Political Satire and Humor

Colorful prints addressing political themes with humor and satire, featuring caricatures and humorous representations of contemporary issues.

Never Paris was so quiet, souvenir of the municipality n � 11 L�once Scherer. "Never Paris has been so quiet, souvenir of the municipality n � 11". Lithograph colored.

The knitted palletot. ... / 15 XBR 1840. / 3e year. (Registered Title) | Ridiculous Modes Bulletin. (IFF 13) (Title of the whole)

The charge (Supplement No. 14) / The Republic in danger

8 / Dragons. (You)

Never paris was so quiet / n ° 11

Never Paris was so quiet, souvenir of the municipality n � 11 L�once Scherer. "Never Paris has been so quiet, souvenir of the municipality n � 11". Lithograph colored.

The political caricature / n ° 5 / Saturday 11 March 1871 / The executive.

A federate, return of Fort (TI)

News (12) / The supplier of S.M. Guillaume ..

News // who rubs there pique. / (17)

Crinolinomaniaie./31./au Castle Windsor / Like what it is much easier to expand doors than to reduce skirts. (Registered title (letter)) | Crinolinomania. (Title of all)

Color illustration by Frères Gillot depicting the Illustrated Land around 1850, showing landscape and visual narrative.

"La Maison Tellier" is a story by Guy de Maupassant published in 1881 in a series of stories under the same title. Built around a prostitution theme, it is considered as one of his best realist short stories. The short story was republished in the periodical Gil Blas, in October 1892.

Ballade de Noël. Artist: Henri de Toulouse-Lautrec (French, Albi 1864-1901 Saint-André-du-Bois). Dimensions: Image: 9 3/4 × 7 11/16 in. (24.7 × 19.5 cm). Printer: Crevel Frères (French). Publisher: C. Joubert (French). Date: ca. 1895. Museum: Metropolitan Museum of Art, New York, USA.

Henri de Toulouse-Lautrec 1864 1901, French painter, Moulin Rouge La Goulue 1891

Theodore barrier.

Pastilles Poncelet, 1896. Jules Chéret (French, 1836-1932). Color lithograph; framed: 127.3 x 92.4 cm (50 1/8 x 36 3/8 in.).

Le Salon de 1894, cover Journal des Débats, Theophile- Alexandre Steinlen, French, b. Switzerland, 1859-1923, Lithograph on white paper, Cover for Journal des Débats, May 1, 1894, showing a gentleman in 18th century dress strewing roses before a lady with a palette suspended from her sash and a man in armor holding palette and brushes., France, May 1, 1894, graphic design, Print, Print

Good Lord ! What happened to you and who put you in this state / No. 4.

Young woman in straw hat decorated with ribbons and fake-ribbon cockade. La jeune fille aux joues roses. Chapeau de Camille Roger en paille picot et garni de rubans et d'une cocarde de rubans de faille. Handcoloured pochoir lithograph by J. Ebel from Lucien Vogels Le Bon Genre: 100 Plates fromGazettedu Bon Ton, Brentanos, Paris, 1922.

Theater Program for Une Journee Parlementaire. Jean Louis Forain; French, 1852-1931. Date: 1893-1894. Dimensions: 221 × 108 mm (image); 297 × 227 mm (sheet). Lithograph on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Day of Paris for the benefit of Warbories of the City of Town, July 14, 1917 Francisque Poulbot. "Paris Day for the benefit of the Warbories of the Hotel-de-Ville, July 14, 1917". Color lithography. 1917.

Aries. / O Progress! That's fine! / N ° 3

Petrolusers (IT)

Satiric fantasies./The iron jar and the pot of land.

Cover for 'La Cubicubianita Cuento', a figure wearing a feathered hat leaning on a windowsill and talking to another woman ca. 1890-1910 José Guadalupe Posada. Cover for 'La Cubicubianita Cuento', a figure wearing a feathered hat leaning on a windowsill and talking to another woman. José Guadalupe Posada (Mexican, 1851-1913). ca. 1890-1910. Photo-relief and letterpress printed on purple paper. Antonio Vanegas Arroyo (1850-1917, Mexican). Prints

Woman in mask and fancy dress costume by Jeanne Lanvin at a masked ball in a theatre. The lace veil falls like a cape behind her. Ils ne mont pas reconnue. Un travesti de Jeanne Lanvin. La grande barbe de dentelles retombant sur le devant sarrondit, derrière, en forme de longue pèlerine. Handcoloured pochoir lithograph by Pierre Brissaud from Lucien Vogels Le Bon Genre: 100 Plates fromGazettedu Bon Ton, Brentanos, Paris, 1922.

