Political Satire and Caricatures

Humorous prints depicting political commentary and social critiques from the late 18th and early 19th centuries, showcasing exaggerated characters.

Candidates canvassing for seats in Parliament , Political elections, Ratcatchers, Rats, Cats. Thomas Rowlandson (1756-1827). Prints and Drawings

Divertions of Purley, Or Opposition Attending Their Private Affairs, Isaac Cruikshank, 1756-1810, British, 1797, Etching, hand-colored, Sheet: 10 x 14 3/8in. (25.4 x 36.5cm)

Mock Auction or Boney Selling Stolen Goods December 25, 1813 Thomas Rowlandson Napoleon leans forward on a desk at left with his auctioneer's hammer in his right hand. The Allies are crowded together on two benches in front of him, one of whom holds a crown over his head.. Mock Auction or Boney Selling Stolen Goods. Thomas Rowlandson (British, London 1757-1827 London). December 25, 1813. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

An Astonishing Paragraph, Richard Newton, 1777-1798, British, 1791, Etching, hand-colored, Sheet: 8 5/8 x 13 1/8in. (21.9 x 33.3cm)

() James Gillray, 1757-1815, British, Mason, The Duke's Confectioner Disposing of the Trinkets, 1789. Etching and aquatint, hand-colored.

Symptons of choaking , Accidents, Surprise. Thomas Rowlandson (1756-1827). Prints and Drawings

Candidates canvassing for seats in Parliament , Political elections, Ratcatchers, Rats, Cats. Thomas Rowlandson (1756-1827). Prints and Drawings

Honoré Daumier, Toujours la heunesse flourens, 19th century Toujours la heunesse-flourens

The pleasant time of the inhabitants of the Tour du Temple. (IT)

French cartoon, Anonymous, 1830 - 1838 print French cartoon on Talleyrand and Frans, prince of Joinville, son of Louis Philippe. Talleyrand pulls a curtain aside so that the young prince stands on a guns visible for two young ladies. On the gun chain 'Anvers'. paper etching political caricatures and satires

Isaac Cruikshank, 1756-1810, British, The Enraged Politician or the Sunday Reformer or a Noble Bellman Crying Stinking Fish, 1797. Etching, hand-colored.

Plate from Illustrations to Popular Songs. Henry Alken (English, 1785-1851); published by Thomas McLean (English, active 1790-1860). Date: 1822. Dimensions: 200 × 257 mm (image); 215 × 270 mm (plate); 245 × 340 mm (sheet). Soft ground etching with hand-coloring and aquatint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The chameleons merchant (IT)

An Academy for Grown Horsemen and The Annals of Horsemanship 1808 Thomas Rowlandson. An Academy for Grown Horsemen and The Annals of Horsemanship. After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). 1808. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

The Allied Bakers or the Corsican Toad in the Hole. Artist: George Cruikshank (British, London 1792-1878 London); After George Humphrey (British, 1773-1831). Dimensions: plate: 10 x 14 1/8 in. (25.4 x 35.8 cm)sheet: 10 7/8 x 15 7/8 in. (27.7 x 40.4 cm). Publisher: Hannah Humphrey (London). Date: April 1, 1814.A few days after this print appeared Napoleon abdicated his imperial crown. To convey this dramatic reversal of fortune, Humphrey and Cruikshank transformed a famous 1806 composition by Gillray (shown nearby). The bakers are now allied generals who prepare to consign the tiny figure of the fallen emperor to the flames (although Napoleon was not executed but exiled). Gebhardt von Blücher, who led Prussian troops to victory over the French at Leipzig in 1813, approaches the oven from the left, assisted by Russian and Swedish generals. At the right, the British Duke of Wellington, whose armies pushed the French out of Spain, brings pies containing trophies of those victories. The

Part of imperial. (TI)

Odd fellows from Downing Street complaining to John Bull , Organizations, John Bull Symbolic character. Thomas Rowlandson (1756-1827). Prints and Drawings

