Portraits and Figures in Art

Artistic portrayals of figures in diverse attire, showcasing dramatic poses and historical contexts with a focus on clothing and stylized rendering.

Portrait of an unknown old woman, and Profil, Mary Hector Rupert Cantineau, 1896 print paper etching / drypoint old woman

Aesopus. Etcher: Francisco Goya, Spanish, 1746-1828 After: Diego Velázquez, Spanish, 1599-1660

JONGHE, Clement de.

Man leans on a wall, anonymous, 1650 - 1800 print A man with a hat on and a short cloak around leans with his arm on the half -height wall that he stands next to. paper head-gear

Rembrandt van Rijn (1606-1669), the art dealer and the extension of Clement de Jonghe, 1651

Portrait of an unknown old woman, and Profil, Mary Hector Rupert Cantineau, 1896 print paper etching / drypoint old woman

Dickens, Charles .

Mary Cassatt, The Corner of the Sofa (No 3), c 1879 The Corner of the Sofa (No. 3)

Mosè Bianchi, Seated Acolyte, c 1872 Seated Acolyte

Study of my mother, second stone , Mothers, Sitting. George Bellows (1882-1925). Prints and Drawings

Seated Woman, her Left Hand in her Lap and her Right Leg Pulled Up, Cornelis Pietersz. Bega (possibly copy after), 1641 - 1664, A seated woman with the left hand in her lap and the right leg extended., draughtsman: Cornelis Pietersz. Bega, (possibly copy after), 1641 - 1664, paper, h 304 mm × w 191 mm

Portrait of Nicolas Trigault in Chinese Costume 1617 Peter Paul Rubens Flemish This magnificent costume study is also an affecting portrait of Nicolas Trigault, a Flemish Jesuit missionary to China. Rubens, who had close ties to the Jesuit college of Antwerp, made the drawing when Trigault visited the city to raise funds and recruit new missionaries. The costume combines a Korean cap and the robe of a Chinese scholar, conveying the Jesuits desire to assimilate into Chinese culture while at the same time acknowledging and keeping a certain distance from it. Rubens beautifully captured the cut, texture, and weight of the robe but also elaborated on its colors in the Latin inscription.. Portrait of Nicolas Trigault in Chinese Costume. Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). 1617. Black, red, and white chalk, blue pastel, and pen and brown and black ink on light brown laid paper. Drawings

Byron, Georges Gordon Lord .

Jean Étienne Liotard, Self Portrait, 1778 1780 Self-Portrait

Bust of an old woman, and Profil, Cornelis Pietersz. Bega, 1642 - 1664 print paper etching female sex; woman

Engraver: George Graham, British, active 1786-1813, Publisher: David Longworth, The Rev.d John Wesley A.M., ca.1800, Mezzotint engraving, black and white, sheet: 29 × 21.4 cm (11 7/16 × 8 7/16in.), Made in United Kingdom, British, 19thcentury, Works on Paper -Prints

Portrait of Mark Akenside n.d. Jean-Baptiste-François Bosio French. Portrait of Mark Akenside 334832

Print, Le Doge Loredan; France; etching in black ink on tan paper; Plate: 23 × 17.4 cm (9 1/16 × 6 7/8 in.) Paper: 26.5 × 21 cm (10 7/16 × 8 1/4 in.)

Behaim, Stephan .

One-eyed woman, from The Beggars (Laborgnesse). Artist: Jacques Callot, French, 1592-1635

Portrait of an unknown man with a beret, Charles Phillips, After Atelier Rembrandt, After Rembrandt van Rijn, 1769 print paper historical persons. head-gear: beret

Clement de Jonghe, printseller., 1651, Netherlands, by Rembrandt van Rijn. Gift of Sir John Ilott, 1966.

Gide et J. Baudry, Paris, Lemercier, Rijn, Rembrandt van, Bisson Frères, Photographic reproduction of an etching of a portrait of Petrus van Tol by Rembrandt van Rijn, photograph, photo, page, reproduction, photos, photographically illustrated books, height 191 mm, width 150 mm, French, photographer, 1848 - 1853, photographic paper, photo paper, salted paper print, salt print, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08, after a print by, printer, Publication (Event), Publication, publisher

Hannl, Maximilian .

Trenck, Friedrich Freiherr Stecher: Mansfeld, Johann Ernst

A 1656 etching and copper engraving by Rembrandt depicting the goldsmith Jan Lutma, printed on Japanese paper, emphasizing figure, workshop elements, and a ledge with flat tone.

