Public Gatherings in Historic Settings

Engravings depicting gatherings and ceremonies in ornate rooms, showcasing historical attire and significant public events from past centuries.

Ball held by the Ministry of Foreign Affairs in Cairo mark the anniversary of Isma'il Pasha becoming viceroy of Egypt, illustration from L'Illustration, Journal Universel, No 1150, Volume XLV, March 11, 1865.

Public reading of some psalms in the new frosting, 1773, Reinier Vinkeles (I), 1777 print Public reading of some psalms in the new frosting by the Commission to improve the rhyme psalms, in the meeting room in the Mauritshuis on October 1, 1773. A group sitting at a table and more attendees standing around the table. On the left is a member of the committee to read. Amsterdam paper etching / engraving reading to somebody Mauritshuis

Reception of the Courts of the Court of Russia. (IT)

Partial meal offered by the city council of Amsterdam to Stadholder Willem V and Prinses Wilhelmina van Prussen, in the ship's room in the town hall, 1 June 1768. Part of a print series with title print and 14 plates of the prince and princess in Amsterdam, 30 May - June 4, 1768.

Hearing hall in Felix Meritis, 1789, Reinier Vinkeles (i), after Jacques Kuyper, after Pieter Barbiers (i), 1794 print Visitors in the hearing hall in the building of the Felix Meritis Maatschappij in Amsterdam, inaugurated in 1789. Amsterdam paper etching / engraving learned society, academy of sciences Happy merits

Medea: or Jason and Creusa's marriage.

Medea: or Jason and Creusa's marriage.

Ball held by the Ministry of Foreign Affairs in Cairo mark the anniversary of Isma'il Pasha becoming viceroy of Egypt, illustration from L'Illustration, Journal Universel, No 1150, Volume XLV, March 11, 1865.

The British Museum: the Zoological Gallery, crowded with holiday visitors. Wood engraving, 1845.

Interior of the Brandenburg House Theatre, Hammersmith, Henry Wigstead, c.1745-1793, British, ca. 1792, Gray wash and graphite with pen and black on medium, slightly textured, cream wove paper, Sheet: 9 × 13 1/2 inches (22.9 × 34.3 cm), architectural subject

HER MAJESTY'S DEPARTURE FROM STOWE HOUSE.

Revocation of the Edict van Nantes, 1685, 1694 - 1696 print The revocation of the edict of Nantes, where freedom of religion was granted to the Protestants in France, by the French King Louis XIV, October 8, 1685. Room in which a large group of people are gathered with the king sitting on his throne under a bingwax on his throne on the right on his throne . Northern Netherlands paper etching meeting, assembly France

View of the interior of the Schepenzaal of the Town Hall on Dam Square, Willem Kok, 1793 print There are various figures in the ship's room of the town hall on Dam Square, mainly men. The aldermen are in the benches. Some figures are talking to each other and others seem to admire the interior. The family weapons of the first aldermen can be seen on the ceiling. Under the image a three -faced caption, left in French and right in Dutch. In the middle of the text the crowned weapon of Amsterdam, held by the Netherlands Lion. Amsterdam paper etching dog City Hall of Amsterdam (1655-1808)

Institution of the States General by King William I in Brussels, September 21, 1815. Below the coat of arms of King William I. Part of a series of plates depicting the arrival and inauguration of William I in Brussels, The States General were inaugurated by King William I in Brussels on 21 September 1815. Twelve plates depicting the arrival and inauguration of William I in Brussels and the battles of Quatre-Bras and Waterloo in 1815 (series title)., print maker: Johann Nepomuk Gibèle, (possibly), after: Denis-Sebastien Leroy, publisher: J.L. van Bever, Brussels, 1825 - 1826, paper, etching, h 596 mm × w 778 mm

Schouwburg with theater decor: the new court portal, Adolf van der Laan (attributed to), after Hendrik de Leth, 1760 - 1765 print Theater show in the Amsterdamse Schouwburg on the Keizersgracht with the scenic decor Het Nieuwe Hofportaal with scene off: Karel de Bold, Hartog of Burgundy. The decor printed of a separate plate within a passe-partout with the room, side slices, orchestra bin and the facade of the stage with columns, garlands and chandeliers. The title and a four -line fresh also printed from a separate plate. Part of a series of 12 theater sets. Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Keizersgracht (1637-1772)

