Personifications in Engravings

Prints illustrating personifications such as care, honesty, and anger, often depicted as female figures with symbolic attributes.

Moderation, Heinrich Aldegrever, 1551, Design for a print., draughtsman: Heinrich Aldegrever, 1551, paper, pen, brush, h 105 mm × w 61 mm

Astrologia from The Seven Liberal Arts Sebald Beham German. Astrologia from The Seven Liberal Arts. Sebald Beham (German, Nuremberg 1500-1550 Frankfurt). Engraving. Prints

Pencil and ink drawing by Jakob Gauermann from 1798 depicting an entry scene and an announcement to Maria, executed with feather, black ink, and bister.

Depiction by Pierre Mignard of young John the Baptist in the desert, executed with pen, brush, and gray washes.

Zomer, Cherubino Alberti, After Polidoro da Caravaggio, 1563 - 1615 print Zwik with the personification of the summer: a woman with a horn of abundance in her right hand. Italy paper engraving summer, 'summer'; 'Estate' (Ripa)

Sleep in the guise of a sleeping figure in a cloak with poppies on the hood, half seated leaning against a wall, a staff or walking stick in his hands. At the feet of this figure lies a horn from which thick clouds of smoke appear. Below the depiction a four-line poem in French, Sleep, print maker: Jacob de Gheyn (III), (mentioned on object), Netherlands, 1606 - 1624, paper, etching, h 226 mm × w 170 mm

Female Figure with Staff and Cornucopia. Artist: Anonymous, Italian, 17th century. Dimensions: sheet: 5 1/16 x 1 5/8 in. (12.9 x 4.2 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

The Promenade ca. 1498 Albrecht Dürer German. The Promenade 336219

Pride; Svperbia; Seven deadly sins. Landscape with female pride personification (Superbia). She looks at herself in the mirror she holds.

Baccio Baldini (1436-1487). "Prophets, Abdias". Sixteenth number of a suite of 24 pieces. Bartsch 16 ". Chisel. 1450-1485. Museum of Fine Arts of the city of Paris, Petit Palais. 112279-9 XVEME XV XV 15th 15th 15 CENTURY, engraving

Gluttony; Gvre; Seven deadly sins. Landscape with the female personification of gluttony (gula). She drinks from a can, and loves one can under her arm, her one chest is bare.

Bliżej Kultury Tarasowicz, Aleksander (CA 1640 1727)

This woodcut by Lucas Cranach the Younger, 1540, depicts the evangelist Johannes, showing figure, posture, gesture, facial expression, and composition.

Woman as a personification of hope (Fides) with eyes saved; Seven virtues ..

Citer -playing young man with four singing figures, Christoffel van Sichem (I), After Hendrick Goltzius, 1546 - 1624 print Amsterdam paper dulcimer, zither. musician(s) accompanying singer(s). female singer. male singer

Persian Sibille; S. Persica; Twelve sibilles. Persian Sibille

Woman makes a defend gesture to death that cuts the thread of life, Jan Luyken, 1687 print Amsterdam paper etching / letterpress printing Death as skeleton - FF - Death as female. symbols of human life. (children or putti) blowing bubbles, 'Homo Bulla' ~ scene symbolizing 'Vanitas'

A 1585 ink and bister drawing by Joseph Heintz the Elder showing the Vestalin Claudia moving a ship stuck in the Tiber, featuring the image of Cybele, with white highlights and corrections.

Moderately; Beham, Sebald (1500-1550); 1539 (1st edition) (1539-00-00-1550-00-00);

Lord and lady walking with figure of death hiding behind a tree, holding an hourglass, after Dürer ca. 1500-1534 Marcantonio Raimondi Italian. Lord and lady walking with figure of death hiding behind a tree, holding an hourglass, after Dürer 342746

SaintBarbara. Artist: Hans Baldung, German 1484/85-1545

Copper engraving by Sebald Beham depicting 'Belief', showing human figure, posture, and symbolic gesture, created in the 16th century.

