Political Caricatures

Humorous and satirical prints depicting historical political events and figures, featuring exaggerated expressions and dynamic scenes reflecting societal commentary.

Large jump from George reassured by Pitt Anonymous / at Basset. "Great jump from George reassured by Pitt". Water-Strong colored, 1803.

Save who can or the English boarding their cities. (IT)

It comes up more powerful than ever Bournissian. "It's more powerful than ever". Water-loud colored. 1815.

The skeleton of Death comes for the Fortune Teller in his room decorated with planetary globes, astrology books, and crocodile. Two lady clients watch in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

King Louis XVIII and the Congress of Verona, 1822, J. Lewis Marks, 1823 print Cartoon on the Frans Koning Louis XVIII and the congress of Verona, 1822. Louis is in armor with crutches on a sledge with Alexander I and Emperor Frans II, Frederik William III King of Prussia, pushes the sled. print maker: Englandpublisher: London paper etching animal-drawn sledge (Dutch: 'toeslede'). political caricatures and satires

6th disadvantage. / Forced dedication. (Registered Title) | Disadvantages of a diligence trip. (IFF 25) (set of all)

Karl Giskra, Frantisek Ladislav German Franz Ladislaus Rieger, Gladkowský at the cube game Anno caricature with text from The Flea, Karl Klic -, Caricaturist

Large jump from George reassured by Pitt Anonymous / at Basset. "Great jump from George reassured by Pitt". Water-Strong colored, 1803.

Print made by Henry William Bunbury, 1750-1811, British, Pistol eating Fluellen's Leak - "Henry V", between 1811 and 1815. Hand-colored etching on moderately thick, slightly textured, cream wove paper.

A close evacuation

The Elements of Skating: The Consequence of Going Before the Wind. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, 1745-1818). Date: 1805. Dimensions: 230 × 334 mm. Etching and aquatint in black, with hand-colored additions, on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Political Mathematicians Shaking the Broad bottom'd Hemispheres.. Gillray, James (1756-1815). Tilden, Samuel J. (Samuel Jones) (1814-1886). Caricatures, Prints, Cartoons (Commentary). 1779 - 1805. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Liberty cap, Paull, James, 1770-1808

British political cartoon, 1807, James Gillray, 1807 Cartoon on British domestic politics, 1807. Centrally, big pants that are highlighted upside down. Furthermore, all kinds of tug of war and scraps. From burning Europe, Napoleon looks at the English situations with binoculars. paper etching trousers, breeches. political caricatures and satires England

R. Ackermann's Transparency on the Victory of Waterloo June 1, 1815 Thomas Rowlandson Napoleon, on horseback, is confronted by Blücher, at right, who fires a blunderbuss at him. He is also pursued by Wellington, at left, who gallops towards him, saber in hand. Napoleon's crown falls off his head, his feet have fallen out of the stirrups, and flails his arms towards Blücher.. R. Ackermann's Transparency on the Victory of Waterloo. Thomas Rowlandson (British, London 1757-1827 London). June 1, 1815. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Titelprent van serie: La Rigenerazione dell' Olanda, 1795, anonymous, after David Hess, after James Gillray, 1799 La Rigenerazione dell 'Olanda, 1795. A man and a woman dance for a freedom tree to music from two musicians. On top of the pole a Phrygic hat with fools and a reverse karnton with the words freedom, equality and brotherhood. On a flag the series title. A monkey climbs on the pole, a parrot sings a song on top of the pole. Venice paper etching La Rigenerazione dell 'Olanda, 1795. A man and a woman dance for a freedom tree to music from two musicians. On top of the pole a Phrygic hat with fools and a reverse karnton with the words freedom, equality and brotherhood. On a flag the series title. A monkey climbs on the pole, a parrot sings a song on top of the pole. Venice paper etching

Rural sports or game at quoits , Streets, Quoits, Sports spectators. Thomas Rowlandson (1756-1827). Prints and Drawings

Gone with the Wind (Autant en emporte le vent ). Artist: Anonymous, French, 19th century. Dimensions: sheet: 8 1/4 x 12 3/16 in. (21 x 31 cm). Date: 1815. Museum: Metropolitan Museum of Art, New York, USA.

