monument, stamp. Light break on the cardboard, 29.6 x 42.3 cm (including scan edges) Barth Erwin (1880-1933): Bismarckplatz, Stolp

Church, horse, and heads of men , Churches. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Windmill #2. watercolor and pencil on paper. Date: 1878. Museum: HIRSHHORN MUSEUM AND SCULPTURE GARDEN.

Sketches of seated figures, draughtsman: Sébastien Bourdon, (attributed to), 1626 - 1671, paper, h 159 mm × w 243 mm

Two figures at a bridge over a river.Leaf 37 verso and 38 recto from a sketchbook with 41 sheets.

Without title Graz city view , Karl Wiener -, artist

Tombstones along a path in a landscape, Hendrik Valkenburg, 1859 - 1864, Sheet 32 recto from a sketchbook with 77 sheets., draughtsman: Hendrik Valkenburg, May-1859 - Dec-1864, paper

New York from Brooklyn. Dated: 1910. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Sketches G. Hayter, Hayter, Sir George, 1792-1871, graphite, ink, watercolor, 1816

A drawing by Bartholomeus Breenbergh executed with pen, brush, and bister wash, showing an untitled composition rendered in brown tones.

View of asparen ..

Las Monjas, Chichen Itza, Yucatan Frederick Catherwood (British, 1799-1854). Las Monjas, Chichen Itza, Yucatan, 1843. Sepia ink and wash on wove paper, comp.: 18 1/4 x 14 3/4 in. (46.4 x 37.5 cm). European Art 1843

Drawings Sketch Book: Landscape and Red Stamp Sale Corot (page 18) Camille-Jean-Baptiste Corot (1796-1875). Drawings Sketch Book: Landscape and Red Stamp Sale Corot (page 18). Pencil.

Portrait of a (fantasized) English ship with Justitia on the mirror. Draughtsman: Willem van de Velde (I). Dating: 1665 - 1693. Place: Northern Netherlands. Measurements: h 330 mm × w 510 mm. Museum: Rijksmuseum, Amsterdam.

Water well on the Kattenberg, 1874 Page 22 Recto from a sketchbook with 47 sheets. Kattenberg paper. pencil well Kattenberg

Sketch sheet by Rudolf Weyr using pencil and watercolor on paper, showing figure and compositional studies

Garden of a Bathhouse. Date: August 1888, Arles. Dimensions: 60.7 cm x 49.2 cm. Museum: Van Gogh Museum, Amsterdam.

Barth Erwin (1880-1933), expansion of the cemeteries in Stolp (1930): Break break from Inv.-No. 41175: Perspective view with a view of a row grave field; Rubber stamp. Light break on the cardboard, 43.1 x 56.3 cm (including scan edges) Barth Erwin (1880-1933): Erweiterung der Friedhöfe, Stolp

View of Vienna. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: sheet: 1 5/8 x 6 7/16 in. (4.2 x 16.4 cm). Date: 1624-77. Museum: Metropolitan Museum of Art, New York, USA.

Vita Per Ignem Il Do: Félicien Rops, Patronymic study, by Eugène Demolder, with some brutal reproductions of unpublished currencies of Rops, Paris: René Pincourde, 1894 Dewiza Mme Judic Rops, Félicien (1833 1898)

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