Pyramus and Thisbe. Aldegrever, Heinrich (1502-1555/1561), graphic artist

The Knowledge of God and the Seven Cardinal Virtues. Hans Sebald Beham (German, 1500-1550). Engraving;

A copper engraving by Marcantonio Raimondi from around 1509-1511 depicting Dido, showing human figure, interaction, and detailed composition in a narrative scene.

Day: Flowers scattering young man, Jeremias Falck, after Joachim von Sandrart (I), 1645 print A young man with a flower wreath around the head and a burning candle in his hand, scatters with flowers. In the background a mountain landscape, a walled garden and sunflowers. Under the show a verse in Latin of two times four lines. Amsterdam paper engraving candle

Two female figures, sitting to the right, Simon Vouet, 1600 - 1659 drawing paper. chalk sitting figure - AA - female human figure

The Holy Family with theButterfly. Artist: Albrecht Dürer, German, 1471-1528

Bliżej Kultury Falck, Jeremias (approx. 1610 1677)

De Jongleur and De Vrouw, Israhel van Meckenem, 1475 - 1503 print A man who has a toll on his forehead balancing is opposite a woman. Spell tires above their heads. On the floor is a bag on a belt next to a jug. Both are dressed according to the fashion of ca. 1475-1485. This print is part of a series of twelve prints of a man and a woman with scenes from daily life, 6 indoors and 6 outdoors. Bocholt (Germany) paper engraving dress, gown (+ women's clothes). head-gear: cap (+ women's clothes). illusionist, conjurer, juggler, 'legerdemain'. belt, girdle, waistband (+ women's clothes). other clothing accessories (KEYS) (+ women's clothes). other clothing accessories (PURSE) (+ women's clothes). bag (+ men's clothes). belt, girdle, waistband (+ men's clothes). trousers, breeches, etc. (BREECHES) (+ men's clothes). clothing for the upper part of the body (DOUBLET) (+ men's clothes). shoes, sandals (+ men's clothes)

Baccio Baldini (1436-1487). "The prophets, aged". Twentieth issue of a suite of 24 pieces (Bartsch 20). Chisel. 1450-1485. Museum of Fine Arts of the City of Paris, Petit Palais. 112279-13 XVEME XV XV 15th 15th 15 CENTURY, engraving

Woodcut by Lucas Hugensz. van Leyden from around 1530 depicting the Tiburtine Sibyl, showing female figure with prophetic gesture in a detailed composition.

The proclamation, with God the Father. Draughtsman: Giulio Romano. Dating: 1510 - 1546. Measurements: h 302 mm × w 208 mm. Museum: Rijksmuseum, Amsterdam.

Sideline; Tactus; Five senses. Personification of the sense of sense. A woman is tapped into her finger by a bird. Behind her two fascinating dogs. A fisherman on the shore of a lake in the background.

A Kneeling Man in Fifteenth-Century Costume (recto); a small, fragmentary sketch of a recumbant boy, probably by a later hand (verso) ca. 1509 Circle of Pinturicchio Italian This figure was probably copied from a larger narrative drawing attributed to Pinturicchio (now in the British Museum, London), depicting the Clemency of Scipio, the Roman general. The nearly identical figure in the London drawing represents the father of a captive maiden who kneels before Scipios throne. Both drawings may have been preparatory studies for the now lost fresco of the same subject that Pinturicchio painted in the Palazzo Petrucci (Palazzo del Magnifico) in Siena in 1509.. A Kneeling Man in Fifteenth-Century Costume (recto); a small, fragmentary sketch of a recumbant boy, probably by a later hand (verso). Circle of Pinturicchio (Italian, Perugia 1454-1513 Siena). ca. 1509. Metalpoint, heightened with white, reworked with the point of the brush and gray ink, on gray prepared paper.. Drawings

St. Matthew, from The Four Evangelists. Sebald Beham; German, 1500-1550. Date: 1541. Dimensions: 43 x 29 mm (image/plate); 45 x 31 mm (sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA. Author: Hans Sebald Beham.

