Prints of Court and Society

Featuring etchings that illustrate interactions in royal settings, highlighting modes of dress and societal roles.

Arlequin, Wizard and Barbier: De Verdogen Rivals, Pieter Tanjé, After Cornelis Troost, 1758 print Belloardo and Capitano are shaved in a hard -handed shaved and begotten with wet -made flour by the barber. His servant Pierot holds the container with flour. Arlequin has hidden a bat under his left arm with which he will finally edit his rivals Belloardo and Capitano. Scene from the farce Arlequin, wizard, and barber, from Willem van der Hoeven. Amsterdam paper etching / engraving Barber, Barbershop. Types in 'Commedia dell'Arte': Harlequin. 'art commedy'

Waldenzen bend for Elector Friedrich Wilhelm, Daniel Nikolaus Chodowiecki, 1787 print paper etching making a bow to a ruler. interior of the house

Le Petit Jour. Nicolas Delaunay (French, 1739-1792); after S. Freudeberg (Swiss, 1745-1801). Date: 1765-1775. Dimensions: 289 × 217 mm (image); 372 × 272 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Pabst Alexander VI gives the king of Spain America (Pope Alexander VI Gives the Spanish King of the Donation of America) Illustration No. 6 (From 12) to the History of the Middle Ages, Posted in: Gothaisches Paperback Off to the year 1794. With copper. Gotha, with Carl Wilh. Ettinger (copy) Henne, Eberhard Siegfried (1759 1828), Chodowiecki, Daniel Nikolaus (1726 1801)

Arlequin, Wizard and Barbier: De Verdogen Rivals, Pieter Tanjé, After Cornelis Troost, 1758 print Belloardo and Capitano are shaved in a hard -handed shaved and begotten with wet -made flour by the barber. His servant Pierot holds the container with flour. Arlequin has hidden a bat under his left arm with which he will finally edit his rivals Belloardo and Capitano. Scene from the farce Arlequin, wizard, and barber, from Willem van der Hoeven. Amsterdam paper etching / engraving Barber, Barbershop. Types in 'Commedia dell'Arte': Harlequin. 'art commedy'

Women find a body under a bed, Gabriel Huquier, Jean -Baptiste Oudry, 1705 - 1772 print publisher: ParisFrance paper etching / engraving (SCARRON, ROMAN COMIQUE) specific works of literature (with AUTHOR, Title). finding a dead person

Companion with children in an interior; Illustrations for the love novel by J.J. Rousseau. A company consisting of two gentlemen, two ladies and three children in an interior. Below the show is a single caption in French. PRENT Left and top right labeled: ve. Part - Page 99.

Twelfth Night, or, What You Will. Act III. Scene IV. Olivia´s Garden. Olivia, Maria and Malvolio. From The Boydell Shakespeare Gallery published late 19th century. After a painting by John Henry Ramberg.

Young Man bends for a woman, Reinier Vinkeles (I), 1779 print Amsterdam paper etching / engraving introducing. picture, painting. head bent forward; bowing

Illustration to the publishing house Unknown, Chodowiecki, Daniel Nikolaus (1726 1801)

Scene from the '' Hepanderon François ''. Design for a print in '' Hepameron François, Les Nouvelles de Marguerite, Reine de Navarre '' (for Nouvelle III, full. I, opposite p. 22)

After 1790-1810 Dent British. After 417884

Two ladies in conversation for a market stall, Reinier Vinkeles (I), 1806 print Amsterdam paper etching / engraving market. conversation, dialogue; conversation piece

Feestmaal van Cleopatra.Cleopatra is sitting at the table with Marcus Antonius. Lucius Plancus prevents Cleopatra to take a second pearl from her earring to have her wine dissolve in her wine. Hereby Marcus Antonius loses the bet who could give the most expensive banquet.