Napoleons levenstrap, 1814, anonymous, 1814 print Napoleon's life staircase. Starting at the bottom left as a Corsican boy, he works for general, consul and finally at the top at its peak. Then the staircase goes with defeats in Spain, Moscow and Germany (Leipzig) in 1813. At the bottom you can see Napoleon banned on the island of Elba, 1814. Germany paper etching the ages of man represented by a staircase Elba

The anxieties of Felix Pyat. // he spent there! ... ...

Thomas Rowlandson, British (1756-1827), Miseries of London, published 1807, hand-colored etching

Frontispiece (Picturesque Beauties of Boswell, Part the First) May 15, 1786 Thomas Rowlandson. Frontispiece (Picturesque Beauties of Boswell, Part the First). Picturesque Beauties of Boswell. Thomas Rowlandson (British, London 1757-1827 London). May 15, 1786. Etching. Elizabeth Jackson (British, active 1785-87). Prints

The crayfish with Longchamps. (IT)

Comforts of Bath, Plate 12 January 6, 1798 Thomas Rowlandson. Comforts of Bath, Plate 12. Comforts of Bath. Thomas Rowlandson (British, London 1757-1827 London). January 6, 1798. Hand-colored etching and aquatint. S. W. Fores (London). Prints

Regency water sports and an accident on the Thames near Richmond. An overloaded boat hits a barge on the river, while university rowers and yachts go by. The Marigold Family on a Party of Pleasure, or effect of a Storm in the little Bay of Biscay, or Chelsea Reach. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

On a Journey to a Courtship in Wales. Richard Newton; English, 1777-1798. Date: 1795. Dimensions: 260 × 405 mm (image/plate); 278 × 427 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Mac-Adam sic et Bineau aux enfers. Par suite d'une punition terrible, mais méritée, ils sont condamnés à repaver les Champs Elysées. Dated: July 13, 1850. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

The skeleton of Death sits on a milestone to watch as a fast gig with husband and wife crashes on Shooter's Hill. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Soldiers Cooking, Heinrich Joseph Schutz, active 1798, after Thomas Rowlandson, 1756-1827, British, 1798, Aquatint, hand-colored

Anonymous. Poster for "a party in Pornichet". Pornichet (Loire-Atlantique). Color lithography, 1882-1888. Printer Charles Lévy. Paris, Carnavalet museum. Poster, communication, dancer, print document, french flag, platform, festival, popular feet, lithography, struggle, cocagne mat, musician, trailer, sumo, XIXth XIX 19th 19th 19th 19th century, engraving

Flying News; Or, Seringapatam taken by Stratagem..., William Dent, active 1784-1793, 1792, Etching with watercolor on laid paper, Sheet: 9 3/4 x 13 3/4in. (24.8 x 34.9cm)

Fumigation of the Corsican, 1813, Anonymous, Thomas Rowlandson, 1813 - 1815

Au bois de Boulogne. Honoré Daumier (1808-1879). Lithographs

Henry Thomas Alken, 1785-1851, British, Set of twelve with title-page: Sporting Satirist, 1834. Hand colored soft-ground etching.

Frontispiece with Royal Navy captain and midshipman before Britannia and a British lion. Britannia with plumed helmet, lance with flags, Union Jack shield. Bow, figurehead, mast and rigging of a man-of-war. Handcoloured copperplate engraving by Charles Williams from The Post Captain, or Adventures of a True British Tar by a Naval Officer, J. Johnston, London, 1817. Attributed to Alfred Thornton or John Mitford.

The flying Hollaender , caricature on the flight of Czapka and Metternichs, Karl Carl Lanzedelli Lancedelli Lanzedelly -, Lithographer, Jakob Loder, Printer

In your nose of arg ..! at your eye. Bartholo! To you all, Ventrus !! (IT)

Sports of a Country Fair Part the Third Published 1810 England. Hand-colored etching on ivory wove paper . Thomas Rowlandson

Richard Newton, 1777-1798, British, Political Boxing; or an Attack, at the Woolsack, 1792. Etching, hand-colored.

