Personifications of Strength and Virtues

Classic engravings depicting women as personifications of strength and virtues, including Fortitudo and Caution, showcasing intricate details and historical themes.

Staten-Generaal, Amsterdam, Visscher, Nicolaes (I), Plas, David van der, Swidde, Willem, Five senses, The view, verso center bottom - stamped, A richly dressed lady with a hand mirror in her hand looks over her shoulder at a mirror on the wall. Through a window there is a view of a row of trees. In a decorated oval with border decoration. Below the image the title of the print in Latin, French, English and Dutch. Numbered '1' at bottom right., print, prints, height 212 mm, width 159 mm, Noord-Nederlands, 1661 - 1697-06, print maker, printmaker, 1676 - 1688, paper, papier, etching, etchings, engraving, engraving (printing process), 1647-12-11 - 1704-05-18, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1618-01-25 - 1679, publisher, uitgever van privilege

Woman as a personification of strength (Fortitudo) leaning on column standing in NIS, Marcantonio Raimondi, After Rafaël, 1510 - 1527 print paper engraving Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues

Staten-Generaal, Amsterdam, Visscher, Nicolaes (I), Plas, David van der, Swidde, Willem, Five senses, The view, verso center bottom - stamped, A richly dressed lady with a hand mirror in her hand looks over her shoulder at a mirror on the wall. Through a window there is a view of a row of trees. In a decorated oval with border decoration. Below the image the title of the print in Latin, French, English and Dutch. Numbered '1' at bottom right., print, prints, height 212 mm, width 159 mm, Noord-Nederlands, 1661 - 1697-06, print maker, printmaker, 1676 - 1688, paper, papier, etching, etchings, engraving, engraving (printing process), 1647-12-11 - 1704-05-18, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1618-01-25 - 1679, publisher, uitgever van privilege

Woman as a personification of strength (Fortitudo) leaning on column standing in NIS, Marcantonio Raimondi, After Rafaël, 1510 - 1527 print paper engraving Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues

Saint Apollonia, 1 of 25 plates from the series Martyrologium Sanctarum Virginum (Female MartyrSaints). Publisher: Adriaen Collaert, Flemish, 1560-1618

Caution (), Bernard Picart, After Anton Maria II Zanetti, 1727 print A crowned woman (caution), With a book under the arm, points to the earth. At her feet a wedge and a nail. In the air a putto with a banderole on which a inscription in Latin. In the background a face on San Marcoplein in Venice. Amsterdam paper etching / engraving Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues. square, place, circus, etc.. tools, aids, implements ~ crafts and industries: wedge. tools, aids, implements ~ crafts and industries: nail San Marcoplein

Standing woman with hat wearing a basket ..

Marcantonio Raimondi after Raphael, Faith Faith

Jaël Sisera, Jan Saenredam, After Hendrick Goltzius, 1575 - 1607 print Jaël in the foreground, with a hammer and a tent pin. In the background the sleeping General Sisera. The print has a Latin caption. paper engraving Jael takes a nail of the tent and a hammer

Urania, 1592 print A series of nine muses. Four lines of Latin from Franco Estius in margin under print. paper engraving Urania (one of the Muses); 'Urania' (Ripa)

The Fifth Wise Virgin Artist's working dates 1450-1491 Germany. Engraving on paper . Martin Schongauer

Passe, Crispijn van de (I), Utrecht, Magdalena van de, Sibyls, Sibylla Libyca., Libyan Sibyl, verso lower left - stamped, The Libyan Sibyl sits with an ear of corn in her right hand. She looks up to the sky where the sign of the sun appears. In the margin a caption in Latin. Print from a series with sibyls., print, prints, height 270 mm, width 199 mm, Northern Netherlands, 1600 - 1638-01-22, print maker, printmaker, 1615 - 1615, paper, engraving, engraving (printing process), Work conception, 1564 - 1637, after a design by, Publication (Event), Publication, publisher

Pen drawing by Sébastien Le Clerc depicting girls from Arabia in brown and gray lavated ink on paper, mounted on a leaf with a pierced decorative strip.

