Political Satire and Caricatures

Humorous etchings addressing political themes and social commentary, featuring exaggerated characters and witty narratives from the late 18th century.

A convention of the not-ables Print shows Lord North, Edmund Burke, Charles Fox, the Prince of Wales, and others attempting to break into the royal treasury. etching S.W. Fores No. 3 Piccadilly, 1787 April 28th

Isaac Cruikshank, 1756-1810, British, Divertions of Purley, Or Opposition Attending Their Private Affairs, 1797. Etching, hand-colored.

High Fun for John Bull, or the Republicans Put to their Last Shift November 12, 1798 Thomas Rowlandson John Bull stands with a whip at left, watching the baking of ships for France in a Dutch Oven. A Dutchman pushes into the oven on a shovel a batch of ships, and says, "Donder & Blaxan to Dis Fraternization instead of smoaking mine Pipes & sacking De Gold, Dis french Broders make me build Ships Dat Mynheer Jan Bull may have De Fun to take dem." A Frenchman kneels behind him holding out another batch of ships on a tray, and says, "Sacredieu Citoyens make a Haste wit one autre Fleet, den we will shew you how to make one grande Invasion." A French peasant approaches with a heavy receptacle inscribed: "Ruination, Botheration, Confiscation, Requisition, Plunderation, Limitation, Execution, Constitution, Fraternization, Naturalization, Expedition, Abolition, Cutthroatation & Damnation." Behind the Dutchman a Spaniard holds a tray of cannons on his head, and says, "How! That Nelson wit one Ar

The Dagger Scene. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1792. Dimensions: 350 × 288 mm (image); 370 × 300 mm (plate); 380 × 330 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

An Irish Compliment April 30, 1800 Thomas Rowlandson A man looks through his monacle at a woman's posterior and says, "Poire my Conscience Madam - you have got a most capital Frontispiece.". An Irish Compliment. Thomas Rowlandson (British, London 1757-1827 London). April 30, 1800. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day), James Gillray, 1757-1815, British, 1783, Etching

Brunswick / Poor / Manifesto / You have / have a more / noble fate. ... (IT)

Mason, The Duke's Confectioner Disposing of the Trinkets, () James Gillray, 1757-1815, British, 1789, Etching and aquatint, hand-colored, Sheet: 9 3/8 x 13in. (23.8 x 33cm)

A convention of the not-ables Print shows Lord North, Edmund Burke, Charles Fox, the Prince of Wales, and others attempting to break into the royal treasury. etching S.W. Fores No. 3 Piccadilly, 1787 April 28th

An Old Ewe Drest Lamb Fashion October 25, 1810 Thomas Rowlandson A street scene: a stout man att left turns to look through an eye-glass at a woman, who wears a straw bonnet and her hands in a large muff. Two men walk hurriedly to the left and at right a military officer puts his arm around a courtesan.. An Old Ewe Drest Lamb Fashion. Thomas Rowlandson (British, London 1757-1827 London). October 25, 1810. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Doctor Napoleon puts European princes on the pot, 1808; Doctor Boney - Bringing The Powers to Pot, Or Iohn Bull And His Friends Rather Shy. Napoleon as a doctor with a large wig on the head has put a group of European princes on a PO. He invites John Bull (Great Britain), Sweden (Gustaaf IV Adolf) and Brazil (Johan Vi, King of Portugal and Prince of Brazil) to not be shy and also take place on the POs. On the POs with the pants around the knees, Al Tsar Alexander I, Frederik Willem III of Prussia, Keizer Frans II, Pope Pius VII, the Spanish king Charles IV and a fat Dutchman. Sultan Mustafa IV looks scarstred.

Junot Disgorging His Booty October 17, 1808 Thomas Rowlandson. Junot Disgorging His Booty. Thomas Rowlandson (British, London 1757-1827 London). October 17, 1808. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

James Gillray, , 1757-1815, British, Apothecaries, Taylors & c. Conquering France and Spain, 1779. Etching with hand coloring in watercolor.

