Personifications and Historical Figures

Illustrations of personifications and historical figures, showcasing themes of merit and scripture, with distinctive attire and poses in various settings.

Personification of bliss, Arnold Houbraken, 1710 - 1719

Woman looks at the grass under her feet, Jan Luyken, 1687 print Amsterdam paper etching / letterpress printing meadow, pasture

St Peter. Plate 11. From: Christ and the Apostles., Lambert Suavius, artist, 1545, engraving, Lambert Suavius (a.k.a. Lambert Zutman) (c.1510-1574-6), was a South Netherlandish printmaker, architect and poet. He was the son of the episcopal goldsmith Henri Zutman. He became a follower of his brother-in-law, Lambert Lombard, with whose work his own was formerly confused. Suavius became an independent master in 1539, when he married and bought a house in Liège. In the same year he purchased a glazier's stylus with a diamond point, which he used in addition to the standard engraver's burin to obtain a wider range of effects in his prints. He travelled to Italy, probably in the 1550s. His updated series of Views of Various Ruins including the Colosseum, evidently done in Rome, is executed entirely in etching, while his extensive series of portraits of the Roman emperors is done in a highly original mixture of engraving, drypoint and etching. He also engraved portraits of Michelangelo and A

Verdienste, Raffaello Schiambinossi, 1605 print Personification of Merit (Meritum) as a man with a beard with a scepter and a book. Italy paper etching Merit; 'Merit' (Ripa) (+ Personification)

An Apostle (), Parmigianino, 1503-1540, 1767 - 1820, Etchings, Aquatints, 4 13/16 x 3 1/8 in. (12.2 x 7.9 cm), Paper / Sheet 4 13/16 x 3 1/8 in. (12.2 x 7.9 cm), Cream wove

Personification of bliss, Arnold Houbraken, 1710 - 1719

A woman's figure as caution personification, with a shopping hook in her hands and a mask with two faces. Print from a series of 41 symbols.

Apostle Judas Taddeüs with a saw, Agostino Carracci, 1583 print print maker: Italypublisher: Venice paper engraving male saints (JUDAS)

Personification of caution, Arnold Houbraken, 1710 - 1719 print A female figure as a personification of caution, with in her hands a square and a mask with two gzichts. Print from a series of 41 symptoms. Amsterdam paper etching / engraving Precaution. Carefulness, Diligence; 'Diligenza' (Ripa). square (drawing-instrument). mask

Saint Thomas. Marco Dente da Ravenna (Italian, active 1515-1527); after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1515-1528. Dimensions: 212 x 142 mm (primary support); 441 x 282 mm (secondary support). Engraving, on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Italy, Schiaminossi, Raffaello, Attributes of the Soul, Merit, verso - stamped, Personification of Merit (Meritum) as a bearded man with a scepter and a book., print, prints, height 154 mm, width 102 mm, Italian, 1572 - 1622, print maker, printmaker, 1605 - 1605, paper, etching, etchings, plate tone, Work conception, after own design by

The Sibyl of Samos standing with a writing tablet in her hands. Title and one line of Latin text in lower margin. Numbered lower left: 6., Sibyl of Samos Sibylla Samia Ten Sibyls (series title) Sibillaru decem (series title), print maker: Raffaello Schiaminossi, (mentioned on object), Raffaello Schiaminossi, Italy, 1606 - 1609, paper, etching, h 189 mm - w 129 mm

Winter (Hyems) personified by an old man leaning on a stick and a firepot in his hand, with a landscape with figures on ice in the background. Representation in an ornamental oval cartouche. At top the signs of the zodiac associated with winter: Pisces, Capricorn and Aquarius, Personification of winter (hyems) Hyems (title on object) The four seasons (series title), print maker: Jacob Matham, publisher: Jacob Matham, Haarlem, 1588 - 1602, paper, engraving, h 167 mm × w 108 mm

Clair-obscur woodcut by Antonio da Trento depicting Saint Paul in three plates, created around 1524-1527.

