Prints of Historical Events

A collection of prints capturing significant historical moments, characters, and allegorical representations illustrating classical themes.

Allegorical and anti-relief scene representing Louis XVI surrounded by positive and threatened figures by other hostile

Erminia in Mandenmakers, Etienne Fessard, after Jean Baptiste Marie Pierre, 1751 print print maker: Francepublisher: Paris paper engraving / etching Erminia. Chlorinda. hesitate

Fabel van de Oren van de Haas, Johann Heinrich Meil (the older), after Jean-Baptiste Oudry, 1758 print paper etching fables of Lafontaine : Use 85(...). rodents: hare. insects: beetle

Gideon and the wet sheepskin, Jan Luyken, 1712 print Amsterdam paper etching Gideon presses the fleece and wrings out a bowl full of water

Statue of a woman hangs on a rope in a tree, Bernard Picart, 1726 print Statue of a naked woman, with an arrow in hand, on a pedestal. The image hangs on a tree with a rope that is knotted around the agent of the woman. Amsterdam paper etching / engraving piece of sculpture, reproduction of a piece of sculpture. the (nude) human figure; 'Corpo humano' (Ripa). archer's weapons: arrow

Genuine and non-counterfeit story / MR PRUDHOMME. / Birth .... (Title registered (letter))

A Chinese Man and Woman Fishing by a Fishpond. Artist: After François Boucher (French, Paris 1703-1770 Paris); Gabriel Huquier (French, Orléans 1695-1772 Paris). Dimensions: Sheet (trimmed): 11 3/4 × 9 5/16 in. (29.9 × 23.7 cm). Series/Portfolio: Scenes of Chinese Life(Scenes de la vie Chinoise). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Resting peddler, J. van Strieland, 1812.

Francisco de Goya y Lucientes, To Rise and to Fall (Subir y Bahar), 1799, etching and aquatint on paper.

H. Barbara van NiComedia; Les Plat-Fonds Ou Les Tableaux des Galleries / ceilings or gallery pieces. The Holy Barbara of NiComedia, with palm branch in hand, points to the tower behind her. Her father walks on her. Under the oval show a caption in Latin.

Johann Elias Ridinger, Falconeer Lifting an Owl from the Ground Falconeer Lifting an Owl from the Ground

Group Roma at an inn with a pigeon, Gerrit Adriaensz. the Lord, c. 1616 - c. 1652 print A group of Roma at a pigeon ride for an inn during a break of their trek. Card is played around a pot on an open fire. On the left an inn with an exhaust board with a swan. Northern Netherlands paper etching / engraving wandering communities: Romani or Roma. (traveller) resting in the open air (+ four persons or more ~ traffic and transport). dove-cote. cooking food - CC - in the open air. playing-cards (+ out of doors (sports, games, etc.))

Where is Mother Going , plate 65 from Los Caprichos 1797-1799 Spain. The Caprices, a series of 88 etchings produced by Goya between 1797 and 1799, forms a critical response to human vices and intolerances of the time. The monsters, which inhabit a familiar 17th-century landscape, are representations of the demons born from religion and power. The cast of miscreants is often depicted committing acts of evil. In this print a naked, plump witch is being carried away by a group of dark and nefarious creatures. Her cat anxiously holds on to a parasol as an owl between a pair of legs implausibly supports the entire misbegotten band.. Etching and aquatint on ivory laid paper . Francisco José de Goya y Lucientes

Cerberus, chained by Hercules, infects the Earth with his foam. Copperplate engraving by W. Walker after an illustration by Charles Eisen from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

Le paysan et la fortune: Sujet allégorique , Peasants, Houses, Hills, Putti, Alphonse Legros (1837-1911)

Giants in a fight with the Olympic gods, Michel Dorigny, after Simon Vouet, 1651 print France paper engraving / etching battle of the Giants against the gods: gigantomachy

Plate 77 from 'Los Caprichos': What one does to another (Unos á otros.) 1799 Goya (Francisco de Goya y Lucientes) Spanish. Plate 77 from 'Los Caprichos': What one does to another (Unos á otros.). Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). 1799. Etching, burnished aquatint, drypoint, burin. Prints

ENGEL MET TROS LILES EN TWEE Cherubijnen en Putto Met Scapulier, Giovanni Domenico Tiepolo, After Giovanni Battista Tiepolo, 1742 - 1746 print paper etching angels. cupids: 'amores', 'amoretti', 'putti'. cherubs, i.e. children's heads with wings

Lazio Roma Monterotondo Palazzo del Municipio0. Hutzel, Max 1960-1990 Post-medieval: Frescoes 14th,16th,17th century); Sculpture 17th century; architectural sculpture 15-16th century. Comprehensive coverage of frescoes, and also of exterior flanks, courtyard, columns and fountain. Antiquities: Sarcophagus, 3rd c. A.D. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Jean Michel Moreau, Phaeton au Palais du Soleil , 1766 Phaeton au Palais du Soleil ...

