Political Satire and Editorial Cartoons

Satirical prints and cartoons addressing social issues, featuring exaggerated characters and humor to convey political commentary.

Tiens! Vous avez aussi un serpent-boa.... Honoré Daumier (1808-1879). Lithographs

Honoré Daumier, Après la pompe a sang, la pompe à or, 1871 Après la pompe a sang, la pompe à or

They are happy these beggars of Lievres, Karikatur, Frankreich, Amédée Charles Henri de Noé , lithographer, Aubert , Cie, Publisher

Dr. A. Kuyper as King Knut, sitting in front of the emerging sea, Johan Braakensiek, 1909 Amsterdam paper political caricatures and satires. historical persons. sea

Equilibre Européen. Honoré Daumier (1808-1879). Lithographs

Divertissement ... renouvelé des Grecs. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Après l'eau, le feu, from Croquis d'Été, published in Le Charivari, July 9, 1858 July 9, 1858 Honoré Daumier French. Après l'eau, le feu, from Croquis d'Été, published in Le Charivari, July 9, 1858. Croquis d'Été. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). July 9, 1858. Lithograph; second state of two (Delteil). Aaron Martinet (French, 1762-1841). Prints

After the Chicago Catastrophe, from Puck 1880 United States. Color lithograph on newsprint . Joseph Keppler

The Reforms. (Ti)

Le Mari s'assoupissant. Honoré Daumier (France, Marseilles, 1808-1879). France, 1853. Prints; lithographs. Lithograph

Full again... I think they are doing this on purpose!, from 'Winter sketches,' published in Le Journal pour Rire, December 3, 1864 December 3, 1864 Honoré Daumier. Full again... I think they are doing this on purpose!, from 'Winter sketches,' published in Le Journal pour Rire, December 3, 1864. 'Winter sketches' (Croquis d'hiver). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). December 3, 1864. Lithograph on newsprint; third state of three (Delteil). Prints

Den Haag, Nijhoff, Martinus, Krauss, J., Netherlands, Schmidt Crans, Johan Michaël, De Zuiderzee-Vereeniging, Cartoon with the new Flevoland, 1886, The Hague, Cartoon in which the nine Dutch provincial virgins welcome the new virgin of Flevoland as a marine creature. Plate published in the weekly De Nederlandsche Spectator, no. 37, 1886., print, cartoon, prints, pictures, Frederik Muller Historieplaten, height 215 mm, width 275 mm, Dutch, 1830-04-30 - 1907-11-14, print maker, printmaker, 1886 - 1886, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, 1826-12-26 - 1894-09-24, publisher

Vice-Presidential Possibilities IV, A Lone Star Performer, Harper's Weekly Supplement, Drawn by W.A. Rogers, May 19, 1900

Finally! Here comes the train, from 'People on the train,' published in Le Charivari, February 1, 1865 March 29, 1865 Honoré Daumier. Finally! Here comes the train, from 'People on the train,' published in Le Charivari, February 1, 1865. 'People on the train' (Physionomies prise au chemin de fer). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). March 29, 1865. Lithograph on newsprint; second state of two (Delteil). Aaron Martinet (French, 1762-1841). Prints

A la campagne, pas de grèves de cochers.... Honoré Daumier (1808-1879). Lithographs

Well marquis We are Baron. (Dummy title)

Nous ne nous serions jamais douté tout de même... Dated: 1870. Medium: gillotype on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

News. / 25. / French Grisette taking under its protection the poor little novels chased by bazile. (Title registered (letter)) | News. (Title of all)

Honoré Daumier, Sur le point de se noyer , 19th century Sur le point de se noyer ...

Useful Etrennes (IT)

L'Empereur Soulouque.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1850. Prints; lithographs. Lithograph

Cartoon at J.C. Backer, C. Seyn and S. van der Paauw, 1839. Cartoon on the Leiden Klerken J.C. Backer and C. Seyn who samples from the city's cases for their fans. The peacock refers to exaggerated self-sufficiency of the Leidse Architect S. van der Paauw with the modest park with dome designed by him. At the top of justice standing in the middle of a major circle of people. The thefts were discovered on October 10, 1838, judgments pronounced on April 22 and September 27, 1839.

The Grenelle Wells The director Mr Mulot and his son finally reaching the end of their work, crossing their arms and putting their hands into their pockets and congratulating themselves that posterity will not be able to reproach them of not having produced clean water, plate 46 from Caricatures Du Jour 1842 France. Lithograph in black on white wove paper . Honoré-Victorin Daumier

Honoré Daumier, Plus qu'un point! Pas de chance!!, 19th century Plus qu'un point! ... Pas de chance!!

