Political Caricatures and Satire

Engaging prints from the 18th and 19th centuries, depicting satirical scenes of politics, societal norms, and revolutionary themes.

Sansculots nourish Europe with the bread of freedom, 1793, James Gillray, 1793 print Cartoon in which the French sansculots let the various European countries eat the French bread of freedom in five separate scenes, 1793. John Bull (England) is, in the middle, lined by two sansculots with Hoodpen Bread. The same thing happens to the Netherlands, Savoie, Germany and Italy around it. At the top left, the Dutchman gets the bread pushed through the throat on a bayonet while he is robbed of his money, the River Scheldt between his legs. London paper etching political caricatures and satires. personifications of countries, nations, states, districts, etc.

France, 18th century, French Revolution. Caricature of the national levelling: equality (Le niveau National). Print.

The - Battle Royal, or Who Wears the Breeches, James Gillray, 1757-1815, British, 1784, Etching, hand-colored, Sheet: 8 3/8 x 13in. (21.3 x 33cm)

Isaac Cruikshank, 1756-1810, British, The Bobadil disgraced, or Kate in a Rage___For Brunswicks Duke with Ninety Thousand Men, March'd into France and Then!!___and Then March'd Out Again, 1792. Etching, hand-colored.

A Kick at the Broad-Bottoms!- i.e. Emancipation of "All the Talents &c" - Vide the Fate of Ye Catholic Bill March 23, 1807 James Gillray British. A Kick at the Broad-Bottoms!- i.e. Emancipation of "All the Talents &c" - Vide the Fate of Ye Catholic Bill. James Gillray (British, London 1756-1815 London). March 23, 1807. Hand-colored etching. Hannah Humphrey (London). Prints

Sansculots nourish Europe with the bread of freedom, 1793, James Gillray, 1793 print Cartoon in which the French sansculots let the various European countries eat the French bread of freedom in five separate scenes, 1793. John Bull (England) is, in the middle, lined by two sansculots with Hoodpen Bread. The same thing happens to the Netherlands, Savoie, Germany and Italy around it. At the top left, the Dutchman gets the bread pushed through the throat on a bayonet while he is robbed of his money, the River Scheldt between his legs. London paper etching political caricatures and satires. personifications of countries, nations, states, districts, etc.

A Touch on the Times. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 10 3/4 × 15 1/4 in. (27.3 × 38.7 cm). Publisher: Samuel William Fores (British, 1761-1838). Subject: Charles James Fox (British, 1749-1806); George Prince of Wales (British, London 1762-1830 Windsor); William Pitt (British, 1759-1806); Richard Brinsley Sheridan (Irish, Dublin 1751-1816 London). Date: December 29, 1788. Museum: Metropolitan Museum of Art, New York, USA.

Isaac Cruikshank, 1756-1810, British, The Irish Howl or the Catholics in Fitz!, 1795. Etching, hand-colored.

Richard Newton, 1777-1798, British, Hibernian Sagacity and Sang Froid, 1795. Etching, hand-colored.

King George IV and his mistress Lady Conymham, Robert Seymour, c. 1827 Cartoon in which King George IV and his mistress Lady Conymham do not have time for the complaints of the poor British people because they want to take a ride on a giraffe. England paper etching hoofed animals: giraffe. riding on animal other than horse, ass, or mule (+ zoological aspects of animals in traffic and transport). the poor. political caricatures and satires

Henry Heath, active 1824-1835, British, No Shoe's!, 1824. Etching, hand-colored.

The visit of the camp by the aristocrats. (IT)

Royal Condescension. George Cruikshank (English, 1792-1878); published by S.W. Fores (English, 1761-1838). Date: 1817. Dimensions: 263 × 389 mm (image); 270 × 397 mm (plate); 273 × 400 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The Frogs Rejecting their King, John Cawse, 1779-1862, British, 1799, Etching, hand-colored, Sheet: 9 1/4 x 13 3/4in. (23.5 x 34.9cm)

The Jockey Club or Newmarket Meeting , Organizations, Jockeys. Thomas Rowlandson (1756-1827). Prints and Drawings

The pilgrims of Saint Jacques The pilgrims of Saint Jacques (1791) ". Water-cut colored.