The Samaritan woman, Jan Saenredam, After Hendrick Goltzius, 1661 - 1726 print The Samaritan woman at the well, a water jug in her hand. In the background the encounter between Christ and the Samaritan woman at the source. The print has a Latin caption and is part of a press series with famous women from the New Testament print maker: Northern Netherlandspublisher: Amsterdam paper engraving the woman of Samaria (John 4:4-42). Christ and the woman of Samaria: sitting at Jacob's well he asks her for a drink from her jug

Sainte C�cile, after Rubens (Dutuit 24 pp 133) Sainte C�cile, after Rubens (Dutuit 24 pp 133). Burin, 17th century. Museum of Fine Arts of the city of Paris, small palace.

Young farmer's, her overrun viewed from the front; Figures a la mode.umbered 15

Luiheid (Acedia), Jacob Matham, after Hendrick Goltzius, 1593 print Personification of the laziness, depicted as a female figure with a snail on her shoulder, standing in a niche. Haarlem paper engraving Sloth, Indolence, 'Acedia', 'Desidia'; 'Accidia' (Ripa) ~ personification of one of the Seven Deadly Sins

A prostitute with her name and charges. Etching by a follower of Wenceslaus Hollar, 180- ().

Ford, Catherine .

Diana Luna (title on object) Gods sitting on the seven planets (series title), Diana as the moon goddess Luna, standing on the star statue lobster, a staff in her right hand and a crescent moon in hot left., Diana as moon-goddess, ie Luna (Selene), Monogrammist IB (16e eeuw) (mentioned on object), Germany, 1529, paper, engraving, h 83 mm × w 49 mm

Passe, Crispijn van de (I), Utrecht, Magdalena van de, Sibyls, Sibylla Libyca., Libyan Sibyl, verso lower left - stamped, The Libyan Sibyl sits with an ear of corn in her right hand. She looks up to the sky where the sign of the sun appears. In the margin a caption in Latin. Print from a series with sibyls., print, prints, height 270 mm, width 199 mm, Northern Netherlands, 1600 - 1638-01-22, print maker, printmaker, 1615 - 1615, paper, engraving, engraving (printing process), Work conception, 1564 - 1637, after a design by, Publication (Event), Publication, publisher

Young lady giving or receiving a fan in a park, 18th century. Copperplate engraving from The Polite Academy, or Instructions for a Genteel Behaviour and Polite Address in Masters and Misses, R. Baldwin, London, 1759.

Clio; The nine muses. The Muse Clio sitting with writing tablet. Under the show, four lines are Latin from Franco Estius.

Schonaeus, Cornelius, Goltzius, Hendrick, Haarlem, Matham, Jacob, The seven virtues, Strength (Fortitudo), verso lower left - stamped, A female figure with a column over her shoulder as the personification of strength (fortitudo)., print, prints, height 152 mm, width 104 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1597 - 1597, paper, engraving, engraving (printing process), Work conception, 1558-01 - 1617-01-01, after a design by, 1541 - 1611-11-23, writer

Herderin, Jan van den Hoecke, 1621 - 1651 print Shepherdin with a shepherd's staff, halfway to the left. unknown paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. shepherd's crook

Temperance. Cornelis Cort (Holland, Hoorn, 1533-1578). Holland, 1560. Prints; engravings. Engraving

La Botanique. Artist: After Charles Nicolas Cochin II (French, Paris 1715-1790 Paris). Dimensions: sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Jaël en Sisera.Jael has killed the army leader Sisera. In her hand the hammer with which she put a tent herring through his sleep. In the background lies the lifeless body of Sisera.

Power, Crispijn van de Passe (I), After Maerten de Vos, 1580 - 1588 print Landscape with the female personification of strength (Fortitudo), one of the four cardinal virtues, with a broken column. The Red Sea Pharaoh and the Egyptian army flood in the background. On the right in the background the temptation of Christ in the desert. In the margin a two -way caption in Latin. Sixth print from a series with virtues. paper engraving Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues. with his people safe on the shore, Moses raises his hands and causes the water to return; Pharaoh's army perishes in the water (Red Sea). Christ, sometimes accompanied by guardian angel(s), tempted by Satan, who usually appears in human form

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Lady Elizabeth Harriet Bulkeley (née Warren), 1782. Stipple engraving on medium, moderately textured, cream, laid paper.