Rijn, Rembrandt van, Medea: or the marriage of Jason and Creüsa, print, prints, height 232 mm, width 176 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1648 - 1648, second quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

Weekly consultation by the States General in the Trêveszaal, 1738, 1738 print The weekly consultation by the States General in the Trêveszaal, 1738. Centrally a large round table. paper etching / engraving national government. Lower House, Parliament, Chamber Trêves room

Schouwburg with theater decor: the wallpaper room, Jan Punt, After Paulus van Liender, after Hendrik de Leth, 1760 - 1765 print Theater performance in the Amsterdamse Schouwburg on the Keizersgracht with the scenesDecor with scene with scene out: De Zwetser. The decor printed of a separate plate within a passe-partout with the room, side slices, orchestra bin and the facade of the stage with columns, garlands and chandeliers. The title and a four -line fresh also printed from a separate plate. Part of a series of 12 theater sets. paper etching / engraving theatre, theatrical performance. stage design Schouwburg Keizersgracht (1637-1772)

GREAT TEXAS MEETING, AT NEW YORK.

Fourth Event of October 5, 1789 - Parisian women sitting at the national assembly among the deputies Jean-Fran�ois Janinet (1752-1814). "Fourth event of October 5, 1789 - Parisian women sitting at the National Assembly among members". Engraving.

Thomas Sutherland, ca. 1785-1838, British, Excise Office, Broad Street, 1810. Colored aquatint.

Schouwburg with theater decor: the Italian street, Adolf van der Laan (attributed to), after Hendrik de Leth, 1760 - 1765 print Theater performance in the Amsterdamse Schouwburg on the Keizersgracht with the scenes of the Italian street with scene from: the waving lawyer. The decor printed of a separate plate within a passe-partout with the room, side slices, orchestra bin and the facade of the stage with columns, garlands and chandeliers. The title and a four -line fresh also printed from a separate plate. Part of a series of 12 theater sets. Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Keizersgracht (1637-1772)

Feast in the Schepenkamer for Willem V and Wilhelmina van Pruisen, 1768, Simon Fokke, 1772 print Feast offered by the city council of Amsterdam to Stadholder Willem V and Princess Wilhelmina van Pruisen, in the Schepenkamer in the town hall, 1 June 1768. paper etching / engraving public festivities on the occasion of royal events (+ eating and drinking ~ festive activities). celebration meal, feast, banquet City Hall of Amsterdam (1655-1808)

Session of Prince William V in the College of the Admiralty in Amsterdam. Draughtsman: Reinier Vinkeles (I) (mentioned on object). Dating: Jun-1768 - 1772. Measurements: h 259 mm × w 378 mm. Museum: Rijksmuseum, Amsterdam.

Buys, Jacobus, Northern Netherlands, Vinkeles, Reinier (I), Inauguration of Felix Meritis, 1788, verso - stamped, Inauguration of the building of the Felix Meritis Society in Amsterdam, 1789. Professor Andreas Bonn speaks in the Concert Hall., print, engraving, engraving (printing process), print maker, printmaker, 1799 - 1799, paper, etching

Hall of the meeting in the building of the Credit Society during the main meeting of the part of the Agricultural Society; Walkiewicz, W Adys Aw (Ca 1833-1900), Lerue, Adam (1825-1863), PECQ, Adolf & Co. (Warsaw; Litographic Zak Fl. 1856-1859); 1859 (1859-00-00-1859-00-00);

Paleis Honselaarsdijk changes owner / sale of the Prussian delights to Anna van Hanover, 1754. Above: View on the outside of Palace Honselaarsdijk with a cheerful crowd during the exchange of owner, 1754. The palace became as part of the Prussian delights in Holland By Frederik the Great sold to Anna van Hanover on February 21, 1754. Below: four people to a table with documents during the transfer of Prussian delights in Holland, who Anna van Hanover as a whole for f. 700,000 purchased for her at the time five-year son inheritance holder Willem V. Paleis Honselaarsdijk made them available to her daughter Princess Carolina. Design for a print.