The dance of death: the churchyard debate. Coloured aquatint by T. Rowlandson, 1816.

Iceland Han Han of Iceland (Blood Study Taking Slaughteries)

Cartoon from Puck. Joseph Keppler (Austria, Vienna, active United States, 1838-1894)Bernhard Gillam (United States, 1856-1896). United States, 1880-1889. Prints; lithographs. Lithograph

A Kick at the Broad Bottoms! i.e. Emancipation of All the Talents, Gillray, James, 1756-1815, engraver, London, 1807, King George III, his face hidden by a pillar, grabs the pigtail of Lord Grenville, and holds his scepter as if ready to strike Grenville. Members of the government, including Howick, holding a torn copy of the Catholic Bill, Ellenborough, Buckingham, Temple, Windham, Moira, Sidmouth and Sheridan, rush from the room, falling on each other in the process. Petty and Erskine are sp

A kick at the broad-bottoms! i.e. Emancipation of 'all the talents' , Kings, Politicians, Military officers, Nobility, Judges, Fighting, Escapes, George III, King of Great Britain, 1738-1820, Sidmouth, Henry Addington, Viscount, 1757-1844, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Erskine, Thomas Erskine, Baron, 1750-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sheridan, Richard Brinsley, 1751-1816, Windham, William, 1750-1810, Lauderdale, James Maitland, Earl of, 1759-1839, Ellenborough, Edward Law, Baron, 1750-1818, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Adair, Robert, Sir, 1763-1855. John D. Merriam Collection

The ministers a- : Vide Gazetteer Nov'r 11 , Horses, Horseback riding, Politicians, Nobility, Donkeys, Wilberforce, William, 1759-1833, Pitt, William, 1759-1806. Thomas Rowlandson (1756-1827). Prints and Drawings

Europe, Stuttgart, Schulz, Friedrich Gustav, Theft and a Sick Child, verso - stamped, Sheet with 2 images. Above: a boy and a girl trying to steal fruit from a sleeping man. Below: three women with a donkey carrying a basket with a sick child. Below each image a caption in English, German, French and Dutch. Numbered lower left: No. 47., print, prent, volksprent, prints, prenten, volksprenten, height 418 mm, width 333 mm, Publication (Event), Publication, publisher, uitgever, 1820 - 1865, paper, papier, lithografie (techniek), kleuren, print maker, prentmaker

Morning Promenade Upon the Cliff, Brighton. James Gillray (English, 1756-1815); after Captain J. Morse (English, 1779-1804); published by Hannah Humphrey (English c. 1745-1818). Date: 1806. Dimensions: 340 × 550 mm (image); 360 × 558 mm (plate); 385 × 580 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Odeon, From the Croatian camp, From the series Sketches of Vienna in October , Carl Anton Goebel also Göbel -, Lithographic, Johann Rauh -, Printer, Anton Paternos widow, publishing house

Thomas Rowlandson, British (1756-1827), Racing, probably 1812, hand-colored etching

Political tape. (IT)

Print, etching of a satire on the defeat of Hobhouse by Lamb at the Westminster Election. The Rump, or remnant of Reformers, is represented by the hind-quarters of a cart-horse, with its hoofs in the air, carried on a knacker's cart, the front of which is formed by a guillotine. The procession is headed by Mister John Ketch, Esq.., the hangman.

Cartoon on struggle between women's magazines, 1870, 1870 print Cartoon on a struggle between two women's magazines founded in 1870. Supplement between two women on rocking horses. Left Betsy Perk of 'our calling', right Ms. de Goeije of 'Ons Striving'. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 18, 1870. print maker: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper hobby-horse. weekly, monthly, magazine, etc.

A Will O'The Wisp or John Bull in a Bog!, Isaac Cruikshank, 1756-1810, British, 1796, Etching, hand-colored, Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)

Isaac Cruikshank, 1756-1810, British, Bonne Farte Raising a Southerly Wind, or a Sketch of the Inteded Invasion Found at the Door of Brooks's in St. James's Street (from: Caricature, vol. 3), 1798. Etching, hand-colored.