Symptoms of a First Voyage 1822 Henry Thomas Alken British. Symptoms of a First Voyage 426334

Thomas Rowlandson, 1756-1827, British, Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia---, c. 1786. Etching, hand-colored.

Happiness in Vienna, magic game by Bäuerle Gallerie Droller and interesting Scenen for the theater newspaper, st year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Rising sun over Europe, 1809, Thomas Rowlandson, After G. Saauley, 1809 print Keizer Napoleon sitting next to a sleeping thick Dutchman rocks the Russian bear asleep. Also representatives of Sweden, Poland, Denmark, Austria and Prussia. On the rising sun the names of Spain and Portugal. Cartoon on the situation in European politics in 1809. Under the plate a verse in four columns. print maker: Londonafter drawing by: Farnhampublisher: London paper etching / letterpress printing cradle, crib. sleeping; unconsciousness. sunrise

Nap Buonaparte in a Fever on Receiving the Extraordinary Gazette of Nelson's Victory Over the Combined Fleets November 13, 1805 Thomas Rowlandson British. Nap Buonaparte in a Fever on Receiving the Extraordinary Gazette of Nelson's Victory Over the Combined Fleets. Thomas Rowlandson (British, London 1757-1827 London). November 13, 1805. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Obedy v Tilsite An Imperial Bonne Bouche or the Dinner at Tilsit. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

The Fall of the Wolsey of the Woolsack, James Gillray, 1757-1815, British, 1792, Etching, hand-colored, Sheet: 9 x 13 1/2in. (22.9 x 34.3cm)

Greys and duns : Or a prime bang up for the bit , Carriages & coaches, Horses, Debt. Thomas Rowlandson (1756-1827). Prints and Drawings

London Outrider, or Brother Saddlebag September 10, 1799 Thomas Rowlandson. London Outrider, or Brother Saddlebag. Country Characters. Thomas Rowlandson (British, London 1757-1827 London). September 10, 1799. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Johann Nestroy in Der Färber and his twin brother costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

Manchester heroes. British Cartoon Prints Collection . Hunt, Henry,1773-1835. , Peterloo Massacre, Manchester, England, 1819. , Massacres,England,Manchester,1810-1820.

Man with a viewing cupboard on a masked ball, Isaac Cuikshank (Possible), 1786 print A man with a turban and a cloak wears a viewing box on his stomach. In front of him, three women are dressed as a shepherdin, two of them kneel in front of the gap of the viewing box. Behind him are a spiritual, a man with a violin and a dog, a sailor and another shepherd. paper etching masquerade, masked ball. peep-show. violin, fiddle. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. head-gear: turban

Napoleon in the press, 1813. Cartoon at the fall of Napoleon in 1813 and the loss of conquered countries, 1813. The emperor in Keizersmantel is located in a large printing press that is tightened by an Austrian, Englishman, Pruis and a Russian. Napoleon spits notes with the names of countries annexed by the French, including Holland and Brabant. French customs flights in the background. With four-line verse.

False Courage November 22, 1788 Thomas Rowlandson A dueling subject. The man at right kneels and fires a pistol, while his opponent drops his weapon. At left, the duelist's second looks through an eye-glass in alarm, while the second crosses his arms and smiles. In the background, a doctor opens his mouth and spreads his arms in alarm, as his assistant fumbles with a bag holding medical implements. There is a carriage in the background with an open door, and two horses, with two grooms seated on their backs. The scene is set in a park or on a heath.. False Courage. Thomas Rowlandson (British, London 1757-1827 London). November 22, 1788. Hand-colored etching. S. W. Fores (London). Prints

Promenade of Longchamp Carle Vernet (1758-1836). Promenade de Longchamp, An X (1802). Engraving.