Charles takes leave of his children Date: 30 January 1649

Allegorical title page with Clio, Bernard Picart, 1731 print A young nobleman sits next to Clio, the muse of history. With her left hand, she points to a book about the history of Europe. With the other hand she points to the scene in the background. Fortuna, love and death fly above an exuberant crowd. In the margin a six -line caption in French. Amsterdam paper etching / engraving Clio (One of the Muses); 'Clio' (Ripa). Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Aurea fortune', 'Good luck', 'peaceful luck overo Clemente', 'fate' (Ripa). Death As Skeleton (+ Death with Scythe). Love Personified

Don Qiuchot is in bed and gets a visit, Bernard Picart, After Charles -Antoine Coypel, 1732 - 1733 print Mrs. Rodriguez, who has a nocturnal conversation with Don Quixote, is surprised by the Hof ladies of the Duchess. They come in with a candle in hand. In the margin a two -way caption in French. Amsterdam paper etching / engraving Don Quixote

Man is introduced during tea, Reinier Vinkeles (I), 1797 print While a company of men and women is drinking tea, a man is introduced to them. He bends a little forward. Amsterdam paper etching / engraving afternoon tea. conversation, dialogue; conversation piece. handkerchief. picture, painting. introducing

Belinde, accompanied by Putti, board a ship, Francois Godefroy, Adrien Godefroy (Rejected Attribution), After Clément Pierre Marillier, 1778 print paper etching / engraving Ships (in General). Cupids: 'Amores', 'Amoretti', 'Putti'

Johan de Witt stopped by his daughter, Reinier Vinkeles (I), 1805 print Johan de Witt just before he leaves the door. He was trapped with the announcement that his brother wanted to speak to him. Anna tries to stop her father. On the left is his brother -in -law of Zwijndrecht. The print is part of an album. print maker: Amsterdampublisher: Haarlem paper etching / engraving

The Empty Quiver. Nicolas Delaunay (French, 1739-1792); after P.-A. Baudouin (French 1723-1769). Date: 1666-1727. Dimensions: 345 × 246 mm (image); 357 × 252 mm (plate); 397 × 287 mm (sheet). Etching and engraving in black ink on white laid paper. Origin: France. Museum: The Chicago Art Institute, FLORENCIA, USA.

Title page with gentlemen to the study, Bernard Picart, 1704 print Men study in a lecture hall of the Academy of Sciences. Above the show an empty cartouche. Paris paper etching / engraving learned society, academy of sciences

Elegant company in a departure, Bernard Picart (workshop of), 1724 print An elegant company dances and sings. A lady graves the wig of a man's head and runs away with it. Amsterdam paper etching / engraving dancing. vocal music, singing. wig

Louis XVI welcoming Necker, July 1789. French Revolution (dummy title)

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Lady Mary Wortley Montagu (1689 - 1762), Traveller in the East Meeting the Sultana Hafitan, widow of the Emperor Mustapha

A woman at her toilet: a maidservant fastens the stays of her corset, a man sits to the right hand side. Engraving.

Murder of Willem van Oranje, 1584, 1681 - 1746 print The Prince of Orange in Delft murdered by Balthasar Gerards, July 10, 1584. Willem van Oranje is shot on a staircase near the open door by Balthasar Gerards. Through the view of the tower of the Nieuwe Kerk. paper etching attempt, political murder Prinsenhof. new church

Group Actors on a stage, Jean Michel Liotard, After Jean Antoine Watteau, 1731 print publisher: ParisFrance paper etching group of actors, troupe; actors on the stage

Historical scene with interior with three people. Interior with two men and a woman around a table.

Young woman is about to commit suicide, Reinier Vinkeles (I), 1803 print In a departure, a young woman is about to put herself through the chest with a knife. The figures around her try to stop her in different ways. Amsterdam paper etching / engraving suicide out of despair. tools, aids, implements ~ crafts and industries: knife. candle. kneeling figure

Young, Elizabeth .

Brush drawing in gray and black with white highlights on brown tinted paper by Erasmus Quellinus, depicting the Crowning Glory in Bologna, including architectural elements and human figures.

A Femme avare galant Escroc, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 published in 1795 Jacques Aliamet French. A Femme avare galant Escroc, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 369333

Le belle nourrice. Dimensions: plate: 16.6 x 21.2 cm (6 9/16 x 8 3/8 in.) sheet: 26 x 35.7 cm (10 1/4 x 14 1/16 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Joseph de Longueil after Charles Eisen.