Because of the summer, the Parisian event appears twice a week Adolphe Willette (1857-1926) "Because of the summer, the Parisian event appears twice a week". Lithography. 1881.

Illustration for L'Escarmouche. Henri Gabriel Ibels (French, 1867-1936). Lithograph;

Anonymous, Parisian life (registered title (letter)), 1882. Color lithography. Carnavalet museum, history of Paris.

People who won races

Advertising leaflet with illustration and couplets from the comic opera La fille de madame Angot". unknown, graphic artist, Pinot, Charles-François (1817-1874), publisher

Review of the show / A Mr. E.Manet (TF)

French satirical illustration depicting Franco-German rivalry. 1908. Shows Bernhard von Bulow (1849 - 1929), German statesman who served as Secretary of State for Foreign Affairs for three years and then as Chancellor of the German Empire from 1900 to 1909.

Color print by Bernard Boutet de Monvel depicting 'Docteur Pierre' toothpaste advertisement, created in 1894.

Notre-Dame de Paris, by Victor Hugo

Lithography by H. Vallé depicting 'Bigame' by Traviès around 1850, showing figures in a narrative scene.

Bayard, Emile (n.1868-04-16-D.1937-12-23), Theater of the Dramatic Future/ 10, Faubourg Poissonniere. (near boulevard)/ A male/ piece in 4 acts/ de/ M.M. Camille Lemonnier/ A. Bahier & J. Dubois (registered title (letter)), 1891. Color lithography.

Broadsheet relating to freaks of nature, at right a creature that is half human and half pig with a single horn. Artist: José Guadalupe Posada (Mexican, 1851-1913). Dimensions: Sheet: 11 13/16 × 7 7/8 in. (30 × 20 cm). Date: ca 1900. Museum: Metropolitan Museum of Art, New York, USA.

Val d'Andorra / For Piano by / A. Lecarpentier Coverage

B'en parlez pas j'suis enrubé du cerbeaux... Dated: 1839. Medium: lithograph on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Cover for 'Los Sueños y Las Pesadillas', a man and woman arguing while another figure peers out from behind a curtain ca. 1880-1910 José Guadalupe Posada. Cover for 'Los Sueños y Las Pesadillas', a man and woman arguing while another figure peers out from behind a curtain. José Guadalupe Posada (Mexican, 1851-1913). ca. 1880-1910. Photo-relief and letterpress on pink paper. Antonio Vanegas Arroyo (1850-1917, Mexican). Prints

Castle red, Flowers party Red Castle, Flower Festival ". Lithography, 1880-1900.

Saxoleine, Extra-White, Extra-White, Deodorized, non-flammable, 5 liter plug-in cans Jules Cheret; Printing Chaix. "Saxolein, Safety Oil, Extra-White, Deodorized, Non-Flammable, Plugged Cables of 5 liters". Poster. Color lithography. 1894.

Second Cycle Show, XBR 94, Palace of Industry Jean-Louis Faurain (1852-1931). Advertising poster. "Second Cycle Fair, XBR 94, Palace of Industry". Color lithography. 1894.

Anonymous, Paris/ Centennial/ Review in 4 acts and 11 tables/ de Mr. Lemonnier (registered title (letter)), 1889. Color lithography. Carnavalet museum, history of Paris.

Illustration depicting Sisowath (1840 - 1927), riding a white elephant. As king of Cambodia from 1904 to 1927, Sisowath gave his full support to the French colonial regime. During his reign, Sisowath was well rewarded by the French for his cooperation: to the right is seen, Clement Armand Fallieres, President of France from 1906 to 1913.