Austrian, Prussian and Russian ambassadors are sent out Spain, 1823, J. Lewis Marks, 1823 print Cartoon in which the Austrian, Prussian and Russian ambassadors by the leader of the Spanish government in Madrid, Evaristo Miguel, sent the country, 1823. In the background, the French King Louis XVIII watches with crutches. print maker: Englandpublisher: London paper etching political caricatures and satires Spain

Antiquarians à la Greque July 14, 1805 Thomas Rowlandson British. Antiquarians à la Greque. Thomas Rowlandson (British, London 1757-1827 London). July 14, 1805. Hand-colored etching. Published by Rudolph Ackermann, London (active 1794-1829). Prints

No. 3 Respect for treaties. Obey orders. Help your government. (IT)

A Sale of English-Beauties in the East Indies May 10, 1811, reprint Thomas Rowlandson A reduced copy after Gillray by Rowlandson, originally published in 1786. A group of English courtesans has just arrived in Calcutta and is being sold by an auctioneer at left.. A Sale of English-Beauties in the East Indies. Thomas Rowlandson (British, London 1757-1827 London). May 10, 1811, reprint. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Scandal Refuted or Billingsgate Virtue Artist's working dates 1796-1809 England. Etching in black, with hand-colored additions, on cream wove paper . Charles Williams

A Spanish Pass-Port to France!! September 12, 1808 Thomas Rowlandson. A Spanish Pass-Port to France!!. Thomas Rowlandson (British, London 1757-1827 London). September 12, 1808. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

The Political Warrior Mowing Down the Russian Trade, unknown artist, eighteenth century, 1791, Etching, hand-colored, Sheet: 10 7/8 x 15 5/16in. (27.6 x 38.9cm)

The Grand Monarck Discovered in a Pot de Chambre, or The Fugitives Turning Tail June 28, 1791 Thomas Rowlandson. The Grand Monarck Discovered in a Pot de Chambre, or The Fugitives Turning Tail. Thomas Rowlandson (British, London 1757-1827 London). June 28, 1791. Hand-colored etching. S. W. Fores (London). Prints

Going to Open the Budget. Unknown Artist (English, late 18th century); after George Moutard Woodward (English, c. 1760-1809); published by S.W. Fores (English, 1761-1838). Date: 1796. Dimensions: 270 × 335 mm. Etching in black, with hand-colored additions, on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

It is Not All Gold That Glitters, - or Volunteers Settling About Pedigree and Precedence (from: Caricature, vol. 3), Charles Ansell, ca.1752-active 1790, British, 1798, Etching, hand-colored, Sheet: 9 x 13 1/2in. (22.9 x 34.3cm)

Sympathy, or A Family On A Journey Laying The Dust July 12, 1784 Thomas Rowlandson. Sympathy, or A Family On A Journey Laying The Dust. J. Hedges (London). July 12, 1784. Hand-colored etching. Thomas Rowlandson (British, London 1757-1827 London). Prints

'Card with Letter ""'. 1814. Dimensions: 8,3x11 cm. Museum: State Hermitage, St. Petersburg. Author: Ivan Terebenyov.

Democratic innocence ; Democratic humility , Emperors, Kings, Huts, Families, School children, Cadets, Generosity, Napoleon I, Emperor of the French, 1769-1821, Bonaparte, Letizia, 1750-1836, Bonaparte, Carlo Maria, 1746-1785, Louis XVI, King of France, 1754-1793. James Gillray (1756-1815). Prints and Drawings

Tea on Shore 1785-94 Thomas Rowlandson Companion print to "Grog on Board" (59.533.326), where the officers have gone on shore to enjoy conversation over tea. Possibly published by Samuel William Fores, but lacks inscription.. Tea on Shore. Thomas Rowlandson (British, London 1757-1827 London). 1785-94. Hand-colored etching. Prints

James Gillray, 1757-1815, British, A Block for the Wigs - or, The New State Whirligig, 1783. Etching, hand-colored.

Democratic innocence ; Democratic humility , Emperors, Kings, Huts, Families, School children, Cadets, Generosity, Napoleon I, Emperor of the French, 1769-1821, Bonaparte, Letizia, 1750-1836, Bonaparte, Carlo Maria, 1746-1785, Louis XVI, King of France, 1754-1793. James Gillray (1756-1815). Prints and Drawings

Isaac Cruikshank, 1756-1810, British, Shakespeare's Prophecy, the Last Act by One in the Tempest, or the Jack Daws in Borrowed Feathers (from: Caricature, vol. 3), 1795. Etching, hand-colored.