Interior with a minus with baby, a mother and maid around a fireplace, Abraham Bosse, 1633 print Paris paper etching / engraving wet-nurse. infant, baby. bedroom. bed. open hearth, fire-place

Jean Dambrun after Jean Honoré Fragonard, Le calendrier des viellards Le calendrier des viellards

Portrait of a harsh lady according to the image of Evera J. Boksa. A clip from a German magazine. Brend'amour, Franz Robert Richard (1831 1915), Monogramista E.R., Boks, Evert Jan (1838 1914)

Family around the death bed of father, Jan Luyken, 1712 print Amsterdam paper etching deathbed

Jean Gabriel Caquet after Nicolas Lavreince, L'innocence en danger, 1785 L'innocence en danger

Illustrations for 'Gil Blas', plate VI, after Thomas Stothard, 1755-1834, British, 1781, Line engraving on medium, slightly textured, cream wove paper

Copper engraving by Cornelis Visscher from 1638-1662 depicting Achilles with the daughters of Lykomedes. The print shows figures, gestures, attire, expressions, and landscape in 17th-century Dutch style.

Les Membres du Conseil des Cinq Cents. French Habits No. 3, James Gillray, 1757-1815, British, 1798, Etching

The good died dog is thrown out of the front door The beloved wild deceased dog is mourned by two women in the house, Two dogs The two dogs , print maker: Noach van der Meer (II), (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), publisher: Johannes Allart, (mentioned on object), Amsterdam, 1777, paper, etching, h 248 mm × w 156 mm

Folkema, Jacob, Nobleman and a clergyman with child in a cabinet of curiosities, verso - stamped, In a room filled with numerous curiosities are a nobleman and a clergyman with a child in his arms. Print marked at top right: Tom. ii pag. 187., print, book illustration, prints, engravings, height 149 mm, width 89 mm, Dutch, 1692 - 1767, print maker, printmaker, 1702 - 1767, paper, papier, etching, etchings, intermediary draughtsman

Interior with grieving family. .

MOORS AND CUSTOMS OF THE OLD PARIS / LOUIS XVI EPOQUE (1776) / The view of a quality lady / Moreau Drawing The young / I accept the happy omen.

Edward of Westminster brought before King Edward IV after the Battle of Tewkesbury, 1471. The 17-year-old prince was killed soon after by the king and his brothers. Prince of Wales before King Edward IV. Copperplate engraving from M. A. Jones History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.

Jean Jacques Le Veau after Jean Michel Moreau, J'ai tort, mon cher Valère, et t'en demande excuse, 1782 J'ai tort, mon cher Valère, et t'en demande excuse

Man in worship for a woman Title page for: Les philosophes amoureux. Comedy and verse, 1733, In a room a man grabs hold of a woman's hand and looks at her penetratingly. In the background, two men watch with amazement. Scene from the play 'Les philosophes amoureux.', Castle, Drakensteyn Castle (Baarn), Christian Friedrich Fritzsch (mentioned on object), paper, etching, h 124 mm × w 66 mm

Edelman and a spiritual with child in a rarite cabinet. In a departure filled with numerous rarities, there is a nobleman and a spiritual with a child in his arms.

Lord shore the hand of a lady. In a leath leaves a young lady kissing her hand by a gentleman.

Murder of Willem van Oranje, 1584, 1681 - 1746 print The Prince of Orange in Delft murdered by Balthasar Gerards, July 10, 1584. Willem van Oranje is shot on a staircase near the open door by Balthasar Gerards. Through the view of the tower of the Nieuwe Kerk. Northern Netherlands paper etching attempt, political murder Prinsenhof. new church

La comete. Medium: engraving and etching. Museum: National Gallery of Art, Washington DC. Author: Jacques-Philippe Le Bas after Charles Eisen.