Manuel Esquivel de Sotomayor (Engraver) (After Velázquez, Diego Rodríguez de Silva y); León Bueno (Drafstman); Francisco Muntaner y Moner (Director) / 'Menippus'. 1791 - 1800. Taille douce: etching and engraving on continuous paper; 1791 - 1800. Taille douce: etching and engraving on continuous paper. Museum: Museo del Prado, Madrid, España.

Isaac Baker Lennox Browne. Reproduction ? of etching by A. Lalauze.

PortraT van Michel Hirsch, Georg Friedrich Schmidt, 1762 print Berlin paper etching historical persons

Rhine, Rembrandt van, The print seller Clement de Jonghe, verso lower left - stamped, print, prints, Rembrandt f 1651, lower right, height 207 mm, width 161 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1651 - 1651, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

A 1656 etching and copper engraving by Rembrandt depicting the goldsmith Jan Lutma, emphasizing figure, workshop elements, and a pinnacle detail in the composition.

Clement de Jonghe, Printseller, Rembrandt van Rijn, 1651 print Japanese paper (handmade paper) etching

Susannah Long, an elderly lady. Stipple engraving by H. Meyer after H. Edridge.

A 1656 etching and copper engraving by Rembrandt depicting the goldsmith Jan Lutma, printed on Japan paper, showing figure, attire, workshop elements, and a ledge.

Print made by James McArdell, ca. 1729-1765, Irish, A Jewish Rabbi, undated. Mezzotint on medium, slightly textured, cream laid paper.

Jan Lutma, Goldsmith 1656 Holland. Etching and drypoint on paper . Rembrandt van Rijn

Jan Asselijn, painter (krabbetje). Bisson Frères (French, active 1840 - 1864)

Old Woman 1882 France. Charcoal, with black chalk, stumping, and erasing, heightened with white chalk, on brown laid paper with blue fibers . Henri de Toulouse-Lautrec

Resting soldier with a Kuras, Léopold Flameng, After van 't Velt, 1841 - 1874 print paper etching In the Guard-room, 'Cortegarard'

Amsterdam, Gunst, Pieter van, Dyck, Anthony van, Portrait of Arthur Goodwin, verso lower left - stamped, Arthur Goodwin, Member of Parliament for Buckinghamshire., print, book illustration, prints, width 333 mm, height, 514 mm, 1649 - 1731-05-22, print maker, printmaker, 1716 - 1716, paper, engraving, engraving (printing process), Flemish, Dutch, 1599-03-22 - 1641-12-09, after, after painting by, Publication (Event), Publication, publisher

Image reproduction: Anna Bilińska-Bohdanowicz (1857-1893), Portrait of Mrs. ***; Z: "Świat" 1888, No. 7, p. 296; Husnik & häusler (Praga; Reprography Department; 1888-1936), Świat (Kraków; magazine; 1888-1895); 1888 (1888-00-00-1888-00-00);

Mr. Mann. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1860. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Boy's head with hat, Joannis Jacobus Bijlaert, 1768 print paper etching / brush

. A jester or crazy, looking aside and with a hand his elbow holding.

Honoré Daumier, Prosecutor Prosecutor

Sidney, Philip .

Old woman, Johann Friedrich Bause, after Rembrandt van Rijn, 1765 print Nummered in the bottom left: No. 2. Print Maker: Halle on the Saalehalle on the Saaleaugsburg paper etching old woman. anonymous historical person portrayed - BB - woman

Louis Surugue, Les amusements de la vie privé, 1747, etching and engraving on paper.

Charles Phillips, 1737- after 1783, The Assassin. Etching and mezzotint.

Silentium by Édouard Manet, created between 1860 and 1878, depicts monks in silence. The work is referenced with a standard number

Portrait of Jean Grandjean, draughtsman: anonymous, 1770 - 1800, paper, h 106 mm × w 88 mm

Rembrandt van Rijn's 1631 etching and copper engraving depicts a man with a short beard wearing a fur coat, focusing on posture, facial features, and engraving detail.

Leiden, Lievens, Jan, Bust of an Oriental with a Fur Hat, verso lower right - stamped, The head with the fur hat is an almost grotesque figure, a so-called tronie, print, prints, height 303 mm, width 217 mm, 1607-10-24 - 1674-06-04, print maker, printmaker, 1625 - 1632, second quarter 17th century, tweede kwart 17e eeuw, third quarter 17th century, derde kwart 17th century, paper, etching, etchings, Work conception, after own design by

A copper engraving and etching from 1746 by Comte Anne Claude Philippe de Caylus depicting the action of sweeping a fireplace from top to bottom, showing domestic activity and composition.