First national meeting in The Hague, 1796. Session of the first national meeting in The Hague, from 1 March 1796 to 31 August 1797. View in the meeting room (former dance hall of the stadfrontal palace) with members, all with ribbon as representant. On the right, the President Pieter Paul assigned members and declares the National Assembly established. In the background the full public gallery.

Party at the fiftieth anniversary of the painter and creative society art love in Utrecht, 1857; Celebration celebration in memory of the 50th anniversary of the painter and signship art love, in the Groote concert hall in Utrecht. Party on the occasion of the 50th anniversary 1807-1857 of the painter and recognizing art love (later: Society art love) in the concert hall of the building for arts and sciences in Utrecht, November 30, 1857.

Northern Netherlands, Frisius, Simon, The investiture of Maurice with the Order of the Garter, 1613, recto lower right - handwritten, 4 February 1613. Maurice is given the garter by a herald in the great hall of the Binnenhof in The Hague in the presence of the English ambassador, Johan van Oldenbarnevelt, the members of the States General and many other guests., print, engraving, news print, prints, engravings, happened 1613 The 4th of February, height 287 mm, width 378 mm, print maker, printmaker, 1613 - 1615, paper, papier, etching, etchings, Work conception, 1575 - 1628

James Edward Kelly, The American Horse Exchange, 1881, wood engraving on paper.

Theater of the war (Leaf XXII), 1721; Schouwburg van den War, starting from King Charles Den II. To K karel Den III. Existing in IX. Historical figures on an elephant leaf, as battles, water and the main fortresses (...). Sheet with nine performances of events from the year 1721. At the bottom right The birth of the Keurvorstin van Saxen in Pillnitz, October 24, 1721.

Subscription to the great national loan in Vienna, Philipp Felix Kanitz -, drawer

General Central Meeting in The Hague, 1795, Reinier Vinkeles (I), 1803 - 1805 print The general central meeting held with open doors in the room De Oude Doelen in The Hague, 28 August 1795. Meeting in preparation for the National Convention. Netherlands paper etching / engraving politics. national government Hotel De Oude Doelen

Napoleon in the Chamber of Deputies, from the Political and Military Life of Napoleon. Charles Étienne Pierre Motte (French, 1785-1836); after A. Champion (French, active 1789-1830); published by Chez Babeuf (French, 19th century). Date: 1822-1826. Dimensions: 320 × 460 mm (image); 330 × 486 mm (primary support); 428 × 570 mm (secondary support). Lithograph in black on ivory China paper, laid down on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

Face in a palace hall with foreign delegation on audience at De Doge, Giovanni Battista Brustoloni, After Canaletto, 1766 print Face in a palace hall (possibly the dog palace) with a large foreign delegation on audience at the Doge van Venice. Numbered below: No. 1. print maker: Italyafter painting by: Italypublisher: VeniceVenice paper etching audition; ruler giving audience. palace - AA - civic architecture: inside. other sovereign: doge Dogepaleis. Venice

Banquet organised by the industrialist Jean-Francois Cail for the representatives of his companies, in the Grand Hotel hall, April 25, 1869, Paris, France, illustration from L'Illustration, Journal Universel, 1366, Volume LIII, May 1, 1869.

Schimpf & Bghs, Home from the Country.Going into Winter QuartersGrand Corridor of the Gilsey House, 1874, wood engraving on paper.

Exhibition of Royal Academy, Print made by Pietro Antonio Martini, 1738-1797, Italian, after Johann Heinrich Ramberg, 1763-1840, German, active in Britain (1781-88), 1787, Etching, Sheet: 15 x 20 1/2in. (38.1 x 52.1cm), architectural subject, art, coats, crowd, dresses, exhibitions, frames (furnishings), gallery, genre subject, gowns, hats, top, paintings, people, skirts (garments), City of Westminster, Greater London, London, Royal Academy

Heralds College, The Hall, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756-1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762-1832, John Bluck, British, 1791-1832, Aquatint, brush and watercolor on paper, Wigged men, some in red, at a table at left center behind a railing. Others in robes with heraldic symbols. Title, artists', and publisher's names below., Europe, London, England, 1808, Print, Print

Johann Nepomuk Höchle's watercolor and gouache depict Napoleon's marriage to Marie Louise in the Vienna Hofburg ceremonial hall, showing figures in formal attire, hall architecture, spatial arrangement, and decorative details with pen and pencil traces in 1810.