Eligible balance of the MARC of silver. (IT)

Return of the Paris Diligence. George Cruikshank (English, 1792-1878); after George Humphrey (English, 1773-1831); published by Hannah Humphrey (English, c. 1745-1818). Date: 1815. Dimensions: 231 × 407 mm (image); 238 × 414 mm (plate); 241 × 417 mm (sheet). 1815. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Cut Six, and Sword Arm Protect September 1, 1798 Thomas Rowlandson. Cut Six, and Sword Arm Protect. Hungarian and Highland Broadsword. Thomas Rowlandson (British, London 1757-1827 London). September 1, 1798. Hand-colored etching and aquatint. Henry Angelo (British, London 1756-1835 London). Prints

A jingle or carriage accident on Low Ground Bridge, Baggot Street, Dublin. Passengers fall off the bridge into the canal, men with shillelaghs shout. Brian Boru, Sir Shawn ODogherty, Capt. Grammachree and Poll Kettlewell, upset in a jingle coming from the Black Rock. Handcoloured engraving from Pierce Egans Real Life in Ireland, or the Day and Night Scenes, Rovings, Rambles, and Sprees, Bulls, Blunders, Bodderation and Blarney, of Brian Boru Esq., and his Elegant Friend Sir Shawn ODogherty, published by William Evans, London, 1829.

Death with his dart on a skeletal horse rides over a cliff as an unfortunate huntsman and his dogs fall to their deaths. Other hunting dogs tear apart a stag. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

The Advantage of Shifting the Leg September 1798 Thomas Rowlandson. The Advantage of Shifting the Leg. Hungarian and Highland Broadsword. Thomas Rowlandson (British, London 1757-1827 London). September 1798. Hand-colored etching and aquatint. Henry Angelo (British, London 1756-1835 London). Prints

The bull over-drove: or the drivers in danger , Politics & government, Bulls, Animal attacks, Indians of North America, United States, History, Revolution, 1775-1783, Sandwich, John Montagu, Earl of, 1718-1792, North, Frederick, Lord, 1732-1792, Sackville, George Germain, Viscount, 1716-1785

The Magnification by Ferdinand Raimund theatrical picture gallery for the theater newspaper, st year, No, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

DESCUARTIZAMIENTO DE JACOBO CLEMENT - Conjunto nº 21650. Location: ARCHIVO. BERLIN. DEUTSCHLAND.

Plate 12, from "World in Miniature" 1816 Thomas Rowlandson One of forty prints from Rowlandson's "World in Miniature; Consisting of Groups of Figures, for the Illustration of Landscape Scenery." Three scenes: at top, men drinking at left outside of the "Half Moon Inn," a man and woman in a two-wheeled chaise at right; at middle, a man, two women, and a girl discover a drowned sailor's body on the shore; below, a wounded soldier supported by two other soldiers at right, while another soldier holds back his horse at left.. Plate 12, from "World in Miniature". "World in Miniature". Thomas Rowlandson (British, London 1757-1827 London). 1816. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Albert Dobel Miniatur stays on the Strozzi background in Zwergasse , Business card, Albert Dobel, miniature painter, stayed on the Strozzi background in Zwergasse , Johann Hieronymus Rohenkohl -, publishing house

The Funeral Procession of the Rump. George Cruikshank (English, 1792-1878); published by George Humphrey (English, c. 1773-1831). Date: 1819. Dimensions: 190 × 620 mm (image); 227 × 630 mm (sheet cut to plate). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Confreres, what must be our fate: will be able to escape at the same time and to the lantern and has this awful storm Confreres, what should be ourses out: can we escape both and the lantern and the frightful storm "

Chianli dart in all ways Auguste Bouquet (1810-1846). Press cartoon. "Chianli switched in every way". Board published in "caricature" of March 14, 1833. Lithography. Paris, House of Balzac.

Exhibition Napoleon to Elba

Beauties of a Gracious Speech, Or, Nuptial Introduction to John Bull, Or coming York over us., () William Dent, active 1784-1793, 1792, Etching with watercolor on laid paper, Sheet: 9 7/8 x 13 9/16in. (25.1 x 34.4cm)

A carousel in village square, England 19th century. Engraving.