The Hopes of the Family - An Admission at the University ca. 1803 Thomas Rowlandson. The Hopes of the Family - An Admission at the University. After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). ca. 1803. Hand-colored etching. () Rudolph Ackermann, London (active 1794-1829). Prints

An old English gentleman pester'd by servants wanting places , Kings, Politicians, Nobility, Authors, Military officers, Erskine, Thomas Erskine, Baron, 1750-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Ponsonby, George, 1755-1817, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Sheridan, Richard Brinsley, 1751-1816, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Canning, George, 1770-1827, Cobbett, William, 1763-1835, Grattan, Henry, 1746-1820, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Grey, Charles Grey, Earl, 1764-1845, Castlereagh, Robert Stewart, Viscount, 1769-1822, Norfolk, Charles Howard, Duke of, 1746-1815, Sidmouth, Henry Addington, Viscount, 1757-1844, Spencer, George John Spencer, Earl, 1758-1834, Tierney, George, 1761-1830, Whitbread, Samuel, 1764-1815, Windham, William, 1750-1810, George III, King of Great Britain, 1738

Business and Pleasure 1813 Thomas Rowlandson A cobbler and a man with a walking stick in conversation. The cobbler says, "What do you say Neighbour - Five Men to be hung this morning!! well I should like to go to be sure, but I must stick to Business." The other man responds, "Aye Aye Friend Snob - you are always at work - never have time to take a little pleasure!!". Business and Pleasure. Thomas Rowlandson (British, London 1757-1827 London). 1813. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Plate from Illustrations to Popular Songs 1822 England. Soft ground etching with hand-coloring and aquatint on paper . Henry Alken

A visit to the neighborhood. / N ° 7. (Registered title) | The castle life. (title of all)

The Battle Royal Between the Prig Major and Big Bess, () Henry Kingsbury, active 1750-1780, British, 1788, Etching, hand-colored, Sheet: 8 7/8 x 13 3/8in. (22.5 x 34cm)

Isaac Cruikshank, 1756-1810, British, The Maid of Bath or Mac in her Teens, 1792. Etching.

The Irish Howl or the Catholics in Fitz!, Isaac Cruikshank, 1756-1810, British, 1795, Etching, hand-colored, Sheet: 8 5/8 x 15 1/8in. (21.9 x 38.4cm)

The citizens in Vienna by Bäuerle Gallerie Drollerie Scenen to the theater newspaper, st year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Mrs. Clark's levee ; The Ambassador of Morocco on a special embassy , Mistresses, Military officers, Messengers, Dogs, John Bull Symbolic character, Clarke, Mary Anne, 1776-1852. Holt Collection

London, Humphrey, Hannah, England, Gillray, James, French democrats surprizing the Royal Runaways, Louis XVI and Marie Antoinette caught during their flight, 1791, verso - stamped, King Louis XVI, his wife Marie Antoinette and the dauphin are taken in by the revolutionaries caught in flight at Varennes, June 1791., print, cartoon, prints, cartoons, height 250 mm, width 352 mm, English, 1756-08-13 - 1815-06-01, print maker, printmaker, 1791-06-27 - 1791-06-27, paper, etching, etchings, hand colouring, Publication (Event), Publication, 1745 - 1818, publisher

A Cure for Lying and a Bad Memory July 9, 1807 Thomas Rowlandson. A Cure for Lying and a Bad Memory. Thomas Rowlandson (British, London 1757-1827 London). July 9, 1807. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

