Personifications of Virtues and Vices

A series of classical engravings featuring female figures representing virtues like faith and history, and vices like pride and sloth, in elegant poses and drapery.

Personification of vanity or pride, depicted as a richly clad female figure looking into a mirror, standing in a niche., Conceit (Superbia), print maker: Edouard Taurel, Jacob Matham, (mentioned on object), Hendrick Goltzius, (mentioned on object), 1834 - 1880, paper, engraving, h 334 mm × w 194 mm

Thalia, Charles David, after Hendrick Goltzius, 1605 - 1638 print Numbered at the bottom: 2. France paper engraving Thalia (one of the Graces)

Estius, Franco, Goltzius, Hendrick, Haarlem, Matham, Jacob, The Seven Deadly Sins, Sloth (Acedia), verso lower left - stamped, Personification of sloth, depicted as a female figure with a snail on her shoulder, standing in a niche., print, prints, height 321 mm, width 169 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1593 - 1593, paper, engraving, engraving (printing process), 1558-01 - 1617-01-01, intermediary draughtsman, after a drawing by, writer

Fides (copy) Anonymous, Dutch, 17th century Dutch After Hendrick Goltzius Netherlandish Publisher Joannes de Ram Dutch late 17th century

This copper engraving by Hendrick Goltzius depicts Clio, the muse of history, showing classical posture, drapery, and symbolic elements, created around 1592.

Personification of vanity or pride, depicted as a richly clad female figure looking into a mirror, standing in a niche., Conceit (Superbia), print maker: Edouard Taurel, Jacob Matham, (mentioned on object), Hendrick Goltzius, (mentioned on object), 1834 - 1880, paper, engraving, h 334 mm × w 194 mm

The Nine Muses: Terpsichore, #5 in a series of9. Artist: Hendrick Goltzius, Dutch, 1558-1617

Thalia; The nine muses. Thalia, the muse of the Blijspel and the shepherd poetry, sits with a jester mask in her hand and to her feet a book. Her hair are braided.

Polyxena, Landgränin of Hesse-Rheinfels-Rotenburg.

Terpsichore, anonymous, after Hendrick Goltzius, 1601 - 1652 print The sitting Terpsichore, the muse of the singing and dance, plays the lute. On the right at her feet are a winch and a book. Under the show two two -line verses in Latin. Amsterdam paper engraving Terpsichore (one of the Muses); 'Terpsicore' (Ripa)

Thalia, in Greek mythology one of the nine muses, Historic, digitally restored reproduction from a old original.

Erato; The nine muses. A series of nine muses. Four rules Latin from Franco Estius in margin under print.

Melpomene, 1592 print A series of nine muses. First state, for captions. paper engraving Melpomene (one of the Muses); 'Melpomene' (Ripa)

Thalia, anonymous, after Hendrick Goltzius, 1601 - 1652 print Thalia, the muse of the comedy and shepherd's poetry, is sitting with a foolish mask in her hand and a book at her feet. Her hair is braided. Under the show two two -line verses in Latin. Amsterdam paper engraving Thalia (one of the Muses); 'Talia' (Ripa)

Mother with children; Charitas. A woman with a bare chest with a child at a cradle in which a sleeping baby, as a personification of love (Caritas).

Woman Sitting Half-Dressed beside a Stove 1658 Rembrandt (Rembrandt van Rijn) Dutch. Woman Sitting Half-Dressed beside a Stove 392066

S'il m'etoit aussi fidele. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Antoine Francois Dennel after Jean-Honoré Fragonard.

This copper engraving by Hendrick Goltzius depicts Urania, the muse of astronomy, showing celestial symbols, classical posture, and drapery, created around 1592.

Fortitude or Strength personified by a woman standing in a nice resting her arm on a column, from 'The Virtues'. Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()); Possibly after Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: Plate: 8 7/16 × 4 1/4 in. (21.5 × 10.8 cm)Sheet: 16 1/16 × 10 13/16 in. (40.8 × 27.5 cm). Date: ca. 1515-25. Museum: Metropolitan Museum of Art, New York, USA.

Limborch, Hendrik van, Woman with perfume vase, verso - stamped, In a landscape sits a kneeling woman with a perfume vase in her hands., print, prent, prints, prenten, height 201 mm, width 159 mm, 1681-03-09 - 1759-02-03, print maker, prentmaker, 1691 - 1759, paper, papier, etching, etsen

Angelica Kauffmann, Juno, 1770, published 1780 Juno

Shepherdess, Andreas van der Myn, John Boydell, 1752

Honorable Miss Mary Monkton, Johann Jacobé, 1733-1797, Austrian, after Sir Joshua Reynolds RA, 1723-1792, British, 1781, Mezzotint on moderately thick, moderately textured, beige, laid paper, Sheet: 26 1/4 × 15 15/16 inches (66.7 × 40.5 cm), Plate: 25 1/4 × 14 15/16 inches (64.1 × 37.9 cm), and Image: 23 15/16 × 14 7/8 inches (60.8 × 37.8 cm)

The First Foolish Virgin Artist's working dates 1450-1491 Germany. Engraving on paper . Martin Schongauer

Melpomene; Melpomes. The sitting melpomene, the muse of the mourning game, holds an empty dagger sheath in her hand and a paper on her lap. Left of her are booking. Book illustration for a book in which the different muses come to speak.