Smidse, Pieter Willem van Megen, 1760 - 1785 print A blacksmith is working in a blacksmithe at the oven. A woman clings to him and points to the visitor with the walking stick. At the top right: 11th Page: 140. The Hague paper etching smith, blacksmith

Hamlet: Act IV, Scene V, Elsinore -- King, Queen, Laertes, Ophelia, etc., Print made by Francis Legat, 1755-1809, British, after Benjamin West, 1738-1820, American, active in Britain (from 1763), 1803, Engraving, Sheet: 17 x 23 1/4in. (43.2 x 59.1cm)

Man offers woman a coin, Salomon Savery, Pieter Jansz. Quast, Cornelis Danckerts

Marriage contract by Eisen, Charles (1720-1778)/ Private Collection/ 18th century/ France/ Etching/ Rococo/ 38x27/ Genre

Discovery of Sculpture, Bernard Picart, 1727 print Debutades draws the contours of the shadow of her loved one on the wall. Her father Butades, a potter from Sicyon, discovers the art of sculpting. (A variant of the story of the discovery of drawing.) In the margin a two -line caption in French. Amsterdam paper etching / engraving the daughter of Butades, Debutades, draws the silhouette of her lover on the wall, i.e. 'the origin of painting' (+ variant)

Matilda I, Countess of Boulogne (1105-1152) negotiating King Stephen's release with Empress Matilda (1102-1167). Queen of Stephen pleading his cause. Copperplate engraving from M. A. Jones History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), The Meeting of Edward V, and His Brother the Duke of York, 1789. Engraving.

The supreme good tone, 1800-1815, No. 21: the elegant in his ferrant marechal, Anonymous, 1800 - 1815 Caricature of an elegant man, kneeling on a stool, dressed in an overcoat (Carrick) with three shoulder collars. A boy holds his leg up. In the doorway a farrier with a horseshoe and hammer in hand. Print from a series of 30 fashion prints, Le Suprême Bon Ton, Paris, 1800-1815. print maker: Francepublisher: Paris paper etching fashion plates. boots (+ men's clothes). horse. farrier, shoeing-smith. tools, aids, implements ~ crafts and industries: hammer. coat: overcoat (+ men's clothes). coat (CARRICK) (+ men's clothes). neck-gear: collar (+ men's clothes). neck-gear ~ clothing (CRAVAT) (+ men's clothes). boots (+ boys' clothes). trousers, breeches, etc. (BREECHES) (+ boys' clothes)

Etching and copper engraving by Johann Georg Wille from 1735-1808 depicting the death of Cleopatra, showing figure, posture, and historical scene.

Mary, Queen of Scots kneeling on the scaffold April 20, 1790 William Nelson Gardiner British This print reproduces one of a set of designs commissioned from Rigaud in 1789 by the 4th Early of Abingdon to complement a musical piece he had written on Mary's final hours and death. Rigaud's drawing for the print was exhibited at the Royal Academy, London in 1791 and is now unlocated.. Mary, Queen of Scots kneeling on the scaffold. L'Execution de Marie Stuart, reine d'Ecosse, en sept estampes (The Execution of Mary Queen of Scots, in seven prints). William Nelson Gardiner (British, Dublin 1766-1814 London). April 20, 1790. Stipple engraving; proof. Tebaldo Monzani , London. Mary, Queen of Scots (British, Linlithgow 1542-1587 Fotheringhay). Prints

Man next to a woman in her bed, Nicolas de Larmessin (III), After Nicolas Lancet, c. 1736 - c. 1743 print In a bedroom a young woman with bare chest is lying on the bed. Next to her is a young man who puts the woman on a bracelet. Next to the bed two chambermaids and a dog. In the foreground, the chambermaid collects the coins and jewelry on the ground. publisher: ParisFrance paper etching / engraving bedroom. lovers' meeting. ornaments, jewels. putting on jewels

Maria and Friedrich's sister are shocked by his condition, Mathias de Sallieth, after Jacobus van Meurs, 1788 print After escaping from the Fort of Glatz (Klodzko) and having taken a long trip, Friedrich von der Trenck comes to his sister. Maria, a friend of the family, and his sister did not recognize him in the first instance by his poor clothes. Print in the middle of it: III. paper etching / engraving interior of the house

Le restaurant. Dated: 1782. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jeanne Deny or Martial Deny after Niclas Lafrensen II.