High Fun for John Bull, or the Republicans Put to their Last Shift November 12, 1798 Thomas Rowlandson John Bull stands with a whip at left, watching the baking of ships for France in a Dutch Oven. A Dutchman pushes into the oven on a shovel a batch of ships, and says, "Donder & Blaxan to Dis Fraternization instead of smoaking mine Pipes & sacking De Gold, Dis french Broders make me build Ships Dat Mynheer Jan Bull may have De Fun to take dem." A Frenchman kneels behind him holding out another batch of ships on a tray, and says, "Sacredieu Citoyens make a Haste wit one autre Fleet, den we will shew you how to make one grande Invasion." A French peasant approaches with a heavy receptacle inscribed: "Ruination, Botheration, Confiscation, Requisition, Plunderation, Limitation, Execution, Constitution, Fraternization, Naturalization, Expedition, Abolition, Cutthroatation & Damnation." Behind the Dutchman a Spaniard holds a tray of cannons on his head, and says, "How! That Nelson wit one Ar

Promenade of Pont Ponpon (Arts Bridge).

A Peep Into Saldanha Bay, or Dutch Perfidy Rewarded, Isaac Cruikshank, 1756-1810, British, 1796, Etching, hand-colored, Sheet: 8 5/16 x 12 5/8in. (21.1 x 32.1cm)

Raising the wind , Usury, Nobility. Thomas Rowlandson (1756-1827). Prints and Drawings

Daniel Thomas Egerton, c.1800-1842, British, Set of twelve with title page: The Necessary Qualifications of a Man of Fashion, 1823. Aquatint, hand-colored.

The Departure, Thomas Rowlandson, 1756-1827, British, 1805, Etching

The poll , Seesaws, Nobility, Political elections, Politicians, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Wray, Cecil, Sir, 1734-1805, Hood, Samuel Hood, Viscount, 1724-1816, Fox, Charles James, 1749-1806. Thomas Rowlandson (1756-1827). Prints and Drawings

John Bull and the A-assa-r!!, unknown artist, 1802, Etching, hand-colored, Sheet: 8 1/2 x 11 7/8in. (21.6 x 30.2cm)

The Delegates in Council or Beggars on Horseback, Isaac Cruikshank, 1756-1810, British, 1797, Etching, hand-colored, Sheet: 9 1/4 x 13 3/4in. (23.5 x 34.9cm)

The Corporation's Visit to their Brother in Smithfield or the Hog's Feast on Being Sworn-in, Isaac Cruikshank, 1756-1810, British, 1790, Etching, hand-colored, Sheet: 8 3/16 x 13in. (20.8 x 33cm)

The diamond of the ghost king by Raimund Gallerie Droller Scenen for the theater newspaper, st year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Miseries of High Life March 1, 1808 Thomas Rowlandson. Miseries of High Life. Thomas Rowlandson (British, London 1757-1827 London). March 1, 1808. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Victorian tourists wading through dung on a farm looking for a rustic sight on their tour. The grotto and waterfall is just a barn. Ducks attack a child, a gentleman gets stuck in the mud. Never mind my husbands nasty dung, come this way Mr. B, Ill show you my grotto and waterfall. Handcoloured steel engraving by John Leech, London, 1840s.

James Gillray, 1757-1815, British, The Fall of the Wolsey of the Woolsack, 1792. Etching, hand-colored.

Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia---, Thomas Rowlandson, 1756-1827, British, c. 1786, Etching, hand-colored, Sheet: 9 5/8 x 14 1/2in. (24.4 x 36.8cm)

The bad Liesel, Bäuerles comedy Gallerie Drollerie Scenen to the Theaterzeitung, st year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe., James Gillray, 1757-1815, British, 1792, Etching, hand-colored, Sheet: 12 1/2 x 9 3/8in. (31.8 x 23.8cm)

A Meeting of Creditors, Isaac Cruikshank, 1756-1810, British, 1795, Etching, hand-colored, Sheet: 9 3/8 x 15 7/8in. (23.8 x 40.3cm)

Push-pin , Nobility, Games, Queensberry, William Douglas, Duke of, 1725-1810. James Gillray (1756-1815). Prints and Drawings