An Irish Attack on an English Surloin, William O'Keefe, active 1794-1807, 1794, Etching, hand-colored, Sheet: 7 3/8 x 13 1/8in. (18.7 x 33.3cm)

The European Diligence, 1779, Anonymous, 1779 print Cartoon on Dutch support for the Americans in their struggle for independence against the English, 1779. A Dutchman with a wheelbarrow in which France, America, Spain and Portugal. France pierces the British virgin Britannia. A large Russian soldier with a bayonet gun stops the Dutchman. The text on the wheelbarrow refers to the role of Sint-Eustatius as Vrijhaven for goods and weapons for America. De Hollander is trying a document by Sir Joseph Yorke, the British ambassador in The Hague. print maker: Englandpublisher: London paper etching wheelbarrow Sint-Eustatius. United States of America. Russia. Great Britain

A Posthaste Conveyance for S---Members, James Sayer, 1748-1823, British, 1784, Etching, hand-colored, Sheet: 8 5/8 x 11in. (21.9 x 27.9cm)

The highly ornamented third gondola of Francesco Antonio Berka entering Venice, Gods on clouds in the upper section. Artist: Johann Georg Wolfgang (German); After Liberal Benaglia (Italian, active 1700). Dimensions: Sheet: 15 3/8 × 26 3/4 in. (39 × 68 cm). Date: 1700.Liberal Benaglia was responsible for the design of the gondola. It is not certain if he provided the design for the print, but it is possible. The other name on the print 'Fratres Strud' cannot at this time be identified, but refers to a religious order (Brothers) who were involved in either the ceremony or the prints. Museum: Metropolitan Museum of Art, New York, USA.

Dibujo satírico político publicado en el periódico El Loro. Los nuevos madgiares. Agosto de 1881. Praxedes Mateo Sagasta Escolar.

Published: William Holland, 1757-1815, British, Puritanical Amusements Revived, 1790. Etching, hand-colored.

Terent'evna dokolachivaet bashmakom bespardonnago frantsuzkago soldata; Pavel Prokhorov.. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1881. Rare Book Division. Folk art , Russia (Federation), Russia , Social life and customs, Engraving, Russian

Cartoon from Puck. Joseph Keppler (Austria, Vienna, active United States, 1838-1894)Bernhard Gillam (United States, 1856-1896). United States, 1880-1889. Prints; lithographs. Lithograph

The friends of France. (IT)

Torturing the fingers. Mason, George Henry. Wilson, William, active 1811-1839. Prints, Illustrations. 1804. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Punishment & torture, Criminal justice, Administration of, Clothing & dress, Manners & customs, China

General Monkey and General Wolfe!!. British Cartoon Prints Collection . Napoleon,I,Emperor of the French,1769-1821. , John Bull (Symbolic character),1800-1810. , Confrontations,1800-1810. , International relations,France,1800-1810. , International relations,Great Britain,1800-1810.

The Invasion, Plate I, France, Print made by Thomas Cook, 1744-1818, British, after William Hogarth, 1697-1764, British, Published by Longman, active 1804-1914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper

The times, anno. 1783. British Cartoon Prints Collection , Published in: The American Revolution in drawings and prints; a checklist of 1765-1790 graphics in the Library of Congress / Compiled by Donald H. Cresswell, with a foreword by Sinclair H. Hitchings. Washington : For sale by the Supt. of Docs, U.S. Govt. Print. Off., 1975, no. 855. John Bull (Symbolic character),1780-1790. , International relations,1780-1790. , United States,History,Revolution, 1775-1783.

ELEGANTE PETIMETRE - GRABADO SIGLO XIX. Location: MUSEO DE HISTORIA-GRABADOS BLANCO Y NEGRO. MADRID. SPAIN.