Title print with two putti at a cartouche, François Boucher, c. 1735 print publisher: ParisFrance paper etching Cupids: 'Amores', 'Amoretti', 'Putti'. ornament ~ cartouche

Woman head with hat and closed eyes. .

The Stubborn Donkey 1770 Jean Claude Richard, Abbé de Saint-Non French. The Stubborn Donkey 369402

Temple of Venus at Baia; Vestigi delle Antichita di Roma, Tivoli, Pozzuolo et Altri Luochi. The remains of the temple of Venus at Baia, seen from the east. The ruin is on the coast. With boats and figures in the foreground. In the underwear three lines text in Italian. The print is part of an album.

Dante's Inferno: open digging of the heretics, Damiano Pernati, 1804 print Dante's Inferno: In the city, a burial ground of open burning graves of the heretics. Print no. 33 on page 19 in the album 'Raccolta di Soggetti pictures', a Prentalbum with 42 numbered etchings on 28 pages of Luigi Sabatelli (I) himself and from students to his design. paper etching (scenes from) specific works of literature: Dante, Divina Commedia

Cartouche with agricultural objects, 1771 print A cartouche surrounded by agricultural objects such as a rake, pigeons, a hat, a cage, flowers and whistles. paper etching / engraving ornament ~ cartouche. agriculture

Etching by Johann Elias Ridinger from 1750-1780 depicting a bird catcher using a bird stove and related equipment, showing birds, tools, and human figure.

Print, Premier et Second livre d'Animaux dans le gout du Crayon; France

Allegorical female figure with a torch and a lantern above a city, Isaac Weissenbruch, 1836 - 1912 print Netherlands paper torch. lantern. city-view in general; 'veduta'

Cartoon on the frozen Netherlands, 1871, 1871 print Cartoon on the cold that ravages the Netherlands. Central a warmly packed Dutchman sitting on a chair. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 4, 1871. print maker: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper severe winters

Etcher: Giovanni Domenico Tiepolo, Italian, 1727-1804, After: Giovanni Battista Tiepolo, Italian, Venice, 1696-1770, The Genius of Valor (Courage) Accompanied by Other AllegoricalFigures, Etching, sheet: 37 × 55.5 cm (14 9/16 × 21 7/8in.), Italian, 18thcentury, Works on Paper -Prints

Earth: The struggle of Hercules and Antaios, Louis Surugue, After Nicolas Vleughels, 1721 print paper engraving / etching the giant Antaeus is lifted in the air and crushed to death by Hercules. earth (one of the four elements)

Shakspeare. Third part of King Henry the Sixth, act IV, scene V : A park near Middleham Castle in Yorkshire : King Edward, Huntsman, Gloster etc. , Parks, Kings, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. King Henry VI. Thomas Pennant Barton Collection

Photo production from a print to the painting Le Roi à la Chasse, Anonymous, After Anthony Van Dyck, c. 1859 - in or before 1869 photograph photographic support albumen print ruler, sovereign. horse. hunting, chase

Allegory of Freedom, 1795, 1795 print Allegory of freedom, 1795. Freedom is on a hill in the open field while the time offers her an eternal rich, a very little crown, and the peace leans on her. On the right, a French hussaar leads the liberated Dutchman to freedom. In the background, Dwingelanden are chased away by the advancing (French) army. Explanation of the performance in the five -line caption. See also the Pendant. print maker: Netherlandspublisher: Rotterdam paper etching / engraving Freedom, Liberty; 'Libertí' (Ripa) (+ abstract concept represented by female figure). Father Time, man with wings and scythe

Equestrian portrait of Dirk Tulp, Pieter Dupont, after Paulus Potter, 1905 print Hanging Portret from Dirk Tulp to a painting by Paulus Potter, commissioned by Professor Jhr. J. Six. Amsterdam paper engraving historical persons

Peace of 1814 Peace of 1814. Water-strong dotted colored.