Portrait of Johan III from Navarra; Iohannes dei Gratia Navarrae. etc. Rex. Johan, king of Navarra. Standing, for a trapped pillar. A window with a face on a mountainous landscape behind him. Next to Johan a goat with the coat of arms of Navarre. The print has a German text as a means on the verso side

Italy, Florimi, Matteo, Salimbeni, Ventura, Saint Jerome, verso - stamped, Saint Jerome at a table in a cave. On the table lie a skull, a crucifix and books. In his hands he holds a rosary and the stone with which he struck himself on the chest. Latin text and dedication in the lower margin., print, prints, height 221 mm, width 145 mm, print maker, printmaker, 1578 - 1663, paper, papier, engraving, engraving (printing process), plate tone, Work conception, Italian, 1568-02 - 1613, after a design by, Publication (Event), Publication, publisher

SaintPaul. Artist: Albrecht Dürer, German, 1471-1528

Italy, Schiaminossi, Raffaello, Sibillaru decem, Ten Sibyls, Sibylla Erythraea, Sibyl of Erythrae, verso sheet - stamped, The Sibyl of Erythrae standing with a banderole in her hand. On the left a part of a thatched roof and on the right a view of a landscape. Title and a line of Latin text in the bottom margin. Numbered lower left: 5., print, prints, height 194 mm, width 132 mm, Italian, 1572 - 1622, print maker, printmaker, 1609 - 1609, paper, papier, etching, etchings, Work conception, after own design by

Frygic sibille; Sibylla phrygia; Sibilles. The frygic sibille is sitting on a tree trunk. A book is open on her knees .. The print has a Latin caption and is part of a tachy series about the Sibilles.

The Zingara, also known as the Egyptian woman. Etching by F. Perrier.

Artemisia .

Hieronymus, holy.

Minerva with armor and owl, Marcantonio Raimondi, After Rafaël, 1511 - 1520 print paper engraving (story of) Minerva (Pallas, Athena)

Blind dragon player. A blind man playing on a drailer.

Pisistratus .

St. Francis. Artist: Gilles Rousselet (French, Paris 1614-1686 Paris); After Laurent de La Hyre (French, Paris 1606-1656 Paris). Dimensions: sheet: 14 7/8 x 9 1/2 in. (37.8 x 24.2 cm). Publisher: Published by Pierre Mariette le fils (French, Paris 1634-1716 Paris). Museum: Metropolitan Museum of Art, New York, USA.

Depicts Johannes by Sebald Beham as a copper engraving print, showing the figure in detailed traditional composition.

Sphiron. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris); Gilles Rousselet (French, Paris 1614-1686 Paris); After Claude Vignon (French, Tours 1593-1670 Paris). Dimensions: sheet: 13 7/8 x 8 3/8 in. (35.3 x 21.2 cm). Publisher: Published by Pierre Mariette (French, 1596-1657). Series/Portfolio: Les Merveilles du monde. Date: ca. 1639-40. Museum: Metropolitan Museum of Art, New York, USA.

Man of Sorrows by the Column, 1509. Albrecht Dürer (German, 1471-1528). Engraving;

Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, The Prophet Joel, 1550 to 1585. Engraving on medium, slightly textured, cream laid paper.

Germany, Schongauer, Martin, Annunciation, The Virgin Mary, a book in her hand, standing next to a lily in a vase. Pendant of a print of the angel Gabriel., print, prints, height 158 mm, width 107 mm, German, 1430 - 1491-02-02, print maker, printmaker, 1470 - 1490, third quarter 15th century, fourth quarter 15th century, paper, engraving, engraving (printing process)

Victory or Minerva, helmet on the groud to the right ca0 1500-1510 Attributed to Nicoletto da Modena Italian. Victory or Minerva, helmet on the groud to the right 400834

Allegory of Europe, from the Four Continents mid to late 17th century Abraham Bosse French. Allegory of Europe, from the Four Continents 386299

. .

Jacques Callot (1592-1635). "The Apostle Saint Peter" (Lieure 590, Meaume 701). Etching. 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99592-3 Etching, engraving

Amsterdam, Visscher, Claes Jansz. (II), Semmius, I., Pynas, Jan Symonsz., Lastman, Nicolaes, Bevrijding van Petrus, Jan Symonsz, verso - stamped, An angel leads Petrus out of prison while the guards sleep. In the margin a text in Latin., print, prent, prints, prenten, height 380 mm, width 296 mm, 1586 - 1625-05-06, print maker, prentmaker, 1601 - 1652, paper, papier, engraving, engraving (printing process), Work conception, 1582 - 1631-12-02, after a design by, writer, Publication (Event), Publication, Noord-Nederlands, 1586 - 1652-06-19, publisher

Darius I. King of Persia.

