Political Satire Caricatures

Colourful caricatures illustrating political themes, with exaggerated figures and humorous depictions of historical events.

Honoré Daumier (1808-1879). "Let small children come to me! ...". Colored and erased lithography. 1836-1838. Paris, Balzac house. 56114-11 Colorie, child, gommee, lithography, parable

Napoleon sells stolen good, 1813; Mock auction or boney selling stolen goods. Cartoon on the fall of Napoleon after the lost blow at Leipzig in 1813. Napoleon as an auctioneer selling the stolen crowns of European countries. The French General Berthier holds the Spanish Crown for sale. Right representatives of European countries. In the foreground a British sailor and a fat Dutchman. Behind it the king of Württemberg, a Russian Cossack and a Prussian Hussar. A standing Spaniard reaches the crown. A stack of crowns and documents that will still be offered on the ground. His wife Marie Louise is behind Napoleon with their son Napoleon II, the king of Rome, with an monkey head.

The Nabob Rumbled or a Lord Advocates Amusement, James Gillray, 1757-1815, British, 1783, Etching

Alliance with France, 1795, Anonymous, 1795 print Allegory on the Alliance closed between the Batavian Republic and the French Republic, 16 May 1795. The Dutch Virgin with freedom lance and a French soldier in the Dutch garden, defended by the Dutch Lion and the French Haan. Netherlands paper etching Freedom, Liberty; 'Libertí' (Ripa) (+ abstract concept represented by female figure). fenced or walled garden; 'Hortus Conclusus'. alliance, league, union, foedus

The comforts of a modern gala, 'Where now the routs full myriad...' , Crowds, Balls Parties. Thomas Rowlandson (1756-1827). Prints and Drawings

King George IV and entourage laden with provisions, about to embark from Brighton in the Royal Yacht; representing the extravagant monarch's distressed retreat from England at the time of the Queen's trial. Coloured etching by R. Cruikshank, 1820.

Symptons of choaking , Accidents, Surprise. Thomas Rowlandson (1756-1827). Prints and Drawings

Otpravlenie Suvorova v Italiiu Departure of Suvorov to Italy, satirical illustration. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

Secret Influence Directing The New P-l-t Parliament May 18, 1784 Thomas Rowlandson. Secret Influence Directing The New P-l-t Parliament. Thomas Rowlandson (British, London 1757-1827 London). May 18, 1784. Hand-colored etching. William Humphrey (British, 1742?-in or before 1814). Prints

Honoré Daumier (1808-1879). "Let small children come to me! ...". Colored and erased lithography. 1836-1838. Paris, Balzac house. 56114-11 Colorie, child, gommee, lithography, parable

Charles Williams, active 1796-1830, British, St. Vetus's Dance of the Panegyrist and the Patron of a Wellesley Push for Power, 1813. Etching.

An old English gentleman pester'd by servants wanting places , Kings, Politicians, Nobility, Authors, Military officers, Erskine, Thomas Erskine, Baron, 1750-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Ponsonby, George, 1755-1817, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Sheridan, Richard Brinsley, 1751-1816, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Canning, George, 1770-1827, Cobbett, William, 1763-1835, Grattan, Henry, 1746-1820, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Grey, Charles Grey, Earl, 1764-1845, Castlereagh, Robert Stewart, Viscount, 1769-1822, Norfolk, Charles Howard, Duke of, 1746-1815, Sidmouth, Henry Addington, Viscount, 1757-1844, Spencer, George John Spencer, Earl, 1758-1834, Tierney, George, 1761-1830, Whitbread, Samuel, 1764-1815, Windham, William, 1750-1810, George III, King of Great Britain, 1738

The wrong Prima Donna by Bäuerle Gallerie Droller Scenen for the theater newspaper, nd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Candidates canvassing for seats in Parliament , Political elections, Ratcatchers, Rats, Cats. Thomas Rowlandson (1756-1827). Prints and Drawings

Odd fellows from Downing Street complaining to John Bull , Organizations, John Bull Symbolic character. Thomas Rowlandson (1756-1827). Prints and Drawings

Richard Newton, 1777-1798, British, Crops Going to Quod, 1791. Etching, hand-colored.