Nakazanie Korolia Georga ; Strogii Grenader Horoscope, d'un Roi ou Vengeance, des Dupes. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

The little good-man took advantage. Amateurs. (Title registered (letter)) | Recreations. (Title of all)

Wages of debauchery , warning for others , Wage of debauchery caricature on the punitive measures against prostitutes, Johann Hieronymus Deleteenkohl -, publishing house

Summer Amusement at Margate, or a Peep at the Mermaids September 1, 1813 Thomas Rowlandson Four elderly men look through telescopes at naked bathing ladies in the sea at left. An woman angrily tugs at her husband's coat tails at right.. Summer Amusement at Margate, or a Peep at the Mermaids. Thomas Rowlandson (British, London 1757-1827 London). September 1, 1813. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Politeness ca. 1779 copy after James Gillray. Politeness. copy after James Gillray (British, London 1756-1815 London). ca. 1779. Hand-colored etching. () Hannah Humphrey (London). Prints

The Easter Hunt at Epping Forest, Plate First 1800-1820 After Henry William Bunbury Chasing an unseen quarry, Londoners ride horses or are seated in a carriage, with chimney sweeps on a donkey joining in the fun. Two pigs lie in the path of the oncoming crowd, and the spectacleis watched by figures from an observation tower. The etcher of this print has not been indentified.. The Easter Hunt at Epping Forest, Plate First. After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). 1800-1820. Hand-colored etching. Prints

Study for Dr Syntax made Free of the Cellar 1802-1827 England. Pen and brown ink with brush and watercolor, over graphite, on ivory wove paper . Thomas Rowlandson

John Bull ground down.. Gillray, James (1756-1815). 1795. Tilden, Samuel J. (Samuel Jones) (1814-1886). Caricatures, Prints, Cartoons (Commentary). The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The passengers from the wagon arriving at the inn : Hogarthian Novelist. Plate 2. Vide Roderick Random, Vol. 1, Chap. XI. , Taverns Inns, Military officers, Passengers. Thomas Rowlandson (1756-1827). Prints and Drawings

Dutch caricatures / respect for treaties. Obey orders. Help your government. (IT)

London, Walker, Williams, Charles, The Continental Shaveing Shop, Napoleon as a barber to European powers, 1806, verso - stamped, Barber's shop where a small Napoleon shaves the European countries. In the barber's chair sits Frederick William III, King of Prussia, with shaving foam on his chin ready to be shaved. Napoleon holds a large knife in his hands and has the beard of a Turkish sultan Selim III who recoils in horror while a bishop (Talleyrand) trying to smear shaving soap on the Turk's beard. The Dutchman and Austrian emperor on the left have already been shaved, their heads are bald and covered in scars. The Englishman John Bull looks in astonishment through a window. Cartoon on the political situation in Europe in 1806., print, cartoon, prints, Frederik Muller Historieplaten, height 251 mm, width 348 mm, English, print maker, printmaker, 1806-09 - 1806-09, first quarter 19th century, paper, etching, etchings, hand colouring, Publication (Event), Publication, British, publisher

A Promising Budget, Or, John Bull, William Dent, active 1784-1793, 1792, Etching with watercolor on laid paper, Sheet: 11 1/8 x 6 7/8in. (28.3 x 17.5cm)

Rough sketch of the times as deleniated by Sir Francis Burdett , Politicians, Corruption, Burdett, Francis, 1770-1844. Thomas Rowlandson (1756-1827). Prints and Drawings

Battle of Barbers and Surgeons Published 1797 England. Hand-colored etching on paper . Isaac Cruikshank

Englishman at Paris. Artist: After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). Dimensions: Sheet: 6 in. × 8 1/8 in. (15.3 × 20.7 cm). Etcher: Thomas Rowlandson (British, London 1757-1827 London). Date: 1807 (). Museum: Metropolitan Museum of Art, New York, USA.

TOT TOT TOT. Beat hot Early, early, early. Beat hot ". Anonymous print.