Marten de Vos' gray ink drawing from 1585 represents Saint Anastasia, showing her figure with detailed gestures and attire.

unknown, Hoecke, Jan van den, Shepherdess, verso - stamped, Shepherdess with a shepherdess staff, half-length to the left., print, prints, height 91 mm, width 60 mm, South Netherlands, 1611 - 1651, print maker, printmaker, 1621 - 1651, paper, papier, etching, etchings

Debora, Jacob Matham (attributed to), after Hendrick Goltzius, 1588 print The prophetess Debora, standing with a hand in her side and in her other hand a book (the Old Testament). Haarlem paper engraving female persons from the Old Testament (with NAME) (not in biblical context). the time of Deborah and Barak (Judges 4-5)

Kalliope, Hendrick Goltzius, 1592 print A series of nine muses. Print is dedicated to Johannes Sadeler. Four lines of Latin from Franco Estius in the margin. Haarlem paper engraving Calliope (one of the Muses); 'Calliope' (Ripa)

Cimmerische Sibille, Philips Galle, After Anthony Blocklandt, 1575 print The Cimmerian Sibille, an old woman, sits on a pedestal. She has a book. The print has a Latin caption and is part of a ten -part series about the Sibillen. print maker: Antwerpafter design by: Low CountriesAntwerppublisher: Antwerp paper engraving sibyls (with NAME)

Josef I., Roman-German Kaiser.

Maria Magdalena, Francesco Brizio (ACTRUTED TO), After Ludovico Carracci, After Titiaan, 1584 - 1623 print Maria Magdalena in a landscape. In the background on the right is an ointment pot. Italy paper engraving the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

Humility, Heinrich Aldegrever, 1548, draughtsman: Heinrich Aldegrever, 1548, paper, pen, brush, h 105 mm × w 62 mm

The Third Wise Virgin, Martin Schongauer, German, 1450-1491, Engraving on off-white laid paper, Germany, ca. 1490, figures, Print, Print

Hell -spontic Sibille, 1546 - 1562 print The Hellespontic Sibille sitting with a book in her hands. In the background on the right the ruin and behind it a city in a landscape. This print is part of an album. paper engraving sibyls (with NAME)

MARS Henri Bonnart (1642-1711). March. Water and chisel.

Copper engraving and etching by Hendrick Goltzius from around 1593 depicting the allegorical figure Patience, showing figure, posture, and symbolic elements representing endurance and calm.

Print, Gaspara.

The Cumean Sibyl. Attributed to Francesco Rosselli; Italian, 1448-before 1513. Date: 1480-1490. Dimensions: 179 x 105 mm (plate); 180 x 106 mm (sheet). Engraving on paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Fille de Chio, Isle de l'Archipel 1714-15 After Jean Baptiste Vanmour. Fille de Chio, Isle de l'Archipel. Plate 74; from "Recueil de cent estampes représentent differentes nations du Levant". After Jean Baptiste Vanmour (French, Valenciennes 1671-1737 Istanbul (Constantinople)). 1714-15. Etching and engraving. Jacques le Hay. Prints

bekend, Parijs, Leblond, Jean (I), Bosse, Abraham, Woman embroidering, unknown, Paris, verso - stamped, Seated lady in a room, seen from the front, fashionably dressed according to the French fashion of ca. 1630-'35. The woman is embroidering or sewing a dress. Next to her a basket with balls of yarn., print, prints, height 219 mm, width 149 mm, French, 1602 - 1676-02-14, print maker, printmaker, 1630 - 1630, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, 1594 - 1666, publisher, uitgever, gever van privilege

Architecture; L'Architecture; Persons of the seven liberal arts.