Cartoon titled 'The Russian Bear and Her Incredible Rider Encountering the British Legion' by W. Holland. The cartoon depicts Grigory Potemkin (1739-1791) with a sword raised overhead and wearing a hussar's uniform, whilst riding Catherine the Great (1729-1796) who is dressed like a black bear. They approach King George III (1738-1820) and his minister: William Pitt the Younger (1759-1806) James Cecil, 1st Marquess of Salisbury (748-1823) and Edward Thurlow, 1st Baron Thurlow (1731-1806), who are carrying spears, three of which have had their points broken off; behind them stand two bishops. Dated 18th Century

Forget and Forgive or Honest Jack Shaking Hands with an Old Acquaintance, Thomas Rowlandson, 1756-1827, British, 1799, Etching, hand-colored, Sheet: 8 1/8 x 11 3/4in. (20.6 x 29.8cm)

Lilliputian-Substitutes, Equiping for Public Service. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1801. Dimensions: 240 x 350 mm (image); 250 x 355 mm (plate); 275 x 386 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Isaac Cruikshank, 1756-1810, British, Political Sparring, for the Amusement of English Spanish French and Dutch Masters and Misses (from: Caricature, vol. 4), 1790. Etching, hand-colored.

Presentation of the Mahometan Credentials, or the final resource of French atheists , Rulers, Politicians, Clergy, Authors, Thrones, Government officials, George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Priestley, Joseph, 1733-1804, Dundas, Henry, 1742-1811. James Gillray (1756-1815). Prints and Drawings

James Gillray, 1757-1815, British, French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary, 1799. Etching, hand-colored.

Meeting of the monied Interest. Constitutional opposition to ye 10 pr cent - ie - John Bulls friends alarm'd by the new tax , Government officials, Politicians, Nobility, Authors, Military officers, Mathematicians, John Bull Symbolic character, Tooke, John Horne, 1736-1812, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Smith-Stanley, Edward, 1752-1834, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Tierney, George, 1761-1830, Burdett, Francis, 1770-1844, Bedford, Francis Russell, Duke of, 1765-1802, Norfolk, Charles Howard, Duke of, 1746-1815, Fox, Charles James, 1749-1806, Erskine, Thomas Erskine, Baron, 1750-1823, Stanhope, Charles Stanhope, Earl, 1753-1816, Walpole, George, 1758-1835, Taylor, Michael Angelo, 1757-1834, Pulteney, William, Shuckburgh-Evelyn, George Augustus William, Sir, 1751-1804, Sinclair, John, Sir, 1754-1835. James Gillray (1756-1815). Prints and Drawings

James Gillray, 1757-1815, British, A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It.., 1780. Etching, hand-colored.

The Nabob Rumbled or A Lord Advocates Amusement, James Gillray, 1757-1815, British, 1783, Etching

Physical Aid, or Britannia Recover'd from a Trance!. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1803. Dimensions: 250 × 359 mm (image); 262 × 362 mm (plate); 284 × 391 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, USA.

Gisperl and Fisperl, Parody of the magic games of Bäuerle Gallerie Drollerie Scenen for the theater newspaper, st year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Isaac Cruikshank, 1756-1810, British, Doctor Sangrado Relieving John Bull of the Yellow Fever, 1795. Etching, hand-colored.

A Flat between Two Sharps. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 13 11/16 × 11 1/4 in. (34.7 × 28.6 cm). Date: 1803. Museum: Metropolitan Museum of Art, New York, USA.

Petition Mongers in Full Cry to St. Stephens beware of Wolves in Sheeps Clo(a)thing, () Isaac Cruikshank, 1756-1810, British, 1795, Etching, hand-colored

The Successful Fortune Hunter. Dated: 1812. Medium: hand-colored etching. Museum: National Gallery of Art, Washington DC. Author: Thomas Rowlandson.