. The naked Lucretia is in her room and puts a dagger in her chest.

Lady with the knight helmet, c. 1440 - c. 1468 print A lady with a crown with leaf -shaped decorations sits on a pillow on a wooden chair. On the left on the handrail a helmet with the head of a bird with a long neck and a crown on the left. paper engraving dignitary at court - BB - female dignitary: lady-in-waiting. helmet

Sebald Beham, The Lady and Death, 1541 The Lady and Death

After Baccio Baldini, Persian Sibyl, early 15th century Persian Sibyl

Young woman with bow and arrows, maybe Diana, or one of her nymph, or goddess Atalanta, Herculaneum, Campania, Italy, engraving by Nicola Oratij from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume III, plate 13, 1757-1787, Naples.

Female Figure Standing on a Dragon Artist's working dates 1531-1603 Flanders. Brush and gray wash, over incising, on ivory laid paper, laid down on cream laid paper . Marten de Vos

Lord and lady walking with figure of death hiding behind a tree, holding an hourglass, after Dürer. Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()); After Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 7 11/16 × 4 13/16 in. (19.5 × 12.2 cm). Date: ca. 1500-1534. Museum: Metropolitan Museum of Art, New York, USA.

Salome with the Head of St. John the Baptist, c. 1517. Albrecht Altdorfer (German, c. 1480-1538). Pen and brown ink and brush and white gouache, framing lines in black ink ; sheet: 19.1 x 12.6 cm (7 1/2 x 4 15/16 in.); secondary support: 20 x 13 cm (7 7/8 x 5 1/8 in.). Salome's story is described in the biblical Gospels of Mark and Matthew. After dancing for King Herod of Galilee, her new stepfather, she was granted any wish she desired. Influenced by her mother, Herodias, she asked that John the Baptist--who was then imprisoned for condemning Herod and Herodias' marriage--be executed. Here, Salome enacts the most gruesome part of the story, presenting the prophet's head on a platter. In the Renaissance, the story was believed to presage the sacrifice of Christ on the cross and the presentation of the Eucharist during Catholic liturgy. Altdorfer's drawing emphasizes Salome's pride--a dangerous sin--through her elaborate garments, billowing, plumed headdress, and flowing long hair. He

Toulouse, Guillaume.

Eternity; Aeternitas; Prosopographia, Sive Virtutum, Animi, Corporis, Bonorum Externorum, Vitiorum, ET Affectuum Variorum Deineatio. Standing woman with two heads in her left and in her right hand a Ouroboros, a snake that bites her tail. This symbolizes eternity. Under the show two lines text in Latin. The print is part of an album.

A brown ink drawing by Hendrick van Cleve depicting the Kastell am More, executed with brown and blue wash.

Rubens, Peter Paul, Antwerp, Vorsterman, Lucas (I), Varie Figueri de Agati Antique, Prudence (Prudentia), verso lower left - stamped, Personified Prudence with a rudder and a snake. On the right Janus, with two faces. Title print of the series 'Varie Figueri de Agati Antique' after Peter Paul Rubens, of a total of nine prints of which probably five by Lucas Vorsterman I and four by Paulus Pontius., print, title print, prints, height 251 mm, width 191 mm, South Netherlands, 1595 - 1675, print maker, printmaker, 1619 - 1675, paper, papier, engraving, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30

Astronomie (Astronomia), Cornelis Jacobsz. Drebbel, after Hendrick Goltzius, 1587 - 1605 print Astronomy is in front of a sky and looks at the stars. In her hand she holds an armillarium. She wears a chain with sun and month. Next to her is an older man with a Jacobs staff. With a caption in Latin by C. Schonaeus. paper engraving 'Astronomy' (~ quadrivium); 'Astronomy' (Ripa)

Standing angel, with spread wings, anonymous, c. 1600 drawing North-Italy paper. ink pen / brush

