Pentecost and Religious Events

Historic engravings capturing key moments of religious significance, showcasing expressions of faith during profound biblical events like Pentecost.

Opwekking by Lazarus, Isaac Duchemin, After Adriaan de Weerdt, 1550 - 1599 print A man and a woman help the old Lazarus out of his grave. After Christ had called him, Lazarus was brought back to life. The bystanders in the cave look at the old man with disbelief. print maker: Brusselspublisher: Amsterdam paper engraving the raising of Lazarus ('Lazarus, come out')

Exit of the Holy Spirit, Anonymous, 1600 - 1700 print The Holy Spirit appears in the form of a pigeon and is poured out over Mary and the apostles. Tongues of fire appear on the heads of them. paper etching / engraving Pentecost: the Holy Ghost descends upon (Mary and) the apostles, sometimes Paul and/or representatives of the nations present (Acts 2:1-4)

Presentatie van Christus in de tempel.In the temple, Maria gives the Christ child to the kneeling Simeon. In addition to her state Joseph. Anna looks with folded hands. At the top right state: p .: 31.

Christ en overspelige Vrouw; The adulteress; Life's passion and death of Jesus Christ ..

Christ for Kajafas who tears his clothes, Marinus Robyn van der Goes (Possible), after Jacques Jordaens, 1630 - 1654 print paper engraving Christ before the Sanhedrin with Caiaphas as high priest, and possibly Annas; maybe a soldier about to strike Christ because he keeps silent (Matthew 26:57-66; Mark 14:53-64; Luke 22:54, 22:66-71). Caiaphas tearing his clothes ~ trial of Christ

A celebration of Holy Communion. Etching by J. Couse.

Opwekking by Lazarus, Isaac Duchemin, After Adriaan de Weerdt, 1550 - 1599 print A man and a woman help the old Lazarus out of his grave. After Christ had called him, Lazarus was brought back to life. The bystanders in the cave look at the old man with disbelief. print maker: Brusselspublisher: Amsterdam paper engraving the raising of Lazarus ('Lazarus, come out')

The marriage of Mary and Joseph. Etching after C. Maratta.

The temptation of the H. Antonius. The H. Antonius is kneeling for an altar stone on which a crucifix, an hourglass, a skull and a pile of books. Devil and monstrous beings pull him to his rug and attack it in all kinds of ways. For him the pig. Behind him a beautifully dressed lady who offers him a glass of wine. An old woman with devil wings tries to seduce him to her to look. At the top of the cave a flying devil that plays a cakes.

Christ Washing the Feet of His Disciples, from The Passion of Christ, plate 4 1664 Grégoire Huret French. Christ Washing the Feet of His Disciples, from The Passion of Christ, plate 4 645235

M.F. du Chêne miraculously cured from a variety of ailments (dropsy, hemorrhaging, aches, and a disease of the lung) all interelated (), at the tomb of F. de Paris. Engraving.

Solomon idolatry. Design for a print.

The mystic marriage of St Catherine of Alexandria to the Christ child; Saint Joseph looks at angels who bear attributes of St Barbara and St Margaret. Drawing by F. Rosaspina, c. 1830, after A. Tiarini.

A 17th-century copper engraving by an unknown artist depicting a representation of the Lord, with figures and symbolic elements.

Last Supper (left sheet), Jan Harmensz. Muller, After Gillis Coignet (I), 1631 - 1656 print Five disciples at the table at the Last Supper. On the left, a woman brings a bowl of food inside. Judas keeps the bag with silver pieces behind his back on the right. Amsterdam paper engraving announcement of the betrayal of Christ, and the reaction of the apostles

The Virgin Mary with the Christ child, St Augustine, St Antony, two angels, Antonio Galeazzo Bentivoglio (a wealthy patron) and the poet Casio. Drawing by F. Rosaspina, c. 1830, after F. Francia.

Visitation. .

Galle, Theodoor, Rubens, Peter Paul, France, Lasne, Michel, S. Franciscus de Pavla, Maria hands over the Christ Child to St. Francis of Paola, print, prints, height 359 mm, width 222 mm, 1590 - 1667-12-05, print maker, printmaker, 1600 - 1633, paper, papier, engraving, engraving (printing process), Work conception, Southern Netherlands, 1577-06-28 - 1640-05-30, after a design by, Publication (Event), Publication, 1571 - 1633, publisher

A monastic saint with other monks and a lion in a cloister. Engraving.