Portrait of Jan Rudolf Thorbecke, Carel Christiaan Antony Last, 1842 - 1853 print The portrayed person wears a gown. Under the portrait are signature. The Hague paper historical persons (+ three-quarter length portrait). dress, gown: court gown or court dress

''The new statue of the late Lord Shaftsbury in Westminster Abbey', 1888. From, 'The Graphic. An Illustrated Weekly Newspaper Volume 38. July to December, 1888'.

Boleslaw the Shamous or Boleslaw the Chaste, Boleslaw V Wstydliwy, born June 21, 1226 in Stary Korczyn, died December 7, 1279, from 1232 Duke of Małopolska in Sandomierz and from 1243, as Bolesław V, Duke of Małopolska in Krakow and nominally Senior Duke of Poland, authentic, digitally restored reproduction of a 19th-century original, exact date of presentation unknown, historical

Portrait of king Sigismund III Vasa sitting on the throne, according to a painting by Peter Paul Rubens. Lesser, Aleksander (1814-1884), draughtsman, cartoonist, Rubens, Peter Paul (1577-1640), painter

Portrait of Gavrila Derzhavin by unknown artist, Lithograph, circa 1861, Private Collection

Portrait of Arnold Tholinx, Pierre Jean Mariette (Attributed to), after Rembrandt van Rijn, 1704 - 1774 print paper etching historical persons

Depiction by Charles François Hutin of a meditating man holding a skull and hourglass, executed in black chalk on blue paper.

Beardless Man in Fur Cloak and Cap: Bust. Artist: After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam); David Deuchar (British (born Scotland), 1743-1808). Dimensions: Sheet: 3 7/16 × 3 1/16 in. (8.8 × 7.8 cm)Plate: 3 5/16 × 2 15/16 in. (8.4 × 7.4 cm). Date: second half 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Print made by John Dixon, ca. 1740-1811, Irish, Flute Player, between 1765 and 1771. Mezzotint on moderately thick, slightly textured, beige laid paper.

Holbein, Hans (II), Photographic reproduction of a portrait of William Parr, Marquis of Northampton, by Hans Holbein, photograph, photo, reproduction, page, photographs, photographically illustrated books, height 313 mm, width 209 mm, photographer, 1872 - 1877, paper, carbon print, German, 1498 - 1543-11-29, intermediary draughtsman

Hamilton, William .

Nikolai Dmitrievich Zelinsky. Reproduction, 1951, of drawing by K. Iuon, 1923.

Jędrek Stachoń of Olcza, former municipality mayor. Gerson, Wojciech (1831-1901), painter

His Own Doctor, 1883. Thomas Waterman Wood (American, 1823-1903). Etching;

Johann Wolf Kiehnlein , Johann Christoph Vogel, copper engraver, after, Johann Kupetzky , Artist

VELAZQUEZ DE SILVA , DIEGO. PINTOR ESPAÑOL. 1584 - 1660. GRABADO RETRATO DE LA COLECCION " VARONES ILUSTRES ". CALCOGRAFIA NACIONAL , MADRID.

Reproduction of a painting Axentowicz, Teodor (1859-1938), Ruthenian Woman; excerpt from a magazine. Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Photo production from a lithography to a painting by Rafaël, c. 1865 photograph Part of photo album of a trip through Switzerland, Austria and Germany by the Dutch Derkinderen family. publisher: MünchenGermany paper. photographic support albumen print travelling; tourism. youth, adolescent

Resignation, Thomas Watson, 1743-1781, British, after Sir Joshua Reynolds RA, 1723-1792, British, 1772, Mezzotint on moderately thick, moderately textured, beige, laid paper, Sheet: 22 3/16 × 16 1/4 inches (56.4 × 41.3 cm), Plate: 19 7/8 × 14 inches (50.5 × 35.6 cm), and Image: 17 9/16 × 13 15/16 inches (44.6 × 35.4 cm)

Lord Robertson. David Octavius Hill (Scottish, 1802-1870) and; Robert Adamson (Scottish, 1821-1848). Date: 1843-1846. Dimensions: 19.1 x 14 cm (image); 19.9 x 14.5 (paper). Carbon print. Origin: Scotland. Museum: The Chicago Art Institute, Chicago, USA.