Elias Martin, 1739-1818, Swedish, The Gypsies, 1778.

Belgium under French protection, 1831, 1831 print Cartoon on the political situation of Belgium under French protection in 1831. A Jesuit -driving on the Belgian lion leads to the nose behind him to the representatives of the various Belgian positions: magistrate, farmers, military and the nobility. The Jesuit is wearing a stick with a damper. In the air, an angel floats 'France de Juillet 1830' with wings spread. In the caption De Legenda: 1. Magistrat, 2. Paysan, 3. Garde Civique, 4. Military 5. Un Noble Belgium paper nose ring(ing), ear tag(ging), etc. ~ marking cattle. prisoner; in fetters. prisoners chained to the victor's chariot. other divisions into classes (~ society). regular clerics, e.g. Jesuits, Redemptorists France. Belgium

Print, Rocaille Ornament Design; Designed by François-Thomas Mondon (French, ca. 1709 - 1755); Print Maker: Antoine Aveline (French, 1691 - 1743); France; etching on laid paper

Fabbled Van the Hardhakina, Jourg Hannish Hannrich Mile (the Eeptery), After Jean-Baptists OUDRY, 1758 print paper etching (story of) Mercury (Hermes). fables of Lafontaine : Use 85(...). woodcutting, woodcutter ~ forestry

The Death of Prince Józef Poniatowski. Motte, Charles (Paryż ; zakład litograficzny ; 1785-1836), lithography atelier, Weber (grafik ; fl. ca 1830), graphic artist, Quénot, J. P. (fl. 18..-18..), publisher, Vernet, Horace (1789-1863), painter

Le Nouveau St. Sebastien. Vierge etmartyr.. Artist: Honoré Daumier, French, 1808-1879

Imitations and Drury-Lane Theatre, from Boswell's Tour of the Hebrides Published 1786 England. Etching on paper . Thomas Rowlandson

N ° 2 / Discovery made by the cousin Jacques // Two hanging in the moon (IT)

Arab Horse at the Post. Artist: Félix Bracquemond (French, Paris 1833-1914 Sèvres); After Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Sheet: 16 3/4 x 23 1/2 in. (42.5 x 59.7 cm)Plate: 16 1/4 x 19 in. (41.3 x 48.3 cm)Image: 13 1/2 x 17 in. (34.3 x 43.2 cm). Date: 1833-1914. Museum: Metropolitan Museum of Art, New York, USA.

Scene from the story of Don Quixot, Johann Christoph Weigel, 1725 print Numbered below: 5. Nuremberg paper etching Don Quixote. birds

As You Like It: Act II, Scene VII: The Seven Ages Man (fourth age), John Ogborne the Elder, 1755-1795, British, after Robert Smirke, 1752-1845, British, 1801, Engraving

Bliżej Kultury Voysard, Etienne Claude (1746 Ca 1812), Zampieri, Domenice (1581 1641), Blanchon, Jean Andre

Delight. Bonus of the Society of Estate Fine Arts in the Kingdom of Poland for 1864; Gerson, Wojciech (1831-1901), Dzwonkowski, Adam (Warsaw; Litographic Zak 1859-1872); 1864 (1864-00-00-1864-00-00);

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat, Print made by A. M. Ireland, active before 1801, after William Hogarth, 1697-1764, British, 1794, Etching on medium, slightly textured, cream wove paper

Every constitution requires movement , March , Satire on the escape of Metternich, Anton Zampis -, Lithographer, Johann Höfelich -, printer

Finale de la Valküre , Fictitious characters, Fire, Odin Norse deity, Wagner, Richard, 1813-1883. Ring des Nibelungen. Walküre. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Jan van Schaffelaar jumps from the tower, 1482; Self-sacrifice by Jan van Schaffelaar. Jan van Schaffelaar jumps from the tower of Barneveld, July 16, 1482.

Creation, François Anne David, After Rafaël, 1808 print paper etching / engraving the six days of creation (Genesis 1:3-25)

One Way to Stop Your Horse, Thomas Rowlandson, 1756-1827, British, undated, Watercolor and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, beige wove paper, Mount: 4 3/8 x 4 5/8 inches (11.1 x 11.7 cm) and Sheet: 2 3/4 x 2 7/8 inches (7 x 7.3 cm), boots, riding, carriage, genre subject, horse (animal), riding crop, satire

Wszyscy Święci w MNK Wenzel, Giovanni (1791 1880), Bigioli, Filippo (1798 1878)

Letter A and a seascape with a setting sun and allegorical objects. .