Garden with in the foreground Christ and Maria Magdelena, 1570 - 1618 print There are loose flowers at their feet. Title page and 21 numbered sheets from a series of 24. Netherlands (possibly) paper engraving Mary Magdalene kneeling before Christ, who is usually represented as a gardener with a hoe and/or a spade; 'Noli me tangere'. flowers

Johannes by Elisabeth introduced to Maria and Kind, Joseph watches, Anonymous, 1600 - 1699 print France paper engraving Holy Family with John the Baptist, Elisabeth present

Grave of Christ, Raphaël Sadeler (I), After Hans von Aachen, c. 1593 print In a cave, Christ is placed in a tomb by his family, students and friends. München paper etching / engraving Christ's entombment (possibly by angels)

Allegory of dying, Schelte Adamsz. Bolswert, After Unknown, 1596 - 1659 print Allegory of dying with dying woman assisted by clergy and grieving family, she is welcome in heaven. On a table is an open book with the text Amor Dei. In the background in the dark are men and women who are guilty of eating and drinking too much and attaching precious possessions such as jewelry. There are traces of pernicious activities such as a card game and a board game on the ground. They see behind them what happens to them when they die: the soul of a woman is brought into bed by the devil and demons waiting in purgatory. Under the performance are quotes from the Bible texts Apocalyps 14 and Psalms 33. paper engraving dying. hell and purgatory. the blessed are brought to heaven ~ Last Judgement

The idolatry of Solomon, Jacobus Buys, c. 1734 - c. 1801, Design for a print., draughtsman: Jacobus Buys, c. 1734 - c. 1801, paper, pen, brush, h 149 mm × w 90 mm

. In a stable Maria and Joseph show the Christ child to the three ways. The three offer the child their gifts. On the right, members of their consequence are increasing. In the margin a two-legged text in Latin.

New Testament. Jesus Christ before Pontius Pilate. Facsimile of an etching by P. Rembrandt. La Ilustracion Espanola y Americana, 1878.

Rader, Matthäus, Kager, Johann Mathias, Munich, Sadeler, Raphael (I), Bavaria sancta I, Saints of Bavaria I, S. Severinvs, Raising of the priest Silvanus by Saint Severinus, verso lower left - stamped, Saint Severinus stands in a church before a bed with the body of the priest Silvanus. He blesses Silvanus, who rises from the dead. Believers gather around them. The print has a Latin caption and is the tenth print in a 60-part series on the subject of the saints of Bavaria., print, prints, width 156 mm, height, 220 mm, South Netherlands, 1560, print maker, printmaker, 1615 - 1615, paper, papier, engraving, engraving (printing process), etching, German, 1575 - 1634, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1561 - 1634-12-22, publisher

Holy family with Zacharias, Elisabet and Johannes de Boper, Raphaël Sadeler (I), After Peter de Witte, 1591 print The Virgin Mary with the Christ child on the lap, sitting under a canopy. On the right Kniel Zacharias and takes Christ in his arms. Elisabet kneels with John the Baptist as a child on the left. To the left next to the canopy Joseph with an incense barrel. To the right next to the canopy the H. Anna. Cologne paper engraving / etching Holy Family with John the Baptist; Elisabeth and Zacharias present

H. Stefanus, Jan Luyken, after Jan Goeree, 1698 print Saint Stefanus gives a mint to a begging woman with child. Stephen is standing on a pedestal where its stoning has been portrayed on the front. Amsterdam paper etching / engraving the deacon and (proto)martyr Stephen; possible attributes: censer, stones. the deacon and (proto)martyr Stephen; possible attributes: censer, stones - maltreatment of corpse of male saint

Saint Francis of Assisi. Line engraving by F. Forster after C.A. Chasselat after L. de La Hyre.

Saint Stephen, the first martyr. Lithograph by P. Guglielmi after Masip (Juan de Juanes).

A copper engraving and etching by Albrecht Dürer depicting the Holy Trinity, showing figures, gestures, and symbolic religious composition between 1640 and 1672.

San Giuseppe di Copertino(1603-1663) is levitated to the altar while he celebrates mass, c. 1660. Date: circa 1660

Last Supper; The passion. Christ uses the last supper with his disciples.

Brown feather and gray-laved drawing by Martino Altomonte depicting the adoration of the kings, showing figures, devotional elements, and composition.

Saint Laurence Being Prepared forMartyrdom. Etcher: Pieter Claesz. Soutman, Dutch, ca. 1580-1657 After: Adam Elsheimer, German, active in Rome, 1578-1610

Worship by the shepherds (left leaf). On the left are a man and a woman under a tree branch in a vaulted space. On the right kneel a shepherd with a sheep for a column. In the distance another man and a woman. Under the show a two-person, Latin text with an explanation of the worship scene.