Reni, Guido, Italy, Coriolano, Bartolommeo, Sibyl, verso - stamped, A sibyl, seated with her head resting on her hand and a book on her lap. On the left books and an angel., print, prent, prints, prenten, height 283 mm, width 195 mm, Italian, 1599 - 1676, print maker, prentmaker, 1609 - 1676, second quarter 17th century, tweede kwart 17e eeuw, third quarter 17th century, derde kwart 17e eeuw, paper, papier, chiaroscuro-houtcut, Work conception, 1575-11-04 - 1642-08-18

Saint Luke, from The Four Evangelists. Artist: Heinrich Aldegrever (German, Paderborn ca. 1502-1555/1561 Soest); after Georg Pencz (German, Wroclaw ca. 1500-1550 Leipzig). Dimensions: Sheet: 4 5/8 × 3 in. (11.8 × 7.6 cm). Date: 1539. Museum: Metropolitan Museum of Art, New York, USA.

Woodcut and type print by Lucas Cranach the Elder around 1515 depicting the apostle Thomas, one of the twelve apostles in Christian tradition.

Italy, Carracci, Annibale, Rome, Cesio, Carlo, Christ and the Canaanite Woman, verso - stamped, A Canaanite woman throws herself before Christ and begs him to heal her daughter, who is tormented by a demon., print, engraving, prints, engravings, height 339 mm, width 251 mm, Italian, 1622 - 1682, print maker, printmaker, 1636 - 1686, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, Work conception, 1560-11-03 - 1609-07-15

Saint Thomas holding a square rule, his head turned to the right. Artist: Marco Dente (Italian, Ravenna, active by 1515-died 1527 Rome); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome); After Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()). Dimensions: Sheet (Trimmed): 8 5/16 × 4 15/16 in. (21.1 × 12.6 cm). Series/Portfolio: Christ and the Apostles. Date: ca. 1515-27.Verso not visible as the print is laid to another sheet of paper. Museum: Metropolitan Museum of Art, New York, USA.

In the background is the cauldron of boiling oil in which Emperor Domitian ordered him boiled, but he emerges unscathed and retires to Patmos to write Revelations. Date: ist century

Design for a title page with Aesculapius.

Sibille from Erythrae; Sibylla erythraea; Sibilles. Erythrae Sibrille, sitting on a tree. She reads a book. The print has a Latin caption and is part of a ten-part series about the Sibilles.

Landscape with the female personification of Labor (Sedulitas), holding a burning oil lamp and an open book. In the foreground ants, a spinning wheel, and a chicken with her chicks, symbolizing industrious work. In the background, a scene expressing this virtue: spinning wool. In the background on the right, a stork feeding her young. In the margin a four-line caption in Latin. Seventh print in a series with virtues, Work Sedvlitas Virtues , print maker: Crispijn van de Passe (I), (mentioned on object), Crispijn van de Passe (I), (mentioned on object), Joann. Pincier Wetteranus, (mentioned on object), Cologne, 1589 - 1611, paper, engraving, h 211 mm × w 144 mm

Scholar in his study, Philippe Louis Parizeau, After Louis Félix de la Rue, 1771 print A scholar sitting on a chair in his study, next to him a parrot on a stick. paper etching scholar in his study. ornamental birds: parrot

Rome, Aelst, Nicolaus van, Italy, Tempesta, Antonio, Christ, Mary and the apostles, Sacta ecclesia catholicam sanctorum comunione, Saint Matthew, verso - stamped, Saint Matthew with book, writing quill and angel with inkwell. In the background on the right Matthew defeating two dragons in Vadabar., print, prints, height 522 mm, width 377 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1565 - 1630, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher

Hans Baldung Grien, Saint Bartholomew, 1519 Saint Bartholomew

Six men with hats, dogs and hunting attributes. Draughtsman: anonymous. Dating: c. 1600 - c. 1650. Place: Netherlands. Measurements: h 325 mm × w 152 mm. Museum: Rijksmuseum, Amsterdam.