Meeting of the monied Interest. Constitutional opposition to ye 10 pr cent - ie - John Bulls friends alarm'd by the new tax , Government officials, Politicians, Nobility, Authors, Military officers, Mathematicians, John Bull Symbolic character, Tooke, John Horne, 1736-1812, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Smith-Stanley, Edward, 1752-1834, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Tierney, George, 1761-1830, Burdett, Francis, 1770-1844, Bedford, Francis Russell, Duke of, 1765-1802, Norfolk, Charles Howard, Duke of, 1746-1815, Fox, Charles James, 1749-1806, Erskine, Thomas Erskine, Baron, 1750-1823, Stanhope, Charles Stanhope, Earl, 1753-1816, Walpole, George, 1758-1835, Taylor, Michael Angelo, 1757-1834, Pulteney, William, Shuckburgh-Evelyn, George Augustus William, Sir, 1751-1804, Sinclair, John, Sir, 1754-1835. James Gillray (1756-1815). Prints and Drawings

A Touch on the Times December 29, 1788 Thomas Rowlandson British. A Touch on the Times 388762

The Buck & the Goose, Isaac Cruikshank, 1756-1810, British, 1801, Etching, hand-colored, Sheet: 6 x 8 7/8in. (15.2 x 22.5cm)

A woman plays the harp and sings, but her husband sleeps. Colour process print, 1891, after Thomas Rowlandson.

Image from The French Revolution of 1789 illustrating the "triple Accord" (meeting) between the three old orders. In the background, the hunter symbolizes the suppression of the right to hunt.

Antiquarians à la Greque. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Plate: 16 1/8 × 11 5/16 in. (41 × 28.7 cm)Sheet: 16 1/16 x 11 1/4 in. (40.8 x 28.5 cm). Publisher: Published by Rudolph Ackermann, London (active 1794-1829). Date: July 14, 1805. Museum: Metropolitan Museum of Art, New York, USA.

Plate from Illustrations to Popular Songs. Henry Alken (English, 1785-1851); published by Thomas McLean (English, active 1790-1860). Date: 1822. Dimensions: 200 × 255 mm (image); 210 × 270 mm (plate); 245 × 335 mm (sheet). Soft ground etching with hand-coloring and aquatint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

A Weeks Amusement for John Bull, Charles Ansell, ca.1752-active 1790, British, 1799, Etching, hand-colored, Sheet: 9 1/2 x 10 5/8in. (24.1 x 27cm)

Billy's Fantoccini or John Bull over Curious, Isaac Cruikshank, 1756-1810, British, 1798, Etching, hand-colored, Sheet: 9 1/2 x 15 1/4in. (24.1 x 38.7cm)

The Return of Paris. George Cruikshank (English, 1792-1878); published by Hannah Humphrey (English, c. 1745-1818). Date: 1817. Dimensions: 270 × 374 mm (image); 277 × 381 mm (plate); 282 × 385 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Drunkard's return , Intoxication, Dogs, Arrivals & departures. Thomas Rowlandson (1756-1827). Prints and Drawings

Robert Macaire au restaurant , Fictitious characters, Macaire, Robert. Honoré Daumier (1808-1879). Lithographs

Between Two Stools The Bottom Goes to the Ground, Charles Williams, active 1796-1830, British, 1802, Etching, hand-colored, Sheet: 8 3/4 x 13in. (22.2 x 33cm)

Sketch of day / 2 types / creditor and debtor / n ° 4

Tithe Pig February 25, 1786 Thomas Rowlandson. Tithe Pig. After Henry Wigstead (British, 1745-1800 Margate). February 25, 1786. Hand-colored etching. Henry Brookes (British, active 1786-95). Prints

The Union Club, Charles Williams, active 1796-1830, British, 1801, Etching, hand-colored, Sheet: 10 3/4 x 15 1/4in. (27.3 x 38.7cm), club (association)

Napoleon furnished, 1813; Caterers' - Boney Dish'D - A Bonne Bouche for Europe. Cartoon on Napoleon after his loss in the battle at Leipzig, 1813. There is a dish consisting of Napoleon on a round table surrounded by his butchalken and generals. Sit around the table or stand princes or representatives from the allies who have defeated the French at Leipzig. On the left front of the Russian Tsar Alexander I, at the front right the English General Charles William Vande who talks to the Swedish King Bernadotte. Further representatives of Bavaria, Austria, Württemberg, the Netherlands, Prussia, Switzerland, Italy and Saxony. The Dutchman says' Thunder and scores, that Dish Will Please Mine VROW!