The Balance of Themis (IT)

Shame and Repentance / Tragi-Comic / Act III Scene VI / 80 Austrian thousand ... Oh the beautiful net! (IT)

Satiric picture with Napoleon Bonaparte by anonymous artist, print, Russia, Moscow, State Borodino War and History Museum,

The Imperial Quixote and Generalissimo Sancho's Grand, Joyfull and Triumphant return to Germany after the Conquest of France, () William Dent, active 1784-1793, 1792, Etching with watercolor on laid paper, Sheet: 8 1/2 x 15in. (21.6 x 38.1cm)

Richard Newton, 1777-1798, British, A Scots Concert!!!, 1796. Etching & aquatint, hand-colored.

Chinese agriculture. A peasant irrigates the land with a bucket of water from a canal, while others mill grain in a machine. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1843.

The victory of Painting on Death. Draughtsman: Gesina ter Borch (signed by artist). Dating: 1660. Place: Zwolle. Measurements: h 243 mm × w 360 mm. Museum: Rijksmuseum, Amsterdam.

Mier Józef Poniatowski's book; Unknown, Vernet, Horace (1789-1863), Bes et Dubreuil (Paris around 1825 (1820-00-00-1830-00-00);Poland, Poniatowski, Józef (1763-1813), Poniatowski, Józef (1763-1813)-iconography, partitions of Poland (1772-1795), Woźnicki, Kazimierz (1878-1949), Woźnicki, Kazimierz (1878-1949)-collection, Battle of Leipzig (1813), Battle, gift (provenance), Napoleonic era (1799-1815), death, death of Prince Józef Poniatowski (iconogr.)

Triumph of the restoration.

Witches in a hay loft , Witches, Supernatural beings, Spectators. Thomas Rowlandson (1756-1827). Prints and Drawings

Engraved by unknown artist, The Ladies' Shooting Poney, 1780. Hand-colored mezzotint on wove paper.

The dance of death: the last chase. Coloured aquatint by T. Rowlandson, 1816.

James Gillray, 1757-1815, British, A Witch, Upon a Mount's Edge - Vide: Fuzelli, 1791. Etching, hand-colored.

The Prince of Whales or the Fisherman at Anchor May 1, 1812 George Cruikshank British This light-hearted marine triumph casts George, Prince of Wales as a sea monster distracted by pleasure. In January 1812 the prince had officially become Regent and Cruikshank emphasizes his fleshly self-indulgence and weakness for mistresses and flatterers. When he became Regent, the prince surprised his former Whig friends by retaining the Tory Spencer Perceval as chief minister. Perceval, the fisherman of the title, stands in a small boat holding his prize fast on a golden chain while being showered by the "Dew of Favor." The disgruntled Whigs at left receive only "the Liquor of Oblivion." Clearly bored with politics, the Regent eyes a buxom mermaid, his most recent mistress Isabella, Marchioness of Hertford. He ignores both her scowling merman husband, and a second mermaid, his former mistress Maria Fitzherbert. The background colonnade represents Carlton House, the princes palatial home on Pall

Allegory for the Rotterdam Schutterij, 1830, Johannes Paulus HOUTMAN, After Anthonie Jacobus van Goudoever, 1830 - 1831 print Allegory on the release of the voluntary Rotterdam militia, October 20, 1830. Two soldiers for a monument with a weapon trophy of banners and flags, guns and a banner with inscription 'For King and Fatherland'. On the monument a two -way inscription. A burning city in the distance. print maker: Utrechtafter drawing by: Rotterdampublisher: Rotterdam paper 'tropaion', i.e. decorative ornament ~ weapons. warfare; military affairs (+ citizen soldiery, civil guard, citizen militia) Rotterdam

Instruments of Naval Combat, A Sailor Sounding the Trumpet 17th century Reinier Nooms, called Zeeman Dutch. Instruments of Naval Combat, A Sailor Sounding the Trumpet 380691 Artist: Reinier Nooms, called Zeeman, Dutch, Amsterdam ca. 16231664 Amsterdam, Instruments of Naval Combat, A Sailor Sounding the Trumpet, 17th century, Etching and drypoint; state III, sheet: 7 1/16 x 10 3/8 in. (18 x 26.3 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960 (60.623.8(1))

Drawing, Rest During the Vintage; Bartolomeo Pinelli (Roman, 1781 - 1835); Italy; pen and gray ink with watercolor and black chalk on off-white wove paper

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