Woman Holding a Fan 1629 Abraham Bosse French. Woman Holding a Fan 387576

Study for Allegorical Figure of Prudence. Artist: Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501-1547 Rome). Dimensions: 10 1/16 x 5 9/16in. (25.6 x 14.1cm). Date: 1501-47.This drawing of a graceful figure in diaphanous, billowing drapery relates to a fresco in the Sala Paolina, the papal reception hall in Castel Sant'Angelo decorated by Perino and his workshop between 1543 and 1548. It is a study for Prudence, one of the female personifications of the Virtues who appear in niches between the monumental renderings of scenes from the life of Alexander the Great . Like the study for Alexander Cutting the Gordian Knot in the Museum's collection (1984.413), the drawing would have been used as a model by Perino's assistants, who were charged with carrying out his ideas. Museum: Metropolitan Museum of Art, New York, USA.

Saint Catherine holding palm leaves and a sword, two putti overhead holding a laurel. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). Artist and publisher: Schelte Adams à Bolswert (Dutch, Bolsward 1581-1659 Antwerp). Dimensions: Sheet (Trimmed): 15 1/8 × 9 1/2 in. (38.4 × 24.2 cm). Date: ca. 1625-59. Museum: Metropolitan Museum of Art, New York, USA. Author: After Peter Paul Rubens.

Sibyl. Medium: chiaroscuro woodcut. Museum: National Gallery of Art, Washington DC. Author: Bartolomeo Coriolano or Giuseppe Maria Moretti after Guido Reni.

The H. Rochus with dog and angel, draughtsman: Simon Vouet, 1600 - 1659, paper, h 225 mm × w 163 mm

Rome, Rossi, Giovanni Giacomo de', Vatican City, Raphael, Italy, Bartoli, Pietro Sante, Reliefs in the Loggia of Raphael, Sacrificial Ritual, A female figure makes an offering. In her hands a bowl with fire and a wreath., print, prints, height 164 mm, width 131 mm, Italian, 1615 - 1700-11-07, print maker, printmaker, 1645 - 1700, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Work conception, 1483-04-07 - 1520-04-07, after a design by, Publication (Event), Publication, 1627 - 1691, publisher

Woman sitting in front of a wall, claude mellan (attributed to), 1608 - 1688 print paper engraving sitting figure - AA - female human figure

Gloves with a spout to the right; Small vases. On the edge of the body of the can sit a triton that blows in a shell. From series of 4 or 6 sheets.

Print made by Wallerant Vaillant, 1623-1677, Dutch, Judith with Head of Holofernes, undated. Mezzotint on moderately thick, moderately textured, cream, laid paper.

Judit with the head of Holofernes, Jan Saenredam, After Hendrick Goltzius, 1575 - 1607 print Judit puts the newly repelled head of Holofernes in a bag, which is kept open by her maid. In her right hand the sword. Behind her the beheaded Holofernes in his tent. The print has a Latin caption. paper engraving Judith with Holofernes' head and the sword

Woodcut by Hans Schäufelin around 1535 depicting a dancing couple embracing during a wedding dance scene.

After Albrecht Dürer, The Promenade, After 1498, engraving on paper.

March: Man with Pijp at Vissen, Anonymous, After Jeremias Falck, After Joachim von Sandrart (I), 1670 - 1726 print A man with a pipe surrounded by a lot of fish and shellfish representing the month of March. Above the man's head on the wall an image of a ram. In the background a glimpse to a ship at sea at Storm. Under the show a poem in the Dutch of Joost van den Vondel and a verse in French. Amsterdam paper engraving March ~ other concepts. fishes

Unknown Dutch 1500s (1599-1649); Hendrick Goltzius (1558-1617); Jan Saenredam (1565-1607); , Fool with marettic in the embrace, 1st quarter of 17th century

Depicts a half-length portrait of a young girl, executed as a copper engraving by Sebald Beham in 1518, showing facial features, attire, and hands.

Gamelbert by Michaelsbuch.

Gloves in the form of a triton; Modelli Artificiosi di Vasi Diversi d'Argento. The can have a foot in the shape of a turtle.