Terpsichore, Pieter Nolpe, after Hendrick Goltzius, 1650 print The sitting Terpsichore, the muse of the singing and dance, plays the lute. On the left at her feet are a winch and a book. Book illustration for a book in which the different muses speak. Amsterdam paper etching / engraving / letterpress printing Terpsichore (one of the Muses); 'Terpsicore' (Ripa)

Piety, Jan Saenededam, After Hendrick Goltzius, 1590 - 1595 print The personification of piety is with a classic structure. She wears a long robe and a laurel wreath. Her right hand rests on an open Bible. She looks up. Under the show a Latin sentence with an explanation of virtue. paper engraving Patience; 'Patienza' (Ripa)

Copper engraving by Hendrick Goltzius from 1592 depicting Urania, the muse of astronomy, showing figure, globe, and compositional details.

ANN SPRANGER BARRY (1734 - 1801) actress as Zenobia, queen of Palmyra. Date: circa 1780

Francesco Bartolozzi drawing of a Sibyl, executed in red chalk.

Herderin met een bloemenmand.Shepherdess walking to the right, flower basket in the right hand.

Le desirs naissants. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Pierre Adrien Le Beau after Nicolas Tanché.

Flora, Joachim von Sandrart (I), After Titian, 1616 - 1688 print paper etching / letterpress printing (story of) Flora

Luise, Princess of Prussia.

Farmer's wife turned to the left, right arm vast, 1685 print Numbered 8 paper etching

The Nine Muses: Urania, #9 in a series of9. Artist: Hendrick Goltzius, Dutch, 1558-1617

Flatz, la Madeleine, d'après le carton original. Probably James Anderson (British, 1813 - 1877)

The First Foolish Virgin. Martin Schongauer; German, c. 1450-1491. Date: 1450-1491. Dimensions: 123 × 87 mm. Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Female Personification of Science 1776 France. Etching on pale bluish-green laid paper . Joseph Fratrel

Standing woman with hat, carrying a basket. Draughtsman: Johannes Christiaan Schotel. Dating: 1797 - 1838. Measurements: h 315 mm × w 196 mm. Museum: Rijksmuseum, Amsterdam.

Letter -reading young woman, Michael Schnell, 1731 - 1740 print Augsburg paper lover with love-letter

Prudence.

The Flower Girl Fanchonette 1741-63 John Ingram British. The Flower Girl Fanchonette 394749

Thalia. Hendrik Goltzius (Netherlands, Mülbracht now Bracht-am-Niederrhein, 1558-1617). Holland, 1592. Prints; engravings. Engraving

Woman Resting Her Head on a Book. Angelica Kauffmann; Swiss, 1741-1807. Date: 1770. Dimensions: 192 x 158 mm (plate); 216 x 176 mm (sheet). Etching and aquatint in brown on buff laid paper. Origin: Switzerland. Museum: The Chicago Art Institute, USA.

Portret van Justine Favart Als Bastienne, Jean Daullé, After Carle Van Loo, 1754 print France paper engraving / etching portrait of opera-singer. cow

Clio; Kleio. The seated clio, the muse of history, keep a writing table and an inkwell in her left hand, in her right hand. Left to her feet are booking. Book illustration for a book in which the different muses come to speak.

Mary Anne Talbot, a woman who passed as a male soldier and sailor. Engraving by G. Scott, 1804.

A chalk drawing by Ferdinand Georg Waldmüller of a seated female figure with white highlights on blue paper, created in 1810.

The Third Foolish Virgin, from The Five Foolish Virgins. Israhel van Meckenem (German, c. 1440/45-1503); after Martin Schongauer (German, c. 1450-1491). Date: 1465-1503. Dimensions: 114 × 83 mm. Engraving in black on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Seated woman, to the left, draughtsman: Pieter van Loon, 1841, paper, h 219 mm × w 144 mm

Sculpture of Minerva, Anonymous, 1584 print Caption in Latin. Print is part of an album. paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Minerva (Pallas, Athena)

La Toilette, 1862. Edouard Manet (French, 1832-1883). Etching;

Portrait of Lucy Hay, Duchess of Carlisle, Pieter van Gunst, After Anthony Van Dyck, 1716 print Lucy Hay, Duchess of Carlisle, was renowned for her political intrigues at the court of Karel I. Amsterdam paper engraving / etching

Gardener, Jacques Bellange, 1602 - 1616 print Young woman with a basket on her arm and she wears a decorated scale on her head. From a series of four prints with gardener. France paper etching / drypoint the (nude) human figure; 'Corpo humano' (Ripa) (+ female (human being) (not to be used where -AA- is prescribed)). carrying something in basket, bag, rucksack, etc.