Rising sun over Europe, 1809; The Rising Sun; Or, a view of the continent. Emperor Napoleon sitting next to a sleeping fat holelander rocks the Russian bear asleep. Furthermore, also representatives of Sweden, Poland, Denmark, Austria and Prussia. On the rising sun the names of Spain and Portugal. Cartoon on the situation in European politics in 1809. Under the plate a verse in four columns.

Isaac Cruikshank, 1756-1810, British, A Royal Salute, 1791. Etching, hand-colored.

The cow-pock - or - the wonderful effects of the new inoculation / Js. Gillray, del. & ft. | Library of Congress

The Sweet Little Girl That I Love. Thomas Rowlandson (English, 1756-1827); after George Moutard Woodward (English, c. 1760-1809); published by Thomas Tegg (English, 1776-1845). Date: 1808. Dimensions: 290 × 220 mm (image); 345 × 243 mm (plate); 390 × 255 mm (sheet). Hand-colored etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

The Yorkshire bumpkin's mistake. The Yorkshire bumpkin's mistake

William Dent, active 1784-1793, A Promising Budget, Or, John Bull, 1792. Etching with watercolor on laid paper.

A long headed assembly!! , Card games, Flattery. Thomas Rowlandson (1756-1827). Prints and Drawings

Distribution of edibles in Champs-Elisé on August 29, 1814 in honor of his majesty Louis XVIII. (IT)

The alpine king and the mother, Magic game by Meisl Theatrical Image Gallery for the Theaterzeitung, Jg, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

A day in the life of Tsar Alexander I of Russia, in London, 1814. Coloured etching by C. Williams, 1814.

Rural sports, or how to show off a well-shaped leg , Swings, Seduction, Recreation. Thomas Rowlandson (1756-1827). Prints and Drawings

Isaac Cruikshank, 1756-1810, British, A Hint for an Escape at the Next Spring Meeting, 1792. Etching, hand-colored.

London, Walker, Williams, Charles, Doctor Boney - bringing the powers to pot, or Iohn Bull and his friends rather shy, Doctor Napoleon zet de Europese prinsen op de pot, 1808, verso - stamped, Napoleon as a doctor with a big wig on his head has put a group of European princes on a pot to shame. He invites John Bull (Great Britain), Sweden (Gustaf IV Adolf) and Brazil (John VI, King of Portugal and Prince of Brazil) not to be shy and also take a seat on the pots. On the pots with the trousers around the knees are already sitting Tsar Alexander I, Frederick William III of Prussia, Emperor Francis II, Pope Pius VII, the Spanish king Charles IV and a fat Dutchman. Sultan Mustafa IV looks on in horror., print, cartoon, prints, Frederik Muller History plates, height 255 mm, width 360 mm, English, print maker, printmaker, 1808-03 - 1808-03, paper, etching, etchings, hand colouring, Publication (Event), Publication, British, publisher

The U---'s Introduction at St. J(ame)s's with a New Suit of Irish Manufacture, () Isaac Cruikshank, 1756-1810, British, 1787, Etching, hand-colored, Sheet: 8 3/8 x 12 5/8in. (21.3 x 32.1cm)

The Reconciliation Between Britannia and Her Daughter America. Artist: Thomas Colley (British, active 1780-83). Dimensions: plate: 9 13/16 x 14 in. (25 x 35.5 cm)sheet: 10 15/16 x 17 1/16 in. (27.8 x 43.4 cm). Publisher: Published London by William Richardson (British, active 1778-1812). Date: May 11, 1782.In this satire, allegorical representations of Britannia and America embrace, as France and Spain try to pull America away, and a Dutchman watches. At right, Charles James Fox points out the struggle to Admiral Augustus Keppel. The print responds to a moment during the Revolutionary War in Britain when a new ministry was formed under the leadership of Fox, on March 30th, and a political shift that occured after May 18th, when news of Admiral George Rodney's significant naval victory near Dominica reached England. Museum: Metropolitan Museum of Art, New York, USA.