Bearded man with oriental fur hat and treated cloak: Rembrandt's father ().

Pietro Doimo Maupas Vescovo di Sebenico,

Portrait of a painter at an easel, anonymous, 1700 - 1800, Portrait of a painter, seated at an easel, holding a palette., draughtsman: anonymous, 1700 - 1800, paper, h 222 mm × w 177 mm

Portrait d'omme, state IV; Jasi Ski, Feliks Stanis Aw (1862-1901), Eyck, Jan Van (Ca 1390-1441), Wittmann ch., Imprimérie (Paris; Printing house; Ca 1886-1908); 1901 (1901-00-00-1901-00-00);Art Nouveau (Styl), Wellsz, Leopold (1882-1972), Wellisz, Leopold (1882-1972)-collection, French (culture), French graphics, Polish graphics, reproductive graphics, state prints, Polish (culture), Men's Portrales , remarks, purchase (provenance)

Lart. Artist: Francisco Goya, Spanish, 1746-1828

Jean Jacques de Boissieu, The Old Peasant Girard, 1772 The Old Peasant Girard

Bust of a smiling farmer, Adriaen van Ostade, 1797 - 1820 print paper etching

Rijn, Rembrandt van, Frey, Johannes Pieter de, Portrait of an unknown man with a beard and a plumed hat, recto - manuscript in pencil, half-length to the left., print, prints, verso - stamped, 1, height 106 mm, width 90 mm, 1770 - 1834, print maker, printmaker, 1780 - 1834, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1606-07-15 - 1669-10-08

Gustave Brion (1824-1877). "Javert". Albumin paper draw. 1862-1862. Paris, house of Victor Hugo. 100742-23 Prohibited, republican, French republic, resistance, 19th XIXth 19th 19th 19th 19th century

Man with beret with row pearls, Christian Gottfried Schultze, after Rembrandt van Rijn, 1769 print paper etching old man. head-gear: beret. pearl; pearl necklace

Portrait of Jan Six, Johann Wilhelm Kaiser (I), After Rembrandt van Rijn, 1823 - 1853 print Portrait Ten Halven Lijve from Jan Six, mayor of Amsterdam. paper etching / engraving

Jan lutama Harmensz van Rijn Rembrandt (1606-1669). Jan Lutma. Engraving, (B 276 - 1st state a), 1656.

Bust of I. G. Chernishev, 1776 by Fedot Ivanovich Shubin (1740-1805, Russia), State Tretyakov Gallery (Moscow, Russia)The artist represents Chernyshev as an overbearing and temperamental person. Shubin. F.I. 1740-1805.

Portrait of an unknown

Posidippe. Vatican. Probably James Anderson (British, 1813 - 1877)

Brown ink and graphite drawing by Antoon Overlaet depicting Rembrandt holding a scroll in a title sheet draft style, executed in copper engraving manner.

Schuster, Ignaz.

Georg Friedrich Schmidt, Self Portrait Sketching, 1752 Self-Portrait Sketching

Portrait of Micha And Korybuta W Niekłowiecki in armor; Lesser, Aleksander (1814-1884); 1830-1884 (1830-00-00-1884-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Emiljan Stanisław (Baron - 1847-1912), Lesser, Emiljan Stanisław (Baron - 1847-1912) - collection, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Michał Korybut Wiśniowiecki (1640-1673), Michał Korybut Wiśniowiecki (1640-1673) - iconography, 17th century, Dar ( provenance), kings, personalities, Polish personalities, portraits, men's portraits, portraits of rulers, sketches, rulers

Wolfensberger, Johann Jakob.

THE LATE SIR WILLIAM MOLESWORTH, BART., M.P.

Wenzel III., King of Bohemia.

self-portrait of Olaf Leonhard Gulbransson (26 May 1873 in Oslo - 18 September 1958 in Tegernsee, Germany). he was a Norwegian artist, painter and designer. He is probably best known for his caricatures and illustrations. In 1902 he moved to Germany to work for the satirical magazine Simplicissimus in Munich. Simplicissimus. Gulbransson actively cooperated with the Nazis. During World War II, after his own home country was occupied by the Germans, he produced caricatures against the Allies, in p

Bliżej Kultury unknown

William Pether (1731-1795), d'apr�s Rembrandt William Pether (1731-1795), according to Rembrandt (1606-1669) Warrior wearing a toque. Engraving in a black way, 1784.

Portret Van Louis Artan, Léon Lowenberg, 1889 print paper etching / drypoint portrait, self-portrait of painter

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