ELEANOR ('NELL') GWYN - Actress, mistress of Charles II (with urn). Date: 1650 - 1687

Specimens of Polyautography: The Lost Apple, 1803. Thomas Stothard (British, 1755-1834). Lithograph;

Elizabeth, Countess of Northumberland, Thomas Watson (London, England, c.1748 - 1781) 1779

Portret van Calpurnia Pison, Pieter Schenk (1), 1675 - 1711 print Amsterdam paper etching / engraving necklace (+ women's clothes). family of a ruler, and court - BB - female ruler

Sigmund Freudenberger, La toilette La toilette

Marguerite nicknamed Maultasche, that is to say, mouth of the bag was the daughter of Henry Xe of the name Duc de Carinthie, count of Tirol then king of , Margarethe Maultasch, Gilles Demarteau , fatte

Drawing of Erzherzogin Maria Anna as Vestalin, executed in chalk.

Malcolm, Sarah .

Helene looks through a window. Helene is sitting on a chair and looks out through a window. In the window is a bird cage and a lean dog is standing for her. Illustration of a scene from a book with poems called 'helene'.

Italy, Reni, Guido, Judith with the head of Holofernes, verso - stamped, Judith with the severed head of Holofernes in her hands. On the right is the maidservant with whom she will put her head in a sack., print, prent, prints, prenten, height 251 mm, width 174 mm, print maker, prentmaker, 1595 - 1692, paper, papier, etching, etsen, Work conception, Italian, 1575-11-04 - 1642-08-18

The personification of the virtue Patience sits chained by a window, while the house in the background is on fire., Patience The Virtues (series title), print maker: Cornelis Massijs, (mentioned on object), Cornelis Massijs, Antwerp, c. 1543 - c. 1544, paper, engraving, h 85 mm × w 56 mm

Lostrigeon, Marie Francoise.

Woman with a glass, Jan van Somer, 1676 print A woman has a glass. On the table next to her a plate with a peeled lemon and a jug. She may depict laziness. paper drinking. glass, rummer. Sluggishness, Inertia; 'Dapocaggine', 'Pigritia' (Ripa)

Terpsichore. Hendrik Goltzius (Netherlands, Mülbracht now Bracht-am-Niederrhein, 1558-1617). Holland, 1592. Prints; engravings. Engraving

Hope, in the guise of a woman holding an anchor in her left hand and a bird of prey on her right. At the top of the representation the word 'SPES' (hope). This print is part of a series of seven circular representations of the virtues, each personified by a female figure with typical attributes, and with Latin inscription., Hope Spes The Virtues (series title), print maker: Jacob de Gheyn (II), (workshop of), print maker: Zacharias Dolendo, (possibly), Jacob de Gheyn (II), Netherlands, 1591 - 1595, paper, engraving, d 148 mm

Mary Magdalene as richly dressed woman for conversion, print maker: Pieter de Bailliu I, Anthony van Dyck, Pieter de Bailliu I, 1623 - 1660.

Kager, Johann Mathias, Munich, Sadeler, Raphael (II), Bavaria sancta III, Saints of Bavaria III, BM Barbara Alberti PII Boior. Principis F., Barbara of Bavaria in a study, verso lower left - stamped, Barbara of Bavaria, daughter of the Bavarian Duke Albert III and nun of the Order of the Poor Clares, sits in a study of the Angerklooster in Munich and reads a book. A cage with birds hangs in front of the open window. Through the window a view of the monastery garden. The print has a Latin caption., print, prent, prints, height 260 mm, width 182 mm, South Netherlands, 1584-12-20 - 1632, print maker, printmaker, 1627 - 1627, paper, papier, engraving, engraving (printing process), German, 1575 - 1634, intermediary draughtsman

A red chalk drawing by Pierre Subleyras depicting a kneeling prelate wearing a measuring robe.

Portrait of a sitting child with a bird. Draughtsman: Godfried Schalcken. Dating: 1703. Measurements: h 210 mm × w 188 mm. Museum: Rijksmuseum, Amsterdam.