Artist: Jan Saenredam, Dutch, 1565-1607, Patience, Engraving, 36.1 × 23.7 cm (14 3/16 × 9 5/16in.), Made in The Netherlands, Dutch, 16thcentury, Works on Paper -Prints

Caution (Prudentia), Anonymous, After Jacob Matham, After Hendrick Goltzius, 1587 - 1637 print The personalized care; A female figure with two snakes in her hand and a second sight on the back of her head. paper engraving Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues

Boetish Maria Magdalena, Pierre Daret, After Jacques Blanchard, 1640 print print maker: Parisafter painting by: Francepublisher: ParisFrance paper engraving the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

Copper engraving from 1505-1550 depicting a Muse, showing a female figure, classical attributes, and symbolic artistic elements.

Clair-obscur woodcut by Domenico Beccafumi (Mecarino) depicting a Sibyl, produced around 1547-1551 using two gray plates. The print shows a prophetic female figure in Renaissance engraving style.

Depicts the personification of Taste by Hendrick Goltzius in 1596 in copper engraving, showing an allegorical figure representing sensory experience.

Virgin and Child Crowned by Two Angels 1518 Albrecht Dürer German. Virgin and Child Crowned by Two Angels 391229

Patience or ionicity; Patientia; Prosopographia, Sive Virtutum, Animi, Corporis, Bonorum Externorum, Vitiorum, ET Affectuum Variorum Deineatio. A standing woman with a helmet on her head and a lamb. With her left hand she supports a yoke, in the right hand she holds a thorns with a lily. A burning heart is on the anvil next to the woman. Under the show two lines text in Latin. The print is part of an album.

Rebekka, the wife of Isaak, Jan Saenredam (attributed to), after Hendrick Goltzius, 1595 - 1599 print Rebekka, the wife of the patriarch Isaac. In the background Eliezer. Print from a series of three with images of the women of the three patriarchs from the Old Testament. paper engraving Rebekah draws water for the camels

Sheet 4 of series of 4 numbered sheets with plane decorations. Justice, personification of Justice, standing in oval. Framed at bottom is an owl between two peacocks. Shaded background, Plane decoration with Justitia Plane decorations. Ovals with four virtues in a frame of grotesques with animals (series title)., print maker: Nicolaes de Bruyn, (mentioned on object), Nicolaes de Bruyn, publisher: Frederik de Wit, print maker: Netherlands, publisher: Amsterdam, 1639 - 1706, paper, engraving, h 111 mm × w 86 mm

Messalina, Valeria.

Power, Heinrich Aldegrever, 1528 print Personification of strength, one of the seven virtues. Woman, half, with one of her breasts bare. The left arm around a broken column, the broken capital in her right hand. Germany paper engraving Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues

Minerva, Jan Saenredam, Cornelius Schonaeus, Claes Jansz. Visscher (II), 1575 - 1607

The Flower Girl Fanchonette. Artist: After François Boucher (French, Paris 1703-1770 Paris); John Ingram (British, London 1721 active to 1763). Dimensions: sheet: 8 3/4 x 5 3/4 in. (22.3 x 14.6 cm). Date: 1741-63. Museum: Metropolitan Museum of Art, New York, USA.

The Bassoonist. 1575. Stimmer, Tobias, 1539-1584. Janot, Bernhart. Bartsch, Adam von, 1757-1821. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Women musicians, Women , Clothing and dress , 16th century, Musical instruments , 16th century, Bassoons, Bassoonists

Proserpina and Ascalaphus as owl. Proserpina standing in a landscape, her hand extended to Ascalaphus in the form of an owl. Ascalaphus discovered Proserpina when she secretly stood pomegranates, on which she changed him for punishment in an owl.

Landscape with a musician Muze, Bernard Picart, After Eustache Lesueur, 1683 - 1733 print Landscape with a muse (terpsichore) That plays a triangle. Paris paper etching / engraving (story of the) Muses; 'Muse' (Ripa). other percussion instruments (with NAME)

Bartholomäus Ignaz Weiss, Diana Diana

Title Page: Le Code Louis XIV 1667 Claude Mellan French. Title Page: Le Code Louis XIV 393730

Saint Barbara holding palm leaves with a sword and flowers at her feet, two putti overhead holding a laurel. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). Artist and publisher: Schelte Adams à Bolswert (Dutch, Bolsward 1581-1659 Antwerp). Dimensions: Sheet (Trimmed): 13 7/16 × 9 1/2 in. (34.2 × 24.1 cm). Date: ca. 1625-59. Museum: Metropolitan Museum of Art, New York, USA. Author: After Peter Paul Rubens.