Les Musards de la Rue du Coq à Paris (Dawdlers of the Rue Coq, Paris) ca. 1810 Attributed to Thomas Rowlandson British A crowd has gathered outside "Martinet Librairie," a popular printshop at no. 124 rue du Coq-Saint-Honoré in Paris, trying to view both the images in the window and one another. Attributed to Rowlandson, the etching is based on a pen lithograph by the French artist Bergeret that Aaron Martinet published in 1805 (see 1984.1026.1). The underlying humor contrasts English tourists with more sophisticated Parisians, and would have appealed to Rowlandson, who visited France often and been raised by an aunt of Hugenot descent. The English origins of this print are affirmed by the insertion of the name of Thomas Tegg, a London publisher, on a poster at upper left.. Les Musards de la Rue du Coq à Paris (Dawdlers of the Rue Coq, Paris) 392771

The royalists visiting the work of Montmartre (IT)

Pacific-Overtures, - or - a Flight from St. CLOUDS - “over the Water to Charley.” - a new Dramatic Peace now Rehearsing.. Gillray, James (1756-1815). Tilden, Samuel J. (Samuel Jones) (1814-1886). Caricatures, Prints, Cartoons (Commentary). 1806. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. George III, King of Great Britain, 1738-1820, Napoleon I, Emperor of the French, 1769-1821, Napoleonic Wars, 1800-1815

The mask, Local painting by Jos, Schickh costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

Conflict between Burke and Price with regard to the French Revolution

A Lilliputian auction , Art auctions, Paintings. Thomas Rowlandson (1756-1827). Prints and Drawings

An altercation concerning r-l wives, &c Lewis Marks del.. British Cartoon Prints Collection . Napoleon,I,Emperor of the French,1769-1821,Capture & imprisonment. , George,IV,King of Great Britain,1762-1830.

The Little Green Man or the Bath Bugabo, or the Widows Terror, Charles Williams, active 1796-1830, British, 1802, Etching, hand-colored, Sheet: 10 x 11 1/4in. (25.4 x 28.6cm)

Princess Charlotte finished with her Dutch Tol, 1814, George Cuikshank, 1814 print Princess Charlotte standing with whip tells the King George IV sitting on the couch that she has played with the toll. A sitting figure, a Dutchman, is depicted on the toll. On the wall behind the woman a painting on which a Cupido upside down on a sphere is 'Orange above'. Princess Charlotte of England, who has been engaged for some time with the Prince of Orange Willem (the later King Willem II). She broke the engagement on June 16, 1814. paper etching whipping a top

Don Dismallo running the literary gantlet. British Cartoon Prints Collection . Burke, Edmund,1729-1797. , Williams, Helen Maria,1762-1827. , Price, Richard,1723-1791. , Barbauld,Mrs,(Anna Letitia),1743-1825. , Sheridan, Richard Brinsley,1751-1816. , Tooke, John Horne,1736-1812. , Punishment & torture,England,1790. , Running,England,1790. , France,History,Revolution, 1789-1799.

'Mr. Jorrocks's Bath', 1854. Artist: John Leech.

The Countryman's Dream of Coalescing Virtue and Vice, Round about the Maypole see how we trot, hot pot, hot, brown Ale we have got..., William Dent, active 1784-1793, 1784, Etching with watercolor on laid paper, Sheet: 10 x 13 13/16in. (25.4 x 35.1cm)

Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself, James Gillray, 1757-1815, British, 1798, Etching, hand-colored, Sheet: 7 1/4 x 10in. (18.4 x 25.4cm)

Isaac Cruikshank, 1756-1810, British, The Dwarf and The Giant or, The Strong Lad of Brighton taking off the Princes Chum!!, 1795. Etching, hand-colored.

Miseries of London 1807-08 Thomas Rowlandson Two burly women, almost naked above the waist, fight vigorously, surrounded by a yelling crowd.. Miseries of London. Thomas Rowlandson (British, London 1757-1827 London). 1807-08. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Irish march of intellect; or, the happy result of emancipation

Arming in the Defence of the French Princes or the Parting of Hector and Andromache, Richard Newton, 1777-1798, British, 1792, Etching, hand-colored, Sheet: 13 x 14 1/2in. (33 x 36.8cm)

Kissing Hands. Charles WIlliams (English, active 1797-1830); published by S. W. Fores (English, active 1785-1825). Date: 1806. Dimensions: 225 × 343 mm (image); 246 × 341 mm (plate); 272 × 383 mm (sheet). Hand-colored etching on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The case is altered , Carriages & coaches, Passengers, Horses, Coach drivers, Politicians, Fox, Charles James, 1749-1806, Wray, Cecil, Sir, 1734-1805, Hood, Samuel Hood, Viscount, 1724-1816. Thomas Rowlandson (1756-1827). Prints and Drawings

Preparing for Action or an English Man of War engaging Two Dutch Doggers, Isaac Cruikshank, 1756-1810, British, 1793, Etching, hand-colored, Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)

Unknown, Caricatures Parisiennes: Le Marché aux Fleurs, April 1806, hand-colored etching on paper.