Avaritia Avarice. 1500 - 1550. Pencz, Georg, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Competence or power, Philips Galle, c. 1585 - c. 1590 print A standing woman. A hand from the air provides her a sword. In her left hand she has a branch with thorns. Under the show two lines of text in Latin. The print is part of an album. print maker: AntwerpSouthern Netherlands paper engraving power, 'Potestas' ~ one of the seven gifts of the soul

Albrecht Dürer (1471-1528). The peasant and his wife (Bartsch 83). 1497. Museum of Fine Arts of the City of Paris, Petit Palais. 77215-1 Walking, speaking, peasant, peasantry, rebirth, walking, 15th 15th 15th 15th 15th 15th century, couple, engraving

Danaë in the Brazen Chamber. Artist: After Frederick Augustus Sandys (British, Norwich 1829-1904 London). Dimensions: Image: 6 7/8 × 4 7/16 in. (17.5 × 11.2 cm)Sheet: 9 13/16 × 7 7/8 in. (24.9 × 20 cm). Engraver: Joseph Swain (British, Oxford 1820-1909 London). Date: 1867.When an oracle warned the king of Argos that he would be killed by a grandson, the king locked his childless daughter Danaë in a bronze tower. Artists typically depict Zeus arriving to make love to the girl as a shower of gold, but Sandys imagined an earlier moment in the myth. Dreams of the god have disturbed the princess and caused her to weave his image in a tapestry. Standing in languorous frustration between the textile and her rumpled bed, Danaë raises an arm as if to summon her divine lover. Sandys was influenced by Dante Gabriel Rossetti, admired the prints of Albrecht Dürer, and mastered the inherent linearity of wood engraving. This design was prepared for the journal Once a Week in 1867 but rejected by the

Libyan Sibille; Sibylla Libyca; Sibilles. The Libyan Sibille is sitting in her right hand with a corner. She looks up to heaven where the sign of the sun appears. Under the show a caption in Latin. This print is part of an album.

The Knight from a deck of cards engraved by Lemaitre in 1466. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

Calliope, Muse of Epic Poetry, plate 12 from Parnassus Biceps 1601 Frankfurt an der Oder. Engraving in black on ivory laid paper . Johann Theodor de Bry

Armand, Prince of CONTY.

Saturno (Saturn). Dated: probably c. 1470. Dimensions: sheet: 17.2 x 9.1 cm (6 3/4 x 3 9/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master of the S-Series Tarocchi.

Augustus, 1670 - 1742 print paper etching / engraving the twelve months (especially personifications); 'Mese in generale' (Ripa). August; 'Agosto' (Ripa). parasol, sunshade. cereal, grain, corn (grass with grains, grown for food, e.g.: wheat, rice, rye, oats, maize, buckwheat, millet)

Apollo, from 'Game of Mythology' (Jeu de la Mythologie) 1644 Etched by Stefano della Bella Italian. Apollo, from 'Game of Mythology' (Jeu de la Mythologie) 376748

Saint Louis of Toulouse Holding a Book. Dated: c. 1465. Dimensions: overall: 10.1 x 5.1 cm (4 x 2 in.). Medium: pen and brown ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI BELLINI.

Air. Jacques de Gheyn II (Flanders, Antwerp, 1565-1629). Flanders, circa 1588. Prints; engravings. Engraving

Saturnus, plate one from Der VII Planeten Artist's working dates 1638-1689 Switzerland. Etching in black on ivory laid paper . Conrad Meyer

Baptismo habeo baptisari ... Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Hieronymus Wierix.

Southern Netherlands, Kiliaan, Cornelis, Antwerp, Galle, Philips, Prosopographia, sive virtutum, animi, corporis, bonorum externorum, vitiorum, et affectuum variorum delineatio, Debilitas, Defect, verso - stamped, An emaciated woman with a water jug on her belt, walks barefoot and supported by crutches. Below the representation two lines of text in Latin. The print is part of an album., print, album sheet, prints, height 153 mm, width 87 mm, 1537 - 1612-03-29, print maker, printmaker, 1585 - 1590, fourth quarter 16th century, paper, engraving, engraving (printing process), 1530 - 1607-04-15, writer

Sanguine temperament, the four different temperaments, documented on types of people. The four temperaments are the sanguine, the choleric, the phlegmatic and the melancholic temperament, 1767, Germany, Historical, digitally restored reproduction from a 19th century original.