THE CONSEQUENCE OF INVASION OR THE HERO'S REWARD Arsell. "The Consequence of Invasion Or The Hero's Reward". Water-strong color, 1803.

Napoleon is shaved, 1813; The Allies Shaving Shop or Boney in The Suds. Cartoon on Napoleon After his loss in the Battle of Leipzig, 1813. Napoleon sitting on a chair is shaved by the allies. On the right the Russian tsar Alexander I that closed the napoleon nose and ready to shave him with a large razor. On the right the king of Prussia grinds a previous knife from Prussian steel. Left is foam made and suggested by Crown Prince Bernadotte from Sweden, the emperor of Austria and a Dutchman.

Charles Williams, active 1796-1830, British, The Preliminaries of Peace, 1801. Etching, hand-colored.

James Gillray, 1757-1815, British, A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day), 1783. Etching with hand coloring in watercolor.

Man getting money from women by anonymous artist, print, Private Collection, 24, 8x34

Cartoon on the Affair around Nootka Sound, 1790; Political sparring. For The Entertainment Of English Spanish French And Dutch Masters And Misses. Cartoon at the crisis between the British and the Spaniards in the Nootka Sound at Vancouver Island in the summer of 1789. The Spaniard lies on the floor to be crashed with the English sailor with his head. A second English sailor is spotting. The Frenchman left tries to help his Spanish ally but is stopped by the thick piping Dutchman, an ally of England.

Isaac Cruikshank, 1756-1810, British, The Budget or John Bull Frightened Out of His (Money) Wits, 1797. Etching, hand-colored.

Cartoon on the Dutch (no. 2), 1795/1814, Anonymous, 1814 print Three figures: On the left a inspecting captain, centrally a standing drinking man, on the right a sleeping man behind a telescope in a wheelchair. Part of a series of four French copies from 1814 of English cartoons from 1795 on the Dutch, who prefer to defend smoking and drinking than the national interest. print maker: Francepublisher: Paris paper etching drunkenness. sleeping in chair - BB - out of doors. telescope

Mrs. Clarke's Farewell To Her Audience. Tailpiece April 1, 1809 Thomas Rowlandson. Mrs. Clarke's Farewell To Her Audience. Tailpiece. Thomas Rowlandson (British, London 1757-1827 London). April 1, 1809. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Economy: Lord Brougham as John Bull, calling on the Prince Regent (later George IV) to retrench and curb his extravagance and to think of the people. Unless he does he will end up in rags (vision at top right). Sitting next to the Regent is his mistress, Lady Hertford. Cartoon by George Cruikshank, London 1816.

The comforts of a modern gala, 'Where now the routs full myriad...' , Crowds, Balls Parties. Thomas Rowlandson (1756-1827). Prints and Drawings

The rule of the hundred days

The Times, Thomas Rowlandson, 1756-1827, British, c. 1783, Etching, hand-colored, Sheet: 10 7/8 x 16 3/8in. (27.6 x 41.6cm)

Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon, James Gillray, 1757-1815, British, 1796, Etching, hand-colored, Sheet: 9 x 13 3/8in. (22.9 x 34cm)

The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola, Thomas Rowlandson, 1756-1827, British, 1791, Etching, hand-colored, Sheet: 9 3/4 x 16 1/8in. (24.8 x 41cm)

A Kick at the Broad-Bottoms! George III kicking Lord Grenvilles bottom and dismissing Grenvilles ministry. King opposed Roman Catholic Army and Navy Service Bill. James Gilray cartoon 1807. Religion Anti-Catholic

The purple cloth, / looking for its crown in the garbage of the Paris. (IT)

Crops Going to Quod, Richard Newton, 1777-1798, British, 1791, Etching, hand-colored, Sheet: 10 x 16 1/8in. (25.4 x 41cm)

The Parisian is sometimes late, Na 1835: Ah Darancourt than (...).