Political Catoon Satirizing the 1802 Treaty of Amiens. English cartoon on the conditions of the Peace of Amiens, in which Great Britain acquires the islands of Ceylon and Trinidad. John Bull (England) buys the two islands in a shop of the shopkeeper (Napoleon), which he packed under the arms. The islands of Martinique (Sint-Maarten) and Saint Lucia are still available in the store.

A farmer telling his family, a doctor, a vicar and a lawyer his last will and testament. Coloured etching by H.W. Bunbury, 1809, after G.M. Woodward.

Parsonic Piety (Good Precepts do As I Say - but Bad Examples Not as I Do), Isaac Cruikshank, 1756-1810, British, 1794, Etching, hand-colored, Sheet: 8 7/8 x 14 7/8in. (22.5 x 37.8cm)

The Barber's Shop after 1803 Anonymous, British, 19th century. The Barber's Shop. After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). after 1803. Hand-colored etching. Prints

Raising the Wind 1805-12 Thomas Rowlandson. Raising the Wind. Thomas Rowlandson (British, London 1757-1827 London). 1805-12. Hand colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Charles Williams, active 1796-1830, British, The Union Club Masquerade, 1802. Etching, hand-colored.

Black Monday, or the Departure for School Published 1790 England. Hand-colored mezzotint on laid cream paper . John Jones

Manager & Spouter July 1, 1802 Thomas Rowlandson A stage manager (David Garrick), sits at a table and watches an actor perform a scene from a play. The title punningly compares the effusive performance to steam that issues from an urn on the table, next to tray with cups and a coffee or chocolate pot carried by a maid.. Manager & Spouter. After Henry Wigstead (British, 1745-1800 Margate). July 1, 1802. Hand-colored etching, stipple and aquatint. S. W. Fores (London). Prints

Boney receiving an account of the battle of Vittoria : Or the little emperor in a great passion , Rulers, Napoleon I, Emperor of the French, 1769-1821, Francis I, Emperor of Austria, 1768-1835, Alexander I, Emperor of Russia, 1777-1825, Frederick William III, King of Prussia, 1770-1840. George Cruikshank (1792-1878). Prints and Drawings

The rivals , Courtship, Competition Psychology. Thomas Rowlandson (1756-1827). Prints and Drawings

The Kentish hop merchant and the lecturer on optics!! , Dogs, Optical industry, Hops, Miscommunication. Thomas Rowlandson (1756-1827). Prints and Drawings

Mars and Venus, or Sir Cecil Chastised, Annibal Scratch, active 1791, 1784, Etching, hand-colored, Sheet: 7 7/8 x 12 5/8in. (20 x 32.1cm)

Les Sacrefices Forces, () Isaac Cruikshank, 1756-1810, British, 1789, Etching, hand-colored, Sheet: 9 7/16 x 15 1/4in. (24 x 38.7cm)

() James Gillray, 1757-1815, British, Scene Le Vrog House, 1782. Etching, hand-colored.

Britania's Protection, or, Loyalty Triumphant, Thomas Rowlandson, 1756-1827, British, 1800, Etching, hand-colored

James Gillray, 1757-1815, British, The Dagger Scene: - or - The Plot Discover'd, 1792. Etching, hand-colored.