Gisperl and Fisperl, Parody of the magic games of Bäuerle Gallerie Drollerie Scenen for the theater newspaper, st year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

The Quaker, and the Commissioners of Excise. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 9 7/16 × 13 1/4 in. (23.9 × 33.7 cm). Publisher: Thomas Tegg (British, 1776-1846). Date: July 9, 1807. Museum: Metropolitan Museum of Art, New York, USA.

Anonymous. "French Revolution. Ancient regime. Caricature on the three-orders: the third-party-state carrying on its back the clergy and the nobility. 1789". Colored etching. Paris, Carnavalet museum. Former diet, etching, nobility, clergy, third-stage, French revolution, three-orders, caricature

The Black Child, Posse from Hopp gallery of interesting and droll scenes of the theater newspaper, rd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Francs and generous without detours / The François In -Preciables / good heart give each day / the aristocrats to the devils. (IT)

Robert Isaac Cruikshank, 1789-1856, British, The Englishman in France. A Cold Duck, 1830. Hand-colored etching.

Vyzov na edinoborstvo Call to single combat, The Russian Bruiser, satirical illustration. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

The evil spirit Lumpazivagabundus or the dissolved cloverleaf theatrical picture gallery for the theater newspaper, born , No, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

A sale of English beauties in the East Indies , Auctions, Seduction, Crowds. Thomas Rowlandson (1756-1827). Prints and Drawings

The skeleton of Death with his dart takes a Catchpole as he tries to collect a debt from a gentleman in a street, while many other debtors watch from behind bars in the sherrif's office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Charles Rosenberg, active 1790-1820, Mr. H. Angelo's Fencing Academy, 1791. Aquatint, hand-colored.

New morality: or The promis'd installment of the high-priest of the Theophilanthropes New morality; or The promis'd installment of the high-priest of the Theophilanthropes Promis'd installment of the high-priest of the Theophilanthropes. Caricatures, Prints. 1798-08-01. Carl H. Pforzheimer Collection of Shelley and His Circle. La Revellière-Lépeaux, Louis-Marie de, 1753-1824, Bedford, Francis Russell, Duke of, 1765-1802, France , History , Revolution, 1789-1799 , Foreign public opinion, British

Charles Williams, active 1796-1830, British, The Popular Candidate Surrounded by his Friends, 1801. Etching, hand-colored.

The Ghost of Buonaparte Appearing to the Directory!!!, Isaac Cruikshank, 1756-1810, British, 1799, Etching, hand-colored, Sheet: 8 5/8 x 13in. (21.9 x 33cm)

Title print with caricatural figures, 1808 print Seven scenes with scenes from daily life in Lilliput with a benefit meeting for a singer and six different competitions, including a maggot race and a boxing match. paper etching buffoon (in general) (German: 'Schalksnarr'). caricatures (human types). other athletic sport

James Gillray, 1757-1815, British, The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing, 1797. Etching, hand-colored.

Staberl as Freischütz, parody of Carl theatrical picture gallery for the theater newspaper, st year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Procession of a Country Corporation August 12, 1799 Thomas Rowlandson. Procession of a Country Corporation. After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). August 12, 1799. Hand-colored etching. Thomas Rowlandson (British, London 1757-1827 London). Prints

Theatrical Pleasures, Plate 1: Crowding to the Pit. Artist: Theodore Lane (British, Isleworth ca. 1800-1828 London). Dimensions: image: 8 15/16 x 7 5/16 in. (22.7 x 18.6 cm)sheet: 10 5/8 x 8 11/16 in. (27 x 22 cm). Publisher: Published by Thomas McLean (British, active London 1788-1885). Date: ca. 1835. Museum: Metropolitan Museum of Art, New York, USA.