Engraving after British artist & engraver, William Hogarth 1697ñ1764: The Masquerade Ticket

Target's pains, or Hercules (IT) works

Praal Graves of Philip de Stoute and Jan Zonder Vrees, Unknown, 1850 - 1890 print Room of the museum in Dijon with the spoils of Philip de Stoute and Jan Zonder Vrees. paper letterpress printing grave, tomb Dijon

Men and women gathererd in the street to view the entrance of a royal figure, who is carried into the city on a throne; set design from 'La Monarchia Latina Trionfante' 1678 Mathäus Küsel One of a series of plates depicting the theatrical sets for the opera 'La Monarchia Latina Trionfante', designed by Ludovico Burnacini with a libretto by Nicolò Minato, music by Antonio Draghi, and the ballet by Johann Heinrich Schmeizer. Produced in Vienna in 1678, the opera commemorates the birth of Archduke Joseph, son of Emperor Leopold I and his third wife, Eleonora Magdalena.. Men and women gathererd in the street to view the entrance of a royal figure, who is carried into the city on a throne; set design from 'La Monarchia Latina Trionfante'. Mathäus Küsel (German, 1621-1682). 1678. Etching

Spain. Liberal Triennium. Ferdinand VII swears the Constitution at the Assembly Hall of the Royal Palace (9th July 1820). Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Museo de Historia.

. The interior of the sideboards during a meeting of the middle head. Above the fireplace it depends by Govert Flinck painting Solomon's prayer for wisdom. On the left the painting manufactured by Jacob de Wit the election of the seventy elders through Moses. In the middle in the margin two lions at the Amsterdam coat of arms.

Schouwburg with theater decor: Het Winter Bosch, Cornelis Brouwer, after Jan Bulthuis, after Andries van der Groen, 1788 print Theater show in the new Amsterdamse Schouwburg with the scenes of Het Winter Bosch, with scene from the Gysbrecht van Aemstel. The decor printed of a separate plate within a renewed passe-partout with the room, side slices, pillars with statues and the facade of the stage. A six -line verse in the caption. Part of the series of fourteen theater decors of the Nieuwe Amsterdamse Schouwburg, 1787-1794. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Leidseplein (1774-1890)

The feast / royal / holidays given to the king and the queen by the city of Paris ... (IT)

AVENTION OF THE EMPIRE Jean-Baptiste Isabey (1767-1855). Advent of the empire (the results of the plebiscite are announced at the first consul Napoleon Bonaparte). Drawing.

Before the Assemblee Nationale, Louis defends his policies and actions, drawing attention to his successes : he is applauded and loyal resolutions are voiced. Date: 4 February 1790

James Fittler, 1758-1835, British, The House of Commons. Engraving.

Weeke's Museum, Coventry Street, London, Robert Bremmel Schnebbelie, active 1803-1849, undated, Watercolor and graphite with pen and brown ink on medium, smooth, cream wove paper, Sheet: 5 × 5 1/8 inches (12.7 × 13 cm), chandeliers, figures, genre subject, museum, England, Europe, London, United Kingdom

William Johnstone White, active 1804-died c.1870, British, House of Commons as it Appeared in 1741/2. Etched outline.

Meeting of the Royal Society in Somerset House. The hall is decorated with portraits of members including John Evelyn, Sir Isaac Newton, Sir Humphrey Davy, Sir Martin Folkes, etc. Steel engraving by Henry Melville after an illustration by Fairholt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

Convito in casa di Levi, Po Veronese, Accademia Venezia. Carlo Ponti, photographer (Italian, born Switzerland, about 1823 - 1893) about 1870 Photograph of the oil painting Feast in the House of Levi. The painting depicts Christ at the center of a feast at a long table under three large arches. (Verso, mount) upper left, black ink: "Comitto in casa di Levi"; (Verso, mount) upper center, black ink: "Accademia Venezia"; (Verso, mount) upper right, black ink: "La Veronese";

Jean Le Pautre (French, 1618-1682). Troisieme Journee from Divertissements donnes par le Roi”, 1676. From Entertainments Given by The King (Divertissements donnes par le Roi). Engraving.