Broad Bottoms in Holland Worshiping Their New King July 23, 1806 Thomas Rowlandson. Broad Bottoms in Holland Worshiping Their New King. Thomas Rowlandson (British, London 1757-1827 London). July 23, 1806. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

A cruise to Covent Garden , Sedan chairs, Laborers. Thomas Rowlandson (1756-1827). Prints and Drawings

Political Ravishment, or the Old Lady of Threadneedle Street in Danger! by Gillray, James (1757-1815)/ Private Collection/ 1797/ England/ Etching, watercolour/ Caricature/ 24,8x34/ Genre

Laissez venir à moi les petits enfants , Fictitious characters, Macaire, Robert. Honoré Daumier (1808-1879). Lithographs

Sergent Recruiteur. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 10 3/16 × 15 13/16 in. (25.8 × 40.1 cm). Publisher: Samuel William Fores (British, 1761-1838). Date: October 24, 1789. Museum: Metropolitan Museum of Art, New York, USA.

Johnny Bull and the Alexandrians / Wm Charles, Ssc.; Charles, William, 1776-1820, artist; Philada. : Pubd, and sold wholesale by Wm. Charles, 1814.; 1 print on laid paper : etching and aquatint ; plate 24.8 x 34 cm.; The citizens of Alexandria, Virginia, are ridiculed in this scene for their lack of serious resistance against the British seizure of the city in 1814. At left two frightened gentlemen kneel with hands folded, pleading, "Pray Mr. Bull don't be too hard with us -- You know we were al

The Savoyards. George Cruikshank (English, 1792-1878); published by George Humphrey (English, c. 1773-1831). Date: 1818. Dimensions: 247 × 355 mm (image); 255 × 360 mm (plate); 260 × 365 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Charles Ansell, ca.1752-active 1790, British, The Danger Over or Billy's Return to John Bull, 1798. Etching, hand-colored.

A Tète à Tète Conversation on Recent Events. Charles WIlliams (English, active 1797-1830); published by S. W. Fores (English, active 1785-1825). Date: 1805. Dimensions: 325 × 238 mm (image); 350 × 245 mm (plate): 357 × 269 mm (sheet). Hand-colored etching on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Merry making on the regents birth day, 1812 G. Cruikshank.. British Cartoon Prints Collection . George,IV,King of Great Britain,1762-1830. , Birthday parties,England,1810-1820. , Adultery,England,1810-1820. , Wealth,England,1810-1820. , Poverty,England,1810-1820.

Boney at Bayonne blowing a Spanish bubble,1808 Napoleon convincing the Spanish royalty, who are enclosed in a bubble, of his friendship as he fires a cannonball at Madrid.

Bug Breeders in the Dog Days April 4, 1812 Thomas Rowlandson An elderly couple kept awake in their bed by fleas.. Bug Breeders in the Dog Days. April 4, 1812. Hand-colored etching. Prints

Charles Ansell, ca.1752-active 1790, British, Buonaparte in Egypt - A Terrible Turk Preparing a Mummy, For a Present - To the Great Nation (from: Caricature, vol. 3), 1798. Etching, hand-colored.

Tithe Pig. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 9 5/16 × 11 5/8 in. (23.7 × 29.5 cm). Publisher: Samuel William Fores (British, 1761-1838). Date: January 1, 1790. Museum: Metropolitan Museum of Art, New York, USA.

Durham Mustard Too Powerfull for Italian Capers Published 1807 England. Hand-colored etching on paper . Isaac Cruikshank

A block for the wigs or, the new state whirligig, Gillray, James, 1756-1815, artist, engraving 1783, a carousel on which sit government ministers Charles Fox, Lord North, Edmund Burke and Admiral Keppel. Beam in the center of the carousel platform is a pillar topped by a bust of King George III, a wig and Union Jack suspended over the bust. In the background two robbers lower a large bundle from the window of a building. An inscription above the cartoon reads Poor John Bull's house plunder'd at

France - Use of new measures Use of new measures "by Labrousse and delion. Print.

Print made by George Cruikshank, 1792-1878, British, Sales by Auction! - or Provident Children Disposing of their Deceased Mother's Effects for the Benefit of the Creditors!!, 1819. Etching with hand-coloring in watercolor on moderately thick, slightly textured, beige wove paper.