Irish Decency ! ! ! no 1 Published 1819 England. Etching with hand-coloring on wove paper . George Cruikshank

James Gillray, 1757-1815, British, The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us.", 1791. Etching, hand-colored.

Leaving off Powder, - or - a Frugal Family Saving the Guinea, James Gillray, 1757-1815, British, 1795, Etching, hand-colored, Sheet: 9 1/8 x 13 5/8in. (23.2 x 34.6cm)

"Sir, I offer you my respects and my daughter" from Metamorphoses of the Day 1829 J. J. Grandville. "Sir, I offer you my respects and my daughter" from Metamorphoses of the Day. 1829. Hand-colored lithograph. Prints

James Gillray, 1757-1815, British, John Bull Ground Down, 1795. Etching, hand-colored.

A Scotch Sarcophagus April 28, 1805 Thomas Rowlandson. A Scotch Sarcophagus. Thomas Rowlandson (British, London 1757-1827 London). April 28, 1805. Hand-colored etching. Prints

Fumigation of De Corsicaan, 1813, Anonymous, After Thomas Rowlandson, 1813 - 1815 print Bartlepent on Napoleon after his loss in the Battle of Leipzig, 1813. A small figure of Napoleon is angry to stamp feet on top of a large wooden vessel with Dutch gin causing the lid. Representatives from different European countries all smoke pipe and blow tobacco smoke to the emperor. At the front of a thick Dutchman was sitting on a barrel of herring and a cheese, on the right the English John Bull, a Prussian hussar and others. On the left the king of Württemberg, an Austrian and a Spaniard. England paper etching pipe ~ tobacco. smoke. personifications of countries, nations, states, districts, etc.

The Duke of Brunswick Attacking the Rear of the Sans Culottes, Richard Newton, 1777-1798, British, 1792, Etching, hand-colored, Sheet: 10 1/2 x 17in. (26.7 x 43.2cm)

A Lock'd Jaw for John Bull, unknown artist, ( West ), 1795, Etching, hand-colored, Sheet: 11 5/8 x 9 1/8in. (29.5 x 23.2cm)

() Charles Ansell, ca.1752-active 1790, British, The Resignation, 1798. Etching, hand-colored.

Thomas Rowlandson, The Monkey Room in the Tower, published 1799 The Monkey Room in the Tower

A Lilliputian auction , Art auctions, Paintings. Thomas Rowlandson (1756-1827). Prints and Drawings

The Head of the Family in Good Humour January 15, 1809 Designed and etched by Thomas Rowlandson. The Head of the Family in Good Humour. Designed and etched by Thomas Rowlandson (British, London 1757-1827 London). January 15, 1809. Hand-colored etching and aquatint. Thomas Tegg (British, 1776-1846). Prints

Ducking a Pickpocket, William O'Keefe, active 1794-1807, 1797, Etching, hand-colored, Sheet: 8 3/4 x 12 1/2in. (22.2 x 31.8cm)

Mistaken abilities, Woodward, G. M. (George Moutard), approximately 1760-1809, engraving 1800, several individuals, each believing they are better suited to a particular occupation other than the one they are currently engaged in, such as a farmer that wants to be a doctor or an attorney that would rather be studying botany.

James Gillray, 1757-1815, British, The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence", 1791. Etching, hand-colored.

Libel Hunters on the Lookout, or Daily Examiners of the Liberty Press April 12, 1810 Thomas Rowlandson Fourteen elderly men discuss libel proceedings. A large placard on the wall shows that they are members of "The Rotten Bourough Society Established in 1810 Gibery Vixe President Leatherbreech Vice". Libel Hunters on the Lookout, or Daily Examiners of the Liberty Press. Thomas Rowlandson (British, London 1757-1827 London). April 12, 1810. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

A Scotch Sarcophagus. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 10 13/16 × 14 7/8 in. (27.5 × 37.8 cm)Plate: 10 1/4 × 13 11/16 in. (26 × 34.8 cm). Date: April 28, 1805. Museum: Metropolitan Museum of Art, New York, USA.