Lucas Cranach the Younger, Saint John in a Landscape, 1540 Saint John in a Landscapetitle QS:P1476,en:Saint John in a Landscape label QS:Len,Saint John in a Landscape label QS:Lde,Heiliger Johannes in Landschaft

Moses with the Tables of the Law. Ludolph Büsinck (German, 1585-1648); after G.L'Allemand. Date: 1605-1648. Dimensions: 390 x 283 mm. Chiaroscuro woodcut from three blocks on paper. Origin: Germany. Museum: The Chicago Art Institute, USA. Author: Ludolph Büsinck.

Diogenes. Artist: After Carlo Maratti (Italian, Camerano 1625-1713 Rome); Andrea Procaccini (Italian, Rome 1671-1734 La Granja de San Ildefonso). Dimensions: sheet: 20 11/16 x 14 5/8 in. (52.5 x 37.2 cm)plate: 14 3/4 x 9 1/4 in. (37.5 x 23.5 cm). Date: 1685-1734. Museum: Metropolitan Museum of Art, New York, USA. Author: After Carlo Maratti. Andrea Procaccini.

Saint Jerome. Line engraving by M. Dossier after A. Dieu.

Saint Thais of Alexandria as a hermitess, anonymous, after Boëtius Adamsz. Bolswert, after Abraham Bloemaert, 1590 - 1662, Boëtius Adamsz. Bolswert, Abraham Bloemaert, print maker: anonymous, 1590 - 1662, paper, engraving, h 141 mm × w 93 mm

Bloemaert, Abraham, Swanenburg, Willem Isaacsz. van, Florence, Callot, Jacques, Saint Paul, verso lower left - stamped, Saint Paul sits on a rock, surrounded by books. In the background is the story of his conversion: how on his way to Damascus he was struck by a great light and a voice from heaven and fell from his horse. under the representation a caption in Latin., print, prent, prints, height 262 mm, width 169 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1611 - 1622, first quarter 17th century, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1580-01-29 - 1612-05-31, after a print by, 1566-12-25 - 1651-01-27

Woodcut by Cranach Workshop from 1545 depicting a donkey wearing a papal crown playing the bagpipe, showing figure, symbolic satire, and composition.

Saint Anthony the Hermit. Dated: 1521. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Sebald Beham.

Thomasius, Gottfried .

Antwerp, Woons, Cornelis, Sallaert, Antoine, Jegher, Jan Christoffel, Christ and the Samaritan Woman, verso lower left - stamped, Christ rests at Jacob's well, after sending his disciples into the city. A Samaritan woman comes to draw water and speaks with Christ., print, engraving, book illustration, prints, engravings, height 89 mm, width 65 mm, 1618-11-03 - 1667-09-18, print maker, printmaker, 1649 - 1649, paper, papier, houtcut, letterpress printing, boekdruk, Work conception, Zuid-Nederlands, 1585 - 1650, after a design by, Publication (Event), Publicatie, publisher

St. Simon, 1545-1546. Hans Sebald Beham (German, 1500-1550). Engraving;

Woodcut by Albrecht Dürer, 1510, showing a penitent figure, associated with King David, illustrating repentance and devotion in a biblical context.

Clair-obscur woodcut by Hendrick Goltzius from 1580-1617 depicting John the Baptist, showing the saint holding a staff, wearing a robe, and surrounded by landscape elements.

Bliżej Kultury Will, Johann Martin (1727 1806)

Antwerp, Galle, Philips, Arias Montanus, Benedictus, Netherlands, Blocklandt, Anthonie, Sibyls, Sibylla Delphica, Delphic Sibyl, recto bottom right - stamped, The Delphic Sibyl sits on a chair. An open book on her lap. The print has a Latin caption and is part of a ten-part series on the Sibyls., print, prints, verso bottom right - stamped, height 290 mm, width 212 mm, South Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1575 - 1575, paper, engraving, engraving (printing process), Work conception, 1532 - 1583, after a design by, 1528 - 1598, writer, Publication (Event), Publication, publisher

Natalis, Wilhelm.

Saint Matthias. Jacques Bellange (France, Lorraine, Bassigny (), circa 1575-1616). France, circa 1611-1616. Prints; etchings. Etching

Lebuin of Deventer, Saint.