Mary Magdalene sits as a richly dressed woman near a table full of luxury items such as jewelry, perfume bottle, mirror. With tear-stained face and upward-looking eyes, she divests herself of her pearl necklace and pushes away her wealth with an arm gesture., print maker: Schelte Adamsz. Bolswert, (mentioned on object), Peter Paul Rubens, publisher: Schelte Adamsz. Bolswert, (mentioned on object), 1596 - 1659, paper, engraving, h 128 mm × w 89 mm

Madonna and Child. Dated: 1515/1517. Dimensions: sheet (cut to border): 37.9 x 26.1 cm (14 15/16 x 10 1/4 in.). Medium: woodcut on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hans Baldung Grien.

Saint Helena and the True Cross. Italian; Late 16th century. Date: 1580-1590. Dimensions: 391 × 255 mm (max.). Pen and brown ink with brush and brown wash, over black chalk, on lunette-shaped blue-brown laid paper, laid down on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA. Author: Unknown Roman.

Dutch Virgin, Jan Luyken, 1704 print The sitting Dutch virgin with freedom hat on a stick and a bundle of arrows in her hands. For her the Dutch Lion and a horn of pledies filled with fruits. Amsterdam paper etching symbols of particular nations, states, districts, etc.. coat of arms (as symbol of the state, etc.) (+ city; municipal). Freedom, Liberty; 'Libertí' (Ripa) (+ symbolical representation of concept)

St. Mark, from The Four Evangelists. Sebald Beham; German, 1500-1550. Date: 1520-1550. Dimensions: 43 x 29 mm (image/plate); 44 x 31 mm (sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA. Author: Hans Sebald Beham.

Tuscany Siena Montalcino Farmacia dell'Ospedale2. Hutzel, Max 1960-1990 Post-medieval: Frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sebald Beham, Justicia Justicia

Paris, Breton, Richard, Desprez, François, Recueil de la diversité des habits, Series of various costumes, La janiasaire, Wife of a Janissary, verso - stamped, print, prints, height 146 mm, width 86 mm, French, print maker, printmaker, 1562 - 1562, paper, papier, woodcut, Publication (Event), Publication, 1524 - 1571, publisher

Study of a young man, Bartolomeo Cesi, 1607 - 1615 drawing paper. chalk kneeling figure. arm raised, with fingers spread out - AA - both arms or hands. youth, adolescent

Lazio Latina Cori S. Oliva77. Hutzel, Max 1960-1990 Extensive coverage of exterior and interior including many views of Roman columns; many views of the renaissance frescoes and of the Renaissance cloister. General Notes: There were two sets of prints for this location; they have now been integrated into a single numerical sequence. There German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Allegory to the Constitution, dedicated to the Françoise Nation. (IT)

Iosephis Ivstinianvs Benedecti Filivs, Plate 3. Giustiniani, Vincenzo, marchese di Bassano, 1564-1637. Prints. 1631. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Sculpture, Greco-Roman, Sculpture,Private collections

H. Catharina in contemplation, draughtsman: Matthys van den Bergh, 1627 - 1687, paper, pen, brush, h 227 mm × w 191 mm

St. Barbara. Artist: Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd () 1484/85-1545 Strasbourg (Strassburg)). Dimensions: Sheet: 9 7/16 × 6 5/8 in. (24 × 16.8 cm). Date: ca. 1505. Museum: Metropolitan Museum of Art, New York, USA.

Allegory: woman with escutcheon sitting on a lion. Chodowiecki, Daniel Nicolaus (1726-1801), graphic artist

Intemperance, from Vice and Virtues 1528 Heinrich Aldegrever German. Intemperance, from Vice and Virtues 428721

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