Christ heals the man with the withered hand. Etching by J. Barlow, 1813, after W.M. Craig.

Christ being led before the high priest Caiaphas. Caiaphas stands on a platform between two torches and tears his robe. Through the gate, the fire in the courtyard is visible where Peter sits., Christ before Caiaphas The Passion (series title), Ludovicus Siceram, print maker: Lucas Vorsterman (I), (rejected attribution), Hendrick Goltzius, Antwerp, 1623, paper, engraving, h 195 mm × w 125 mm

Worship by the shepherds, c. 1600 - 1652 print Maria with the child, Joseph, the Os and the Donkey, in a barn. Above them three angels. On the left a group of men and women in worship. There is a chicken in the foreground. The print is part of an album. paper engraving adoration of the Christ-child ~ Christ's birth

Station VIII - Jesus Consoles the Weeping Women. 1749. Tiepolo, Giovanni Domenico, 1726-1804. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Adoration of the Magi with Torches. Dimensions: plate: 60.7 x 45.4 cm (23 7/8 x 17 7/8 in.) sheet: 65.5 x 50.2 cm (25 13/16 x 19 3/4 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Nicolaes Lauwers, after Sir Peter Paul Rubens.

Christ giving sight to the blind, John Young, 1755-1825, British, after Henry Richter, 1772-1857, British, 1816, Etching, unfinished proof, Sheet: 21 7/8 x 27 3/4in. (55.6 x 70.5cm)

Cornelius kneels before the angel sent to him ..

Giuseppe Nicolo Vicentino, after Parmigianino, The Adoration of the Magi The Adoration of the Magi

Exit of the Holy Spirit, Anonymous, After Theodoor Galle, After Cornelis Galle (I), After Peter Paul Rubens, 1614 - 1676 print Maria and the students of Christ are in a room. The pigeon of the Holy Spirit appears in the middle of the group. Above the heads of the apostles and Mary are fiery tongues, symbol of the outpouring of the Holy Spirit in their hearts. The print has a Latin caption. Antwerp paper engraving Pentecost: the Holy Ghost descends upon (Mary and) the apostles, sometimes Paul and/or representatives of the nations present (Acts 2:1-4)

An unknown saint (Ignatius van Loyola) Kneelt for Mary with Kind, Cornelis Galle (II), After Abraham van Diepenbeeck, 1625 - 1678 print An unknown saint (Ignatius of Loyola) Knelt for a stand with a Bible. Next to him is an angel who points to the appearance of Mary with child. In a cartouche under the print the Latin caption "Dans Vera Cordis Gavdia". Antwerp paper engraving the founder of the Jesuit Order, Ignatius of Loyola; possible attributes: book (with 'ad majorem Dei gloriam'), demon, dragon under feet, flames, flaming heart, globe, IHS monogram, skull (with crown), tears in eyes, torch. angels. Madonna: i.e. Mary with the Christ-child

The Adoration of the Magi early 17th-late 17th century Nicolaes Lauwers. The Adoration of the Magi. Nicolaes Lauwers (Flemish, ca. 1632-ca. 1685). early 17th-late 17th century. Engraving. Prints

Joseph of Arimathea and Nicodemus lay the body of Christ in the tomb while Mary Magdalene, Mary and John, along with others, mourned., Entombment of Christ The Passion (series title), print maker: Nicolaes de Bruyn, (mentioned on object), Nicolaes de Bruyn, Hendrick Goltzius, Netherlands, 1618, paper, engraving, h 182 mm × w 141 mm

Gerard van Houten drawing of the biblical scene of the Adoration of the Kings, executed with brush in gray and light brown, with reddish contouring and red chalk.

Christ shown to the people (Ecce Homo), Jacques Callot, 1613 print Christ is presented to a group of people by Pilatus on a stage. Under the show some lines of Latin text. Florence paper engraving Pilate Showing Christ to the People, 'Display Christ', 'Here man' (John 19: 4-6)

Installing under the cross, Anonymous, 1500 - 1600 drawing paper. ink pen / brush lamentation over the dead Christ by his relatives and friends (Christ usually without crown of thorns)

The Resurrection of Lazarus, Lazarus of Bethany, also known as Saint Lazarus. New Testament, Old 19th century engraved illustration from History of the Bible 1883

Oppressed justice. / All your enemies have opened my mouth against you, they whistled they squeaked the teeth and they said we will devour it ... (IT)

(anglicised as Field of the Cloth of Gold) - Henry VIII meets with Francois I near Calais to smooth out their differences : each seeks to out-impress the other. Date: 4 to 24 June 1520

Liberation of Petrus, Anonymous, After Nicolaes Lastman, After Jan Symonsz Pynas, 1596 - 1622 print An angel leads Peter prison when the guards are sleeping. In the margin a text in Latin. paper engraving the angel leads Peter past the sleeping guards

Circumcision of Christ; Life of Mary. The high priest knows the Christ child. Maria and Jozef watch together with others. The print has a Latin caption.