Boney at Bayonne blowing a Spanish bubble. Print shows Napoleon convincing the Spanish royalty, who are enclosed in a bubble, of his friendship as he fires a cannonball at Madrid.

The Learned Scotchman or Magistrates Mistake.!! 1812 Thomas Rowlandson A Scotchman at left bows in apology to a magistrate and his wife at right. The magistrate says, "What's that you say fellow about Whores in a Saw Pit!! - a very improper place to go with such company - I wonder you are not ashamed to mention such a thing and before my Wife too!! - but however as it is your first offence I will discharge you this time - but never come here with such a story again!!" The Scotchman replies, "I own your Worship - I was a little inebriated but your Worship knows "Nemo Mortatium Omnibis "Hooris Saupit"". The Learned Scotchman or Magistrates Mistake.!!. Thomas Rowlandson (British, London 1757-1827 London). 1812. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

A tale of terror!!! , Dogs, Devil, Storytelling. Thomas Rowlandson (1756-1827). Prints and Drawings

Long live freedom: what are you doing I sing freedom ... Anonymous. "Long live freedom: what are you doing I sing freedom ...". Engraving.

The sweet little girl that I love , Soldiers, Kissing. Thomas Rowlandson (1756-1827). Prints and Drawings

William O'Keefe, active 1794-1807, The Fatal Blow, John Bull Overburthen'd. Etching, hand-colored.

James Sayer, 1748-1823, British, The Bow to the Thorne, - Alias - The Begging Bow, 1788. Etching, hand-colored.

Druming Out. Or Making an Example of a Mutineer, Print made by William Heath, 1795-1840, British, Published by Thomas McLean, 1788-1875, British, ca. 1827, Etching with hand coloring in watercolor on medium, smooth, cream wove paper, Sheet: 11 7/8 × 17 inches (30.2 × 43.2 cm), Plate: 10 1/2 × 14 7/8 inches (26.7 × 37.8 cm), and Image: 9 1/2 × 14 1/8 inches (24.1 × 35.9 cm)

Charles Williams, active 1796-1830, British, Between Two Stools The Bottom Goes to the Ground, 1802. Etching, hand-colored.

Thomas Rowlandson (British, 1756 1827 ), A Militia Meeting, probably 1799, hand colored etching

An old maid on a journey , Taverns Inns, Art collectors, Banks, Sarah Sophia, 1744-1818. James Gillray (1756-1815). Prints and Drawings

Robert Isaac Cruikshank, 1789-1856, British, Admiral Van Tromp's Duel. Comforts of a Wife, 1830. Hand-colored etching.

The Barber's Shop 1785-1805 Thomas Rowlandson British. The Barber's Shop 363985

Doctor Syntax, in the Middle of a Smoking Hot Political Squabble, Wishes to Whet his Whistle August 31, 1813 Thomas Rowlandson Dr. Syntax, within a busy bar, seated at right, extends his hand to get a drink.. Doctor Syntax, in the Middle of a Smoking Hot Political Squabble, Wishes to Whet his Whistle. Thomas Rowlandson (British, London 1757-1827 London). August 31, 1813. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

() Charles Ansell, ca.1752-active 1790, British, The Rival Accoucheurs or Who Shall Deliver Europe, 1800. Etching, hand-colored.

My Grandmother; Alias the Jersey Jig, Alias the Rival Widows, Isaac Cruikshank, 1756-1810, British, 1794, Etching, hand-colored, Sheet: 8 1/4 x 12 7/8in. (21 x 32.7cm)

Making a sailor an odd fellow!! , Sailors, Organizations. Thomas Rowlandson (1756-1827). Prints and Drawings

Ceceders in Limbo - ie - Vagabounds Made Useful, () Charles Ansell, ca.1752-active 1790, British, 1798, Etching, hand-colored, Sheet: 13 5/8 x 10 7/8in. (34.6 x 27.6cm)

The Drum Major of Sedition March 29, 1784 Thomas Rowlandson. The Drum Major of Sedition. Thomas Rowlandson (British, London 1757-1827 London). March 29, 1784. Hand-colored etching. Hannah Humphrey (London). Prints

The last moments of Napoleon the little one.