Is it good the p'tite mother what's in ... / N ° 19

A Bait for Kiddies on the North Road. Or That's Your Sort Prime Bang up the Mark May 5, 1810 Thomas Rowlandson A stout stage-coachman holds a bowl and stands by the door of an inn, holding the chin of the landlady.. A Bait for Kiddies on the North Road. Or That's Your Sort Prime Bang up the Mark. Thomas Rowlandson (British, London 1757-1827 London). May 5, 1810. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Peasants of Bohemia drinking wine in a tavern, 1818. Handcoloured copperplate engraving from Mary Anne Vennings A Geographical Present being Descriptions of the Principal Countries of the World, Darton, Harvey and Darton, London, 1818. Venning wrote educational books on geography, conchology and mineralogy in the early 19th century.

A Game at Put in a Country Alehouse August 10, 1799 Thomas Rowlandson. A Game at Put in a Country Alehouse. After George Murgatroyd Woodward (British, 1765-1809 London). August 10, 1799. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

The Rivals July 14, 1807 Thomas Rowlandson. The Rivals. July 14, 1807. Hand-colored etching. Prints

Friendship of De Hollander with the Frenchman and the Brit, 1799, John Cows, 1799 print English cartoon in two halves. On the left a Frenchman who explains the friendship with the Dutchman and rolls his pocket. On the right, the Hollander explains his friendship to the Englishman and rolls his pocket. Following the British-Russian expedition to Noord-Holland in 1799. print maker: Englandpublisher: London paper etching

Sportsman's Hall, or Fox-Hunters Relaxing 1806 Thomas Rowlandson. Sportsman's Hall, or Fox-Hunters Relaxing. Thomas Rowlandson (British, London 1757-1827 London). 1806. Hand-colored etching. Prints

The Ailing Cricket. Dated: 1829. Dimensions: sheet: 25.4 x 32.6 cm (10 x 12 13/16 in.). Medium: hand-colored lithograph on wove paper. Museum: National Gallery of Art, Washington DC. Author: Jean-Ignace-Isidore Grandville.

Famous fight by Jean-Bart, the Duchêne Pere and the Compete Mathieu against three aristocrats; or broken mouths. (IT)

George Moutard Woodward, ca. 1760-1809, British, An Irish Request in a Storm, 1802. Etching, hand-colored.

For having passed the terminals, he broke his nose (IT)

Le général Schlick, s'imaginant que le costume.... Honoré Daumier (1808-1879). Lithographs

Diana in the Straw, or A Treat for Quornites. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 13 9/16 × 10 1/16 in. (34.4 × 25.6 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Date: January 1, 1804. Museum: Metropolitan Museum of Art, New York, USA.

Doctor Syntax and his wife drive to the pastor's house, Thomas Rowlandson, 1819 print paper etching church (exterior). urban housing. two-wheeled vehicle drawn by one animal

The Double Disaster, or New Cure for Love October 1807 Thomas Rowlandson. The Double Disaster, or New Cure for Love. Thomas Rowlandson (British, London 1757-1827 London). October 1807. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Print dealer in conversation with a customer, 1825 print Print dealer for his stall in conversation with a customer with a hat in his hand and a portfolio clamped under his arm. The trader complains to the customer about disappointing sales and refers to the Bochel in his formulation by indicating that happiness has turned his back on him ('La Fortune M'a Tourné le dos'). paper shop, store. art dealer

French Democrats Surprizing the Royal-Runaways, James Gillray, 1757-1815, British, 1791, Etching, hand-colored, Sheet: 9 1/4 x 13 1/2in. (23.5 x 34.3cm)

Jack Junk embarking on a cruize!! , Horses, Sailors. Thomas Rowlandson (1756-1827). Prints and Drawings

George Cruikshank, 1792-1878, British, The Fainting Fit, undated. Watercolor, brown ink and graphite on medium, lightly textured, cream wove paper, mounted to medium, moderately textured, cream wove paper.

James Gillray, 1757-1815, British, Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799, 1799. Etching, hand-colored.

of 3