Vieille Payanneanne, a bras do it. / No. 11 / No. 8. (District factice) | I figures at la monde in English M. LUIT Duc de Bourville (IFF 982 to 1005) (title of the ensount)

Young woman leaning against a rock with a rose, Robert Brichet, after Joseph Franz Freiherr von Goz, 1783 - 1784 print paper etching adult woman. flowers: rose. landscapes

Image of Justitia (Justice) on the facade of the Town Hall on Dam Square, Hubert Quellinus, After Artus Quellinus (I), 1663 print Image of Justitia, the personification of justice, on the right on the tympanum on the facade (east side) of the town hall on Dam Square in Amsterdam. In one hand a scale, in her other hand a staff with the all -seeing eye. Imagine: W. paper etching / engraving Justitia (justice) as Roman personification. Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues City Hall of Amsterdam (1655-1808)

Cardinal Charles de Bourbon. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jean de Gourmont I.

Saint John the Evangelist holding a goblet with a snake emerging from it, from Christ, the Virgin, and Thirteen Apostles. Artist: After Guido Reni (Italian, Bologna 1575-1642 Bologna); Anonymous, 17th century. Dimensions: Sheet: 4 1/8 × 2 15/16 in. (10.4 × 7.5 cm). Series/Portfolio: Christ, the Virgin and Thirteen Apostles. Date: 1600-1640.From Christ, the Virgin and Thirteen Apostles, a series of fifteen busts in oval frames printed from one plate, after Reni. Brown ink drawn around the outer border of the sheet. Museum: Metropolitan Museum of Art, New York, USA.

Bust of a young woman. Bust of a woman looking at the left. Around her neck a chain.

Bust of Bellona. Artist: Giulio Bonasone (Italian, active Rome and Bologna, 1531-after 1576). Dimensions: sheet: 6 5/8 x 4 5/16 in. (16.8 x 11 cm). Date: ca. 1531-76. Museum: Metropolitan Museum of Art, New York, USA.

Jean de Gourmont I, Cardinal Charles de Bourbon Cardinal Charles de Bourbon

Mirjam, the sister of Moses or a Sibille, Jan de Bisschop, After Giuseppe Cesari, After Antonio Circignani, 1666 - 1671 print A sitting woman with a book in her lap. It is unclear which woman has been presented here, perhaps Mirjam the sister of Moses or one of the Sibillen. Northern Netherlands paper etching female persons from the Old Testament (with NAME) (not in biblical context). sibyls

A copper engraving by Marcantonio Raimondi created around 1516-1518 titled 'Fortitudo', illustrating early 16th-century Renaissance allegorical representation of fortitude.

Copper engraving 'The Fourth of the Clever Virgins' by Monogrammist AG, late 15th century, depicting a biblical clever virgin with lantern and group of figures.

Personification of Africa, Jacob Gole, 1670 - 1724 print The personification of the Africa continent is on a desk. She wears clothing with precious stones. In the background, a rider is attacked by a lion. Amsterdam paper engraving Africa represented allegorically; 'Africa' (Ripa). beasts of prey, predatory animals: lion

The Young Girl Resting 1756 François Boucher French Although he worked primarily as a painter and draftsman, Boucher found early employment as a printmaker, making etchings after the paintings and drawings of Antoine Watteau. He also etched around thirty compositions of his own designs. La Petite Reposée is one of his more ambitious efforts in this medium. The rather static composition of a young woman and a boy placed before a rustic wall is enlivened by Boucher's very free use of the etching needle.. The Young Girl Resting 336925

Judith ca. 1526 Barthel Beham German. Judith 415022

Rhetorica; Free Arts and Minerva, Apollo and Industria. Retorica with winged hat and caduceus in her hand, walking in a landscape. She makes a talk with her other hand. There are books and a paper roll on the floor. A landscape with Roman ruins in the background.