Main dining area in the Eden theatre cafe, Milan, Italy, drawing by A Bonamore, illustration from Il Secolo Illustrato della Domenica, Year II, No 44, August 3, 1890.

The Trial of Queen Caroline of Brunswick by Sir George Hayter (1792-1871) English painter. Dated 19th Century

Le bal masqué. Dated: 1782. Medium: engraving and etching. Museum: National Gallery of Art, Washington DC. Author: JEAN MICHEL D. J. MOREAU.

The Great Hall, Bank of England February 1, 1808 Designed and etched by Thomas Rowlandson British. The Great Hall, Bank of England. Microcosm of London, pl. 7. Designed and etched by Thomas Rowlandson (British, London 1757-1827 London). February 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

Building for the Dutch Colonies at the World Fair in Amsterdam, 1883 Centre of the building for the Ned: Colonies Memory of Amsterdam in 1883 on object, print maker: anonymous, printer: Emrik & Binger, publisher: Het Nieuws van den Dag, print maker: Netherlands, printer: Netherlands, publisher: Amsterdam, 1883, paper, h 117 mm × w 180 mm

J. Hill, active 19th century, The Hall, Blue Coat School, 1808. Aquatint, hand-colored.

Coaches arriving at the hall of the Hotel de Ville, Paris, France, United Kingdom celebrations for the Universal Exhibition of London, illustration from L'Illustration, Journal Universel, No 441, Volume XVIII, August 7-14, 1851.

The decoration of the second elevator from the Paris Opera, the cloth dealer from Skribe costume picture No, to the theater newspaper, Andreas Geiger -, Copper Engraver

King William III in The Hague, 1874, 1874 Leaf with two performances. On the left the arrival of King William III in The Hague in the pouring rain. On the right the illumination of the streets at Noordeinde Palace, 15 May 1874. Illustration in an (incomplete) copy of the memorial book of the Festivities in May 1874 on the occasion of the 25-year anniversary of King William III. print maker: Netherlandsprint maker: Netherlandsafter drawing by: Netherlandspublisher: Arnhem paper The Hague. Noordeinde Palace Leaf with two performances. On the left the arrival of King William III in The Hague in the pouring rain. On the right the illumination of the streets at Noordeinde Palace, 15 May 1874. Illustration in an (incomplete) copy of the memorial book of the Festivities in May 1874 on the occasion of the 25-year anniversary of King William III. print maker: Netherlandsprint maker: Netherlandsafter drawing by: Netherlandspublisher: Arnhem paper The Hague. Noordeinde Palace

The main exhibition hall for the Art and industry products exhibition in Remiremont, France, illustration from L'Illustration, Journal Universel, No 448, Volume XVIII, September 25- October 2, 1851.

The State Bedroom during the reception of the bride at Dresden Palace. Date/Period: B. 1728. Copper engraving. Height: 226 mm (8.89 in); Width: 369 mm (14.52 in). Author: Quirijn Fonbonne.

Dinner Party at a Mandarin's House, Thomas Allom, 1804-1872, British, undated, Pen and brown ink, brown wash, white gouache and graphite on medium, slightly textured, cream wove paper, Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm), carvings, dinner, entertainment, feast, fish, food, genre subject, interior, leisure, meal, music, China

King's Mews, Charing Cross December 1, 1808 Designed and etched by Thomas Rowlandson. King's Mews, Charing Cross. Microcosm of London, pl. 47. Designed and etched by Thomas Rowlandson (British, London 1757-1827 London). December 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

Apparition of Jupiter's palace in the dance Enea in Lazio. Lithograph by Ricordi, illustrated by Sanquirico, 1829. Additional, Enea nel Lazio. Published by Gio Ricordi e Co. in Florence and Milan. Features dancers depicted in a lithographic style

Alfonso XII lies in state in Madrid : he dies without an heir but his queen Maria Cristina is pregnant with the future Alfonso XIII and she will rule as regent. Date: 1885

Comforts of Bath, Plate 10. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 7 11/16 × 10 1/4 in. (19.6 × 26 cm). Publisher: Samuel William Fores (British, 1761-1838). Series/Portfolio: Comforts of Bath. Date: January 6, 1798. Museum: Metropolitan Museum of Art, New York, USA.