Worship of kings.

Young Palma (Jacopo Negretti) / 'Christ in the company of the Apostles visiting a woman lying sick in bed'. 1623. Wash, White lead, Pencil, Pencil ground, Grey-brown ink on dark yellow paper. Museum: Museo del Prado, Madrid, España.

Three Maria's at the empty grave, 1789 - 1807 print The three holy women came to the grave of Christ to take care of his body. When they discover that the grave is empty, an angel appears who tells them that Christ has risen. Print is part of an album. paper engraving angel(s) addressing the holy women ~ Resurrection of Christ

Amsterdam, Luyken, Jan, Conversation between Christ and Nicodemus, verso - stamped, print, prints, height 123 mm, width 72 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching

Hilda of Whitby (614-680). British religious. Engraving in England, 1880.

Funeral of Sara; The burial of Sara. Two men carry the body of Sara the cave of Machpela. Abraham finally bought the field with the cave of the Hethite Efron, the son of Sochar to be buried his wife.

Two Franciscans visit a sick Venetian; Mach Ein Knop of those Nasen.

Jesus raised Jairus' daughter from the dead. Illustration for The life of Our Lord Jesus Christ written by the four evangelists, 1853

The Apostolic Succession. Engraving from Lives of the Saints by Sabin Baring-Gould.

Visitation, Carlo Maratta, 1635 - 1713 print The pregnant Mary visits her niece Elisabet. Zacharias and Joseph are in the background. Rome paper etching Visitation (possibly Joseph and/or Zacharias present) (Luke 1:39-56)

The Tribute Money, Rembrandt van Rijn, c. 1634 print paper etching Christ discussing the temple tribute with the apostles

Jeremiah pulled out of the pit, Anonymous, After Jan Luyken, 1712 print Amsterdam paper etching Jeremiah is released from the dungeon

Christ appears to Mary Magdalene; Noli me tangere. Christ appears as a gardener with kick for Maria Magdalena.

Death of King Henry I of England after a surfeit of lampreys in Rouen, 1135. The king lies on his death bed while Archibishop Hugh of Amiens gives the last rites. Death of Henry 1st. Copperplate engraving from M. A. Jones History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.

The Life of the Virgin: The Death of the Virgin, ca. 1633-34. Jacques Callot (French, 1592-1635). Etching;

Christ raises Lazarus from his tomb. Etching by F. Ludy after J.F. Overbeck, 1849.

Amsterdam, Maaskamp, Evert, Rubens, Peter Paul, Vorsterman, Lucas, Hodges, Charles Howard, The Descent from the Cross, Descent from the Cross, verso - stamped, The body of Christ is taken down from the cross by Joseph of Arimathea and Nicodemus. John takes the body, assisted by the three Marys. Two other men also help. In the foreground the crown of thorns and nails., print, prints, height 585 mm, width 431 mm, English, 1764 - 1837-07-24, print maker, printmaker, 1805 - 1805, paper, mezzotint, etching, etchings, Work conception, after print by, South Netherlandish, 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, North Netherlandish, 1769-09-27 - 1834-01-31, publisher

Imprisoning and removal of Christ. Christ, chained with ropes and chains, a stream is lined by a group of soldiers by a group. Under the show a verse in two couplets of four rules in Latin that has been signed with the HSS monogram.

Ezra shows the ten commandments on tablets, Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Doré (18321883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful. Ezra (fl. 480440 BCE), was a Jewish scribe and a priest. He returned from Babylonian exile and reintroduced the Torah in Jerusalem

Three male saints and female saint of Benedictine Order, Giovanni Domenico Tiepolo, 1740 - 1775 print Venice paper etching saints. female saints

Saint Michael, Saint Bernard, Saint John the Baptist and Saint John Gualbert. Etching by C.J.L. Courtry after A. del Sarto.