Woman is presented to Man, Jan Punt, 1739 print A father introduces his young daughter to a man. Scene from the play Le Mariage Forcé (married against will and thanks), van Molière. Amsterdam paper etching / engraving (MOLIERE) specific works of literature (with AUTHOR, Title). parental agreement ~ marriage

Suicide of a woman in Xanten, Jan Luyken, 1699 print In the foreground, a woman hangs her neck on a rope in a kitchen. She commits suicide. With her left hand she sets fire to the house with a torch. She strangles a child with her left hand. Roman soldiers enter the background. Amsterdam paper etching suicide out of despair. violent death by strangling. on fire, ablaze. kitchen Xanten

Cecilia or the Story of a Rich Orphan. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1787. Prints; etchings. Etching

The face; Dissicht / La Veue; The five senses, represented by elegant pairs of ladies and gentlemen. A young woman looks at herself in the mirror. A young man looks from the doorway. The print is part of a series of the five senses.

Christopher Columbus presents samples of his discoveries to Isabella. Date: 1493

Karl Vi., Roman-German Emperor Stecher: Dutzer, Andressseller: Grunge, Joseph (1683) Draftsman: Hauck, Johann Veitfactic genesis: Graz

Rest on the flight to Egypt, Thomas de Leu, After Bernardino Passeri, After Cornelis Cort, 1599 print paper engraving journey of Mary and Joseph to Bethlehem. rest on the flight into Egypt

Before. 1736. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Clothing the naked, Jan Luyken, Gerrit de Broen (Sr.), in or after 1695 - c. 1740

Old Age, plate four from Depicting the Four Ages of Man 1636 France. Etching on paper . Abraham Bosse

Taste in High Life, 1746. After a design by William Hogarth (British, 1697-1764). Etching;

Italian theater company, Jean Antoine Watteau, 1694 - 1729 print A group of five actors, two women and three men, in costumes of the Commedia dell'arte, standing on a stage. On the right a curtain, in the background a backdrop with trees and a bust of a saat. Under the show an eight -line poem in French. print maker: Francepublisher: Paris paper etching / engraving group of actors, troupe; actors on the stage

Die Aderlæsse. The bloodletting.. Neer, Eglon van der, 1635 or 1636-1703. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Crying, Phlebotomy

Mary, Queen of Scots witnessing the murder of David Rizzio January 1, 1791 Isaac Taylor, Jr. British In a dramatic night-time scene, Mary Queen of Scots attempts to save her Italian musician Rizzio, who is being attacked by men sent by her husband Lord Darnley. The print won a gold medal and a premium of 10 guineas from the Society of Arts, London, in 1791 and reproduces a large oil painting by Opie, exhibited at the Royal Academy in 1787. Alderman John Boydell bought the work, displayed it at the Shakespeare Gallery on Pall Mall from 1789 until 1793, then presented to the Corporation of London. It is now at the Guildhall Art Gallery.. Mary, Queen of Scots witnessing the murder of David Rizzio 656565

Personified Soul contradicts the flesh, Jan Luyken, 1714 print The personalized soul contradicts the personification of the flesh (worldly temptations). Under her feet are game cards, a stick fair, coins and other objects that symbolize a sinful life. Amsterdam paper etching spirit (or soul) versus body

Before, William Hogarth, 1736 print The contents in the drawer of the falling bedside table and the dog at the woman's feet indicate a faltering chastity and morality. In the painting next to the canopy, Cupido sets out a rocket to illustrate what is to come. The woman seems to push the man away but has already stripped herself from her corset, which lies on the chair at the foot end. paper etching / engraving unsuccessful love affair; seduction. chastity versus sensuality. one-sided courting; pursuit; difficult choice

Mariane Betraptt, Daniel Nikolaus Chodowiecki, 1773 print In the garden pavilion, Mariane is caught with the nephew of her owner, Frau von Hohenauf. The woman furiously grabs her arm. The nephew looks silently at the floor. Numbered at the top right: 227.S. paper etching Literature. interrupted meeting, lovers caught by surprise. summer-house, arbour, garden-house (Dutch: 'theekoepel')

Copper engraving and etching by Pierre François Basan depicting Cleopatra, created between 1745 and 1797, showing figure, costume, and historical narrative.