Horror January 21, 1800 Thomas Rowlandson British. Horror 376335

Unknown, Qu'oi à Paris. cest incroyable, 1700-1899, hand-colored etching on paper.

James Gillray, 1757-1815, British, Ancient Music, 1787. Etching, hand-colored.

Long Sermons and Long Sieges are apt to Lull the Senses February 11, 1783 Thomas Rowlandson. Long Sermons and Long Sieges are apt to Lull the Senses. February 11, 1783. Etching and aquatint, hand-colored. William Humphrey (British, 1742-in or before 1814). Prints

French Revolution. Old regime. Caricature on the three-orders: the third state bearing on its back the clergy and the nobility. 1789. (TF)

Secretary of sir / reading the decree of the National Staff by / which he is deprived of his right to the regency. .... (IT)

Wellington and Peel, in the roles of the body-snatchers Burke and Hare, suffocating John Bull; representing the extinguishing by Wellington and Peel of the constitution of 1688 by Catholic Emancipation. Coloured etching, 1829.

Ducking a Scold. Dated: 1809. Medium: hand-colored etching. Museum: National Gallery of Art, Washington DC. Author: Thomas Rowlandson.

London, Humphrey, Hannah, Gillray, James, The Reception in Holland, Cartoon on the return of the prince, 1799, verso - stamped, English cartoon on the forthcoming reception of Prince William V on his return to Holland. The stout Prince is surrounded by a cheering crowd and embraced and kissed by a few fishwives. Frogs crawl at his feet. On the right in the background the landing of the English troops in boats on the beach of North Holland. Satire on the British-Russian invasion in 1799., print, engraving, cartoon, prints, engravings, Frederik Muller Historieplaten, height 260 mm, width 365 mm, English, 1756-08-13 - 1815-06-01, print maker, printmaker, 1799-09-08 - 1799-09-08, fourth quarter 18th century, paper, etching, hand colouring, Publication (Event), Publication, 1745 - 1818, publisher

Criticism of the "Government of all talents

The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing, James Gillray, 1757-1815, British, 1797, Etching, hand-colored, Sheet: 9 1/4 x 13 1/2in. (23.5 x 34.3cm)

Isaac Cruikshank, 1756-1810, British, The Humbug or an Attempt at Tragedy with the Jordan (struck through and replaced by) Joram Upsett, 1791. Etching, hand-colored.

The Gallic Magi led by the Imperial comet , Rulers, Governesses, Flatulence, Astrology, Stargazing, Comets, Infants, Napoleon I, Emperor of the French, 1769-1821, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847. Thomas Rowlandson (1756-1827). Prints and Drawings

Poor Johnny on the sick list, from "The Military Adventures of Johnny Newcome" 1815 Thomas Rowlandson Johnny, very ill, lies on a blanket on a heap of straw. A doctor inspects him at center, holding a gold-headed cane. Teague stands beside the doctor holding a syringe.. Poor Johnny on the sick list, from "The Military Adventures of Johnny Newcome". "The Military Adventures of Johnny Newcome". Thomas Rowlandson (British, London 1757-1827 London). 1815. Hand-colored etching and aquatint. Patrick Martin & Co (British, active London, 1813-15). Prints

We Fly By Night, Or The Free Booters Intercepted. Artist: Thomas Rowlandson (British, London 1757-1827 London); After George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: Sheet: 10 5/16 × 15 1/8 in. (26.2 × 38.4 cm)Plate: 9 5/8 × 13 9/16 in. (24.4 × 34.5 cm). Publisher: Thomas Tegg (British, 1776-1846). Date: August 27, 1808. Museum: Metropolitan Museum of Art, New York, USA.

Drawing by Pierre Alexandre Wille depicting two charlatans, executed with black feder, brush, and watercolor in 1796.

Georgian Londoners losing wigs and hats in a strong wind, 1820. Doctor Syntax in St. Pauls churchyard on a wet and windy day. Handcoloured copperplate engraving after an illustration by Isaac Robert Cruikshank from The Tour of Doctor Syntax through London, in the Pleasures and Miseries of the Metropolis, J. Johnson, London, 1820.