Saint Anne kneeling holding the Virgin, with Saint Joachim holding his staff at right 1760-1800 Giuliano Traballesi. Saint Anne kneeling holding the Virgin, with Saint Joachim holding his staff at right. Giuliano Traballesi (Italian, Florence 1727-1812 Milan). 1760-1800. Etching and engraving. Prints

Buys, Jacobus, Netherlands, Vinkeles, Reinier (I), Gijsbert van Amstel and the Count of Gelder wounded brought to the chapter, for the election of a new bishop, Gijsbrecht II van Amstel and the Count of Gelder wounded brought to the chapter for the election of a new bishop, 1227, Gijsbrecht II (or Gijsbert) van Amstel and the Count of Gelder, wounded during the Battle of Ane on 27 July 1227, are carried lying on stretchers to the chapter to cast their votes in the election of a new bishop to succeed Bishop Otto II, who was killed in the battle., print, engraving, historical print, prints, engravings, Frederik Muller Historical plates, height 171 mm, width 107 mm, Northern Netherlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1786 - 1786, fourth quarter 18th century, paper, etching, etchings, 1724-11-19 - 1801-04-07, intermediary draughtsman

Last Supper, 1618 print Christ uses the Last Supper with his disciples. Netherlands paper engraving Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)

Christ in Emmaus late 16th century Johann Sadeler I Netherlandish. Christ in Emmaus 394953

The martyrdom of Saint Ewalde, called the White and the Black, took place around the year 695 during the missionary work of the Saxons in present-day Germany. The two Anglo-Saxon priests were martyred, historic, authentic, digitally restored reproduction from a 19th-century model, record date not stated

Daniël shows the footsteps on the ground of the temple of Bubble.

Flaminius can be taken away by his father.The Roman Statesman Gaius Flaminius Nepos Appeals to the People. His Father, However, Pulls Him Away from the raise.

Jesus at the Synagogue (Temple), Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Dore (18321883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful.

Bible posts 12 pieces. To J. Buys. .

Last Supper, Nicolaes de Bruyn, 1618 print Christ uses the Last Supper with his disciples. Netherlands paper engraving Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)

Foot Wasting of Peter, 1628 print Christ is kneeling for the apostle Peter and washes his feet. Peter protests. The other apostles are - barefoot - next to him in a semicircle in the departure. There are letters with different elements from the performance. The print is part of an album. paper letterpress printing Christ washes Peter's feet

Rome, unknown, Italy, Salimbeni, Ventura, The marriage of Mary and Joseph, verso - stamped, Mary and Joseph are married by a high priest. Joseph holds in his hand a branch with leaves, above which the Holy Spirit hovers in the form of a dove., print, prints, width 211 mm, height, 155 mm, Italian, 1568-02 - 1613, print maker, printmaker, 1590 - 1590, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Last Supper; The passion. Christ uses the last supper with his disciples.

Thomas Vlucht from prison, Cornelis Boel, After Otto van Veen, 1610 print With the help of his fellow brothers and his sisters, Thomas flees out of prison. In a basket he is left down the window on a rope. Print from a series of 30 prints that represent the life story of Thomas of Aquino. The prints, designed by and published by Otto van Veen, were made by C. Boel, E. van Paenneren, C. Galle and G. Swanenburgh print maker: Southern Netherlandspublisher: Antwerp paper engraving the Dominican theologian, 'Angelic Doctor' Thomas of Aquino; possible attributes: book, (chain with) sun, dove, girdle of chastity, lily, model of church, monstrance (or chalice), mitre (under feet), star (on breast)

Roman Catholic Grand Mass in the 19th century Date: 1835

Annunciation, Johannes Wierix, After Maerten de Vos, 1549 - Before 1585 print Maria is kneeling on her desk in her sleeping room. She is visited by the angel Gabriël. He tells her that she will give birth to a son, which will be called Christ. Above them the pigeon as a symbol for the Holy Spirit. In the margin a four -line caption, in two columns, in Latin. Antwerp paper engraving bed. the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

Saint Antony of Padua: the miracle of the amputated foot. Engraving by V. Lefebvre and G. Seuter after Titian.

A 1520-1599 copper engraving by Marco Dente showing the Holy Family with the cradle, emphasizing devotional scene and infant Jesus.

Adoration of the Kings, Lucas Vorsterman (I), After Peter Paul Rubens, 1620 print Antwerp paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Cluewet, Peeter. The descent of the cross, according to Rubens (Dutuit 97). Crois, 17th century. Museum of Fine Arts of the City of Paris, Petit Palais. XVIIEM XVIIth XVII 17th 17th 17th century, engraving

Reforms of King Josiah. He removed the mediums and the spiritualists, the domestic idols and the other idols, and all the abominations that were seen

This 1632 copper engraving by Nicolaes de Bruyn depicts the Last Supper, emphasizing detailed figures, table composition, and the narrative of Christ with his disciples.

Ambrosius of Milan, saint.

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