Gallant company in painting studio, print maker: Gilles Rousselet, (mentioned on object), after: Jean Lis, (mentioned on object), publisher: François Langlois, (mentioned on object), France, 1620 - 1686, paper, engraving, etching, h 231 mm × w 269 mm

Edelman en een geestelijke met kind in een rariteitenkabinet.In a departure filled with numerous rarities, there is a nobleman and a spiritual with a child in his arms. Print at the top right labeled: Tom. II pag. 187.

Karl VI., Roman-German Kaiser.

Salomé with the head of Johannes de Boper, Richard de Saint-Non, after Jean Honoré Fragonard, After Francesco Solimena, 1773 print paper etching the head of John the Baptist brought to or lying on the banqueting table

Plate 8 for Thomas Smollett's 'The Adventures of Peregrine Pickle'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1785. Prints; etchings. Etching

The Continence of Chevalier Bayard, Engraved by William Pether, ca. 1738-1821, British, after Edward Penny RA, 1714-1791, British, 1771, mezzotint, Sheet: 18 1/8 x 21 7/8in. (46 x 55.6cm)

Nicolas Delaunay after Jean Michel Moreau, Mort de Julie Mort de Julie

Crowned lady with a chained man, Johannes de Mare, after Herman Frederik Carel ten Kate, 1837 - 1855 print A chained man with a beard with raised arms with a man with an ax and a crowned lady in a vaulted interior. The Hague paper steel engraving imprisonment. ruler, sovereign - BB - female ruler

Lady Booby attempts to seduce the immaculate Joseph, from "The Adventures of Joseph Andrews, and His Friend Mr. Abraham Adams" 1792 Thomas Rowlandson. Lady Booby attempts to seduce the immaculate Joseph, from "The Adventures of Joseph Andrews, and His Friend Mr. Abraham Adams". Adventures of Joseph Andrews. Thomas Rowlandson (British, London 1757-1827 London). 1792. Etching. James Sibbald (British, Whitlaw, Roxburghshire, Scotland 1747-1803 Edinburgh). Prints

Sire we close. (IT)

Olivia's House - Olivia, Maria and Malvolio (Shakespeare, Twelfth Night, Act 3, Scene 4) first published 1794; reissued 1852 Thomas Ryder I British Ramberg's image responds to a comic moment in Twelfth Night where Malvolio appears before Oliva "cross-gartered," mistakenly thinking himself irresistable. The image was conceived for John Boydell's Shakespeare Gallery, launched in 1786 as a publishing-cum-exhibition scheme that included a new illustrated edition of the plays, sets of large and small engravings, and a gallery on London's Pall Mall. The latter opened in 1789 with thirty-four paintings and contained about one hundred and seventy works the time Boydell went bankrupt and auctioned the contents in 1805-his print sales plummeted when Napoleon blocaded European ports. This impression belongs to an American reissue of 1852 spearheaded by Shearjashub Spooner, a New York dental surgeon, writer and art scholar who acquired Boydell's heavily worn plates and had them reworked. Printed o

Bedroom interior with a man and woman sitting on a bed, Jean Dambrun, After Clément Pierre Marillier, 1788 print France paper etching bedroom. lovers; courting, flirting

Ludwig Xvii., Dauphin of France Draftsman: Heideloff, Nicolaus Innocentius Wilhelm Clemens Vanradier: Heideloff, Nicolaus Innocentius Wilhelm Clemens Vanverleger: Humphrey, Hannah Verlagsort: London

Maximilian I., Roman-German Emperor.

Calpurnia Pisonis tells Julius Caesar her dream, Jan Lamsvelt, 1728 print Calpurnia Pisonis tells her husband Julius Caesar of the dreams in which she was warned of danger. Caesar ignores her and makes it ready to leave. The performance is explained in the two -way caption. The print is marked left and top right: I. part. - Page: 20. Manufactured in the freisle translated from French "De Kills of Julius Cezar", written by Marie-Anne Barbier. paper etching (story of) C. Julius Caesar

Meeting the council pensioner Cats with Willem II, 1650, 1823 - 1829 print Meeting the council pensioner Jacob Cats with Prince Willem II, 1650. Willem tries to persuade Cats to sign up a document. Netherlands paper etching

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