Bloemaert, Frederick, Abraham, Utrecht, 15 small figures, Walking woman, verso - stamped, Walking woman with loose-fitting clothing seen from the back., print, prints, height 120 mm, width 90 mm, 1614 - 1669, print maker, printmaker, 1635 - 1669, second quarter 17th century, third quarter 17th century, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1566-12-25 - 1651-01-27, after a design by, Publication (Event), Publication, publisher

Sadeler, Johann (I), Barendsz., Dirck, Frankfurt, The four elements as mythological figures, Terra, Earth personified by the goddess Cybele, verso bottom - stamped, The element earth, personified by the goddess Cybele. She wears a mural crown and holds a scepter in her hand. In the background on the left some people at a cave. The print has a Latin caption and is part of a four-part series on the four elements., print, prints, height 176 mm, width 230 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1587 - 1587, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1534 - 1592-05-26, after a design by, Publication (Event), Publication, publisher

Broeck, Crispijn van den, Antwerp, Sadeler, Johann (I), People from the Old Testament, Abel, verso lower left - stamped, Abel with a shepherd's staff in his hand. Behind him a lamb on a burning sacrificial altar. The second print of a 39-part series with people from the Old Testament as the subject., print, prent, prints, prenten, height 114 mm, width 76 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1575 - 1575, paper, papier, engraving, engraving (printing process), Work conception, 1524 - 1591

Prophet Ezekiel, Adamo Scultori, After Michelangelo, c. 1585 print The prophet Ezekiel sitting with scroll and two naked figures. One of the prophets of Michelangelo's ceiling painting. Title in sub -margin and numbered bottom right: 30. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Ezekiel (not in biblical context); possible attributes: book or scroll, double wheel

unknown, Passe, Crispijn van de (I), Bloemaert, Abraham, Willem van de, Angel Gabriel, verso lower left - stamped, The Archangel Gabriel on a cloud. In his left hand he holds a lily and his right hand is raised. In the margin a two-line caption in Latin., print, prent, prints, engravings, height 273 mm, width 186 mm, Noord-Nederlands, 1598 - 1637-10-07, print maker, printmaker, 1607 - 1637, paper, papier, engraving, engraving (printing process), Work conception, 1566-12-25 - 1651-01-27, after a design by, Publication (Event), Publication, 1564 - 1637, publisher, uitgever van privilege

The Good Shepherd; verso: Cloud Studies late 18th-19th century Friedrich Olivier German. The Good Shepherd; verso: Cloud Studies 382506

Nuremberg, Solis, Virgil, Saint Simon Zelotes in a scrollwork frame, verso - handwritten in brown ink, Numbered top right: 10., print, prints, verso - stamped, 87, height 74 mm, width 54 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1568 - 1568, paper, papier, engraving, engraving (printing process)

Karl Martell, Majordom of Franconia.

Master of the Die (Italian, born ca. 1512, active 1532/1533). St. Rochus, 16th century. Engraving.

Print made by Elias Nessenthaler, 1664-1714, S. Matthaus, undated. Mezzotint on medium, moderately textured, cream laid paper.

Memory (Memoria); The virtues. The personification of memory is on a base from an antique column and signs history in a book. In addition to her a dog who praises her faithfully. Under the show a Latin fresh.

Lucas paints Maria. Saint Lucas, patron saint of the painters, is behind his easel. Next to the easel is Maria with child model for his painting. To the right of Lucas is an OS.

Title page: Arnaud d'Andilly, Les Vies des saints pères des déserts 1647 Claude Mellan French. Title page: Arnaud d'Andilly, Les Vies des saints pères des déserts 393371

Rovin, Janos.

Woman overlooking a bay where a boat is pulled by a group of men, Jan Luyken, 1687 print Amsterdam paper etching / letterpress printing gulf, bay. poling, punting

Standing woman with jar.

Baruch, Nicolas de Hoey, 1590 - 1611 drawing Design for a print. prepared paper. paint (coating). ink pen / brush the book of Baruch. male persons from the Old Testament (not in biblical context)

Saint Jerome in a Landscape. Dated: 1513. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: LUCAS VAN LEYDEN.