French Revolution. Historical gallery or paintings of the French Revolution First board, nº7. Opening of the General States in the Hall of Menu-Plaisirs, Versailles, May 5, 1789. (TF)

Decoration of the Hall of Mirrors in Versailles, on the occasion of the second marriage of the Dauphin, on 9 February 1747, Cochin, Charles-Nicolas, the Younger (1715-1790)

Le festin royal - Fête donnée à l'occasion de la naissance de Monseigneur le Dauphin, 21 janvier 1782. Dated: 1782. Dimensions: plate: 52.5 × 39.6 cm (20 11/16 × 15 9/16 in.) sheet: 57.1 × 44.2 cm (22 1/2 × 17 3/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: JEAN-MICHEL MOREAU THE YOUNGER.

Art lovers in a gallery, c. 1826 - c. 1830 drawing Sketch of the painting of a gallery with a number of well -known art lovers, painted for Lord Murray. Introduced from left to right: G. Watson Taylor, Rev. W. Holwell Car, Sir John Murray, P.C. Wonder, Sir R. Peel, Sir D. Wilkie R.A., G.O. Wyndham (Earl of Egremont); G.J.W. Aga-elis (later Baron Dover), R. Earl or Grosvenor (later Duke of Westminster), G. Granville (Marquis of Stafford, later Duke of Sutherland and as a portrait); Sir Ch. Long (later Lord Farnborough), Sir Abraham Hume Bart, and the Earl of Aberdeen. London paper pen / brush

Brother's municipality in Zeist, Abraham Pietersz. Hulk, 1781 drawing Design for a print. paper. ink pen / brush sermon ~ Protestant service Zeist

Ball at Versailles in 1745.

DISTRIBUTION OF THE 'NELSON MEDALS,' IN THE PAINTED HALL, GREENWICH HOSPITAL

Kockers, George, Middelburg, Accurate illustration of the National Assembly in The Hague, First National Assembly in The Hague, 1796, verso - stamped, Session of the First National Assembly in The Hague, from 1 March 1796 to 31 August 1797. View of the meeting room (former ballroom of the Stadholder's Palace) with the members, all wearing the representative's ribbon. On the left the chairman Pieter Paulus, on the left in front a speaker on the lectern. In the background the full public gallery., print, engraving, prints, engravings, Frederik Muller Historical plates, height 680 mm, width 618 mm, print maker, printmaker, 1797 - 1797, fourth quarter 18th century, paper, stipples, hand coloring, Work conception, after own design by

THE PARIS UNIVERSAL EXHIBITION

Thomas Rowlandson, 1756-1827, British, House of Lords, 1809. Aquatint, hand-colored.

James Fittler, 1758-1835, British, King on His Throne in the House of Lords, ca. 1820. Engraving.

The Reception 1780-1827 Thomas Rowlandson British. The Reception 358673

South Sea House, Dividend Hall February 1, 1810 Designed and etched by Thomas Rowlandson. South Sea House, Dividend Hall. Microcosm of London, pl. 102. Designed and etched by Thomas Rowlandson (British, London 1757-1827 London). February 1, 1810. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

No One Spoke. Niemand sprak er. Nemo loquebatur (title on object). NELRI-serie (series title). Draughtsman: Sara Troost. After Cornelis Troost. Dating: 1770. Measurements: h 278 mm × w 355 mm. Museum: Rijksmuseum, Amsterdam.

Main gallery at the World Exhibition in Amsterdam, 1883; View in the main gallery; Reminder of Amsterdam in 1883. View in the main gallery of the world exhibition at the Museumplein in Amsterdam. Part of a group of sixteen plates and a map of the world exhibition in Amsterdam from 1 May to 1 October 1883. Edition of the news from the day.

Kasimir le Grand (1310 1370) W: The old Poland, historic and poetic album, composed of songs and legends of M. J. U. Niemcewicz, translated and put into verse by the most colebles French poets. Orne of 36 drawings by Charles Forster, Paris 1833 Lithographie Villain, Sorrieu, Frédéric (1807 1887), Sułkowska, Ewa (1786 1824), Forster, Karol (1800 1879)

In the year 1785. Signing a treaty in 1785.