Reproductions of three engravings: Daniel Mikołaj Chodowiecki (1726-1801), child, Warta, doctor, from the series "Dance of Death"; Z: "Wędrowiec", 1903, No. 25, p. 490; Wierzbicki B. and S-ka (Warsaw; Zakłady Graphicczne; 1897-1944), Wędrowiec (Warsaw; magazine; 1863-1906); 1903 (1903-00-00-1903-00-00);

Attaque du lion. Dated: c. 1830. Dimensions: image: 19.7 x 23.2 cm (7 3/4 x 9 1/8 in.) sheet: 31.2 x 44.9 cm (12 5/16 x 17 11/16 in.). Medium: lithograph on chine coll. Museum: National Gallery of Art, Washington DC. Author: Louis-Candide Boulanger.

The first six minor prophets, The fourth vision of Daniel, The first six minor prophets, Histoire du Vieux et du Nouveau Testament, Martin, David, 1639-1721, Mortier, Pierre, Picart, Bernard, 1673-1733, Sluiter, Pieter, 1675-ca. 1713, Etching, 1700

S�dergren (1900-1900); Lorenz Froelich (1820-1908), Rolf Sad Paa Fyrisvold, (1852)

Claesen, Charles, Carpey, P.-J., Decorative Tables, Déposé, Two photo reproductions of paintings of scenes with putti surrounded by flowers, by PJ Carpey, recto - printed, This photograph is part of a cover with 24 photographs on 22 sheets., photograph, photo, reproduction, page, photographs, photographically illustrated books, Ch. Claesen Editeur, Paris, Liége & Berlin, height 480 mm, width 315 mm, photographer, 1874 - 1881, photographic paper, photo paper, albumen print, albumine print, after, after painting by, Publication (Event), Publication, publisher

Virtue and fame rejuvenation of violence; The virtue and fame dispose of the violence.

Micha Elwiro Andriolli, "Tumry and Motruna, Illustration to" Chata behind the village "J.I. Kraszewski"; Z: "Tygodnik Ilustrowany" 1879 No. 186, p. 33; Zajkowski, Andrzej (1851-1914), Andriolli, Micha Elwiro (1836-1893); 1879 (1879-00-00-1879-00-00);Kraszewski, Józef Ignacy (1812-1887). Chata for the village, Tygodnik Ilustrowany (Warsaw - magazine - 1859-1939) - illustrations, illustrations for literary works, Polish painting

Emmanuel Phélippes Beaulieu, The Tourist, 1858 The Tourist

Pierre Philippe Choffard, Fleuron for the Title Pages, 1795 Fleuron for the Title Pages

He must see things favorably! Made 1828 France. Lithograph in black on ivory wove paper . Denis Auguste Marie Raffet

Faust and Mephistopheles Galloping Through the Night of the Witches' Sabbath. Eugène Delacroix; French, 1798-1863. Date: 1828. Dimensions: 210 × 285 mm (image); 260 × 400 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

A wind trader sits on a bag of shares that are only kept high by the wind, 1720, 1720 A wind trader with a windmill on his head sits on a bag of shares that are only kept high by the wind, 1720. On the left in the tree a monkey with binoculars, a cat with balloons on his legs flies through the air. In the caption verses in Dutch and French. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching A wind trader with a windmill on his head sits on a bag of shares that are only kept high by the wind, 1720. On the left in the tree a monkey with binoculars, a cat with balloons on his legs flies through the air. In the caption verses in Dutch and French. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching

Print made by A. M. Ireland, active before 1801, Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat, 1794. Etching on medium, slightly textured, cream wove paper.

A political lesson , Politics & government, Horses, Accidents, United States, History, Revolution, 1775-1783

Degotation and generosity / CN Volf (TI)

Flood; The flood ...

Stop the, monsters. (IT)

The wild bull; Le Taureau Furieux. A group of men struggles to keep a fierce bull in control. Print No. 41 on magazine 26 in the album 'Raccolta di Soggetti Pittorici', a print album with 42 numbered etchings on 28 pages of Luigi Sabatelli (i) itself and from students to his design.