Anonymous drawing depicts Temperantia standing in a niche, looking over her right shoulder, using brown pen, gray washes, and white highlights on brown paper, focusing on posture and drapery.

Martin Schongauer, Saint Barbara, c 1480 1490 Saint Barbara

. Second print from a series of three.

Judit, Nicolaas Braeu, after Hendrick Goltzius, c. 1586 - in or after c. 1600 print Judit with the head of Holofernes in her hand. The sword with which she chopped her head is clamped under her arm. In the background you can see how Judit cuts the head of the army commander Holofernes in his tent. Her maid stands for the tent and keeps watch. In Ovaal with a border script in Latin by Theodorus Schrevelius. paper engraving female persons from the Old Testament (with NAME) (not in biblical context)

Judith with head of Holofernes and sword.

Bosco, Prince of Catholic, Francesco Bonanno del.

Azië, Philips Galle, c. 1585 - C. 1590 print Standing woman with a long veil on her head that she holds with the right hand. In her left hand she has an incense vessel, because smells came from the east. Under the show two lines of text in Latin. The print is part of an album. print maker: AntwerpSouthern Netherlands paper engraving Asia represented allegorically; 'Asia' (Ripa)

Flora, Print made by Bernard Lens, 1659-1725, British, undated, Mezzotint, etched letter proof on medium, moderately textured, blued white, laid paper, Sheet: 5 1/2 × 3 7/8 inches (14 × 9.8 cm), Plate: 4 15/16 × 3 7/16 inches (12.5 × 8.7 cm), and Image: 3 15/16 × 3 1/8 inches (10 × 7.9 cm), dress, flowers, gazing, girl, goddess, religious and mythological subject, shoulder, wreath

Print made by Bernard Lens, 1659-1725, British, Flora, undated. Mezzotint, etched letter proof on medium, moderately textured, blued white, laid paper.

UneLecture. Artist: Unknown After: Pierre-Paul Prud’hon, French, 1758 -1823

Germany, Monogrammist IS (engraver), Woman at a well, A woman, seen from behind, at a well. Next to her is a sponge () and a water jug., print, prints, height 69 mm, width 47 mm, German, print maker, printmaker, 1500 - 1600, 16th century, paper, engraving, engraving (printing process)

Portracted van Rosina Elisabeth Bose, Johann August Corvinus, 1722 - 1738 print Portrait in medallion with two coats of arms held up by putti and under two allegorical female figures. Augsburg paper engraving historical persons (portraits and scenes from the life) - BB - woman. specific aspects, allegorical aspects of Ceres; Ceres as patroness

Kunisada, work, Actor Ichimura Uzaemon XII in the play Iso Chidori Naruto no adauchi (Beach tulle or Revenge in Naruto), colored woodcut, graphics

Sitting woman with child; Paintings in the Sistine Chapel.Figures from Michelangelo's Ceiling Painting. Numbered at the bottom right: 52.

Sitting woman with old man and child; Paintings in the Sixtin Chapel. Figures from Michelangelo's ceiling painting. Numbered at the bottom right: 66.

Costume of a Timucua queen of Florida, wife of Chief Satouriona. She wears necklace, bracelets and anklet, a fringed leaf dress and tattoos on her torso, arms and legs. Costume de la reine de Floride. Based on an engraving by Theodor de Bry after a painting by John White. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after Christoph Krieger from Cesare Vecellios Costumes anciens et modernes, Habits antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860.

Giorgio Ghisi possibly after Giulio Romano, Allegorical Figure Holding a Sphere, mid 1560s Allegorical Figure Holding a Sphere

Sitting farmer from Wallonia, Anthonie Willem Hendrik Nolthenius de Man, 1828.

The Seasons: The Seasons: Spring, 1643-1644. Wenceslaus Hollar (Bohemian, 1607-1677). Etching;

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