Little Mademoiselle

Félix Vallotton, Album Cover for Paris Intense, 1894 Album Cover for Paris Intense

Caricature in L'Assiette du Beurre, 1906, depicting a naked female prisoner in despair

The little general manufactory. / No. 12.

Number 1. / The Vendôme Column (IT)

Trade Card for A. Salmon, Printer (Imprimeur) ca. 1894 Anonymous, French, 19th century This late nineteenth-century trade card reproducing Rembrandts self-portrait demonstrates the long legacy of the Dutch etcher as a model for artistic printing. Alfred Salmon opened his printing business in 1863, but the inclusion here of the name of his son-in-law, Auguste Porcabeuf, suggests that this card dates from about 1894, when he took over the enterprise.. Trade Card for A. Salmon, Printer (Imprimeur). Anonymous, French, 19th century. ca. 1894. Etching. Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam)

Orange Blossom

Le Gaulois. Le Gaulois

23rd lounge of humorists at the ice palace, Metro Champs-Elysees, Centennial of Romanticism, Retrospective, Jean Veber, from April 26 to July 15, 1930 Poulbot, Francisque. "23rd lounge of humorists at the ice palace, Metro Champs-Elysees, Centennial of Romanticism, Retrospective, Jean Veber, from April 26 to July 15, 1930". Color lithography. EN1930-1930.

Invitation for a lady with dinner at the end of the general rehearsal of Vive Paris! at the summer Alcazar

Picture series Theft I., two Pierrots, 1883, Paris, overcoming the obstacle, breaking the window, Liebig picture, historical, digitally restored reproduction of a collectors picture from c. 1900

In Belgium the Belgians are hungry, artistic raffle for the benefit of the popular food of Belgium Theophile Alexandre Steinlen (18598-1923). "In Belgium the Belgians are hungry, artistic raffle for the benefit of the popular food of Belgium". Lithography, 1915.

Musée Grévin, Black Magic, 1887. Jules Chéret (French, 1836-1932). Color lithograph; framed: 117.2 x 90.8 cm (46 1/8 x 35 3/4 in.).

Exhibition of incoherent arts, Vivienne Gallery 55-57-59 Leon Choubrac (said Hope, 1845-1885). Emile L�vy. Exhibition of incoherent arts, Vivienne Gallery 55-57-59. Poster. Black and white lithography and typography, 1884. Paris, Carnavalet museum.

Prospectus for Le Long de la Seine et des Boulevards. Pierre Desmoulins (French, active c. 1910); after Louis Auguste Lepère (French, 1849-1918); published by A. Desmoulins (French, active c. 1908-1910). Date: 1910. Dimensions: 258 × 164 mm (sheet, folded); 258 × 328 mm (sheet, unfolded). Wood engraving in olive, black and brown on the front, wood engravings with text on both interior pages and the back cover in black, green, ochre and blue on cream wove paper with deckled bottom margin. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Portada del Álbum Histórico Argentino con 60 cuadros del artista Francisco Fortuny, año 1916.

Little Red Riding Hood

Le Coeur du Marin ,. Paul Gavarni (1804-1866). Lithographs and Other Works

$Anonymous. "The enchanting Maletzky in his wonderful creations". Lithography. 1880-1900. Paris, Carnavalet museum. Advertising, artist, circus, prestidigitation, magic, illusion, mystery, magician, conjurer, at the top a man in frac reaches his hand towards a young woman disguised as pierrot sitting on a crescent moon, in the background architecture of Russian inspiration , below a man in frac shows a young woman dressed in the Russian seated on a decorative seat and who holds the hand of a man also in frac sitting himself on a chair$

Affiche pour le journal "Le Rappel".. Chéret, Jules, 1836-1932. text. Prints, Posters. 1900. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

News. / Jules Favre. Trochu and his plan. / 2

English Expedition / Load / Retirement. (IT)

Mother / Companions

ALPHONSE DAUDET with scenes from two of his books Date: 1840 - 1897

Charles Lévy. "Alcazar d'Eté, Maurel in his repertoire" (registered title). Poster. Color lithography. Paris, Carnavalet museum. Alcazar summer, poster, champs-elyse, singer, color lithography, advertising, reclame, spectacle, VIIIEM VIII 8th 8 arrondissement

A STE. Marie (...) New stores.