Nobilis Mulier Aulica Anglicana. Dated: 1643. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

Artist: Louis Desplaces, French, 1682-1739, Portrait of Marie Anne de Chateauneuf (calledDuclos), Engraving, 51.5 × 38.7 cm (20 1/4 × 15 1/4in.), French, 18thcentury, Works on Paper -Prints

Juno and the Peacock Made 1770 Switzerland. Greatly admired for her portraits, Kauffmann also made etchings that occasionally, as here, reflect her mythological bent. This impression represents an early state of the etching, before the addition of the aquatint and the published state of 1780.. Etching on paper . Angelica Kauffmann

Possible self -portrait as a woman, Sauveur Legros, 1764 - 1834 print paper etching historical persons. portrait, self-portrait of artist. head-gear: cap (+ women's clothes). man dressed as woman, travesty

Resting woman with book on lap, a pigeon on the Stoelleuning, Pierre Prud'Hon, 1870 print Paris paper. birds. adult woman. book - MM - book open

Urs Graf I after Martin Schongauer, A Bust Figure of a Foolish Virgin Holding Her Inverted Lamp A Bust Figure of a Foolish Virgin Holding Her Inverted Lamp

After Baccio Baldini, Cumaean Sibyl, early 15th century Cumaean Sibyl

Edouard Manet (1832-1883), The Toilet, 1862

She was a woman sitting at the stove; Rijn, Rembrandt Van (1606-1669); 1658 (1658-00-00-1658-00-00);Acts, women's acts, women

Girl with a Candle. Dated: after 1758. Medium: mezzotint on laid paper. Museum: National Gallery of Art, Washington DC. Author: John Greenwood after Nicolaas Verkolje.

Vecellio, Cecilia .

Domestic Pleasures 1747 Louis Surugue. Domestic Pleasures. After Jean Siméon Chardin (French, Paris 1699-1779 Paris). 1747. Engraving. Louis Surugue (French, Paris ca. 1686-1762 Grand Vaux). Louis Surugue (French, Paris ca. 1686-1762 Grand Vaux). Prints

Woman with fan, Hermanus Fock, After Abraham Bloemaert, 1781 - 1822 print A woman with a big hat and a fan in her left hand. She makes a gesture with her right index finger. print maker: Amsterdamafter drawing by: Netherlands paper etching fan

Euterpe; The nine muses. The seated euterpe, the muse of the music and lyricie, plays the flute and are a clarinet and books to her feet. Under the show two two-year verses in Latin.

Lady Hamilton as St. Cecilia, Print made by George Keating, 1762-1842, Irish, after George Romney, 1734-1802, British, 1789, Stipple engraving (proof before title) on moderately thick, moderately textured, cream, laid paper, Sheet: 18 7/8 × 14 3/16 inches (47.9 × 36 cm), Plate: 15 1/16 × 11 1/2 inches (38.3 × 29.2 cm), and Image: 12 1/16 × 9 9/16 inches (30.6 × 24.3 cm)

Bust of a woman with hat and raised collar, Pieter van Loon, 1811 - 1873 drawing paper. pencil brush

H. Catharina, Jacob Matham, after Hendrick Goltzius, 1613 print The holy Catharina with her hand on her attribute, the wheel. Her martyrdom in the background. Haarlem paper engraving the virgin martyr Catherine of Alexandria; possible attributes: book, crown, emperor Maxentius, palm-branch, ring, sword, wheel

DISAPPOINTMENT. PAINTED BY A. J. WOOLMER. unhappy, person, sad, disappointed, young, depression, sadness, portrait, stress, expression, upset, face, caucasian, depressed, emotion, woman, girl, female

Ex libris by Johan Schwencke. .

Woman with a Book, Francesco Bartolozzi, Italian, active England, 1727-1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 - 1666, Engraving in brown ink on white paper, Young woman facing frontally, her book to the left on a table., Italy, ca. 1760-1770, Print, Print

Portret van Isabella d'Este.On a chair for a drapery. This print is part of an album.

Lyonet, Pieter, Mary Magdalene, verso - stamped, print, prints, height 219 mm, width 186 mm, 1706-07-21 - 1789-01-10, print maker, printmaker, 1716 - 1789, paper, papier, engraving, engraving (printing process)

The Princess of Gu�men�e (registered title)

Ceres, Michiel de Jager, After Carlouche, 1663 - 1684 print Ceres sitting in front of a column. In her right hand she holds a bunch of grapes and her left hand rests on a horn of abundance. In the margin an eight -line poem in Latin. Amsterdam paper engraving Ceres, patroness of agriculture

Honoré Daumier, Chargé de garder les insignes de la souverainté, 19th century Chargé ... de garder les insignes de la souverainté

Portrait of a woman, sitting by the window, finger on the lips, Louis Bernard Coclers, 1756 - 1817 print unknown paper etching / drypoint index finger, forefinger - AA - female human figure (+ thinking, meditating). human figure at (open) window, seen from inside

Jacques Callot, Noble Woman with Fan, c 1620 1623 Noble Woman with Fan

of 3