Leiden, Desterbecq, François, Cartoon on JC Backer, C. Seyn and S. van der Paauw, 1839, verso - stamped, Cartoon on the Leiden clerks JC Backer and C. Seyn who stole from the city treasury for their hobbies. The peacock refers to the exaggerated conceit of the Leiden architect S. van der Paauw with the modest park with dome he designed. At the top stands Justice amidst a large circle of people. The thefts were discovered on October 10, 1838, sentences were pronounced on April 22 and September 27, 1839., print, cartoon, prints, Frederik Muller Historieplaten, height 238 mm, width 316 mm, 1807-10-28 - 1896, print maker, printmaker, 1839 - 1839, paper, papier, lithografie (technique)

Comenius, Jan Amos.

Ce qui représente la mer au peuple.... Honoré Daumier (1808-1879). Lithographs

Modes of Longchamps (IT)

Spithead naval review, 1887: Neptune and Vulcan, riding a Whitehead torpedo, toasting Queen Victoria at the time of her Golden Jubilee review of the fleet. From Punch, London, 1887.

La neige. Honoré Daumier (1808-1879). Lithographs

On the way to Araby! Edward Williams Clay & Henry Robinson, circa 1836. Lithograph print on wove paper. Political cartoon satirising the Jackson administrations battle against the Bank of the United States. Jackson shown fleeing in fear from a demons head while brandishing a broken stick marked as "VETO".

Honoré Daumier, Vue prise a Argenteuil (Octobre 1856), 19th century Vue prise a Argenteuil (Octobre 1856)

I still dont see Hungary, From the series Remembrance = Images , Aus , Vienna October Days , by , Zampis, Anton Zampis -, Lithographer, Johann Höfelich -, Printer, Witzendorf, publisher

Queu poisson!.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1853. Prints; lithographs. Lithograph

John Bull and the powers, Peter van Geldorp, 1900 Amsterdam paper political caricatures and satires. ruler, sovereign. personifications of countries, nations, states, districts, etc. Saint Paul's Cathedral

Engraving depicting the Murder of the Count of Orange, the former vassal of Carlos V.

Honoré Daumier, Crévera! Crévera pas!, 19th century Crévera! Crévera pas!

A man is violently rubbed with magnets. Coloured lithograph by C. Jacque, c. 1843.

Horrible Murder! 1905-1915 México. Photo-relief etching on tan wove paper . José Guadalupe Posada

Ah!... les comètes... Dated: 1858. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Thiers The Tamer !!! / I./N°2 - March 1871

Rentrée nocturne de l'Electeur de Hesse dans sa bonne ville de Cassel.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1850. Prints; lithographs. Lithograph

Spain. Peninsular War (1808-1814). The mystery of Napoleon's ideas on Spain. Engraving. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Museo de Historia.

The Democratic Samson and the Republican Philistines, from Puck. Joseph Keppler; American, 1838-1894. Date: 1880. Dimensions: 287 x 470 mm (image); 305 x 472 mm (sheet). Color lithograph on newsprint. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Blackheads / badingen.

'The Bathos', 18th century.Artist: Thomas Clerk

A Milan...vous oubliez la caisse!.... Honoré Daumier (1808-1879). Lithographs

Frank Henry Temple Bellew, Snow in the CountryAt the Schoolhouse Door, and, Snow in the CityNo Cars Running, 1873, wood engraving on paper.

A man has caught a fish on the end of his line, but the fish is so strong that it is pulling the man across the rocks. Coloured process print after John Leech.

Honoré Daumier, Un cauchemar d'un Bourgeois de la Place St Georges, 19th century Un cauchemar d'un ...Bourgeois de la Place St. Georges

A man with the head of a fox (Henry Fox) is pulling the king's sedan chair, and calls for help from George Bubb Dodington, who is drinking in an inn. Etching, 1757.

Miss shuttle-cock R. S. Monogram, i.e. 'Richard Sneer'.. British Cartoon Prints Collection .