Rock. Pierre (Pierre Henry Ferdinand Massignon, dit) (n.1855-08-02-D.1922-01-18), stamp sketches for a competition-10 cents (main title). Gypsography, brown print and white enhancement. Petit Palais, Museum of Fine Arts of the City of Paris.

Parody / gill / and / quince

Color advertising illustration for 'Amaryllis of Japan' perfume by Delettrez Parfumeur in Paris around 1900, showing the bottle and packaging.

Le Petit Chaperon Rouge illustration for songs and fairy tales Unknown, Boucquin et Cie, Noblet, Charles, open around the middle XIX W.

Affiche pour la Compagnie des Chemins de fer de l'Ouest, "Excursions en Normandie et Bretagne".. Meunier, Georges, 1869-1942. text. Prints, Posters. 1896. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Beaches , France

La Traite des Blanches 1899 France. Lithograph in olive, red, yellow and black on cream wove paper . Théophile-Alexandre Pierre Steinlen

Maisons d'Enfants de la Cote D'Azur, Fine Art

French aquarellist society, 19th exhibition, 72 Avenue des Champs Elysees Louis Maurice Boutte de Monvel (1850-1913). Printing F. Champenois. Society of French watercolors, 19th exhibition, 72 Avenue des Champs-Elys�es. Poster. Color lithography.

Sculpted brown (IT)

Henri de Toulouse Lautrec, Les Vielles Histoires (cover frontispiece), 1893 Les Vielles Histoires (cover/frontispiece)

The first date. Imprimerie Crété (Corbeil ; drukarnia, wydawnictwo ; 1794- ), printing house, Steinlen, Théophile Alexandre (1859-1923), graphic artist

Jules Chéret, Pastilles Poncelet/Contre/rhumes/toux/bronchites/etc, after 1890, color lithograph on wove paper.

Hippodrome, Nero (Mod. Red) ". Lithography, 1891. Paris, Musée Carnavalet. 55232-5 Advertising poster, Arene, Roman Emperor, Gladiator, Hippodrome, Lithography, Neron, Alma Bridge, Advertising

Anonymous, Los Panchos (registered title (letter)), 1888. Color lithography. Carnavalet museum, history of Paris.

No. 12 / The Small General Factory (IT)

Anonymous, hippodrome/ at the alma/ neron bridge/ every evening at 8 a.m. 1/2/ except Tuesdays & Friday/ reserved for foot racing (registered title (letter)), 1873. Color lithography. Carnavalet museum, history of Paris.

Poster for the book of M. Émile Zola, la Terre, The Earth. It is the fifteenth novel in Zola's Rougon-Macquart series. The action takes place in a rural community in the Beauce, an area in central France west of Paris. Chéret, Jules (1836-1932), French painter and lithographer who became a master of Belle Époque poster art. He has been called the father of the modern poster.

Meadow

The Simpson Chain. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1896. Dimensions: 815 × 1,190 mm (image); 852 × 1,230 mm (sheet, sight). Color brush and spatter lithograph (poster) on tan wove paper with lettering by another hand. Origin: France. Museum: The Chicago Art Institute, USA.

Title page of "The Golden Fleece and Other Stories from Ancient Greece" by Charles Guyot and illustrated by Edmund Dulac (1882-1953), a French British naturalised magazine and book illustrator.

HECTOR MALOT with scenes from two of his books Date: 1830-1907

The Great Duchess / Gerolstein

Perch

Illustrise review, dream Anonymous. "Illustrated review, dream". Lithograph, -1888.

Anonymous, Folies-Bergère/ All/ Les/ Soirs/ Az-Rah/ L'Automate marvelous (registered title (letter)), 1880. Color lithography. Carnavalet museum, history of Paris.

Plaster girls / who are not marble girls

The Boat Trip, 1861. Charles François Daubigny (French, 1817-1878). 16 etchings;

The Sea Swallows, from Mélodies de Désiré Dihau Published 1895 France. Lithograph on cream wove paper . Henri de Toulouse-Lautrec

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