Madness. _ Puppets that you are, dance my loves, / death and republic _ your pirouettes we will not always laugh. / N ° 12

War of China and Japan, Marius Bauer, 1895 print Cartoon on the first Chinese-Japanese war in 1894-1895. Death was littered over the battlefield with corpses. Published in the addition of 'De Kroniek' of April 14, 1895. print maker: Netherlandsprinter: Amsterdampublisher: Amsterdam paper Death as skeleton. political caricatures and satires. personifications of Death; 'Morte' (Ripa) (+ Death with scythe) China. Japan

Love and the idol of French Auguste Bouquet (1810-1846). Press cartoon. "The love and idol of the French". Board published in "caricature" of March 7, 1833. Lithography. Paris, House of Balzac.

. The fisherman glaucus turns into a sea-centaur after eating purposes. He swims with a winding fish tail through the waves. In the margin the title in French, English, German and Dutch. The show is decorated with an ornamental edge.

Oriental Arms, from "Gazette des Beaux-Arts" 1875 Jules-Ferdinand Jacquemart. Oriental Arms, from "Gazette des Beaux-Arts". Jules-Ferdinand Jacquemart (French, Paris 1837-1880 Paris). 1875. Etching. Gazette des Beaux-Arts. Prints

Michał Elwiro Andriolli, for the Victor Hugo work The Epic Of The Lion’; from: `Kłosy` 1884 no. 987, p. 345. Gorazdowski, Edward (1843-1901), engraver, Andriolli, Michał Elwiro (1836-1893), painter

Autumn; 16 prints from different series of Cornelis and Frederik Bloemaert. A hunter with a dead hare over the arm on the back. His dog is waiting for the road. Originally print 3 from a series with the four seasons to Abraham Bloemaert. In this mixed series of PRENT 11.

Juliusz Kossak (1824-1899), The fox hunt; from: "Tygodnik Ilustrowany" 1870, no. 110, vol. V. Juliusz Kossak (1824-1899), draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher, Gorazdowski, Edward (1843-1901), woodcutter

The Death-Boat of Heligoland (Vignette), Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1837

He must see things favorably!. Denis Auguste Marie Raffet; French, 1804-1860. Date: 1828. Dimensions: 213 × 200 mm (image); 353 × 271 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Elizabeth in the camp at Tilbury, 1811. Artist: J Rogers

Man with hands in the side, Gillis van Scheyndel (I), 1638 print A man with a feathered hat on the head and hands in the side. A few trees in the background. The print is part of a series of 32 prints with genreta scenes. Amsterdam paper etching head-gear: hat (+ men's clothes)

Worship of the statue of the Grote Roland, Daniel Nikolaus Chodowiecki, 1793 print On the left and below, different figures are etched on horseback. Berlin paper etching Roland. monument, statue. drum (musical instrument) - CC - out of doors. flag, colours (as symbol of the state, etc.). breasts giving milk. riding a horse, ass, or mule; rider, horseman

Hunebed te Valthe, Hendrik Dirk Kruseman van Elten, 1857 - 1864 print Landscape with hunebed in Valthe. Haarlem paper megalithic chambered tomb, dolmen Valthe

His name will appear, in the future race / to the most cruel tyrants a cruel insult. (IT)

Title Page. Dated: published 1735. Dimensions: plate: 21.7 x 15 cm (8 9/16 x 5 7/8 in.) sheet: 35.3 x 23.2 cm (13 7/8 x 9 1/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: François Boucher after Abraham Bloemaert.

Boston from Dorchester Heights.. Prints. 1850. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Boston (Mass.)

Pierre François Legrand, after Robert Guillaume Dardel, Apothéose de Voltaire (The Apotheosis of Voltaire), 1782 Apothéose de Voltaire (The Apotheosis of Voltaire)

The blood bath. (IT)

Augereau.

Photo production of a drawing by Johann Wolfgang von Goethe and a muse from the Zueignung by Goethe's Faust I by Wilhelm von Kaulbach, Anonymous, After Wilhelm von Kulbach, 1850 - 1900 photograph This photo is part of a cover with 22 photos. cardboard. photographic support albumen print (scenes from) specific works of literature: Goethe, Faust. kneeling figure. single Muses

Playing Card; red and black ink, paper

Two men watch a large beam sawn through, Jan Luyken, 1711 print Amsterdam paper etching / letterpress printing tools, aids, implements ~ crafts and industries: saw. sawing (industrial process)

Equestrian portrait of the Duke of Bordeaux

The Death of Prince Józef Poniatowski. unknown, graphic artist

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