Scene in Vrog House, James Gillray, 1757-1815, British, 1782, Etching

Jews at a Luncheon 1794 Thomas Rowlandson. Jews at a Luncheon. Thomas Rowlandson (British, London 1757-1827 London). 1794. Hand-colored etching. Prints

Hi Dindon. (Ti)

unknown artist, nineteenth century, The Consular Warehouse, Or - A Great Man Nail'd to the Counter!, 1802. Etching, hand-colored.

A Black Leg Detected Secreting Cards. Genre subject. Watercolor, with pen and gray ink on medium, smooth, cream, wove paper. Height: 127 mm (5 in); Width: 198 mm (7.79 in). Author: Thomas Rowlandson.

Isaac Cruikshank, 1756-1810, British, A Ward of Chancery, 1792. Etching, hand-colored.

Road to Riches and delightfull Parts, Or, The Recruiting Officers Matrimonial Trip to the Continent., () William Dent, active 1784-1793, 1792, Line engraving with watercolor on laid paper, Sheet: 10 x 13 7/8in. (25.4 x 35.2cm)

John Phillips, active 1840-1852, Set of Four: Much Ado About Nothing or Illustrations of Old Sayings, 1828. Soft-ground etching, colored by hand.

Print made by John Doyle ('H.B.'), 1797-1868, Irish, A Will O' The Wisp, 1831. Lithograph, hand-colored on moderately thick, smooth, beige wove paper.

John Bull Humbugg'd alias Both-ear'd, Isaac Cruikshank, 1756-1810, British, 1794, Etching, hand-colored, Sheet: 8 3/4 x 15 1/4in. (22.2 x 38.7cm)

Isaac Cruikshank, 1756-1810, British, Consolation in the Gout, 1796. Etching, hand-colored.

The citizens in Vienna by Bäuerle Gallerie Drollerie Scenen to the theater newspaper, st year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Crowd for the window of publisher Aaron Martinet in Rue du Coq in Paris, Pierre Nolasque Bergeret, 1803 - 1805 print paper shop-window, show-window. publishing, publisher. print, e.g.: engraving, etching, lithograph. political caricatures and satires Paris

Still Cock Street Musaux Anonymous / at Michel. "Still Cock Street Musaux". Water-loud colored. 1805.

The little cobbler The little Coblentz ". Drawing by Jean-Baptiste Isabey (1767-1855).

Napoleon opgeserveerd, 1813, Charles Williams, 1813 print Bartlepent on Napoleon after his loss in the Battle of Leipzig, 1813. On a round table there is a dish consisting of Napoleon surrounded by his marses and generals. Sitting or standing on the table or representatives of the allies who have defeated the French at Leipzig. Left at the front of the Russian Tsar Alexander I, at the front of the front of the English General Charles William Vane who is talking to the Swedish King Bernadotte. Furthermore representatives of Bavaria, Austria, Württemberg, the Netherlands, Prussia, Switzerland, Italy and Saxony. The Dutchman says' Thunder and Blikens, that Dish will please mine vrow! print maker: Englandpublisher: London paper etching (family) meal

Napoleons return from Elba, 1815; Boneys Return from Elba - OR The Devil Among The Tailors. Cartoon on the return of Napoleon from his exile on Elba, March 1815. Napoleon disrupts the princes of Europe with his entry into a clothing workshop (with Europe in pieces). There are king Louis XVIII and Pope Pius VII, John Bull stands between them. The Dutchman is scared on the right (may be king Willem I here). Here also the Austrian Emperor Frans II and the Russian Tsar Alexander I. left on the tailor table The Prussian General Blücher and King Frederik Willem III and the Swedish King Charles XIV. In the caption a verse in four columns.

The Bus from Hell to Earth, Peace Day, 1919 ca. 1919 Georges Tiret-Bognet French. The Bus from Hell to Earth, Peace Day, 1919 384335

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