Sorrow. Holcroft, Thomas, 1745-1809. text. Prints, Illustrations. 1806. Carl H. Pforzheimer Collection of Shelley and His Circle

Tiens Dorothée, voilà ou m'a conduit.... Honoré Daumier (1808-1879). Lithographs

Henry IV no longer wanting his horse. (Registered title) | News. (Title of the whole)

Juliusz Kossak (1824-1899), Two readying stations; from: "Kłosy" 1870, no. 266, vol. XI. Juliusz Kossak (1824-1899), draughtsman, cartoonist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher, Holewiński, Józef (1848-1917), woodcutter

Les Jolis Chasseurs. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

The War Candidate on a Peace Platform. Artist: Anonymous, American, 19th century. Dimensions: sheet: 8 1/16 x 9 1/4 in. (20.5 x 23.5 cm). Publisher: For Sale by The American News Co. (New York, NY) (agents for the publishers). Date: 1864. Museum: Metropolitan Museum of Art, New York, USA.

Bilderserie Schattenspiele, der Indianer, Liebigbild, digital verbesserte Reproduktion eines Sammelbildes von ca 1900, gemeinfreiroduktion eines Samme...

Eclipse / eighth year / n ° 369 / Sunday 21 November 1875 / Don Quichottis, by Gill.

A man tortured on the rack. Wood engraving.

There is autumn!; Louwers's child prints; Third series. Leaf with 6 performances of autumnal scenes, such as sheep under bare trees, rabbits on the flight for a hunter and an October sunshine. Between the images verses in letterpress. Numbered at the top right and bottom left: No. 13.

'A Leap in the Dark', 1867. Artist: John Tenniel

Cartoon on Napoleon and Talleyrand, 1803, 1803 print Cartoon on the Corsican butcher Napoleon Bonaparte and his partner He is stopped by Talleyrand. In the butcher's shop the bodies of animals already slaughtered: Spain (sheep), Switzerland (donkey), France (monkey) and Holland (pig). On a slaughter, six Arabs with tulips are bleeding empty. A Russian bear looks inside the door. In the foreground the body of a decapitated German, on the right a lean dog (Prussia) is fattened. A text sheet with 29 verses is stuck under print. paper etching butcher, slaughterman. slaughtered ox or pig

Print, Danger Ahead; Published by Appleton's Journal of Literature, Science and Art; After Winslow Homer (American, 1836-1910); USA; wood engraving in black ink on paper; Image: 15.6 x 16.5 cm (6 1/8 x 6 1/2 in.)

Excerpt Figure from, A dance of dead from , After, Alfred Rethel -, Drawer, Robert Reinick -, Auteur, Brockhaus, Printer, Georg Wigand -, publisher

Pour s'habiteur a attendre le lion ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Gyula Janin Hungary and the Great World, Chapon, Xylographer, After, Étienne-Gabriel Bocourt -, Artist

'The Reform Janus', 1860. Artist: Unknown

A Rolling Stone is ever bare or moss; ILLUSTRATIONS OF IMITATION OF ECLOGUE I. A man draws a stone waltzery through a garden.

Aeolus, 1878. Artist: Joseph Swain

Britannia and her lion are begging on a bench on the Thames Embankment, impoverished by proposed Liberal reforms; beyond, the Palace of Westminster in ruins. Colour lithograph by Tom Merry, 28 November 1891.

Wharf Rat, from The Comic Natural History of the Human Race. Artist: Henry Louis Stephens (American, Philadelphia, Pennsylvania 1824-1882 Bayonne, New Jersey). Dimensions: sheet: 7 1/16 x 11 in. (18 x 27.9 cm). Lithographer: Lithographed by Rosenthal (Philadelphia, Pennsylvania). Publisher: Samuel Robinson (Philadelphia, Pennsylvania). Date: 1851. Museum: Metropolitan Museum of Art, New York, USA. Author: Henry Louis Stephens.

The Blue Beard Tableau: Fatima Enters the Forbidden Closet; What She Sees There; Disposition of the Bodies (Invisible to the Spectators) Winslow Homer (American, 1836-1910). The Blue Beard Tableau: Fatima Enters the Forbidden Closet; What She Sees There; Disposition of the Bodies (Invisible to the Spectators), 1868. Wood engraving, Image (a): 4 1/2 x 4 5/8 in. (11.4 x 11.7 cm). Regarded as one of the great American Realists of the nineteenth century, Winslow Homer is known primarily for his large body of works in oil and watercolor. However, he also had an early career as a freelance illustrator, making drawings for wood engravings that were reproduced in mass-circulation periodicals such as Harpers Weekly. In 1998, the Brooklyn Museum received a generous gift of more than 250 wood-engraved illustrations by Homer from Harvey Isbitts. Loosely connected to the idea of literary illustration, these engravings portray how a novelty tableau vivant based on the then popular blood-curdling s

Hand-coloured etching titled 'The Two Kings of Terror' by Thomas Rowlandson (1757-1827) English artist and caricaturist. Dated 1813

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