Bembo, Pietro unknown artist dating: 1751/1800

H. Simon Zelotes, Hieronymus Wierix, After Maerten de Vos, 1578 print Saint Simon Zelotes is, seen on the back, between two columns in an architectural accompaniment. He holds a saw in his hand. In the background a face on a hilly landscape. In the framework at the bottom of a caption in Latin. paper engraving the apostle Simon Zelotes (or Simon the Canaanite); possible attributes: book, saw, scroll. column, pillar ~ architecture

The Virgin with the Pear and Child on the Bank Artist's working dates 1514-1526 Germany. Woodcut in black on cream laid paper . Hans Sebald Beham

In the foreground a woman in a crooked pose. In the background she is healed by Christ and can stand upright again. The print has a Latin caption and is part of a series of prints depicting famous women in the New Testament, The Crooked Woman Famous Women in the New Testament (series title)., print maker: Jan Saenredam, (mentioned on object), Hendrick Goltzius, (mentioned on object), Balthasarus Schonaeus, (mentioned on object), print maker: Northern Netherlands, publisher: Amsterdam, 1661 - 1726, paper, engraving, h 192 mm × w 135 mm

Saint Andrew. Dated: published 1631. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Luke, from The Four Evangelists. Artist: Pieter Feddes van Harlingen (Dutch, 1586-1622). Dimensions: Sheet: 8 1/16 × 5 11/16 in. (20.5 × 14.4 cm). Publisher: Claes Jansz. Visscher (Dutch, Amsterdam 1586-1652 Amsterdam). Date: 1610-20. Museum: Metropolitan Museum of Art, New York, USA. Author: Pieter Feddes van Harlingen.

Brazen serpent. Giulio Romano (Italian, 1492/99-1546) (author of design) painter c. 1545 Tapestry Dimensions: H 417 x W 506 cm Tapestry Materials/Techniques: unknown Culture: Flemish Ownership History: Austria, Vienna, Vienna, Kunsthistorisches Museum, accno. I/9. Inscriptions: Inscription in upper border cartouche: VENERVNT AS MOYSEN.. In landscape, when people complain again about food, God sends poisonous snakes & many die of snake-bites; however, anyone who is bitten by snake is cured by looking at brazen serpent twisted around tree; Moses seen holding out rod towards serpent (Numbers 21:4-9) (L & R BRD) segmented border with figures in architectural niches, coats of arms at top; (UPR BRD) headed by cartouche with inscription, flanked by garlands of flowers & fruit, & 2 miniature masks; (LWR BRD) seated female figures interspersed with swags & lambrequin decorations, at far left dragon eating apple from tree Photographs in Photo Study Collection are details only; see Mahl's article

Saint Simon. Dated: 1519. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Hans Baldung Grien.

Rijn, Rembrandt van, Vivares, François, Boer met hoge muts lenend op een stok, A peasant in a high cap, standing leaning on a stick, verso - stamped, print, prints, height 83 mm, width 54 mm, French, English, 1709-07-11 - 1780-11-26, print maker, printmaker, 1719 - 1780, paper, papier, etching, etchings, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08

Portrait of Louis de la Vergne de Tressan, Count of Lyon, Archbishop of Rouen. Pierre-Imbert Drevet (French, 1697-1739); after Jean-Baptiste van Loo (French, 1684-1745). Date: 1717-1739. Dimensions: 275 × 204 mm (image); 278 × 208 mm (sheet, cut within platemark). Engraving on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Jacob Matham after Hendrik Goltzius, Winter, 1589 Winter

Lucas paints Maria, Cornelis Bloemaert (II), After Rafaël, 1633 - 1692 print The holy Luke, patron saint of the painters, is behind his easel. Next to the easel, Maria with Kind is a model for his painting. To Luke is an OS. paper engraving St.Luke painting or drawing the Madonna (i.e. Mary and the Christ-child), sometimes Joseph present (+ donor(s), supplicant(s), whether or not with patron saint(s))

Mechthild of Hackeborn.

Allegory with archeology and Turkish men, Jan Caspar Philips, 1766 print Turkish men with tulip tires and the personification of archeology who points to heaven. In the background a pyramid and a imagination of a Turkish landscape. print maker: Amsterdampublisher: Amsterdampublisher: Amsterdampublisher: Leiden paper etching / engraving landscapes in the non-temperate zone, exotic landscapes. Asiatic races and peoples: Turks. landscapes in the non-temperate zone, exotic landscapes - KK - ideal landscapes.

QUEVEDO y VILLEGAS, Francisco de (1580-1645). Spanish Golden Age writer.; EUTERPE. 'Las tres musas Ïltimas castellanas'(The Last Three Castilian Muses). Illustration with the figure of Euterpe. Etching.

of 2