A 1563 etching by Francesco Terzio depicting a large court ball held in a ballroom, showing dancers and spectators in a formal setting.

First cartoon at the music competition in Brussels, 1830, Anonymous, 1830 print Cartoon on the music competition held in Brussels simultaneously with the National Industry Exhibition, July 1830. Music lovers were trapped as mice with the message that Frankfurt's harmony would play on the competition. This harmony is projected onto a building as a magic lantern. On the left a clown on a stage that addresses the pubbliek. Behind a scaffolding the banners of the cities participating in the competition. With legend 1-9. In the performance and on the magazine written inscriptions. Part of a group of three cartoons: Avant - Pendant - Après. Brussels paper transparency, slide. small group of musicians, chamber orchestra, jazz band. mouse trap. competition, art contest Brussels

Samuel William Reynolds, 1773-1835, British, The Reform Bill receiving The King's Assent by Royal Commission, 1836. Mezzotint on thin, slightly textured, cream, wove paper.

West side of the Burgerzaal in the town hall on Dam Square, Cornelis Bogerts, After Hendrik Keun, 1771 - 1783 print The west side of the Burgerzaal in the town hall on Dam Square in Amsterdam. In the background in the middle the door to the Schepenzaal. In the middle Justitia (justice), under her feet King Midas as personification of greed and Medusa as personification of envy. To the left of Justitia Death, on the right the personification of punishment. In addition, the image of Atlas. Different figures walk and talk in the room. Under the show the title in Dutch and French. Numbered at the top right: 4. Amsterdam paper etching / engraving townhall. interior ~ representation of a building. Punishment; 'Castigo', 'Pena', 'Punitione' (Ripa). (story of) Midas. Envy; 'Invidia' (Ripa) ~ personification of one of the Seven Deadly Sins. Death as skeleton. Justitia (justice) as Roman personification. (story of) Atlas City Hall of Amsterdam (1655-1808). Citizen

Exhibition Room, Somerset House, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756-1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762-1832, John Hill, British, active in the United States, 1770 - 1850, Aquatint, brush and watercolors on paper, Crowded room with couches. Paintings cover the wall space up to high windows. Title, artists', and publisher's names below., Europe, London, England, 1808, Print, Print

The History of the Coronation of James II. Artist: William Sherwin (British, 1680-1720); Samuel Moore (British, active 1680-1720); John Collins (British, active ca. 1682-87); Nicholas Yeates (British, active 1669-1686); John Sturt (British, London 1658-1730 London). Author: Francis Sandford (British, 1630-1694). Dimensions: 17 1/2 x 11 3/4 in. (44.5 x 29.8 cm). Printer: Thomas Newcomb (British, active 1660-1700). Date: 1687. Museum: Metropolitan Museum of Art, New York, USA.

Richard Cooper the Younger, 1740-1814, British, The Procession of the Knights of the Most Noble Order of the Garter, 1782. Etching and aquatint on moderately thick, moderately textured, cream laid paper.

Print made by Matthew Dubourg, active 1786-1838, British, The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821, 1822. Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper.

ILUSTRACION ESPAÑOLA/AMERICANA: REGENTE MARIA CRISTINA INAUGURANDO LA CAMARA ALTA EN ESPAÑA, DENOMINADA ESTAMENTO DE PROCERES, EL 24/07/1934,. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. Maria Christina of the Two Sicilies. MARIA CRISTINA DE PARMA. PARMA MARIA CRISTINA DE.

Spain, Basque Country, Biscay, Bilbao. Session of the Juntas Generales de Vizcaya (Foral Parliament of Biscay). Sessions were held, for the first time, in the assembly hall of the Institute in Bilbao. The act was presided by a portrait of King Alfonso XII. The last session took place on the night of October 7, 1876. Previously these sessions were held, according to jurisdiction, in the Tree of Guernica (Gernika). At the end of the Carlist wars in 1876, the Juntas Generales were abolished along with the rest of the chartered regime. Engraving. La Ilustracion Espa-ola y Americana, October 22, 1876.

. Stadhouder Willem V takes a session between the directors of the VOC in Amsterdam as an elevator, June 1, 1768. Part of a print series with title print and 14 plates of the prince and Princess in Amsterdam, 30 May - June 4, 1768.

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