Plate from Illustrations to Popular Songs. Henry Alken (English, 1785-1851); published by Thomas McLean (English, active 1790-1860). Date: 1822. Dimensions: 200 × 255 mm (image); 215 × 270 mm (plate); 245 × 340 mm (sheet). Soft ground etching with hand-coloring and aquatint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Drawing, A Domestic Dispute in Tivoli; Bartolomeo Pinelli (Roman, 1781 - 1835); Italy; pen and gray ink with watercolor and black chalk on off-white wove paper; Sheet: 20.2 x 27 cm (7 15/16 x 10 5/8 in.)

Both blind.

Daniel Thomas Egerton, c.1800-1842, British, Fashionable Bores, or Coolers in High Life, 1824. Aquatint, colored by hand.

Member of a revolutionary committee coming to make a domicile visit Jean-Baptiste Lesueur (1749-1826). Member of a revolutionary committee coming to make a home visit. Gouache on cut carton glued on a sheet of washed blue paper.

Pall Mall , Carriages & coaches, Coach drivers, Horses, Passengers, Walking, City & town life. Thomas Rowlandson (1756-1827). Prints and Drawings

Last words of Louis XVI for a moment before his death Latest words of Louis XVI, a moment before his death ". Anonymous colored water.

Mutual Politeness; or Reasons for Delay!!, unknown artist, 1803, Lithograph, Sheet: 9 7/8 x 12 1/2in. (25.1 x 31.8cm)

Cartoon on the tensions in the British cabinet between the Catholics and the Protestants, 1827, Henry Heath, 1827 Cartoon on the tensions in the British cabinet between the Catholics and the Protestants in March 1827. The representatives of both parties, or Eldon respectively, are together a rowing boat that symbolizes the Kingdom (Cabinet Cock Boat), and try to in opposite directions rowing. print maker: Englandpublisher: London paper etching rowing facing backward, pulling. Roman Catholic Church. Protestant Churches and denominations. political caricatures and satires

The Sad Discovery, or The Graceless Apprentice. Dated: 1785. Medium: hand-colored etching. Museum: National Gallery of Art, Washington DC. Author: Thomas Rowlandson.

1519 Dandies 1819. Attributed to William Heath (English, 1794-1840); published by Thomas Tegg (English, 1776-1845). Date: 1819. Dimensions: 245 × 350 mm. Hand-colored etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Incident between the sweeper, orange merchant and the public carrier (the vinaigrette)

William O'Keefe, active 1794-1807, Inspection of Property and Income, John Bull and The Inquisition, 1798. Etching, hand-colored.

Hodge's Explanation of a Hundred Magistrates March 1, 1815 Thomas Rowlandson Hodge, at right wearing a smock, has been brought before three justices in wigs at left. One of the justices says, "How dare you Fellow to say it is unfair to bring you before one hundred Magistrates when you see there are but three of us!" Hodge responds, "Why please your Worship you maun knowwhen I went to school, they Taught I that a one and two O's stood for a hundredso do you see your Worship be One and the other two be Cyphers!". Hodge's Explanation of a Hundred Magistrates. Thomas Rowlandson (British, London 1757-1827 London). March 1, 1815. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Amputation February 17, 1786 Thomas Rowlandson. Amputation. Thomas Rowlandson (British, London 1757-1827 London). February 17, 1786. Hand-colored etching. William Hinton (British, active London, 1779-86). Prints

Don Dismallo running the literary gantlet, engraving 1790, Edmund Burke in fools dress receiving lashes on his bare back as he runs a gauntlet of his peers which also includes Justice holding a sword, and Liberty, with staff topped with a liberty cap, who has turned her back on Burke and stands with J.F.X. Whyte, an old prisoner from the Bastille who carries a flag with scenes of the French revolution.

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