The Incurable April 4, 1784 Thomas Rowlandson British. The Incurable. Thomas Rowlandson (British, London 1757-1827 London). April 4, 1784. Hand-colored etching. William Humphrey (British, 1742-in or before 1814). Prints

How to Pluck a Goose June 10, 1802 Thomas Rowlandson A young officer playing the card game Cassino with three elderly expert females is the "goose" being plucked in this print. The women wear fashionable high-waisted dresses and feathered turbans, and the partners, at left and right, make genteel exclamations over the officers bad luck. Having already collected "a bumper," or unopposed string of eight tricks, they are about to conclude the game as the woman in spectacles displays a "great casino" (the ten of diamonds) and achieves the winning count of eleven. In Britain, decorum prevented women from visiting public gaming establishments, but allowed them to play for money in private. While the elderly players in Rowlandsons print mask their skill with a veneer of gentility, the work reflects the widespread approbation aimed at women who enriched themselves by acting like male sharpers.. How to Pluck a Goose. Thomas Rowlandson (British, London 1757-1827 London). June 10, 1802. Hand-co

() Isaac Cruikshank, 1756-1810, British, Malbrouke, 1791. Etching, hand-colored.

A Select Vestry April 20, 1806 Thomas Rowlandson. A Select Vestry. Thomas Rowlandson (British, London 1757-1827 London). April 20, 1806. Hand-colored etching. Prints

Alecto and her train at the gate of Pandoemonium - or - the recruiting sarjeant enlisting John Bull into the revolution service , Politicians, Nobility, Prime ministers, Supernatural beings, Musicians, John Bull Symbolic character, Erinyes Greek mythology, Sheridan, Richard Brinsley, 1751-1816, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816. Thomas Rowlandson (1756-1827). Prints and Drawings

John Phillips, active 1840-1852, Set of Four: Much Ado About Nothing or Illustrations of Sayings, 1828. Hand colored soft-ground etching.

Honoré Daumier, Bertrand, j'adore l'industrie, 19th century Bertrand, j'adore l'industrie...

The bear and his leader , Kings, Politicians, Nobility, Government officials, Bears, Monkeys, Animal shows, Dance, Fox, Charles James, 1749-1806, George III, King of Great Britain, 1738-1820, Sidmouth, Henry Addington, Viscount, 1757-1844, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Grenville, William Wyndham Grenville, Baron, 1759-1834. James Gillray (1756-1815). Prints and Drawings

Come on, my brave, I am! ... / (1)

Cartoon on the fall of Napoleon in 1813-1814. Napoleon is leading a chariot containing his brothers and generals and a monkey carrying the French flag. The chariot is pulled by a variety of devils. With two-line Dutch caption. Chariot of Napoleon, 1813-1814, print maker: anonymous, Netherlands, 1813 - 1814, paper, etching, h 150 mm × w 200 mm

Peter Plumb's diary , Sleeping, Kissing, Dogs, Fireplaces. Thomas Rowlandson (1756-1827). Prints and Drawings

London, Fores, Samuel W., England, Rowlandson, Thomas, Sergent Recruiteur, Duke of Orléans among the fishwives, 1789, verso - stamped, Cartoon in which Louis Philippe II, Duke of Orléans, support is looking for among the fishwives of the Billingsgate fish market, 1789. He is accompanied by a drummer. The women laugh at him and make fun of him., print, prints, English cartoons, height 261 mm, width 400 mm, English, 1756-07-14 - 1827-04-22, print maker, printmaker, 1789-10-24 - 1789-10-24, paper, papier, etching, etchings, hand-colouring, Publication (Event), Publication, 1761 - 1838, publisher

Uncle George and Black Dick at Their New Game of Naval Shuttlecock, Thomas Rowlandson, 1756-1827, British, 1787, Etching, hand-colored, Sheet: 8 13/16 x 13 1/8in. (22.4 x 33.3cm)

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